Railroad Record Club Treasure Hunt, Part 2

1 Selection of Steventon tapes mostly unreleased

1 Selection of Steventon tapes mostly unreleased

Following up on our recent post William A. Steventon’s Railroad Record Club (September 24, 2018), guest author Kenneth Gear continues with a detailed rundown on his latest discoveries.

I have been interested in historic preservation for a long time, and it’s not every day that anyone comes across original material such as this. Suddenly, out of nowhere it seems, previously unknown, unissued audio recordings have emerged for some long-vanished steam and electric railroads, along with 16mm motion picture film, and various artifacts related to the Railroad Record Club’s 42 issued LPs, in their various forms. It seems like a miracle that somehow, it all survived to be rescued from oblivion.

Getting this done involved a tremendous financial sacrifice on Ken’s part, as he is of modest means. I hope that he will be able to recoup at least some of his substantial investment in the future. I am sure he will appreciate any contributions you may be able to offer him, towards the cost of transferring some of these reel-to-reel tapes and 16mm movie films to digital.

You can find Part 1 here: Railroad Record Club Treasure Hunt (July 30, 2017)

-David Sadowski

PS- Our new book Building Chicago’s Subways is now available for immediate shipment.  If you already pre-ordered it, your copy is already on its way to you.  We are excited to have had the opportunity to tell the story of this exciting chapter in Chicago history.  Details on how to order are at the end of this post.

Railroad Record Club Treasure Hunt, Part 2

It’s been over a year since I acquired a large portion of the William Steventon estate. The Railroad Record Club items that I purchased last year have enabled David and I to piece together a fairly complete history of the RRC and to more fully appreciate the time and effort Mr. Steventon put into producing these records. The homemade 78rpm records alone proved to be an invaluable resource. Not only did they provide us with some wonderful recordings, most of which hadn’t been heard in over fifty years, they revealed the pre-history of the club and offered a glimpse into the infancy of railroad field recording.

We were able to hear the very first railroad recording Steventon made– B&O trains at Riverdale, Maryland in 1953. We also finally completed our quest to get a copy of every single released RRC record digitized and put on CDs. We are now only in need of two samplers, the 5th and 6th years. More interesting information was garnered from examining original record jacket artwork and paste up boards, as well as the metal print blocks. We were also able to compile a list of records re-issued on 12″ stock and find out what was necessary for it to happen and the cost of doing it.

Photographs from his personal collection were scanned and published in the Trolley Dodger for all to enjoy. I think the effort that went into keeping all this material from ending up in a dumpster was well worth the time and expense and I’m happy to have been involved.

In spite of this, I knew the job was only half finished. There was much more that needed to be saved and time was running out. Those tapes I wrote about under the heading “what I left behind” in the first treasure hunt story needed to be preserved. There were still a big box of photos, reams of correspondence, the metal master discs for the 12″ reissues and lots and lots of sealed records.

The estate dealer was quite adamant that this stuff had to go…and quickly! I purchased all that I could, but I certainly could not afford to buy anything else and asked for some time to raise the money. As I tried to come up with the extra cash needed, months went by and the emails ceased. For a while it seemed that all this great material would be lost. Still, I squirreled away what money I could when I could and slowly, much too slowly, I approached his asking price. With the funds in hand, I emailed the estate dealer putting in the subject line that I HAD the money for the remaining Steventon estate items. Even as I composed that email I couldn’t be sure that the entire lot wasn’t already in some land fill rotting away. He answered me the next day, but it seemed a lot longer then that to me. His first two sentences were a relief:  

Ken, good to hear from you.  Yes, it is all as we left it a year ago.

There was one complication that needed to be addressed. I could not make the trip up to him in Wisconsin this year as I had done before. All the items would have to be shipped to me in New Jersey.

The estate dealer was agreeable to packing up the items and doing the weighing and making the transportation arrangements, but again there was a complication. This was his busy season and he would be working extensively out of town.  He would not be able to devote much time to this effort for the next few weeks. A little progress was made here and there through the rest of June and I purchased boxes and packing material in July. I was a little apprehensive about shipping old open reel tapes and vinyl records during the hottest part of the summer anyway, so I just had to be patient. In early August progress was made and on the 13th I received the long-awaited email:

The last box is packed.  You’ll have a pallet coming that’s right around 400 pounds, perhaps a touch over.  Nine boxes to be delivered to the YRC terminal. 

Several more delays would still be encountered, not the lest of which was the local hardware store’s forklift needing repairs. The hardware store, for a $20 fee, would be used to lift the pallet onto the truck. At last, in early September, with all hurdles cleared, a newly-repaired forklift placed the shipment on to the truck. Finally, the second half of the Steventon estate’s Railroad Record Club items were on their way to me.

A few days later I heading to the local YRC terminal to receive the long-awaited shipment. After some paperwork in the office, I backed a borrowed ¾-ton pick-up truck to the indicated bay. Soon a forklift lowered the last of the Railroad Record Club items from the Steventon estate into the truck bed. I now had a night of treasure hunting to look forward to!

I had sort of “cherry picked” the first half of the estate, so I knew that a great unexpected find was rather doubtful, but I did come across a few surprises.

THE TAPES

2 Tapes appear to be in good condition

2 Tapes appear to be in good condition

3 Tape with hand written track listing

3 Tape with hand written track listing

4 More unreleased Steventon audio

4 More unreleased Steventon audio

5 Lots of interesting material on these tapes

5 Lots of interesting material on these tapes

6 Still more intersting tapes

6 Still more intersting tapes

7 Unreleased audio this is why I bought the whole lot

7 Unreleased audio this is why I bought the whole lot

8 Steventon tapes

8 Steventon tapes

9 More Stevnton tapes

9 More Stevnton tapes

10 Even more tapes

10 Even more tapes

11 Small reels -the master tapes for the 78rpm records

11 Small reels -the master tapes for the 78rpm records

12 Another view of the Small reels -the master tapes for the 78rpm records

12 Another view of the Small reels -the master tapes for the 78rpm records

13 A box full of the Small reels -the master tapes for the 78rpm records

13 A box full of the Small reels -the master tapes for the 78rpm records

14 Close up of the 78rpm record master tapes

14 Close up of the 78rpm record master tapes

15 Another Close up of the 78rpm record master tapes

15 Another Close up of the 78rpm record master tapes

16 78rpm master tapes showing condition of tapes-not too bad

16 78rpm master tapes showing condition of tapes-not too bad

17 close up of 78rpm master tape showing condition

17 close up of 78rpm master tape showing condition

18 BC Electric and Montreal & South Counties tapes with Steventon letter

18 BC Electric and Montreal & South Counties tapes with Steventon letter

19 Montreal & South Counties tape with Steventon letter

19 Montreal & South Counties tape with Steventon letter

20 BC Electric tape with Steventon letter

20 BC Electric tape with Steventon letter

21 Close up of the BC Electric and Montreal & South Counties tapes

21 Close up of the BC Electric and Montreal & South Counties tapes

22 Railroad Record Club Master tapes

22 Railroad Record Club Master tapes

23 Master tape for record 26

23 Master tape for record 26

24 A stack of 22 Railroad Record Club Master tapes

24 A stack of 22 Railroad Record Club Master tapes

25 master tape Railroad Record Club number 16

25 master tape Railroad Record Club number 16

26 master tape Railroad Record Club number 15

26 master tape Railroad Record Club number 15

27 master tape Railroad Record Club with memo

27 master tape Railroad Record Club with memo

28 master tape Railroad Record Club number 17

28 master tape Railroad Record Club number 17

29 master tape Railroad Record Club number 18

29 master tape Railroad Record Club number 18

30 Note on box containing master tape Railroad Record Club number 18

30 Note on box containing master tape Railroad Record Club number 18

31 Two master tapes for record number 3

31 Two master tapes for record number 3

32 Two master tapes for record number 3 showing condition

32 Two master tapes for record number 3 showing condition

33 master tape Railroad Record Club number 7

33 master tape Railroad Record Club number 7

34 master tapes Railroad Record Club number 10

34 master tapes Railroad Record Club number 10

35 master tape Railroad Record Club number 23 with memo

35 master tape Railroad Record Club number 23 with memo

36 master tape Railroad Record Club number 17

36 master tape Railroad Record Club number 17

The reel to reel tapes that I had left behind last year were the real reason I went to all this trouble and expense to acquire the rest of the estate. I’m sure I did not get any of the tapes that were actually in Steventon’s recorder when he was trackside, but they may no longer exist. Perhaps he transferred these “field tapes” to newer tape stock, in an effort to preserve them and some of these duplicates are what I received. There is at least one recording I know he made that is not among my tapes. In the liner notes of Record Number 20, Steventon writes that the cab ride onboard NYC # 1441 with his father at the throttle was edited down from over two hours of tape. I would have been very happy to find 4 or 5 reels of tape marked “cab ride with Dad” but it was not to be. What I did find, however, is some very good and interesting stuff, most of which has never been released on a Railroad Record Club LP.

One tape that was a bit of a surprise was a 4″ reel of tape marked NYS&W. Of all the railroads in the New York area, why the Susquehanna? If he recorded this tape while in New York to ride and record the Queensboro Bridge trolley, which had to be prior to April 1957 when that line shut down, then why not record PRR K-4s on the New York & Long Branch which lasted until October of that year? Or all those electric locomotives on the NYC and NYNH&H? Perhaps he did record some or all these railroads and I just don’t have the tapes. Anything is possible, but I have found no evidence that he ever did. I’ll just have to wait until I have the NYS&W tape put on CD to find out just what the attraction may have been.

Other interesting finds include three 5″ reels of a fan trip operated by the Northern Pacific Railroad on June 20, 1957. 4-8-4 # 2686 pulled the train from St. Paul, MN to Staples. One tape is labeled “NP 2686-LV MPLS,” the second NP 2686 coal dock stop,” and the last, “NP 2686 LV Staples.” There was also a negative of the NP 2686 at Staples found among the photographs. Other steam and/or diesel tapes are labeled “CPR,” “NKP Ft. Wayne,” “N&W,” and “Soo Line.”

The traction fans among us will be happy to know there is plenty for them. The CNS&M has several tapes devoted to it. One tape is marked “CNS&M switching at Rondout and Mundelein”. There is a cut on Record 26 of locomotive # 459 switching at Rondout, but not at Mundelein. Another North Shore tape is marked “Mundelein Run” and another simply ” Mundelein”. One more CNS&M tape has “Electroliner” written on the box.

There is a tape marked “ITS 202”, apparently Steventon preferred Illinois Traction System to Illinois Terminal. On Record 25 Steventon wrote in the liner notes, “We had just arrived (at Harristown, IL) on interurban No. 202 where we had made an “on train” recording east from Springfield. We alighted and watched the 202 fade into the distance. This was the last sight and sound we had of the Illinois Terminal as an interurban. The “on train” recording of 202 and a streamliner is scheduled for release at a later date.” It never was. I don’t know about the streamliner recording, I may or may not have it, but I will consider it a privilege to be involved with releasing the 202 recording for him.

There are also tapes of the Cedar Rapids & Iowa City (CRANDIC), Charles City Western, Toledo & Eastern, and Capital Transit. Canadian traction fans are not overlooked either. There is a 5″ reel of the Niagara, St. Catharines & Toronto Railway. There are also two 5″ reels, one each, of the BC Electric and the Montreal & Southern Counties. These two tapes were recorded by Eugene Van Dusen, and the accompanying letter to Steventon, plus a copy of it sent to Elwin Purington, were found among some RRC papers I have. Another reel of tape not recorded by Steventon is “Cincinnati Street Railway Car 187 12/13/51.” Finding this was a nice surprise. I don’t know who did record it, but Steventon did not start making recordings until 1953.

Here is the entire list of the tape reels, excluding 21/2″ reels which I’ll list separately, and the master tapes for the LPs,

REEL TO REEL TAPES

INFORMATION MARKED ON TAPE BOXES

4″ reels:

1. NYS&W

5″ reels:

1. CPR-J. Van Brocklin
2. Soo Line
3. T&E NKP Diesel-NKP Ft. Wayne
4. N&W
5. N&W from Salem
6. N&W Billy + Larry on end
7. NP 2686 Lv Mpls-6/20/57
8. NP 2686 coal dock stop
9. NP 2686 Lv Staples
10. B. C. Electric
11. Montreal & Southern Counties
12. Potomac Edison #5
13. Potomac Edison H&F last run radio program
14. CNS&M -switching at Rondout and Mundelein
15. Mundelein Run
16. Capital Transit co 1151
17. ITS car 202
18. Cedar Rapids and Iowa City 5/31/53
19. CCW 5/18/54*
20. CCW CC to Colwell
21. Toledo & Eastern
22. PRR GG-1s

7″ reels:

1. Railroading in Spooner Wisconsin
2. CNS&M Electroliner
3. N. St. C & Toronto
4. Johnstown Traction and Altoona & Logan Valley
5. Cincinnati Street Railway car 187 12/13/51

The next bunch of tapes are smaller reels. These 21/2″ reels are in their original manufacture’s boxes and are marked only with a Railroad name and a catalog number. The catalog numbers correspond with the catalog numbers on the 10″ 78rpm acetate records that I acquired with the first half of the estate. As producing these records was a very time-consuming task, Steventon saved time by making a master tape for each record. The master tape would contain his spoken introductions followed by the train sounds. I bought over sixty of these small master tapes, and a large number have never been put on the regular Railroad Record Club releases. They contain sounds of railroads I was completely unaware Steventon ever recorded, such as L&N, Southern, and Virginian. This collection also contains the Queensboro Bridge trolley, the IND subway, and the Third Avenue EL recordings Steventon made in New York City.

21/2″ reels:

1. Potomac Edison, 4 reels
2. Shenandoah Central, 2 reels
3. Capital Transit, 3 reels
4. Altoona & Logan Valley, 2 reels
5. B&O, 9 reels
6. Shaker Heights RT, 3 reels
7. PRR, 5 reels
8. NKP, 1 reel
9. St. Louis PS, 1 reel
10. Illinois Terminal, 2 reels
11. ICRR 3 reels
12. N&W, 1 reel
13. WM Rwy, 1 reel
14. Baltimore Transit, 2 reels
15. Senate Subway, 1 reel
16. Scranton Transit, 1 reel
17. Rochester Subway, 1 reel
18. CB&Q, 2 reels
19. Niagara, St. C & T, 2 reels
20. Virginian, 2 reels
21. Southern, 2 reels
22. Queensboro Bridge, 2 reels
23. Wabash, 1 reel
24. Third Ave. EL, 2 reels
25. Soo Line, 5 reels
26. L&N, 2 reels
27. St. Elizabeth Hospital, 1 reel (used steam switcher to move coal hoppers)
28. Omaha Road, 1 reel
29. NYC IND Subway, 1 reel
30. Unidentified, 4 reels

This is not a complete set of all the master tapes made for the 78rpm records to be sure, but it’s most of them. I consider it a small miracle that any survive at all! I am not an audio expert, but in my opinion, uninformed as it may be, these tapes appear to be in reasonably good condition. I would think that the tapes would be able to withstand a few more plays, enough to be digitized at least. Neither David nor I have the equipment to attempt this and I think it would be ill advised of us to try anyway. The tapes are old and were not stored in archival conditions. I’m sure the prudent course of action is to entrust any work on them to a professional.

The last batch of tapes are the master tapes made for the released Railroad Record Club LPs. There are different size reels, some tapes are only of one side of the LP while others have both sides on the same reel. Some are in good condition and some are not. Some I have multiple copies of and a few of the LPs I have no tapes for, Rather then make a complete list of every reel I will simply list the few LPs I have NO master tapes for.

No master tapes:

RRC 21
RRC 24
RRC 29
RRC 31
RRC SP-2
RRC SP-4
RRC SP-6

Most of these reels are 7″ with only a few smaller or larger. The most interesting master tapes are the reels for RRC 3 EBT/D&RGW. There are two 7″ reels that most likely have the original release version of the record, the one with William Steventon’s narration. There are also two 5″ reels, one marked “sounds only” and the other labeled “Narrative.” Since Steventon removed his voice from the 12″reissue of the record, the “Narrative” tape must contain just the voice of Elwin Purington doing the new narration.

I’m not sure just what to do with these master tapes. Some are in rough shape and all these sounds are on the released Railroad Record Club LPs. It certainly would be a considerable expense to digitize them all and no new sounds would be gained. For now, I’ll store them in the best possible conditions that I can provide and perhaps one day a clear path of action will present itself.

MOVIE FILMS

1 Steventon Film that should be all trains

1 Steventon Film that should be all trains

2 Capital Transit B&W Night Film

2 Capital Transit B&W Night Film

3 Steventon film

3 Steventon film

4 Pennsy and B&O film

4 Pennsy and B&O film

5 Back of Kodachrome box

5 Back of Kodachrome box

6 Front of kodachrome box

6 Front of kodachrome box

I found several rolls of 16mm movie film within the boxes of audio tapes. Fortunately, Steventon was very good at labeling everything. He inserted little slips of paper into the film boxes listing the contents of the films. Unfortunately, the majority are family home movies. Most are of Steventon’s son Seth. His first day of school, Christmases, and birthday parties. There were six 100-foot reels that should be all trains.

16mm movies;

1. 100-foot reel but only about 50 feet of film. Labeled “Pennsy Fan Trip and B&O near Riverdale.”
2. 100-foot reel, full, labeled “Canada Term”. I’m not sure what that is supposed to indicate. I unspooled a few feet of film and the first few frames are without a doubt a steeple cab locomotive.
3. 100-foot reel, full, B&W, labeled “Cap Transit Night Film.”
4. 100-foot reel, full, labeled “EBT Reel 1.”
5. 100-foot reel, full, labeled “EBT Reel 2.”
6. 100-foot reel, full, labeled “Negative 1R Freight” Also written on box “bad footage.”

PRINT BLOCKS

1 Selection of print blocks

1 Selection of print blocks

2 More print blocks

2 More print blocks

3 Still more print blocks

3 Still more print blocks

4. Print block for very early RRC traction logo

4. Print block for very early RRC traction logo

5. Railroad Record Club logo print block

5. Railroad Record Club logo print block

6 Another style Railroad Record Club logo print block

6 Another style Railroad Record Club logo print block

7 Interurban car fron LP Sound Scrapbook-Traction

7 Interurban car fron LP Sound Scrapbook-Traction

8 Interurban car fron LP Sound Scrapbook-Traction in two sizes

8 Interurban car fron LP Sound Scrapbook-Traction in two sizes

9 PRR steamer from 1st edition of RRC 10 in two sizes

9 PRR steamer from 1st edition of RRC 10 in two sizes

10 D&RGW locomotive from the 1st edition of the LP the Siverton Train

10 D&RGW locomotive from the 1st edition of the LP the Siverton Train

11A Print block for NKP LP

11A Print block for NKP LP

12 Ad for RRC 25

12 Ad for RRC 25

13 Ad for RRC 25 reversed

13 Ad for RRC 25 reversed

14 Print block for large ad

14 Print block for large ad

15 Print block for large ad reversed

15 Print block for large ad reversed

16 Ad for traction watch fobs

16 Ad for traction watch fobs

17 Ad for steam LPs

17 Ad for steam LPs

18 Ad for steam LPs reversed

18 Ad for steam LPs reversed

19 Strange RRC ad

19 Strange RRC ad

20 Strange RRC ad printed version

20 Strange RRC ad printed version

I also acquired a good number of print blocks, which are mostly quite small and were used in the RRC advertisements.  I have a bunch of print blocks of the LP covers, all about the size of a postage stamp. They were used in ads and in the catalogs. There are a few complete ads that mostly feature a single record release. One large ad of interest is a very 1960’s, almost psychedelic illustration of a steam locomotive looming over a record player. Smoke is shooting from it’s stack and entwined within the billows of smoke are such things as a whistle blowing, a box cab electric locomotive, and a steam train. LPs are seen flying through the air and the words “steam and electric recordings” in twisted snake-like lettering fills the upper portion. Wild and unexpected. I would certainly like to know if this ad ever appeared anywhere in print.

I did not make a list of these small print blocks, there are just too many. I did photograph a representative selection of them. These photos will give a good idea of what is in the collection.

RECORDS

1 41 copies of RRC 3

1 41 copies of RRC 3

2 18 copies of RRC 5

2 18 copies of RRC 5

3 RCA test pressing for Sound Scrapbook Steam showing notation on upper left of sleeve

3 RCA test pressing for Sound Scrapbook Steam showing notation on upper left of sleeve

4 RCA test pressing for Illinois Terminal one of only 3 good discs

4 RCA test pressing for Illinois Terminal one of only 3 good discs

5 Back of RCA test pressing for Illinois Terminal

5 Back of RCA test pressing for Illinois Terminal

6 Close up of RCA test pressing for Illinois Terminal

6 Close up of RCA test pressing for Illinois Terminal

7 Close up of RCA test pressing for NKP

7 Close up of RCA test pressing for NKP

8 RCA test pressing for CN showing damage

8 RCA test pressing for CN showing damage

9 Metal press stamp

9 Metal press stamp

10 Metal press stamp with cardboard sleeve

10 Metal press stamp with cardboard sleeve

11 RRC Nashville Metal press stamp

11 RRC Nashville Metal press stamp

12 Metal press stamps in cardboard sleeves for RRC4 B&O

12 Metal press stamps in cardboard sleeves for RRC4 B&O

13 3 RRC Nashville Metal press stamps

13 3 RRC Nashville Metal press stamps

14 Metal press stamp for RRC LP

14 Metal press stamp for RRC LP

15 Railroad Record Club SP-4 boxes and sleeves

15 Railroad Record Club SP-4 boxes and sleeves

16 Record jackets for each of the 3 records in the SP-4 set

16 Record jackets for each of the 3 records in the SP-4 set

17 Label for 1st edition of record 1 side 1 of RRC-SP4

17 Label for 1st edition of record 1 side 1 of RRC-SP4

18 Label for 2nd edition of record 1 side 1 of RRC-SP4

18 Label for 2nd edition of record 1 side 1 of RRC-SP4

19 Label for 3rd edition of record 1 side 1 of RRC-SP4

19 Label for 3rd edition of record 1 side 1 of RRC-SP4

Since the estate dealer would only sell me the tapes unless I bought the entire lot, including the remainder of the RRC LP stock, I had no choice but to buy them. I’ll admit I would not have wanted to see all these mint condition, still sealed LPs go in the trash, but what am I going to do with them and where am I going to store them? These questions I’m still contemplating. However, these concerns are secondary to preserving and digitizing the tapes. I have a few options, I can rent a table at a few railroadiania swap meets, contact a few local hobby stores and see if they are willing to sell some, and David and I have been thinking of making them available through the blog.

I’ll have to carefully consider my options. It would be nice to make a little of my money back and put it towards digitizing tapes. For the record, here is a list of the 12″ remasters. They are all still sealed and, for the most part, in mint condition. A few may have a bend or crease in the jackets and a few copies of RRC 20 have brown water stains in the lower right corner.

12″ remaster LPs:

41 copies of RRC 3, EBT/D&RGW
18 copies of RRC 5, D7rgw
36 copies of RRC 8 CN
29 copies of RRC 3 15, CB&Q
34 copies of RRC 16, Westside Lumber
25 copies of RRC 20, NYC/C&IM (6 copies have water damage)
15 copies of RRC 26, CNS&M Freight
22 copies of RRC 29, NKP 779

Included with the unsold record stock were several mint copies of the original 10″ LPs:

10″ LPs:
1 copy RRC 2, WCF&N
1 copy RRC 4, B&O
2 copies of RRC 5, D&RGW
1 copy RRC 7, N&W
1 copy RRC 8, CN
1 copy RRC 10, PRR
1 copy RRC 16, Westside Lumber
1 copy RRC 17, Soo Line
1 copy RRC 19, DM&IR
1 copy RRC 20, NYC/C&IM
8 copies of RRC 28, Charles City Western
1 copy RRC 29, NKP 779
1 copy RRC SP-2 NP 2626

Twenty-four RCA test pressing were included in the sale, ten 12″ pressings and fourteen 10″. All these pressings are stamped on one side only and on the paper sleeve of two of the 12″ pressings there is a hand-written note: “Masters will be 12 inch”. This is the one rather disheartening part of the story. All but three of these test pressings are in very poor condition. The accrete has flaked off in large chips. When I removed the disc from the paper sleeve to determine its condition, a black snowfall often resulted. I’m not sure what to do with these, they are really just trash now. I will photograph the label of each one for my archive but after that, I just don’t know. The three good discs are two 12″ pressings for both sides of RRC 15, CB&Q. It’s lucky that the only undamaged 12″ RCA test pressings are for the two sides of the same record. The one good 10″ disc is for side 2 of RRC 25, Illinois Terminal.

The metal stamping plates vary in condition. I was able to inspect these plates while at the dealer’s property last July, so I knew what to expect. I turned them down last year to save my money for what I considered the good stuff, the artwork and 78rpm records. All the original RCA stamp plates were lost in 1973, necessitating the 12″ remaster program. These plates are the Nashville-made stamps made in the late 1970s and throughout the 1980s. As I remember it, all 17 master plates were in the dealer’s warehouse. I only looked at them briefly but the top few were scratched and dented. Now, if I wanted the tapes, I had to buy them. Here I did a little dealing. Since these plates were a bit heavier than the records and I was paying for shipment by the pound, I convinced the dealer to choose a few of the stamps that were in the best condition. Those in poor condition he would not charge me for and he could discard them. The archivist in me wanted to save them all, but compromises must occasionally be made.

In all I got twelve of these stamps, five are 14″ and 7 are 12″.

I ended up with a bunch of returned records as well. Numbering somewhere around fifteen or twenty, these records were returned by buyers dissatisfied with them.  Most of them have a note attached with the buyer’s name and his complaint. Things such as scratches, surface noise, and various clicks and pops were the most often cited reasons for the return.

An interesting find was various copies of the records that comprise the three-record set of SP-4. I was able to put together a set of each of the three pressings this set had. A surprise was a set of these records not in the display box that they came in, but in three separate record jackets. Each jacket had the same drawing of CSS&SB MU #108 that appeared on the box lid. Perhaps this was some sort of test printing or the original idea for the jackets. I may never know but I’m sure it is a unique set.

PHOTOGRAPHS

NP 4-8-4 2686

NP 4-8-4 2686

CA&E Elgin train on street in Aurora IL 1931

CA&E Elgin train on street in Aurora IL 1931

Capital Transit PCC and bus Catholic University

Capital Transit PCC and bus Catholic University

D&RGW 476 locomotive featured on SP-1

D&RGW 476 locomotive featured on SP-1

D&RGW 481

D&RGW 481

Des Moines & Central Iowa car 1710

Des Moines & Central Iowa car 1710

EBT 15 on a rainy day very likely while record 3 was being recorded

EBT 15 on a rainy day very likely while record 3 was being recorded

Evansville & Ohio Valley car 134

Evansville & Ohio Valley car 134

Ill Terminal car 285

Ill Terminal car 285

Ill Terminal local on Caldwell Hill East Pearia about 1936

Ill Terminal local on Caldwell Hill East Pearia about 1936

Indiana box car 550

Indiana box car 550

Indiana RR 752 waiting for loads at mine scale

Indiana RR 752 waiting for loads at mine scale

Indiana RR car 64

Indiana RR car 64

Indiana RR car 93 at Anderson IN September 4 1938

Indiana RR car 93 at Anderson IN September 4 1938

Indiana RR Vigo with rails ripped out.

Indiana RR Vigo with rails ripped out.

Interstate car 711 ex-IPSC 427 September 3 1939

Interstate car 711 ex-IPSC 427 September 3 1939

Interstate car 711 on shop siding west of Greencastle June 3 1939

Interstate car 711 on shop siding west of Greencastle June 3 1939

Interurban car 44 and REA truck Rosslyn VA

Interurban car 44 and REA truck Rosslyn VA

MC&CL RR car 34

MC&CL RR car 34

MC&CL Steeple cab 52

MC&CL Steeple cab 52

Nice right of way photo but no info other than date March 31 1936

Nice right of way photo but no info other than date March 31 1936

S T F Co RR 54 Farmington MO

S T F Co RR 54 Farmington MO

Unidentified car and person

Unidentified car and person

Unidentified steeple cab locomotive

Unidentified steeple cab locomotive

Unidentified steeple cab locomotive photo 2

Unidentified steeple cab locomotive photo 2

Waterloo Cedar Falls & Northern car 100 this car is featured on RRC 2

Waterloo Cedar Falls & Northern car 100 this car is featured on RRC 2

Here again I had to do a little dealing. I went quickly through the box of Steventon photos last year, choosing about 20 photos to purchase. The box contained a mix of railroad photos and family snap shots. The family photos outnumbered the trains. Again, I did not want to pay for, or have the added weight of photos that were just going to be tossed away. Steventon’s son was the one who sold all this family history in the first place, so I saw no reason to try and get it back to him. The dealer agreed to sort the photos and sell and ship only railroad photos. He would discard the unwanted photos.

In all there are 135 photos of railroad equipment, mostly traction subjects. Some have complete caption information, and some have nothing. There are 23 photos of active traction right-of-ways but no caption information. 24 photos of abandoned traction right-of-ways have no captions. I cannot be sure if it is a “before” and “after” series of 27 photos. I also received 11 steam negatives, the aforementioned NP 4-8-4 # 2686 (two almost identical shots at Staples, MN) and several D&RGW narrow gauge roster photos. There is one EBT negative and a shot of a steam tractor.  I haven’t had time to scan all of these photos yet, but they will appear in the Trolley Dodger as I do. For now, here are a few scans to whet your appetite.

DOCUMENTS

Stack of prints of Soo 2715

Stack of prints of Soo 2715

VHS VIDEO TAPES 

There was one last surprise waiting for me. There are eight VHS video tapes in the estate lot, seven of which were professionally produced programs of traction subjects, several of which Steventon provided audio for. One tape on a store-bought blank was labeled simply “Railroad Programs”. I thought it was most likely a tape of TV shows about trains, but I popped it in the player just to see. It turned out to be a recording of a presentation that Steventon made to a local historical society. The video quality is bad, but you can hear everything he says perfectly.

It’s all really basic stuff, what you would expect him to present to a general audience. Such things as the appeal of a steam locomotive, the nicknames of various railroad job positions like “Hogger” for engineer etc.  He then gets into the “sound portion” of his talk. He has a reel to reel tape player with him, and he explains the use of whistle signals and then plays a cut of a B&O EM-1 from Record number 4, noting the “two longs-a short-and another long” signal for a road crossing. He then goes into how a steam locomotive gains traction. Here he plays the sequence of SOO Line 2718 backing off the wye track from the intro record. He stops the tape at places to note the change in the locomotive’s sound and what that indicates to the engineer. Next, he talks about the use of torpedoes as a signaling device and plays a cut from Record number 8. He never says that these sounds are from his records. In fact, he never mentions that he ever sold records and the Railroad Record Club is not once referenced.

He eventually brings out a chart of steam locomotive wheel arrangements.  He walks out of frame with it, but you can still hear what he is saying. At some point someone thinks to pan the camera around, but the view is only the back of the chart!

By the time he finishes with the chart, the program has gone on for about 40 minutes. Now he introduces “Whistle ‘Round the Bend” and plays the entire record, all 30 minutes. While the camera never moves during this, and Steventon just sits there listening, it’s a bit of a poignant moment. The video quality, as I said, is poor, and he is in the center of a wide shot, but it’s still possible to see that he is moved by the words and sounds he his hearing.

While little information is given about how, where, or when the sounds he played were recorded a little more personal stuff is revealed. He tells of the day in 1936 that his mother died. His father was at work and needed to get home. The NYC put every opposing train on the siding and he had green signals the whole way. He also tells us that he was a sickly child and his father took him onboard the locomotive with him, even against the rules, because he wanted to spend time with him, and make William happy, as the doctors said he may not survive into adulthood.  With this video I was able to “know” William Steventon just a little bit better.

As I have these tapes put on to CD, they will be offered for sale in the online store. I bought these tapes not to just save them from destruction, but to have them made available to everyone who may be interested. I think that is perhaps the best way to ensure these historic sounds are preserved. Not just as a tribute to the people who recorded them who are now gone, but to ensure these sounds will endure to instruct and entertain future railfans long after we are gone too.

-Kenneth Gear

New Steam Audio CD:

FTS
Farewell To Steam
Mister D’s Machine
# of Discs – 1
Price: $14.99

Farewell To Steam
On February 6, 1955 the Santa Fe Railway ran a railfan train from Los Angeles to Barstow and back for the Railway Club of Southern California. This was Santa Fe’s last run powered by a steam locomotive over this route. The engine was a 4-8-4, #3759. We have used the original, rare 1955 mono version of this recording, and not the later 1958 reissue that had a bunch of echo added to create a fake stereo effect.

Mister D’s Machine
When diesel locomotives replaced steam in the 1950s, they offered a multitude of different sounds. This original 1963 stereo recording showcases the many sounds of diesels on the San Joaquin and Los Angeles Divisions of the Southern Pacific, including the Tahachappi Loop, an engineering feat that made modern railroading famous.

As with all of our recordings, this CD comes with the complete, original liner notes.

Total time – 72:56

Order Our New Book Building Chicago’s Subways

There are three subway anniversaries this year in Chicago:
60 years since the West Side Subway opened (June 22, 1958)
75 years since the State Street Subway opened (October 17, 1943)
80 years since subway construction started (December 17, 1938)

To commemorate these anniversaries, we have written a new book, Building Chicago’s Subways.

While the elevated Chicago Loop is justly famous as a symbol of the city, the fascinating history of its subways is less well known. The City of Chicago broke ground on what would become the “Initial System of Subways” during the Great Depression and finished 20 years later. This gigantic construction project, a part of the New Deal, would overcome many obstacles while tunneling through Chicago’s soft blue clay, under congested downtown streets, and even beneath the mighty Chicago River. Chicago’s first rapid transit subway opened in 1943 after decades of wrangling over routes, financing, and logistics. It grew to encompass the State Street, Dearborn-Milwaukee, and West Side Subways, with the latter modernizing the old Garfield Park “L” into the median of Chicago’s first expressway. Take a trip underground and see how Chicago’s “I Will” spirit overcame challenges and persevered to help with the successful building of the subways that move millions. Building Chicago’s subways was national news and a matter of considerable civic pride–making it a “Second City” no more!

Bibliographic information:

Title Building Chicago’s Subways
Images of America
Author David Sadowski
Edition illustrated
Publisher Arcadia Publishing (SC), 2018
ISBN 1467129380, 9781467129381
Length 128 pages

Chapter Titles:
01. The River Tunnels
02. The Freight Tunnels
03. Make No Little Plans
04. The State Street Subway
05. The Dearborn-Milwaukee Subway
06. Displaced
07. Death of an Interurban
08. The Last Street Railway
09. Subways and Superhighways
10. Subways Since 1960

Building Chicago’s Subways is in stock and now available for immediate shipment. Order your copy today!  All copies purchased through The Trolley Dodger will be signed by the author.

The price of $23.99 includes shipping within the United States.

For Shipping to US Addresses:

For Shipping to Canada:

For Shipping Elsewhere:

Redone tile at the Monroe and Dearborn CTA Blue Line subway station, showing how an original sign was incorporated into a newer design, May 25, 2018. (David Sadowski Photo)

Redone tile at the Monroe and Dearborn CTA Blue Line subway station, showing how an original sign was incorporated into a newer design, May 25, 2018. (David Sadowski Photo)

Help Support The Trolley Dodger

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William A. Steventon’s Railroad Record Club

William Steventon

William Steventon

Today’s post is the first of two by Kenneth Gear, long a friend of this blog. We have great news to report– Ken has finally been able to purchase all the remaining Railroad Record Club items from the dealer that purchased them many years ago from the estate of William A. Steventon, who died 25 years ago.

Ken details all that in another post, Railroad Record Club Treasure Hunt, Part 2. These new discoveries have enabled him to offer what is, to my knowledge, the first-ever comprehensive and factual history of William A. Steventon’s Railroad Record Club.

Thanks in great part to Ken’s dedication and persistence, you can find practically all the RRC’s 10″ and 12″ output, now digitized on compact discs for the 21st century, in our Online Store. We thank him for these efforts, and hope you will too.

-David Sadowski

INTRODUCTION

As regular readers of this blog know, David and I have been gathering bits and pieces of information about the Railroad Record Club and its founder, William A. Steventon. We wanted to get a better understanding of what went into making these records, and to put together a history of the club. David started the ball rolling in April 2015 when he wrote the first Trolley Dodger post about it. As soon as I read that post I jumped aboard having been interested in the subject for some time. Together we finally managed to accumulate enough separate fragments of the story so that when we put it all together, it formed an accurate outline of the events leading up to the formation of the club and offered some insight into its operation. We were also able to build a brief biological sketch of Mr. Steventon.

Separately David and I looked for any resource that might reveal some small bit of new information. We read liner notes, club newsletters, and we looked through back issues of magazines in search of RRC ads. We collected order blanks, and I purchased copies of records I already owned because they had club inserts tucked away in the jackets. I researched the meaning of the matrix codes engraved in the lead out grooves of the LPs to more accurately date them. We studied artwork and found some of Steventon’s personal correspondences.  Everything came together when I purchased a large collection of Railroad Record Club items from Steventon’s estate. Combing through this material finally gave us enough information so that David and I could piece together the Railroad Record Club story you are about to read.

There are still unanswered questions to be sure and there are also missing recordings. We haven’t been able to secure copies of the 5th and 6th year sampler records. We also can only speculate on how, to whom, and at what cost these sampler records were distributed.

If any readers have any RRC material, please contact David. We only ask for a scan of any paper work or leads you may be able to offer as to who might be able to help. Thank you.

I have recently been able to purchase the last of the Steventon estate items I left behind last year (more on that in A Railroad Record Club Treasure Hunt, Part 2) and with luck David and I will be able to put together a few more pieces of the Railroad Record Club puzzle.

WILLIAM STEVENTON & THE RAILROAD RECORD CLUB 

William A. Steventon was born in 1921 in Mount Carmel, Illinois, son of a locomotive engineer on the Big Four Railroad (New York Central). As a child he spent much of his time around the red brick passenger station and wooden freight house across from Main Street. The family eventually moved to Cairo, Illinois and there he would often ride in the locomotive cab with his father. In the liner notes to Record number 20- NYC/C&IM while describing an in-cab recording made with his father at the throttle, Steventon reminisces about his boyhood days spent there:

“It is strange that this recording should remind me of something that I had almost forgotten. If I hadn’t heard my father pull a whistle cord in 50 years, and in the distance I should hear a certain whistle, I would know that it was him. This recording also reminds me of the many times I had waited as a youngster for him to whistle near Cherry switch to let us know he was coming home from a north-end run. It reminds me of the many times I have walked down Washington Street in Cairo and heard him whistling in the yards.”

After serving in World War II Steventon married and took a government job. He and his wife settled in the Washington DC area and it is here that the Railroad Record Club story begins.

It all began when Steventon’s wife gave him a record of Railroad sound effects as a Christmas gift, most likely in 1952. While he was interested in the concept of recorded train sounds, he was very dissatisfied with this record. He was convinced that the sounds were not those of actual trains, that they were train “effects” created in a recording studio.  He wanted sound recordings of REAL trains. He purchased one of the new reel to reel tape recorders that had recently become available and in March 1953, set out to make his first railroad sound recordings.

First recording

First recording

The first recording he made was along the Baltimore & Ohio Railroad at the Riverdale, Maryland passenger station (MP 32.4 on the Washington Branch). As best as can be determined, the first train he recorded was # 523 the “MARYLANDER” powered by an EMD diesel (he did not make note of the locomotive number). His second train was powered by steam but in his haste to hear the recording immediately after making it, he accidently partially erased it! He wrote about his frustration in an article for TRACTION & MODELS Magazine:

“When we made our very first recording in 1953 we took the equipment to Riverdale, Maryland and recorded a steamer thundering past the B&O station. When it was gone we stopped the recorder, rewound the tape and played it back. Nothing happened-the tape was silent. we waited thinking that the steamer wasn’t within “hearing distance” as yet, but when it became evident that we should be hearing the sound, we investigated.  In our enthusiasm to “get recording” we had failed to become familiar with our equipment. Instead of pushing the playback key, we had pushed the record key and were erasing the sound we had just recorded.”

That partially erased recording, as well as the others he made that night, were discovered on a 78rpm acetate record in his estate. It is included on the Trolley Dodger Railroad Record Club Rarities Steam & Diesel CD.

During the next few years, Steventon made numerous railroad sound recordings, both in and around Washington DC and on trips to visit family in Illinois. Near Washington DC he recorded the streetcars of the Capital Transit Company, steam & diesels on the B&O, and Pennsy GG-1s. He even recorded the sounds of the Senate Subway. He made trips to Maryland to record the Western Maryland, the Hagerstown & Frederick interurban cars and freight box motors, and he rode and recorded the Baltimore streetcars. In Pennsylvania he recorded mainline steam on the PRR, revenue steam on the East Broad Top, and made extensive recordings of the Johnstown Traction Company and the Altoona & Logan Valley. In Illinois he captured the sounds of the New York Central, Chicago & Illinois Midland, Nickel Plate, Illinois Central, and Chicago Burlington & Quincy among others. He did recordings of the passenger and freight operations of the Midwestern electric railways including the Illinois Terminal, Chicago North Shore & Milwaukee, Chicago Aurora & Elgin and even recorded an entire run of Chicago South Shore & South Bend M.U. car # 108 from Chicago to South Bend. In Iowa he added the Waterloo, Cedar Falls & Northern, Southern Iowa, Cedar Rapids & Iowa City and Charles City Western. In his travels he made recordings of the Pacific Electric, Shaker Heights Rapid Transit, Wabash, Soo Line, Denver & Rio Grande Western narrow gauge, and Norfolk & Western. In a 1958 newspaper interview he stated he had traveled to fifteen states to record train sounds. It is quite an extensive output and not all of it has been pressed into vinyl or released on tape or CD.

All this recording did not come easily. Dragging the equipment from home to car and from car to trackside required the help of at least one other person. Steventon wrote about the difficulty of using this bulky equipment in the field:

“We had a 12-volt auto battery for the primary power source, a 12 v.d.c. to 110 v.a.c. rotary converter, a reel to reel recorder plus a satchel of extra equipment, tapes, and assorted material. Two men could struggle with all this equipment, but it required three men to carry everything with any degree of ease and mobility. In addition, we normally carried a battery charger for use with keeping the battery up to par during the night. This could be left in the auto during the day but was a very necessary part of our total equipment requirement.”

It is a wonder anyone was able to record anything, considering the burden it must have been to get all this stuff trackside. It makes one grateful for the ability to record high quality sound and high definition video with just a tiny cell phone as we can do today.

Steventon eventually took a job as manager of the Cream Valley Telephone Company and he and his wife moved to Hawkins, Wisconsin. There he would continue to make railroad sound recordings, start a family. and create the Railroad Record Club.

Doing all this traveling and making these recordings invariably put him in contact with like-minded people. It is safe to assume that they would want to trade and share the recordings they made with each other. In the mid-1950s this was no easy task. Modern home audio systems, as we think of them now, simply did not exist. The problem was made even worse if recordings were to be shared or sold to someone who did not make recordings themselves and therefore did not own a reel to reel tape player/recorder. While most people at the time did not own a tape player, a phonograph could be found in most homes.

Steventon pre-RRC 78rpm records

Steventon pre-RRC 78rpm records

If Steventon wanted to give or sell his recordings to many other people, they would have to be put onto phonograph records. This too, wouldn’t be easy. The solution was to procure a portable disc cutter. These machines became available for home use starting in about 1929 and were most often used to record things off the radio. The standard record format of the time was a disc ten inches in diameter and made of aluminum covered with acetate. The 78rpm playing speed yielded no more than five minutes of content per side. These records had to be made in real time and the record blanks were quite heavy compared to a modern vinyl record. To distill more and varied content on these homemade records, he spliced together all sorts of bits and pieces and recorded brief introductions to tell listeners what they were about to hear. He conceived a catalog numbering system and had rubber stamps made for the most popular titles, the rest having hand-written labels. Steventon produced an extraordinary amount of records this way. Finding a sizable collection of these acetate records in the Steventon estate reveled just how extensive the output was. Although a complete catalog listing of these records can not presently be made, the following partial list is still very impressive.

01. Potomac Edison (aka Hagerstown & Frederick)
02. Shenandoah Central
03. Capital Transit
04. Johnstown Traction
05. Altoona & Logan Valley
06. Baltimore & Ohio
07. Shaker Heights Rapid Transit
08. Claude Mahoney Radio Program about NRHS fantrip (1953)
09. Pennsylvania Railroad
10. Nickel Plate Road
11. St. Louis Public Service
12. Illinois Terminal
13. Illinois Central
16. Norfolk & Western
17. Western Maryland Railway
18. Baltimore Transit
19. Senate Subway (Washington, DC)
21. Rochester Subway
22. East Broad Top
23. Chicago, Burlington & Quincy
24. Chicago & Illinois Midland
25. Niagara, St. Catharines & Toronto
26. Virginian
28. Queensboro Bridge
29. Wabash
30. 3rd Avenue Elevated
31. Minneapolis, St Paul & Sault Ste Marie
32. Louisville & Nashville
34. St Elizabeth’s Hospital (hospital in Washington DC that used a 0-4-0T to move coal from the B&O.)
37. Independent Subway

It is worth noting that this numbering sequence is totally different from the later one adopted for the 10” records issued later.

Things were apparently going well for Steventon’s railroad record enterprise for a while but things were about to change. Long playing 33 1/3 rpm records made of lighter materials and with improved sound were beginning to gain in popularity. Record blanks and parts for the disc cutter would undoubtedly become harder to get. Steventon needed to have his records made by a professional record pressing company to continue selling them. Steventon would have to make new master tapes for each release because the new records, although still 10”, could hold fifteen minutes of sound on each side-a full half-hour altogether. This would be the equivalent of more then five of the old acetates. He would forgo, for the most part, his spoken introductions and provide printed notes on the cardboard record jackets. These notes could be pretty sparse at first, containing little more than the railroad and locomotive number.

RRC intro record

RRC intro record

RRC INTRO old SP5

RRC INTRO old SP5

Bill Steventon recording compressor noise on CNS&M interurban

Bill Steventon recording compressor noise on CNS&M interurban

Eventually he began to write extensive notes on separate sheets of paper that were inserted into the record jackets. In time, the first completed master tape was sent off to the RCA Custom Record facility in Indianapolis, Indiana and soon afterward the first official Railroad Record Club LP came into being. The record was titled simply INTRODUCTORY RECORD and carried no catalog number. Side one contained the sounds of Soo Line 4-6-2 # 2718 powering an August, 1955 fan trip between Minneapolis, Minnesota and Rice Lake, Wisconsin. Illinois Central 0-8-0 # 3509 switching at Centralia, Illinois was featured on the flip side. A look at the first four characters in the matrix code engraved into the lead-out grooves of a first edition of this record, G8OL, gives the following information: First is the date code-G indicates the record was manufactured in 1956, then the label code-8 showing it was a custom job that was re-recorded from the client’s source material. Next is the category code-O meaning it is a phonograph record, and the fourth character-L denoted the size, speed & groove, 10”, mono, & 331/3 rpm. The final numbers 0479 for side one and 0480 on side two were simply sequence numbers. The Introductory Record was therefore available for sale sometime in 1956 or perhaps 1957.

He made the decision to sell these new records not as a regular mail order business, but as a club. The club membership idea may have been the direct result of the expense associated with this new endeavor. He had to have the records pressed by RCA which required metal master plates to be made. Cardboard record jackets had to be purchased and be printed with photographs or drawings. Tape stock had to be bought for the making of the new master tapes. All in all, this must have been a considerable expense. Selling the records through a club meant that the members were required to purchase a set number of records and paying for them in advance, thereby guaranteeing he would get some return on all this investment. The club worked like this: Four records would be offered per year. Members could buy the records at the discounted price of $4 each providing they maintained membership by purchasing at least three of the selections. Membership expired upon the purchase of one year’s group. There were no membership dues, but records were paid for in advance to provide the necessary money to have the metal masters made.  Special pressings could be purchased at club prices but were not counted toward the three-record minimum. Non-members could buy individual LPs at $5.25 each. $4.00 for a LP record sounds like a bargain but remember those $4 in 1958 had the same buying power as $34.72 in 2018! These Records weren’t cheap. According to a 1958 interview he gave to the Milwaukee Sentinel, the club started off very well. The article stated that there were some 200 club members through out the United States and several foreign countries including New Zealand, Australia, England and Canada. It goes on to state he has already sold 1,000 records.

Steventon continued to sell his records through the yearly club membership plan until October 1965 when the club membership requirement was withdrawn. The records would now be sold separately and at the same price to everyone.

From 1957 with the release of the Introductory record until October 1965 when the last regularly scheduled production of a Railroad Record Club release (Record number 32-New York Central) was offered, Steventon produced thirty-two regular club releases and three special pressings. One more release, SP-4-CSS&SB would be released later that year. Afterwards, Steventon released Records Numbers 33-36 and special pressings numbers SP-5 (a reissue of the introductory record) and the last all new Railroad Record Club record in 1983, number SP-6 Milwaukee Road box cab electrics. Each record was simply numbered in the order it was produced.

RAILROAD RECORD CLUB TITLES
0 Soo Line, Illinois Central (Introductory Record)
1 Wabash Railroad, Chicago, St. Paul, Minneapolis & Omaha
2 Waterloo, Cedar Falls & Northern, Southern Iowa Railway
3 Denver, Rio Grande & Western, East Broad Top
4 Baltimore and Ohio
5 Denver & Rio Grande Western
6 Potomac Edison (Hagerstown & Frederick)
7 Norfolk & Western, Illinois Central (Also includes a bit of Illinois Terminal Railroad)
8 Canadian National (aka Canadian Railroading in the Days of Steam)
9 Winston-Salem Southbound
10 Pennsylvania Railroad
11 Shaker Heights Rapid Transit
12 Duluth Missabe & Iron Range
13 Nickel Plate Road
14 Pacific Electric
15 Chicago, Burlington & Quincy
16 Westside Lumber Company
17 Minneapolis & St Paul, Sault Ste Marie Railway
18 Chicago, North Shore & Milwaukee
19 Duluth, Missabe & Iron Range
20 Chicago & Illinois Midland – New York Central
21 Duluth & Northeastern
22 Buffalo Creek & Gauley
23 Pennsylvania Trolleys
24 Canadian Pacific
25 Illinois Terminal Railroad
26 Chicago, North Shore & Milwaukee (freight)
27 Capital Transit Company
28 Charles City Western – Waterloo, Cedar Falls & Northern
29 Nickel Plate Road
30 Sound Scrapbook, Traction
31 Sound Scrapbook, Steam
32 New York Central
33 Chicago, South Shore & South Bend (freight)
34 Chicago, South Shore & South Bend (freight)
35 Milwaukee & Suburban Transport, Chicago, North Shore & Milwaukee
36 Chicago, Aurora & Elgin, Chicago Transit Authority

Special Pressings
SP1 The Silverton Train
SP2 Northern Pacific 2626 Memorial Album
SP3 Whistle ‘Round the Bend
SP4 Chicago, South Shore & South Bend Railroad (passenger)
SP5 Soo Line, Illinois Central
SP6 The Milwaukee Road (electric freight)

He also produced several “sampler” records which contain short snippets of tracks from the LP records.

THE RAILROAD RECORD CLUB SAMPLERS

1st & 2nd Year Sampler:  (short excerpts from records 1 to 4 on side one & records 5 to 8 on side two)
3rd & 4th Year Sampler: (short excerpts from records 9 to 12 on side one & records 13 to 16 on side two)
5th Year Sampler: (short excerpts from records 17 to 20 recorded on one side only)
6th Year Sampler: (short excerpts from records 21 to 24 recorded on one side only)
7th & 8th Year Sampler: (short excerpts from records 25 to 28 on side one & records 29 to 32 on side two)

Among these forty-two LPs there are some real gems. He certainly started off strong with Record Number one. On side two there is one of his best “sound picture” type recordings. It features Chicago, St. Paul, Minneapolis & Omaha 2-8-0 # 219 switching in the yards at Spooner, Wisconsin on a dark misty night in October of 1955. This was one of his favorite audio sequences and he described it like this in the record’s reissue liner notes:

“Close your eyes and imagine you are in a Pullman berth. Your passenger train has stopped at the station and you are sleepily listening to this nearby switching movement.” And from the notes to the original release: “That night in October of 1955 was very dark, moonless and misting heavily. The sulfuric, yet nostalgic odor of coal smoke drifted sluggishly over the Spooner, Wisconsin yards as the sound of exhausts and squealing brakes seeped through the murky atmosphere. A dim yellow light at the south end of the station platform rocked in the wind, flicking shadows to and fro over the moving cars.” 

If you don’t feel the dampness, smell the coal smoke, or find that you need to shake off a chill while listening to this, you’re just not trying.

There are so many remarkable sound sequences on these LPs that it would be impossible to list them all, Some of the most interesting ones include:  a D&RGW narrow gauge train with a mid-train helper on Cumbres Pass on Record number 3, the B&O EM-1 stopping and starting sequences on Record Number 4, a PRR 4-8-2 on slick rail on Record number 10, the cab rides in CSS&SB freight motors on Record numbers 33 and 34, the list goes on and on.

William Steventon did not exclusively use his own recordings on the Railroad Record Club LPs. In the second year of the club he began to utilize the talents of his friends, and the most notable of the group was Elwin D. Purington. Mr. Purington’s considerable recording talents added greatly to the quality of Steventon’s releases. Three records were entirely comprised of his recordings and they are three of the best. Record number 8-Canadian National (re-released as “Canadian Railroading in The Days Of Steam”) is one of Steventon’s favorites, and SP-2 the Northern Pacific 2626 memorial album Steventon called “a masterpiece.”  He provided the sounds for side one of Record number 12-DM&IR and his recordings of the CMSt.P&P electric freight locomotives are featured on Record SP-6.  He also did the narration on Number 3-East Broad Top and SP-3-Whistle ‘Round the Bend. Thomas A. Hosick recorded the train sounds for Record number 9-Winston-Salem Southbound, and John L. Wise contributed to Record number 10-PRR. Harold O. Lewis did some fine recording work that was used on three LPs, Record number 16-Westside Lumber, number 24-Canadian Pacific, and number 31-Sound Scrapbook-Steam. Eugene Van Dusen made all but the final three cuts for Record Number 32-NYC, and finally A. L. Shade, another top-notch sound recorder of trains, added his talents to Record numbers 13-Nickel Plate, 29-NKP 779 and 22-Buffalo Creek & Gauley.

Excellent HM Pech cover RRC 5

Excellent HM Pech cover RRC 5

Marginal HM Pech cover 1st edition of Record number 8

Marginal HM Pech cover 1st edition of Record number 8

RRC 19

RRC 19

The sounds on these LPs were great right from the start, but it took awhile for the record jackets to evolve into something interesting and appealing. At first the record jackets had little in the way of cover art, nothing more than a small photo or two plus a few paragraphs of text. Eventually sketches of the featured locomotive pulling a train were added, usually draw by an artist who signed his work HM Pech. These drawings could range from excellent (Record number 5) to marginal (1st edition of Record number 8). All mediocrity was removed for good when the cover art for Record number 19 was revealed. The cover of this record is a very nice accomplishment. The drawing of DM&IR 2-8-8-4 # 222 is perfect in every way. This great drawing combined with an appealing layout makes for a wonderful cover. A new visual benchmark for the Railroad Record Club had been reached and there was no going back. The drawing was done by Marshall P. (Pat) McMahon. He worked for the Minneapolis Star Tribune as an illustrator. His drawings of railroad equipment are flawless. The detail is meticulously rendered and drawn with precision and skill. Mr. McMahon would from here on out, be the main artist used by Steventon to illustrate the record jackets. When second editions of previously released records were pressed, McMahon would be called upon to create a new cover drawing. Every one is a vast improvement over what had come before. He also got the call to do new drawings when the records began to be reissued on 12″ discs, and he even did at least one drawing that Steventon sold prints of (Soo Line steamer # 2715). He would go on to do cover illustrations for thirty record jackets for the club! Rounding out the list of artists employed by the Railroad Record Club: Ernie Towler did a fine pencil sketch of a Shay locomotive for the 12″ reissue of Record Number 16-Westside Lumber and he did the cover of the reissue of number 15-CB&Q. Herb Mott did a painting of a boy watching a steam train passing for the cover of SP-3-Whistle ‘Round the Bend. This record has the distinction of being the only one with a full color cover.

RRC 17 Steventon enjoyed being here Hawkins WI Soo station

RRC 17 Steventon enjoyed being here Hawkins WI Soo station

RRC 17 1st edition drawing Hawkins WI Soo station

RRC 17 1st edition drawing Hawkins WI Soo station

RRC 20

RRC 20

Advertising had to be done, and ads were placed in several railroad and modeling magazines including Trains and Model Railroad Craftsman. Such tag lines as “Authentic steam and electric railway recordings,” “Sounds you like to hear steam-traction,” and “Out of the past and into your home” were used. A mailing list was maintained, and announcements and sales information mailed directly to those on it. Records were sold in hobby stores, and Steventon sent LPs  to railroad historical societies that coincided with the group’s interests. He even devised a unique “Audition Set Program”. To audition a set of records a request form had to be filled out. A choice could be made as to which records were wanted but a choice of pre-selected LPs could be made by choosing ” all steam” or “all traction” or both. A “random” selection could be made giving the customer the choice of titles and number of records. A deposit in the following amounts had to be sent: “all steam” consisting of 25 10″ records-$100.00, “all traction” consisting of 15 10″ records-$60.00 and “random” $4.00 each. After listening, the records were to be returned with (hopefully) a purchase order. The money for the purchased records would be deducted from the deposit and the remainder returned with the record order.

Eventually Steventon branched out and began to sell all types of things. His biggest sideline was selling photographs. The photo catalog alone was 40 pages! He sold 16mm, 8mm and super 8 traction movies, books, records from other producers, he even had a line of railroad logo watch fobs! In one sales flyer he was trying to unload his old adding machine, a Sears model No. 871.58251 (he wanted $40 for it postpaid).

After 1965, when The Railroad Record Club stopped functioning as a club, not much else changed. Steventon continued to release records and in fact had plans to release many more. In a 1966 newsletter Steventon makes mention of future planned releases, unfortunately not all of them were produced. He writes: “Future releases will be made on the basis of availability of time and material. At this writing an “on train” recording of the old 1000 series Chicago South Shore & South Bend locomotives is in production. No release date has been set.” (Records number 33 & 34). He continues: “Other material for future work includes many steam and electric lines including the Shenandoah Central (never produced), Baltimore & Ohio (never produced) Chicago Aurora & Elgin (Record Number 36), Chicago Transit Authority (record number 36) Queensboro Bridge (never produced) and others.”

This newsletter also announces the first Railroad Record Club selection ever to be released on 12” discs-Special Pressing number 4.  “On December 21, 1965 a new milestone was established with the release of a set of three 12-inch 33 1/3 rpm recordings of the complete run of interurban No. 108 from Chicago to South Bend. Approximately two hours playing time and conveniently arranged for automatic playing sequence. Prepared and recommended for the devoted traction enthusiast.”

Through the rest of the 1960s and into the 1970s Steventon successfully sold his records. Some of the most popular selections had second and even third editions pressed, and the covers and liner notes continued to evolve, The liner notes were becoming more extensive and contained more information, not just about the equipment recorded, but somewhat personal stuff as well. For example, on record number 17, the entirety of side one contains the sounds of the activities going on inside the Hawkins, Wisconsin Soo Line station. Although Steventon writes in the third person he conveys his pleasure at being there. The sound of the telegraph, talking with the agent, the rumble of trains going past, the whole “atmosphere” he loved. “Plant your feet on the desk” he writes, “lean back in your chair and you’re the agent at this small village station.” He wrote fond boyhood memories in the notes to Record number 20 and revealed in those same notes just how he felt about diesel locomotives. He wrote that while recording a C&IM 0-8-0 switcher going about her chores, he was “dismayed” and “disgusted” when a GM&O RS-1 came onto the scene.  He included the diesel on the record however, noting that the steamer and the diesel sharing the stage made for an interesting recording. As he puts it: “Actually this could be considered as the tug-of-war between two types of motive power as to which will dominate the railroad scene”. At this point, he had to be dismayed to know steam would be the loser. Eventually his negative view of diesels must have softened a bit because in 1988, when he revised the notes to Record number 20, he removed the word “disgusted” although he continued to be “dismayed”. Steventon never released an LP that was entirely diesel sounds. He recorded diesels with some degree of regularity, as his first recording was of one. In his estate there was an open reel tape labeled “Nickel Plate Diesels” and on those acetate records there are plenty of B&O diesels. Perhaps he thought his record buying customers wouldn’t want to spend money to hear those “disgusting” machines. Rarely is the sound of a diesel included on any of the records.

The Railroad Record Club continued steadily along until early in 1973. A situation then developed that could not be easily overcome, in fact, it never would be completely. Early in that year RCA informed Steventon that they would no longer press his records. In club announcements concerning this situation Steventon wrote “In February of 1973 they (RCA) notified us that all of their custom work was being discontinued.” If RCA would not press his records, he would just have to find another company that would. That plan quickly died when another, more devastating difficulty was discovered. RCA had lost or destroyed all the Club’s metal master discs at its Indianapolis plant. Without those master discs new records could not be pressed by anyone. Steventon was stopped cold.  If he wanted to continue selling his previously released records, new master discs would have to be made. By the early 1970s 7” singles and 12” albums were the standards and the old 10” format was on the way out. New master discs would have to be made and they would have to be 12”.  Steventon managed to surmount these obstacles. He found a new company to work with, Nashville Record Productions of Nashville, Tennessee.

Even as the process of remastering and pressing new records progressed, Steventon was cautious with his expectations. He wrote carefully in a flyer about the remastering: “Due to a shortage of raw material record pressings may become difficult to obtain. Consequently we have no guarantee that our complete line can be produced, but will re-issue each record as conditions permit.”  Interested parties were mailed a “Railroad Record Club Advance Notice Mailing Card.” On this card selections were to be made as to which records the recipient wanted to be notified of when the 12” reissue was being readied. The recipient could then purchase the record at a pre-production discounted price.  Progress was made, albeit very slowly. The RCA masters were lost in the winter of 1973 but by summer 1976, only two records had been reissued. The first two being number 10-PRR and the second Number 8-CN now titled “Canadian Railroading in The Days Of Steam.” Steventon could not simply reissue the records numerically starting at number one and progressing from there. This was a very expensive undertaking and he needed to release the most popular titles first. At first, he considered having all the records remastered at once and getting a press run of each. This idea was dropped when the cost turned out to be more then $30,000! He decided to go back to his original club plan where he required a set amount of those pre-production advance payments to come in. Once there was sufficient interest shown for a certain record, as calculated from the advance mailing cards, he would announce that it was being readied for remastering. He would only send an order to Nashville when enough of the pre-production money came in to justify it.

In a telling reply to an inquiry from a customer wanting to know why a certain record, number 36, was still unavailable, Steventon spelled it out clearly:

“The program of re-mastering was started in ’73 after RCA lost our metal masters. The pre-production offer is used to generate funds to pay for the re-mastering process. As a rule of thumb it takes about 125 pre-payments to cover these costs. Experience has shown that roughly only 50% of those who ask to be notified on a new selection actually follow through with an order. Thus we need 250 requests to start the program. As of this date (March 29, 1989) only 99 have shown an interest in record 36, CA&E. The pressing firm in TN has just notified us of another increase in production costs. Dollar wise we are now talking $1100 to $1200 to re-master and get the first press run. The RR club is not a profit venture – we only ask to break even. In 1987 we operated at a loss of $444.10. 1988 was better with a modest net income of $119.75. We need EVERY bit of interest shown to keep the program rolling – it is a tough job!”

It was a tough job to be certain and it was also a very slow one. An order blank from November 1984 shows only eight remastered records, Number 4-B&O, 7-N&W/IC, 8-CN, 10-PRR, 19-DM&IR, 29-NKP 779 and SP-5-SOO/IC the ex-intro record. Also for sale at that time was a second pressing of SP-4 the CSS&SB three record set. Also listed on this order blank was a brand new record. Even with the remastering difficulties going on the Railroad Record Club managed to release one last all-new record. This last hurrah was special pressing number 6-The Milwaukee Road- Box Cab Electric Locomotives on the Coast Division, recorded by Elwin Purington in stereo. On the jacket SP-6 is touted as the “30th Anniversary Issue 1953-1983.” Another fine McMahon drawing graced the cover.

As each 12” reissue was produced, Steventon would revise and update the liner notes. If the record had an existing McMahon illustration it was transferred to the new jacket in the same size it appeared on the 10” jacket, but with a wide white border. If a reissue did not have a previously drawn McMahon picture, one would be commissioned. These black and white record jackets were distinctive and attractive. On the reissues the audio content was always identical to the 10” version, since the same master tapes were used. There was one exception, however. Although the railroad sounds were exactly the same, on the original release of Record number 3-EBT/D&RGW, Steventon had recorded spoken introductions to each of the EBT tracks, just as he had done for the old 78 acetate records in fact, they are exactly the same.  Steventon wanted these introductions removed to correct a mistake and instead of simply taking them off and writing the information into the liner notes, he had Elwin Purington re-record them.

The long and expensive remastering project continued into 1990. A test pressing for Record number 16-Westside Lumber had a memo attached that read: “Record No. 16, Westside Lumber Co. Record pressing approved if “blips” at approximately 3 min, 36 seconds into side one and continuing for about 6 or 7 seconds were corrected. Card returned 1/10/90.”  Not all of the surviving test pressings have dates on the jackets, but it is obvious that this one had to be among the last. By the early 1990s’ compact discs were already poised to topple vinyl records as the standard audio format. Steventon simply choose not to upgrade to yet another new format. Record number 16 being reissued in 1990, proves that Steventon worked at remastering the records almost to the end of his life. He died in 1993, just three years after the test pressing date for Record number 16. The long, expensive, and difficult remastering program started in 1973 and continued into at least 1990. In all only 17 of the 40 10” records were reissued on 12″ discs.

RAILROAD RECORD CLUB RECORDS REISSUED IN 12″ FORMAT
#1-WABASH (10″ 3rd Edition Cover Art)
#3-D&RGW/EBT (New Cover Art)
#4-B&O (New Cover Art)
#5-D&RGW
#7-N&W/IC (New Cover Art)
#8-CN (New Cover Art) Title changed to “Canadian Railroading In The Days Of Steam”
#10-PRR (10″ 2nd Edition Cover Art)
#15-CB&Q (New Cover Art)
#16-Westside Lumber (New Cover Art) Cover changed from a photograph to a pencil sketch
#17-Soo (New Cover Art)
#18-CNS&M (10″ 2nd Edition Cover Art)
#19-DM&IR
#20-C&IM/NYC
#26-CNS&M (Freight)
#29-NKP 779
#SP-2-NP 2626 (Same photo used on both 10″ & 12″ record covers but reproduced smaller on the reissue)
#SP-4-CSS&SB (passenger) 3 record set was only released on 12″ stock in display box
#SP-5-Soo/IC Formally the introductory record (New Cover Art)
#SP-6-MILW Box Cabs (Only released in 12″ format)
17 records reissued from 10″ to 12″
2 records only released on 12″

The Railroad Record Club didn’t completely die with William Steventon. His son Seth revived the club some years after his father’s death by putting the entire line of records on cassette tapes. By this time, however, CDs were the favored format and the effort was shelved.

Because of William A. Steventon’s commitment to recording the vanishing sounds of a passing era on American railroads, and just as importantly, making those recordings available to all who were interested, we can today hear the sounds of a Hagerstown & Frederick interurban car speeding past a lonely country crossing. We can experience the sonic thunder of a New York Central 4-6-4 blasting out of Mount Carmel, Illinois with a whistle full of water. We can ride along in the cab of a CSS&SB freight motor on its trip out of Michigan city, and we can enjoy the work of the other talented railroad recordists whose work Steventon put on his records. We can even listen to that whining rotary converter in Harristown, Illinois.

-Kenneth Gear

New Steam Audio CD:

FTS
Farewell To Steam
Mister D’s Machine
# of Discs – 1
Price: $14.99

Farewell To Steam
On February 6, 1955 the Santa Fe Railway ran a railfan train from Los Angeles to Barstow and back for the Railway Club of Southern California. This was Santa Fe’s last run powered by a steam locomotive over this route. The engine was a 4-8-4, #3759. We have used the original, rare 1955 mono version of this recording, and not the later 1958 reissue that had a bunch of echo added to create a fake stereo effect.

Mister D’s Machine
When diesel locomotives replaced steam in the 1950s, they offered a multitude of different sounds. This original 1963 stereo recording showcases the many sounds of diesels on the San Joaquin and Los Angeles Divisions of the Southern Pacific, including the Tahachappi Loop, an engineering feat that made modern railroading famous.

As with all of our recordings, this CD comes with the complete, original liner notes.

Total time – 72:56

Pre-Order Our New Book Building Chicago’s Subways

There are three subway anniversaries this year in Chicago:
60 years since the West Side Subway opened (June 22, 1958)
75 years since the State Street Subway opened (October 17, 1943)
80 years since subway construction started (December 17, 1938)

To commemorate these anniversaries, we have written a new book, Building Chicago’s Subways.

While the elevated Chicago Loop is justly famous as a symbol of the city, the fascinating history of its subways is less well known. The City of Chicago broke ground on what would become the “Initial System of Subways” during the Great Depression and finished 20 years later. This gigantic construction project, a part of the New Deal, would overcome many obstacles while tunneling through Chicago’s soft blue clay, under congested downtown streets, and even beneath the mighty Chicago River. Chicago’s first rapid transit subway opened in 1943 after decades of wrangling over routes, financing, and logistics. It grew to encompass the State Street, Dearborn-Milwaukee, and West Side Subways, with the latter modernizing the old Garfield Park “L” into the median of Chicago’s first expressway. Take a trip underground and see how Chicago’s “I Will” spirit overcame challenges and persevered to help with the successful building of the subways that move millions. Building Chicago’s subways was national news and a matter of considerable civic pride–making it a “Second City” no more!

Bibliographic information:

Title Building Chicago’s Subways
Images of America
Author David Sadowski
Edition illustrated
Publisher Arcadia Publishing (SC), 2018
ISBN 1467129380, 9781467129381
Length 128 pages

Chapter Titles:
01. The River Tunnels
02. The Freight Tunnels
03. Make No Little Plans
04. The State Street Subway
05. The Dearborn-Milwaukee Subway
06. Displaced
07. Death of an Interurban
08. The Last Street Railway
09. Subways and Superhighways
10. Subways Since 1960

Building Chicago’s Subways will be published on October 1, 2018. Order your copy today, and it will be shipped on or about that date. All copies purchased through The Trolley Dodger will be signed by the author.

The price of $23.99 includes shipping within the United States.

For Shipping to US Addresses:

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Redone tile at the Monroe and Dearborn CTA Blue Line subway station, showing how an original sign was incorporated into a newer design, May 25, 2018. (David Sadowski Photo)

Redone tile at the Monroe and Dearborn CTA Blue Line subway station, showing how an original sign was incorporated into a newer design, May 25, 2018. (David Sadowski Photo)

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Milwaukee Rapid Transit

SR 60 laying over @ Waukesha loop Spring, 1950

SR 60 laying over @ Waukesha loop Spring, 1950

With construction well underway on the new Milwaukee streetcar, and Milwaukee Transit Day (October 7th) fast approaching at the Illinois Railway Museum, this seems like an opportune time for guest contributor Larry Sakar to share more of his research with us.

Larry is the author of Speedrail: Milwaukee’s Last Rapid Transit? We thank him for his generosity in sharing these pictures and information with our readers.

-David Sadowski

PS- FYI, all copies of Chicago Trolleys that were purchased during the pre-order have been mailed. Yesterday was the official release date for the book, and it is now in stock and autographed copies are available for immediate shipment. We hope that you will enjoy this new work (more information at the end of this post).

Larry Sakar writes:

The Trolley Dodger is getting a lot of notice. A friend of mine who does not have a computer has heard about it, most likely from Bill Shapotkin or Andre Kristopans. When something is well done, people notice, so I’m not surprised.

I promised you some pictures of the former TM station in Kenosha at 8th Ave. & 55th St. These 2 photos were taken by Ray DeGroote in September 1963 probably just days before the building was torn down. The passageway beneath the portico was where TM interurbans pulled in. They then curved to the right in the photo, on their way back to Milwaukee crossed Sheridan Rd. on the long elevated trestle, and then came parallel to the C&NW RR’s mainline between Chicago & Milwaukee. From around 1952 or ’53 to the end in Sept.’63 the former waiting room was a pizza restaurant – Vena’s Pizzeria.

Former TM Kenosha station 9-63 Ray DeGroote

Former TM Kenosha station 9-63 Ray DeGroote

Former TM Kenosha Station 9-63 Ray DeGroote note freight tracks.

Former TM Kenosha Station 9-63 Ray DeGroote note freight tracks.

When Speedrail acquired the 6-60 series curved side lightweight cars from Shaker Heights Rapid Transit in October 1949, they were shipped to Milwaukee via the Nickel Plate Road (CMSTP&STL) to Chicago, where the NKP flat cars were interchanged with the Milwaukee Road. The MILW brought them to The Transport Co.’s. Cold Spring shops where they were unloaded and given a thorough inspection. First to arrive was car 65 on 10-6-49. Shaker Heights had painted it in an experimental green and yellow paint scheme to improve visibility at grade crossings. Sometime between 10-7-49 and 10-23-49 someone repainted the front end of car 65 in an obvious effort to emulate the “Liberty Bell Limited” design on the LVT 1000 series high speed cars. No one knows who did it or when. First we see 65 coming down the Michigan St. hill eastbound on the shakedown runs over both the Waukesha & Hales Corners lines on 10-7-49. In the second shot, note that the front has been repainted white with the quasi-LVT design and air horns placed where they are on an LVT 1000 series car. The second shot is in the 25th St. curve next to the tanks of the Milwaukee Gas Light Co. Today I-94 the East-West Freeway occupies the r.o.w.

SHRT60 arriving from Cleveland 10-49 Lew Martin

SHRT60 arriving from Cleveland 10-49 Lew Martin

SR 65 @ 6th & Michigan on 10-7-49 shakedown trip.

SR 65 @ 6th & Michigan on 10-7-49 shakedown trip.

SR 65 @ 25th St, curve 10-23-49

SR 65 @ 25th St, curve 10-23-49

Harper SR fan trip 10-49 schedule

Harper SR fan trip 10-49 schedule

I believe car 60 was the last to arrive from Shaker Heights. First we see it on the Milwaukee Division ERA fan trip of 10-16-49 crossing Brookdale Dr. In 2016 my friend and colleague Chris Barney took these 2 photos of Brookdale Dr. as it looks today.

SR 60 inaugural fan trip Brookdale 10-16-49

SR 60 inaugural fan trip Brookdale 10-16-49

Brookdale Dr xing on H.C. line in 2016 C.N.Barney

Brookdale Dr xing on H.C. line in 2016 C.N.Barney

Lots of absolutely fantastic material in this collection I just inherited. Look at these 2 documents. Without saying a word, there’s a very clear picture of the way things were being run at Speedrail in April of 1950! Owing $8000+ to TMER&T was definitely not the way to go!

Collection Letter from TMER&T attys against MRT&S 4-5-50

Collection Letter from TMER&T attys against MRT&S 4-5-50

Dunning letter to MRT&S from TMER&T re: overdue payments 3-8-50

Dunning letter to MRT&S from TMER&T re: overdue payments 3-8-50

Talk about valuable information, in this collection I just inherited was a list, no actually there were 2 lists. A railfan but not too likely the friend who gave me the collection walked down the scrap line out at the Waukesha gravel pit on March 1, 1952 and again two weeks later March 16, 1952. He wrote down the number of every car in the scrap line. This info is valuable because a year earlier the trustee sold 13 of the TM 1100 series heavy interurban cars to Afram Brothers Scrap Metal Co. in Milwaukee. Obviously, Speedrail was desperate for money so why not sell off what was no longer being used? $2,000 (approximate figure) went to pay for the transformation of LVT 1102 into Milwaukee Rapid Transit 66, the so-called, “last hope car.”

Notice, I did not say Speedrail 66. Legally, it was still The Milwaukee Rapid Transit & Speedrail Company but when Bruno V. Bitker took over as the court-appointed trustee, he ordered the Speedrail name painted out on the curved-side lightweight (60 series) car as well as removed from all timetables and tickets. He made it very clear that the Speedrail name immediately brought to mind the 9-2-50 fatal accident. That is also one of the reasons Jay Maeder was dismissed. From then on everything just said “Rapid Transit 234 W. Everett St.”

You may notice, by the way, that when I write the Speedrail corporate name I always capitalize “THE.” Maeder insisted on it because “The” in TMER&L was always capitalized and anything TM did was what he wanted to do as well. There is no better evidence of that than the first Speedrail timetable dated `10-16-49 which said “TM Speedrail”. Here are the covers of Speedrail’s very first and very last timetables, and for the Waukesha Transit Lines bus which replaced it, a fact you’ll notice they made sure to put on their timetable. Waukesha Transit Lines eventually became Wisconsin Coach Lines. They are still in business but are now part of the Coach USA system.

TM SR Timetable 10-16-49

TM SR Timetable 10-16-49

Rapid Transit TT West Jct. 6-4-51

Rapid Transit TT West Jct. 6-4-51

WTL Replacing the SR 7-1-51

WTL Replacing the SR 7-1-51

WTL Bus schedule 7-1-51

WTL Bus schedule 7-1-51

Here are the pictures I took at both the TM and North Shore stations on 4-5-72. I mentioned in a previous post that for many years after the TM M-R-K – Milwaukee-Racine-Kenosha was abandoned in 1947 the freight tracks used by Motor Transport Co. were still embedded in pavement. Here they are on 4-5-72.

TM Kenosha Station looking north 4-5-72

TM Kenosha Station looking north 4-5-72

Motor Transport Co. tracks TM Kenosha Sta. 4-5-72

Motor Transport Co. tracks TM Kenosha Sta. 4-5-72

The next 2 photos at the TM Kenosha station site show the point where the long elevated bridge over Sheridan Rd. began. The large building to the left was the Barr Furniture Co. which has since been torn down. The very last photo I just scanned shows the sign created by Kenosha radio broadcaster Lou Rugani to commemorate where TM’s Kenosha station used to stand at 8th Ave. & 55th St. Just one problem with the sign. The Don Ross photo on the sign shows the Racine, not the Kenosha station.

TM Kenosha Station next to Barr Furniture 4-5-72

TM Kenosha Station next to Barr Furniture 4-5-72

Sign commemorating TM Kenosha station

Sign commemorating TM Kenosha station

From the TM station I walked out to the North Shore Line’s Kenosha station which is on 22nd Ave & 63rd St. if I recall correctly. I knew it was still standing but I didn’t expect it to be behind a stockade fence. I do not know why it was fenced off on 3 sides.

The first photo shows the northbound platform looking northeast. You can see the fence. The track area had been paved with asphalt but other than that the station appeared unchanged in the 9 years since abandonment.

NSL Kenosha Station 4-5-72 northbound platform

NSL Kenosha Station 4-5-72 northbound platform

I then snapped a series of 3 pictures of the southbound platform starting at it’s north end, then the middle of it and last the south end of that southbound platform. All of that changed some years later when the station became a restaurant. They added a banquet room to the north end of the station which ruined its historic Arthur U. Gerber appearance. Then they extended the restaurant over the track area and removed the southbound platform entirely.

NSL Kenosha Station south end southbound platform 4-5-72

NSL Kenosha Station south end southbound platform 4-5-72

NSL Kenosha Station Southbound platform 4-5-72

NSL Kenosha Station Southbound platform 4-5-72

NSL Kenosha Station 4-5-72 Southbound platform

NSL Kenosha Station 4-5-72 Southbound platform

The last NSL picture shows the abandoned NSL r.o.w. just north of Ryan Rd. I had just taken the picture when I noticed a large building in the distance. It turned out to be the Carrollville substation.

Abandoned NSL r.o.w. north of Ryan Road Carrollville substation distant 1971

Abandoned NSL r.o.w. north of Ryan Road Carrollville substation distant 1971

Here is something I think you will enjoy. This picture appeared in a much smaller version in the Speedrail book. This is a much larger, more detailed print. These seats were installed by Shaker Heights when they acquired the curved side cars from Inter City Rapid Transit in 1940. They had purchased some of the very first Cincinnati curved side lightweights built from Kentucky Traction & Terminal but never placed them in service because their small motors made them unable to maintain the speed necessary for the 2 SHRT lines. They were kept on a storage track at Shaker’s Kingsbury Run shops and used for spare parts when the ICT cars arrived. That included these seats.

Interior SR 63

Interior SR 63

But there was one exception. Car 64 had green plush seats according to several people I spoke to who rode these cars on Speedrail. The Speedrail riders did not like these cars. They were glad Jay Maeder had saved the Waukesha line from the impending abandonment being sought by Northland-Greyhound but they wanted the TM 1100’s to remain in service.

Maeder became quite angry when he found out the Waukesha riders were complaining about the 60 series cars and he ran this ad in the Waukesha Freeman. Somebody should have told him you don’t bite the hand that feeds you. You never start off a communication with, “We all know…” Yes, he knew, and the railfans knew, but the average everyday rider thought these were new cars when they first saw them. One look at the interiors told them otherwise.

Maeder response to 60 series cars complaints

Maeder response to 60 series cars complaints

To give you an example of just how much the 60’s were disliked, the late Len Garver told me that one day he and his friend Jerry Fisher were riding a 60-series car to Waukesha. A lady getting off the car near Waukesha East Limits turned to the motorman and said, “Do all of these cars ride this way? I feel like I’ve just ridden over Niagara Falls in a barrel!”

Much of it had to do with car weight and height of the car above the rail. This photo from the collection of Herb Danneman illustrated the problem. Note the height of car 1138 at left with car 60 at right. This photo was taken on the Milwaukee Division ERA fan trip of 10-16-49 and is at 46th St.

TM 1138 & SR 60 meet @ 46thSt. 10-16-49. Herb Danneman coll.

TM 1138 & SR 60 meet @ 46thSt. 10-16-49. Herb Danneman coll.

Two of these pictures are ones I sent previously, but they were not the best quality. Two are ones you might never have seen before. One is pretty dramatic. Lew Martin took a picture as car 39 was rolling down the embankment of the r.o.w. after the 9-2-50 wreck. The other is of 1192 as it looked after the accident. Note how badly the front end was caved in. The photo was taken at the Waukesha Gravel pit. The car was towed out there once the investigation of the crash had been completed.

SR39 rolling off embankment 9-2-50 Lew Martin

SR39 rolling off embankment 9-2-50 Lew Martin

SR 40 after push off embankment 9-2-50

SR 40 after push off embankment 9-2-50

SR 1192 at Wauk. Grvl pit after 9-50 wreck

SR 1192 at Wauk. Grvl pit after 9-50 wreck

Remains of SR 39 dumped off r.o.w. 9-2-50 (color)

Remains of SR 39 dumped off r.o.w. 9-2-50 (color)

The one picture of the Speedrail crash that I did have showed the wreck before the cars were rolled off the right-of-way. How long was it before the tracks were cleared? A few hours, perhaps?

I don’t recall any of the newspapers giving specifics as to how long it took to clear the wreck, much less to cut apart what was left of car 39 and all of car 40. I believe one account did say the tracks had been cleared by late afternoon which to me means about 4:00 or 5:00 pm. The biggest problem they had was trying to get the cars separated. Trip #5, the last one of the day with duplex 1184-85 hooked up to 1193, the rear car of the heavy duplex, attempted to pull them apart but couldn’t. A heavy duty National Guard wrecker was then brought in and it was able to do it. Ironic, isn’t it that when Hyman-Michaels was scrapping the cars at the gravel pit in 1952 they used 1184-85 as their office car. It’s the one with the sign saying attached to its front that said “No Trespassing. Property of Milwaukee Rapid Transit and Speed Rail Co.”  Someone recently asked me why they separated the Speedrail name into two words. I guess only Hyman-Michaels Co. would have known.

Firemen trying to pry wrecked SR cars apart on 9-2-50 from MJ 9-3-50

Firemen trying to pry wrecked SR cars apart on 9-2-50 from MJ 9-3-50

I know they were serious about prosecuting anyone caught trespassing on the property. Al Buetschle, whom I mentioned in a recent post as the person who saved Milwaukee streetcar 978 went out to the gravel pit soon after scrapping began. He tried to get close enough to where the scrappers were working so he could get some good pictures. He tried hiding in the brush and weeds close to the tracks and they caught him. He was warned that if they ever caught him again he would be turned over to the Waukesha County Sheriff. After that, he discovered that walking up the C&NW RR tracks west from Springdale Rd. which were adjacent to the gravel pit was the “safe” way to gain entry without detection. The other was by going out there on Sundays. The scrappers did not work on Sundays and the place was pretty much deserted. It was on one of these “hunts” that he “saved” the roll sign from Car 66 as well as an Ohio Brass trolley retriever. The problem with the retriever was that it was rather cumbersome. He did not drive a car in 1952 so he had to take the replacement for Speedrail “Waukesha Transit Lines” bus to and from. He was afraid if the bus driver saw it he would report him so he hid the retriever under a log. Regrettably, it wasn’t there the next time he came back. When he moved to California in 1961 the roll sign found its way to someone else and from him to the person who owns it today. I have a color slide of it taken at a train show where it was on display back in the ’80’s or ’90’s.

Springdale Road. on Waukesha Line looking east in TM days Ed Wilson

Springdale Road. on Waukesha Line looking east in TM days Ed Wilson

Abandoned TM ROW Looking east to Springdale Rd. 4-14-71 LAS

Abandoned TM ROW Looking east to Springdale Rd. 4-14-71 LAS

We have a new TM/Speedrail mystery on our hands. This is a photo of a TM or Speedrail 1100 series car eastbound on the Waukesha line at Sunny Slope Rd. The date of the photo is unknown as is the photographer. My friend and colleague Chris Barney obtained this from the Waukesha Freeman newspaper. The car is headed east on the eastbound track but look at the car. It’s running backwards!

The "mystery photo." A TM or Speedrail 1100 poss. 1142 is running backwards EB on the eastbound track at Sunny Slope Rd. J.G. Van Holten plant at right. Collection of C.N. Barney.

#1 – The “mystery photo.” A TM or Speedrail 1100 poss. 1142 is running backwards EB on the eastbound track at Sunny Slope Rd. J.G. Van Holten plant at right. Collection of C.N. Barney.

The streamlined modern type building to the right was the J.G. Van Holten Vinegar works along the westbound track. TM had a siding into the plant and delivered a brine car at least once a month. That continued into the Speedrail era. There were 2 crossover tracks both west of the crossing which the grainy quality of the photo makes impossible to see. That was where the Speedrail accident of 2-8-50 took place.

I’d like to ask my fellow TM fans for any information as to why a car would be running backwards. The switch into the plant was from the westbound track so even if the car had been switching a car in or out there would be no reason for it to be running backwards on the eastbound track.

Chris’ and my friend, Herb Danneman came up with what may be the explanation. On 2-29-52 Hyman-Michaels, the scrapper who dismantled Speedrail moved all of the cars in storage in Milwaukee to the Waukesha gravel pit for scrapping. We know for a fact that the cars operated in trains of 2 or 3 cars. TM 1142 which had been Speedrail’s freight motor from 12/50 to the end of service hauled a number of out of service 1100’s to the gravel pit. The “scrap trains” were operated westbound on the eastbound track as demonstrated in this photo by George Gloff. This is car 66 being towed by car 63. 1100’s could not couple onto curved side cars because of the difference in floor heights. That might be what’s going on here. It might have been easier just to run backwards to Milwaukee than wyeing at the gravel pit if they still could. We tried enlarging the photo to 8x`10 to see if the person standing on the rear platform is wearing a uniform which he would if this was some sort of unusual TM or Speedrail move but it only made him a shadow. We can’t tell.

The photo of 66 being towed is at Calhoun Rd. Some present-day photos at Sunny Slope and one I took there in 1971 are also included. J.G. Van Holten moved to Waterloo, Wisconsin in 1956 after a dispute with the then Town of New Berlin (now city). Seems the Van Holten company was disposing of its waste (they made both pickles and sauerkraut) in a retention pond west of the plant. That must have been a smell you’d never forget!

#2 - The Sunny Slope Rd. xing lkg. west in 5/71. Former J.G. Van Holten plant @ right. Note: power lines not in same place as #1.

#2 – The Sunny Slope Rd. xing lkg. west in 5/71. Former J.G. Van Holten plant @ right. Note: power lines not in same place as #1.

#3 - Speedrail 1142 arr. @ Wauk. Gravel pit poss. 2-29-52. C. N. Barney collection.

#3 – Speedrail 1142 arr. @ Wauk. Gravel pit poss. 2-29-52. C. N. Barney collection.

#4 - SR 66 being towed to Wauk. Gravel Pit passing Kuney's at Calhoun Rd. 2-29-52 George Gloff photo.

#4 – SR 66 being towed to Wauk. Gravel Pit passing Kuney’s at Calhoun Rd. 2-29-52 George Gloff photo.

#5 - Calhoun Rd. xing lkg west. Part of Kuney's bldg. at left. 2013 photo by C.N. Barney

#5 – Calhoun Rd. xing lkg west. Part of Kuney’s bldg. at left. 2013 photo by C.N. Barney

#6 - Sunny Slope Rd. xing lkg west 2013. That's me in the photo. C.N. Barney photo

#6 – Sunny Slope Rd. xing lkg west 2013. That’s me in the photo. C.N. Barney photo

#7 - Lkg. east from west of Sunny Slope Rd. xing 2013. C;N. Barney

#7 – Lkg. east from west of Sunny Slope Rd. xing 2013. C;N. Barney

#8 - Ex J.G. Van Holten plant hidden in the brush as seen from the U.P. RR (ex C&NW) r.o.w. 2013 C. N. Barney photo

#8 – Ex J.G. Van Holten plant hidden in the brush as seen from the U.P. RR (ex C&NW) r.o.w. 2013 C. N. Barney photo

#9 - Literal end of track on Lincoln Ave. (Waukesha East Limits), 9-26-52. Note track has been cut. John Schoenknecht collection.

#9 – Literal end of track on Lincoln Ave. (Waukesha East Limits), 9-26-52. Note track has been cut. John Schoenknecht collection.

#10 - Newspaper clipping showing 2-8-50 Speedrail accident at Sunny Slope Rd. Larry Sakar collection.

#10 – Newspaper clipping showing 2-8-50 Speedrail accident at Sunny Slope Rd. Larry Sakar collection.

Have you ever studied a picture and not noticed something obvious? I was thinking of the “mystery” photo I just sent you and that’s when it hit me. This can’t be any kind of normal passenger run. Because the car is running backwards on the eastbound track the entry door is on the wrong side. How would they board or discharge passengers? The left side of the 1100’s didn’t have any doors!

If this car was heading back to 25th St. to pick up more 1100’s for transport to the Waukesha Gravel pit, you’d want it to be backwards so you could couple to another set of cars. Then you’d be position correctly for the reverse trip to Waukesha. Running backwards like that there was absolutely no place to turn the car around except West Junction loop. They’d have run backwards to the switch that took cars from the Waukesha to the Hales Corners line which was a short distance north of the West Jct. station, then switched to the Hales Corners line where they’d now be facing south, gone around the loop and then you’d be facing north frontwards). They could not have gone all the way to the Public Service Building. First, there was no way to turn a car around there and second by Feb. 29 of 1952 the rails had tar put over them and the trolley wire had been removed from the trainshed.

I think Herb Danneman was right. This is 2-29-52 and that is car 1142.

-Larry Sakar

Postscript

Scott Greig (see Comments section below) was wondering if there was any sort of listing of which Speedrail cars went to the Waukesha Gravel Pit for scrapping. He is in luck. Among the many great documents I found in that collection Herb Danneman so generously gave me were 2 lists of cars that were in the scrap line and elsewhere on the Speedrail property on March 1, 1952 and March 16, 1952. The list was written in pencil and hard to read so I typed it up and scanned in both lists

Thanks Scott, Charles and Robert for the great comments and superb information.

-Larry

Recent Finds

CTA PCC 7199, a product of the St. Louis Car Company, is eastbound on 120th near Halsted circa 1952-55. This was the south end of Route 36 - Broadway-State. (Eugene Van Dusen Photo)

CTA PCC 7199, a product of the St. Louis Car Company, is eastbound on 120th near Halsted circa 1952-55. This was the south end of Route 36 – Broadway-State. (Eugene Van Dusen Photo)

CTA 6148, and "Odd 17" car, was built by the Surface Lines in 1919. Here we see it southbound, turning from Clark onto Halsted.

CTA 6148, and “Odd 17” car, was built by the Surface Lines in 1919. Here we see it southbound, turning from Clark onto Halsted.

CTA 1750 heads west on Randolph Street, signed for Route 16 - Lake Street, circa 1952-54. In the background, we see the Sherman House Hotel, the old Greyhound Bus Terminal, and the Garrick Television Center.

CTA 1750 heads west on Randolph Street, signed for Route 16 – Lake Street, circa 1952-54. In the background, we see the Sherman House Hotel, the old Greyhound Bus Terminal, and the Garrick Television Center.

CTA 1775 heads west on Cermak Road at Kostner circa 1952-54. This photo gives you a good view of a Chicago safety island.

CTA 1775 heads west on Cermak Road at Kostner circa 1952-54. This photo gives you a good view of a Chicago safety island.

CTA 1728 and 3127 on Route 21 - Cermak, just east of Kenton, circa 1952-54.

CTA 1728 and 3127 on Route 21 – Cermak, just east of Kenton, circa 1952-54.

Chicago Aurora & Elgin 310 and follower (309?) are on the west side of Mannheim road near Roosevelt Road on a 1950s fantrip.

Chicago Aurora & Elgin 310 and follower (309?) are on the west side of Mannheim road near Roosevelt Road on a 1950s fantrip.

CA&E 310 on a 1955 fantrip on the Mt. Carmel branch.

CA&E 310 on a 1955 fantrip on the Mt. Carmel branch.

Marion (Indiana) Railways Birney car 8. It was probably built by St. Louis Car Company circa 1922-23, and scrapped in 1947.

Marion (Indiana) Railways Birney car 8. It was probably built by St. Louis Car Company circa 1922-23, and scrapped in 1947.

Marion Railways 8 circa World War II.

Marion Railways 8 circa World War II.

New Washington and Wabash “L” Station

The new Chicago Transit Authority “L” station at Washington and Wabash recently opened. It replaces two stations, at Madison and Randolph. Having one station instead of two speeds up service on the Loop. The Madison station was closed at the beginning of the project, while Randolph remained open until the new one was ready.

This new station is very attractive and seems designed well to handle large crowds. The old Randolph station was already being cut up for scrap when I took these pictures. Not sure what happened to the large CTA logo that was added when that station was renovated in 1954.

Washington and Wabash is conveniently located near Millennium Park, and also provides easy transfer to CTA buses heading east and west.

-David Sadowski

Charlie On the M.T.A.

A period illustration for the M.T.A. song (aka Charlie on the M.T.A.).

A period illustration for the M.T.A. song (aka Charlie on the M.T.A.).

After purchasing a “Charlie Ticket” on our recent trip to Boston (see Back in Boston, September 15, 2017), that got us to thinking about the song that inspired it, generally known as Charlie On the M.T.A. We spent some time recently looking into the origins of this iconic song.

It all started in 1949, when the late Walter O’Brien ran for Mayor of Boston on the Progressive Party ticket. He had no money for advertising, but he did have some folksinging friends, who recorded several songs for his campaign, including The People’s Choice, The O’Brien Train, We Want Walter A. O’Brien, and The M.T.A. Song.

These had new lyrics set to old melodies that the folksingers, who included Bess Lomax Hawes, Al Katz, Sam Berman, Al Berman, and Jackie Steiner, were already familiar with. The M.T.A. song was set to the tune of The Ship That Never Returned, written in 1865 by Henry Clay Work.

The same song also inspired The Wreck of the Old 97.

Fare hikes were a reason to protest the newly formed M.T.A. The Massachusetts legislature had allowed the Boston Elevated Railway Company to absorb its competitors in 1922, creating a monopoly. When the company went bankrupt in 1947, the legislature bought the company, bailing out the shareholders, and formed the Massachusetts Transportation Authority (now called the MBTA).

As a result, a five cent surcharge was added to the existing ten cent fare. Since it was not easy to adapt existing fare collection equipment, riders had to pay an extra nickel when getting off the train– hence the theme of the song.

Bess Lomax Hawes, who had been in the Almanac Singers, picked the tune, while most of the new lyrics were written by Jackie Steiner. It was Hawes, however, who wrote the memorable verse about how Charlie’s wife brought him a sandwich every day and handed it to him through the window of the train as it rumbled by.

The newly recorded song made its debut on October 24, 1949. O’Brien hired a truck with a PA system and had it drive around the city, playing his campaign songs. Of these, M.T.A. was by far the most popular and enduring.

O’Brien got very few votes, but Charlie gained Boston immortality in the process.

Cut to 1955. Folksinger Richard “Specs” Simmons taught the song to Will Holt, who recorded his own version in 1957. This was on its way toward being a hit when his record company began getting complaints from the Boston area, accusing Holt of promoting a radical.

Not knowing the true origin of the song, Holt had no idea that Walter A. O’Brien was a real person.

An edited version was issued, but the damage was done. It was left to the Kingston Trio to record the best and by far most famous version of the song in 1959. They avoided controversy by changing the name of the mayoral candidate to the fictional George O’Brien.

Reportedly, when Will Holt recorded his version, he cut in Richard “Specs” Simmons for one-third of the publishing, which eventually provided him the cash to purchase a bar in San Francisco’s North Beach area, now known as Specs’ Twelve Adler Museum Cafe. He died at age 86 in October 2016.

Most other people involved with the song are no longer with us. Walter O’Brien has died. Bess Lomax Hawes, sister of Alan Lomax and daughter of John Lomax, passed away in 2009. However, Sam Berman, who sang lead on the original 1949 version, lives in Lexington and is in his early 90s. His brother Arnold, also in his 90s, may still be alive. Lyricist Jackie Steiner is also still with us.

You can listen to several versions of the song, including the 1949 original and Will Holt’s, here.

-David Sadowski

Recent Correspondence

A model of GM&O 1900.

A model of GM&O 1900.

Charles Harris of New Zealand writes:

In 1946 Ingalls Iron Works manufactured the one and only Ingalls 4-S diesel loco, tested on several railroads and then sold to GM&O. Used until 1966 and then scrapped. Used a Superior marine engine, with apparently a distinctive sound.

Do any of your recordings feature the Ingalls 4-S? and or film etc.


Kenneth Gear
replies:

I am unaware of any sound recordings of the Ingalls 4-S diesel locomotive. Since it was a one of a kind loco and surely sought out by fans, and considering it lasted to the mid-sixties, the possibility exists that someone recorded it. I’ll keep an eye (and ear) out for it, I would watch for DVDs of vintage GM&O Diesels, perhaps it was filmed at some point with a sound movie camera. If so, the footage and sound track may have ended up on a DVD release.

You might also contact the Meridian Railroad Museum in Meridian, Mississippi: 1805 Front Street, Meridian, MS 39301, phone: (601) 485-7245.

GM&O was one of the local railroads here and the staff there my know of something.

By the way, on the Yahoo Group RAILROAD RECORD FANCLUB I’ve conversed with a person named Doug Harris who also lives in New Zealand. Any relation?

Our New Book Chicago Trolleys— Now In Stock!

On the Cover: Car 1747 was built between 1885 and 1893 by the Chicago City Railway, which operated lines on the South Side starting in April 1859. This is a single-truck (one set of wheels) open electric car; most likely a cable car, retrofitted with a trolley and traction motor. The man at right is conductor William Stevely Atchison (1861-1921), and this image came from his granddaughter. (Courtesy of Debbie Becker.)

On the Cover: Car 1747 was built between 1885 and 1893 by the Chicago City Railway, which operated lines on the South Side starting in April 1859. This is a single-truck (one set of wheels) open electric car; most likely a cable car, retrofitted with a trolley and traction motor. The man at right is conductor William Stevely Atchison (1861-1921), and this image came from his granddaughter. (Courtesy of Debbie Becker.)

We are pleased to report that our new book Chicago Trolleys was released on September 25, 2017 by Arcadia Publishing. You can order an autographed copy through us (see below). Chicago Trolleys is also available wherever Arcadia books are sold.

Overview

Chicago’s extensive transit system first started in 1859, when horsecars ran on rails in city streets. Cable cars and electric streetcars came next. Where new trolley car lines were built, people, businesses, and neighborhoods followed. Chicago quickly became a world-class city. At its peak, Chicago had over 3,000 streetcars and 1,000 miles of track—the largest such system in the world. By the 1930s, there were also streamlined trolleys and trolley buses on rubber tires. Some parts of Chicago’s famous “L” system also used trolley wire instead of a third rail. Trolley cars once took people from the Loop to such faraway places as Aurora, Elgin, Milwaukee, and South Bend. A few still run today.

The book features 230 classic black-and-white images, each with detailed captions, in 10 chapters:

1. Early Traction
2. Consolidation and Growth
3. Trolleys to the Suburbs
4. Trolleys on the “L”
5. Interurbans Under Wire
6. The Streamlined Era
7. The War Years
8. Unification and Change
9. Trolley Buses
10. Preserving History

Product Details

ISBN-13: 9781467126816
Publisher: Arcadia Publishing SC
Publication date: 09/25/2017
Series: Images of Rail
Pages: 128

Meet the Author

David Sadowski has been interested in streetcars ever since his father took him for a ride on one of the last remaining lines in 1958. He grew up riding trolley buses and “L” trains all over Chicago. He coauthored Chicago Streetcar Pictorial: The PCC Car Era, 1936–1958, and runs the online Trolley Dodger blog. Come along for the ride as we travel from one side of the city to the other and see how trolley cars and buses moved Chicago’s millions of hardworking, diverse people.

Images of Rail

The Images of Rail series celebrates the history of rail, trolley, streetcar, and subway transportation across the country. Using archival photographs, each title presents the people, places, and events that helped revolutionize transportation and commerce in 19th- and 20th-century America. Arcadia is proud to play a part in the preservation of local heritage, making history available to all.

The book costs just $21.99 plus shipping.

We appreciate your business!

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Praise for Chicago Trolleys

Kenneth Gear writes:

I just finished reading your book and I enjoyed it very much. Good, clear, concise, and informative writing.

I must compliment you on the choice and presentation of the photographs. It is obvious that you spent much time and effort to present these wonderful photos as perfectly restored as possible.

So many times the authors of books that are primarily “picture books” seem to have a complete disregard for the condition of the photos reproduced. I’ve often seen photos that are yellowed with age, water stained, ripped, folded, and scratched. Other times a book might contain photos that are not properly exposed, are crooked, out of focus, or the composition could have been easily corrected with a little cropping.

The photos in your book are absolutely fantastic! They are pristine, sharp, and have absolutely no blemishes at all. You also packed a lot of information into the captions as well. It’s a fine book and you should be proud, as I’m sure you are, to have your name on the cover.

NEW – Chicago Trolleys Postcard Collection

Selected images from Chicago Trolleys are now available in a pack of 15 postcards, all for just $7.99. This is part of a series put out by Arcadia Publishing. Dimensions: 6″ wide x 4.25″ tall

The Postcards of America Series

Here in the 21st century, when everyone who’s anyone seems to do most of their communicating via Facebook and Twitter, it’s only natural to wax a little nostalgic when it comes to days gone by. What happened to more personal means of communication like hand-written letters on nice stationery? Why don’t people still send postcards when they move someplace new or go away on vacation?

If that line of thinking sounds familiar, then Arcadia Publishing’s Postcards of America was launched with you in mind. Each beautiful volume features a different collection of real vintage postcards that you can mail to your friends and family.

Order your Chicago Trolleys Postcard Pack today!

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Tip of the Iceberg

A remarkable photograph, this shows a group of early Chicago streetcar conductors and motormen, some displaying the tools of their trade (controller handles and switch irons). I am sure it was a tough job, and they look like a bunch of tough men. While Chicago's population has always been diverse, integration did not come to their ranks until October 1943, thanks in part to wartime manpower shortages. (And I do mean "manpower," since the CTA did not hire its first female bus driver until 1974.) I am wondering if this photo shows employees of the Chicago City Railway. If anyone can shed light on this photo, please let us know.

A remarkable photograph, this shows a group of early Chicago streetcar conductors and motormen, some displaying the tools of their trade (controller handles and switch irons). I am sure it was a tough job, and they look like a bunch of tough men. While Chicago’s population has always been diverse, integration did not come to their ranks until October 1943, thanks in part to wartime manpower shortages. (And I do mean “manpower,” since the CTA did not hire its first female bus driver until 1974.) I am wondering if this photo shows employees of the Chicago City Railway. If anyone can shed light on this photo, please let us know.

Lately, we have been hard at work on our upcoming book Chicago Trolleys. Meanwhile, new images have been piling up. It’s about time we started sharing them with you. Today’s batch is just the “tip of the iceberg,” so to speak.

The group picture above is just such an image. It came to us by way of a very large 11″ x 14″ negative. This in itself is rather remarkable. It was too big to scan all at once, but necessity is the mother of invention.

I scanned the image in quarters, and then discovered free software from Microsoft that flawlessly “stitched” the four back together. As old as this negative seems to be, it may not be the original. I have a feeling this neg was made from a glass plate.

Glass plate negatives are fragile, and there was some damage to the image, which I corrected using Photoshop. This took many hours of work, but the results speak for themselves. Chances are, this picture was taken between 1895 and 1915.

There are eight million stories in Railfan City.

-David Sadowski

Here is how the image originally looked, before I spent several hours eliminating the scratch using Photoshop.

Here is how the image originally looked, before I spent several hours eliminating the scratch using Photoshop.

The man in the middle not only has pointy shoes, but holds a switch iron.

The man in the middle not only has pointy shoes, but holds a switch iron.

Note the controller handle.

Note the controller handle.

Perhaps this badge may offer a clue as to which private operator these men may have worked for. One of our readers thinks the badge might say "C & S C," which could stand for the Calumet and South Chicago Railway Company, which was formed in 1908 through a merger of the South Chicago City Railway Co., and Calumet Electric Street Railway Co. It operated on the far south side of Chicago. In 1914, it became one of the underlying companies that formed the Chicago Surface Lines. Of course, it's pretty hard to make out. On the other hand, James Fahlstedt writes: "My take on the hat badge is that it reads CCSR. For what it is worth, it is put on the hat with and band or strap rather than fastened directly to the hat with split pins or similar device. The thing that I do not understand is that it is a metal badge. My CCR badge is leather. Could it read CGSR? Another thing I noticed is that there is something on the left side of the badge on the same line as the mystery letters that is totally illegible. Is a puzzlement." CCSR probably stands for Chicago City Street Railway. Perhaps the mystery has been solved.

Perhaps this badge may offer a clue as to which private operator these men may have worked for. One of our readers thinks the badge might say “C & S C,” which could stand for the Calumet and South Chicago Railway Company, which was formed in 1908 through a merger of the South Chicago City Railway Co., and Calumet Electric Street Railway Co. It operated on the far south side of Chicago. In 1914, it became one of the underlying companies that formed the Chicago Surface Lines. Of course, it’s pretty hard to make out. On the other hand, James Fahlstedt writes: “My take on the hat badge is that it reads CCSR. For what it is worth, it is put on the hat with and band or strap rather than fastened directly to the hat with split pins or similar device. The thing that I do not understand is that it is a metal badge. My CCR badge is leather. Could it read CGSR? Another thing I noticed is that there is something on the left side of the badge on the same line as the mystery letters that is totally illegible. Is a puzzlement.” CCSR probably stands for Chicago City Street Railway. Perhaps the mystery has been solved.

Recent Finds

CTA PCC 7256 heads south on State Street at Van Buren in the 1950s.

CTA PCC 7256 heads south on State Street at Van Buren in the 1950s.

This mid-1950s view of PCC 4406 is at Clark and Birchwood, it having just left Howard Street, north end of Route 22.

This mid-1950s view of PCC 4406 is at Clark and Birchwood, it having just left Howard Street, north end of Route 22.

CTA trolley bus 9193 on a March 2, 1958 Omnibus Society of America fantrip, at Kedzie Garage. Andre Kristopans: "This is in BACK of Kedzie, facing south. The wire came in off Kedzie between the carhouse and the washhouse, looped around in back and split into the three wired bays."

CTA trolley bus 9193 on a March 2, 1958 Omnibus Society of America fantrip, at Kedzie Garage. Andre Kristopans: “This is in BACK of Kedzie, facing south. The wire came in off Kedzie between the carhouse and the washhouse, looped around in back and split into the three wired bays.”

CTA Marmon-Herrington trolley bus 9737 heads east at Lawrence and Austin in August 1969. (Gerald H. Landau Photo)

CTA Marmon-Herrington trolley bus 9737 heads east at Lawrence and Austin in August 1969. (Gerald H. Landau Photo)

On January 1, 1954, eastbound CTA 1769 turns from Pine onto Lake Street, crossing the Lake Street "L" at grade. Streetcars were replaced by buses on May 30 that same year.

On January 1, 1954, eastbound CTA 1769 turns from Pine onto Lake Street, crossing the Lake Street “L” at grade. Streetcars were replaced by buses on May 30 that same year.

CTA Pullman PCC 4169 at the south end of Route 36 - Broadway-State, near 119th and Morgan, probably in the early 1950s. (Eugene Van Dusen Photo)

CTA Pullman PCC 4169 at the south end of Route 36 – Broadway-State, near 119th and Morgan, probably in the early 1950s. (Eugene Van Dusen Photo)

Passengers get off CTA trolley bus 9514, which is heading eastbound on Roosevelt at State in April 1964. The Roosevelt Road station on the South Side "L" was closed as of January 1963, when the North Shore Line quit. From 1949-63, NSL had exclusive use as N-S trains were routed through the State Street subway. These tracks were put back into regular service in 1969, with the opening of the Dan Ryan line, but the station was demolished and was not replaced by a new one until 1993, with the opening of the Orange Line.

Passengers get off CTA trolley bus 9514, which is heading eastbound on Roosevelt at State in April 1964. The Roosevelt Road station on the South Side “L” was closed as of January 1963, when the North Shore Line quit. From 1949-63, NSL had exclusive use as N-S trains were routed through the State Street subway. These tracks were put back into regular service in 1969, with the opening of the Dan Ryan line, but the station was demolished and was not replaced by a new one until 1993, with the opening of the Orange Line.

Roosevelt and State today.

Roosevelt and State today.

This photo shows the Kilbourn station on the Garfield Park "L" around 1954. By then, the station had been closed, and the stairways removed, in order to reduce running time due to the slow 2.5 mile temporary trackage at ground level east of Sacramento. The two-car train of CTA 4000s is about to cross the Congress Expressway, but the highway does not appear to be open yet. The "L" tracks were higher than normal at this location to cross railroad tracks just west of here. The line was relocated into the expressway median in 1958.

This photo shows the Kilbourn station on the Garfield Park “L” around 1954. By then, the station had been closed, and the stairways removed, in order to reduce running time due to the slow 2.5 mile temporary trackage at ground level east of Sacramento. The two-car train of CTA 4000s is about to cross the Congress Expressway, but the highway does not appear to be open yet. The “L” tracks were higher than normal at this location to cross railroad tracks just west of here. The line was relocated into the expressway median in 1958.

The CRT 42nd Place Yard, the end of the line for the Kenwood "L" branch, probably in the late 1920s.

The CRT 42nd Place Yard, the end of the line for the Kenwood “L” branch, probably in the late 1920s.

The Stock Yards "L" branch, looking east to Exchange, as it appeared on June 7, 1927.

The Stock Yards “L” branch, looking east to Exchange, as it appeared on June 7, 1927.

The North Side "L", looking south from Montrose. On the right, you see the ramp leading down to the Buena Yard.

The North Side “L”, looking south from Montrose. On the right, you see the ramp leading down to the Buena Yard.

CRT trailer 3237, possibly at Skokie Shops.

CRT trailer 3237, possibly at Skokie Shops.

CA&E 315 at an unknown location.

CA&E 315 at an unknown location.

Chicago, Aurora & Elgin cars 407 and 432 at the Forest Park terminal in September 1955. CA&E service was cut back to here two years earlier. 407 was a Pullman, built in 1923, while 432 was a 1927 product of the Cincinnati Car Company. Riders could change here "cross platform" for CTA Garfield Park "L" trains.

Chicago, Aurora & Elgin cars 407 and 432 at the Forest Park terminal in September 1955. CA&E service was cut back to here two years earlier. 407 was a Pullman, built in 1923, while 432 was a 1927 product of the Cincinnati Car Company. Riders could change here “cross platform” for CTA Garfield Park “L” trains.

CTA PCC 4265, a Pullman product, heads north on State at Lake circa 1948, while Alfred Hitchcock's film Rope plays at the State-Lake Theater. This has since been converted into production facilities for WLS-TV.

CTA PCC 4265, a Pullman product, heads north on State at Lake circa 1948, while Alfred Hitchcock’s film Rope plays at the State-Lake Theater. This has since been converted into production facilities for WLS-TV.

Here is a nice side view of CSL 4005 at Kedzie Station (car barn). At this time, the 83 Prewar PCCs were assigned to Route 20 - Madison.

Here is a nice side view of CSL 4005 at Kedzie Station (car barn). At this time, the 83 Prewar PCCs were assigned to Route 20 – Madison.

Faced with a manpower shortage during World War II, some transit lines hired female operators (although the Chicago Surface Lines did not). Here, we see Mrs. Cleo Rigby (left) and Mrs. Katherine Tuttle training in North Chicago on June 25, 1943. That would be for the North Shore Line's city streetcar operations, which were mainly in Waukegan.

Faced with a manpower shortage during World War II, some transit lines hired female operators (although the Chicago Surface Lines did not). Here, we see Mrs. Cleo Rigby (left) and Mrs. Katherine Tuttle training in North Chicago on June 25, 1943. That would be for the North Shore Line’s city streetcar operations, which were mainly in Waukegan.

A northbound two-car Evanston shuttle train is held up momentarily at Howard in the 1950s, as track work is going on up ahead. The rear car is 1766. Don's Rail Photos says, "1756 thru 1768 were built by Jewett Car in 1903 as Northwestern Elevated Railway 756 thru 768. They were renumbered 1756 thru 1768 in 1913 and became CRT 1756 thru 1768 in 1923." Wood cars last ran on Evanston in 1957. Notice that the station is also being painted.

A northbound two-car Evanston shuttle train is held up momentarily at Howard in the 1950s, as track work is going on up ahead. The rear car is 1766. Don’s Rail Photos says, “1756 thru 1768 were built by Jewett Car in 1903 as Northwestern Elevated Railway 756 thru 768. They were renumbered 1756 thru 1768 in 1913 and became CRT 1756 thru 1768 in 1923.” Wood cars last ran on Evanston in 1957. Notice that the station is also being painted.

CTA postwar PCC 4404 is heading south, turning from Archer onto Wentworth on June 20, 1958, the last full day of streetcar service in Chicago. This was the last photo of a Chicago streetcar taken by the late Bob Selle.

CTA postwar PCC 4404 is heading south, turning from Archer onto Wentworth on June 20, 1958, the last full day of streetcar service in Chicago. This was the last photo of a Chicago streetcar taken by the late Bob Selle.

A close-up of the previous photo shows some evidence of Bondo-type patch work on 4404.

A close-up of the previous photo shows some evidence of Bondo-type patch work on 4404.

CTA 7051 is southbound at State and Delaware on route 36 Broadway-State in the early 1950s. We ran another picture taken at this location in our post Recent Finds, Part 2 (December 12, 2016), showing a PCC going the other way. (Walter Hulseweder Photo)

CTA 7051 is southbound at State and Delaware on route 36 Broadway-State in the early 1950s. We ran another picture taken at this location in our post Recent Finds, Part 2 (December 12, 2016), showing a PCC going the other way. (Walter Hulseweder Photo)

The controller car of CTA Red Pullman 144, as it looked on a mid-1950s fantrip. This car is preserved at the Illinois Railway Museum. (Chuck Wlodarczyk Photo)

The controller car of CTA Red Pullman 144, as it looked on a mid-1950s fantrip. This car is preserved at the Illinois Railway Museum. (Chuck Wlodarczyk Photo)

CTA Red Pullman 225 at 77th and Vincennes on a mid-1950s fantrip. This car is preserved at Seashore Trolley Museum in Maine. (Chuck Wlodarczyk Photo)

CTA Red Pullman 225 at 77th and Vincennes on a mid-1950s fantrip. This car is preserved at Seashore Trolley Museum in Maine. (Chuck Wlodarczyk Photo)

CTA Red Pullman 445 is on Route 21 - Cermak circa 1950. Behind it, you see the Lakeside Diner and Boulevard Buick, the latter located at 230 E. Cermak. Today, this is near the location of McCormick Place.

CTA Red Pullman 445 is on Route 21 – Cermak circa 1950. Behind it, you see the Lakeside Diner and Boulevard Buick, the latter located at 230 E. Cermak. Today, this is near the location of McCormick Place.

CTA Red Pullman 104 is at Cermak and Prairie, east end of Route 21. This was just a few blocks away from Kodak's Prairie Avenue processing plant, located at 1712 S. Prairie Avenue. Many a railfan's Kodachrome slides were developed and mounted there, until the facility closed in the mid-1980s. You can read more about it here. The landmark R.R. Donnelley and Sons Co. Calumet Plant, also known as the Lakeside Plant, is at rear. The plant closed in 1993, after Sears discontinued their catalog, and the building is now used as a data center.

CTA Red Pullman 104 is at Cermak and Prairie, east end of Route 21. This was just a few blocks away from Kodak’s Prairie Avenue processing plant, located at 1712 S. Prairie Avenue. Many a railfan’s Kodachrome slides were developed and mounted there, until the facility closed in the mid-1980s. You can read more about it here. The landmark R.R. Donnelley and Sons Co. Calumet Plant, also known as the Lakeside Plant, is at rear. The plant closed in 1993, after Sears discontinued their catalog, and the building is now used as a data center.

CSL “Big” Pullman 183 is eastbound on Roosevelt at Ashland on January 15, 1937, while 5502, an Ashland car, is turning west onto Roosevelt to jog over to Paulina. That’s Immanuel Lutheran Church in the background.

CSL “Big” Pullman 183 is eastbound on Roosevelt at Ashland on January 15, 1937, while 5502, an Ashland car, is turning west onto Roosevelt to jog over to Paulina. That’s Immanuel Lutheran Church in the background.

CTA 7238 on State street in the early 1950s. The clock at right belongs to C. D. Peacock jewelers, a Chicago institution since 1837. (Water Hulseweder Photo)

CTA 7238 on State street in the early 1950s. The clock at right belongs to C. D. Peacock jewelers, a Chicago institution since 1837. (Water Hulseweder Photo)

Chicago, South Shore & South Bend car 31 and train at Wilson, Indiana, on an early CERA fantrip (possibly September 20, 1942). Mitch adds, "The photo of the South Shore Line fan trip, 1942 in this episode of “The Trolley Dodger,” appears to be at Power Siding, between Sheridan and the Highway 12 crossing west of Michigan City."

Chicago, South Shore & South Bend car 31 and train at Wilson, Indiana, on an early CERA fantrip (possibly September 20, 1942). Mitch adds, “The photo of the South Shore Line fan trip, 1942 in this episode of “The Trolley Dodger,” appears to be at Power Siding, between Sheridan and the Highway 12 crossing west of Michigan City.”

Here, we see a rare shot of a CSL trolley bus on North Avenue in 1940. While route 72 - North was not converted to trolley bus until July 3, 1949, there was wire between the garage near Cicero Avenue and Narragansett. TBs ran on Narragansett until 1953, when route 86 was combined with the one-mile extension of North between Narragansett and Harlem. This TB is signed for route 76 (Diversey), which used TBs until 1955. The destination sign also says North-Lamon, site of the garage, but the slope of the street would indicate the bus is actually heading west. There is TB wire special work turning off to the right in the background, perhaps indicating that the bus has just left the garage. Andre Kristopans: "I THINK WB about Lavergne, pulling out." There would be streetcar tracks on this section. Andre again: "There are car tracks. You can barely see a couple of hangers to the right of the bus. North Av is very wide at this point, almost 6 lanes, and TT's did not share wire."

Here, we see a rare shot of a CSL trolley bus on North Avenue in 1940. While route 72 – North was not converted to trolley bus until July 3, 1949, there was wire between the garage near Cicero Avenue and Narragansett. TBs ran on Narragansett until 1953, when route 86 was combined with the one-mile extension of North between Narragansett and Harlem. This TB is signed for route 76 (Diversey), which used TBs until 1955. The destination sign also says North-Lamon, site of the garage, but the slope of the street would indicate the bus is actually heading west. There is TB wire special work turning off to the right in the background, perhaps indicating that the bus has just left the garage. Andre Kristopans: “I THINK WB about Lavergne, pulling out.” There would be streetcar tracks on this section. Andre again: “There are car tracks. You can barely see a couple of hangers to the right of the bus. North Av is very wide at this point, almost 6 lanes, and TT’s did not share wire.”

North Shore Line wood car 300, during its time as the Central Electric Railfans' Association club car, probably circa 1939-40.

North Shore Line wood car 300, during its time as the Central Electric Railfans’ Association club car, probably circa 1939-40.

Don's Rail Photos says, "300 thru 302 were built by Jewett in 1909 as mainline coaches. As the steel cars arrived, they were downgraded to local and school tripper service. In 1936 they became sleet cutters. In 1939 300 was turned over to the Central Electric Railfans Association as a private car. The ownership remained with the CNS&M, but the maintenance was taken over by CERA. During the war, with many members in service, CERA relinquished control, and the car was scrapped in 1947. 301 and 302 were retired in 1939 and scrapped in 1940."

Don’s Rail Photos says, “300 thru 302 were built by Jewett in 1909 as mainline coaches. As the steel cars arrived, they were downgraded to local and school tripper service. In 1936 they became sleet cutters. In 1939 300 was turned over to the Central Electric Railfans Association as a private car. The ownership remained with the CNS&M, but the maintenance was taken over by CERA. During the war, with many members in service, CERA relinquished control, and the car was scrapped in 1947. 301 and 302 were retired in 1939 and scrapped in 1940.”

Perhaps someone can help us identify the location of car 300, somewhere along the Shore Line Route.

Perhaps someone can help us identify the location of car 300, somewhere along the Shore Line Route.

New Site Additions

This picture has been added to our post The Great Chicago Interurbans – Part Two (CNS&M) (February 5, 2017):

The Angel's Flight funicular on June 13, 1961. (George Basch Photo)

The Angel’s Flight funicular on June 13, 1961. (George Basch Photo)

This one’s been added to Night Beat (June 21, 2016):

A South Shore Line train at the old Gary station in August 1970.

A South Shore Line train at the old Gary station in August 1970.

Here’s another one for More LVT Photos & Trolley Dodger Mailbag, 12-14-2015:

A rear view of two Lehigh Valley Transit ex-Cincinnati & Lake Erie "Red Devils" shows how their squared-off ends were not designed for multiple-unit operation. By comparison, car 1030, adapted from Indiana Railroad car 55, had a rounded end and was designed for multiple unit operation. Presumably, this is the Fairview car barn in Allentown. Liberty Bell Limited interurban service ended in 1951.

A rear view of two Lehigh Valley Transit ex-Cincinnati & Lake Erie “Red Devils” shows how their squared-off ends were not designed for multiple-unit operation. By comparison, car 1030, adapted from Indiana Railroad car 55, had a rounded end and was designed for multiple unit operation. Presumably, this is the Fairview car barn in Allentown. Liberty Bell Limited interurban service ended in 1951.

Recent Correspondence

Jack Bejna writes:

Hi Dave, here’s a few more of my CA&E images. All of these shots were cleaned up with Photoshop.

PS: The Julie Johnson collection website is back on line as of this morning (March 2). Great collection and I’m in it all the time.

Thanks very much!

Here's a head-on shot of CA&E cars 48 (Stephenson 1902) & 316 (Jewett 1913).

Here’s a head-on shot of CA&E cars 48 (Stephenson 1902) & 316 (Jewett 1913).

CA&E 30, my shot near the shops circa 1955.

CA&E 30, my shot near the shops circa 1955.

CA&E 18 looking good in this shot.

CA&E 18 looking good in this shot.

A train of the first cars with just the top of the old dispatcher tower in the background.

A train of the first cars with just the top of the old dispatcher tower in the background.

Here is an image of the old tower, just about the only one from this angle.

Here is an image of the old tower, just about the only one from this angle.

This is my shot of the new Dispatchers tower, circa 1955.

This is my shot of the new Dispatchers tower, circa 1955.

Here's one more that I think you'll like. It looks like CA&E 310 (Hicks 1908) just came out of the paint shop, and boy did they do a nice job!

Here’s one more that I think you’ll like. It looks like CA&E 310 (Hicks 1908) just came out of the paint shop, and boy did they do a nice job!

One more for you that I completed this morning. It's CA&E 319 (Jewett 1914) heading a line of cars. I got the original from Hicks Car Works, which is the JJ collection. It was a really bad picture and it took about 4 hours to complete.

One more for you that I completed this morning. It’s CA&E 319 (Jewett 1914) heading a line of cars. I got the original from Hicks Car Works, which is the JJ collection. It was a really bad picture and it took about 4 hours to complete.

James Fahlstedt writes:

I just recently discovered your blog and really enjoy it. First of all, I do not know much regarding Chicago traction, but have always been a fan. I love the city, I loved the interurbans (I was fortunate to have ridden all three of the big ones) and I even love the buses. I have made a small purchase of your books and videos and plan to buy more as my finances allow.

Second, I like the way those who know things seem to be willing to share their knowledge. I firmly believe that knowledge is something to be shared, not hidden.

Third, I like that the photos on the blog are of a sufficient resolution that they can actually be seen and enjoyed.

Anyway, if I know anything appropriate, I will pitch in.

Great, thanks! Glad you like the site.

Eric Miller writes:

I am looking for a photographer named C. Scholes to return some photo prints.

We posted a 1952 photo by a C. R. Scholes in One Good Turn (January 20, 2017).  That’s all the information we have.  Perhaps one of our readers can help further, thanks.

Mr. Miller replies:

That would be great!

Here are some shots of “Betty” making the rounds in Uptown, Dallas for you.

(Editor’s note: This is the the McKinney Avenue trolley, aka the M-Line.)

Scans of several new publications have been added to our E-book Chicago’s PCC Streetcars: The Rest of the Story, available in our Online Store. These include:

Surface Service (CSL employee magazine), February 1942, March 1942, July 1943, June 1945, and June 1946

CTA brochure advertising National Transportation Week, May 1960

Hi-res scan of 1957 CTA Annual Report

Gorilla My Dreams

While this isn’t transit related, I figured our readers might enjoy seeing these pictures, which show a publicity float for the 1949 film Mighty Joe Young. This was a sort-of remake of King Kong, which reunited much of the same creative team involved with the 1933 original, including Merian C. Cooper, Ernest B. Schoedsack, Robert Armstrong. Ruth Rose, Marcel Delgado, and Willis O’Brien. If anyone knows where this parade may have taken place, please let me know.

-David Sadowski

street-railwayreview1895-002

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