Welcome 2024

January 8, 2024January 19, 2024David Sadowski 16 Comments

PRC Pittsburgh Railways PCC Route 28
Location: Pittsburgh, Pennsylvania
Date: July 1958
Photographer: Unknown
Pittsburgh PCC #1562 was built in 1944 by the St. Louis Car Company. The Roxian Theatre is located at 501 Chartiers Avenue, McKees Rocks, PA 15136. It was built in 1928 and had 1,200 seats. It closed in 1979 and was converted into a concert venue for a time. In 2019, it reopened as a film and performing arts theatre. Stuart B. Slaymaker adds, “Route 26 was a West End Line, (and) died with the others, in June, 1959. 30 years later, most of the trackage up in West Park, was in perfect condition. We drove and photographed it. Looked like it was waiting for the PCCs to come back…” Larry Lovejoy adds, “Photo eba839 technically isn’t in Pittsburgh but rather the independent Borough of McKees Rocks. The car and the bus are both running inbound to downtown Pittsburgh. The bus was operated by Shafer Coach Lines, one of the 30-plus independent bus companies that was absorbed into the Port Authority of Allegheny County in 1964. Shafer and Pittsburgh Railways were fiercely competitive in the corridor running along the south bank of the Ohio River.” https://www.amcap.org/history/pghhistory/shafer.shtml

As we welcome the new year, this is also the third anniversary of our friend Jeff Wien‘s passing. We offer herein a special selection of some of the fantastic images from his vast and exceptional collection, as a tribute to him. He deserves to be remembered for all his contributions to historic preservation.

Jeff’s extensive collection covers steam and diesel trains, in addition to streetcars, rapid transit, and interurbans.

We also have some recent finds of our own.

-David Sadowski

Our Next Live Program

FYI, my next presentation will take place at the Edgewater Branch of the Chicago Public Library from 10-11am on Saturday, January 13, 2024. Admission is free, and copies of my four Arcadia books will be available for purchase at special prices.

The library is located at 6000 N. Broadway, Chicago 60660.

I will be covering the History of the Chicago “L”. This program is being done in partnership with the Edgewater Historical Society.

I look forward to seeing you there. As far as I am aware, this program is not being streamed.

More information here: CPL Event Page

Our Annual Fundraiser

Since we started this blog in 2015, we have posted more than 16,000 images. This is our 311th post.

In the near future, we will need to renew our WordPress subscription, our domain registration, and pay other bills associated with maintaining this site, so it is time for our Annual Fundraiser.

The Trolley Dodger blog can only be kept going with the help of our devoted readers. Perhaps you count yourself among them.

If you have already contributed in the past, we thank you very much for your help. Meanwhile, our goal for this fundraiser is just $700, which is only a fraction of what it costs us each year. The rest is made up from either the profits from the items we sell, which are not large, or out of our own pocket, which is not very large either.

To date, we have raised $473.22 towards our goal.

There are links at the top and bottom of this page, where you can click and make a donation that will help us meet our goal again for this coming year, so we can continue to offer you more classic images in the future, and keep this good thing we have going.

We thank you in advance for your time and consideration.

-David Sadowski

PS- You might also like our Trolley Dodger Facebook auxiliary, a private group that now has 1,487 members.

Our friend Kenneth Gear has a Facebook group for the Railroad Record Club. If you enjoy listening to audio recordings of classic railroad trains, whether steam, electric, or diesel, you might consider joining.

FYI, the Hoosier Traction Facebook Group celebrates electric transit in Indiana and the Midwest. It also supports the activities of the annual Hoosier Traction Meet (although not affiliated with the North American Transit Historical Society, which organizes that event).

Our Next Book Project

FYI, we are hard at work researching our next book about the Chicago Aurora and Elgin interurban. Although we already have thousands of images, we start out on these book projects with some of what we need, and then have to find the rest. Some have generously shared their images with us, and some we have to pay real money for. In case you would like to help contribute to this effort, either by sharing images or making a donation, we would like to hear from you. All contributors will be mentioned in the book, which will be dedicated to the memory of the late Robert D. Heinlein. The most difficult images to find are always the earliest ones. You can contact me via messenger, at thetrolleydodger@gmail.com or via my blog. I thank you for your time and consideration.

Chicago Aurora and Elgin wood car 317 is at the head of a westbound train at DesPlaines Avenue in Forest Park on September 9, 1953. This was about ten days before the CA&E stopped running downtown via the CTA and cut back service to here. The old station you see here was replaced with a hastily built one just a bit to the north, with a loop for interurban trains to turn back, and cross platform connections with CTA Garfield Park “L” trains. The old station was on the east side of DesPlaines Avenue, with the new station to the west.
The terminal was once again reconfigured in 1959, during construction of the adjacent expressway, but by then the CA&E had stopped running (although new tracks were put in place in case it had been able to continue). I am sure I will include this picture in my upcoming book. (Lawson K. Hill Photo) Lawson Kingsbury Hill (1910-1998) lived in Massachusetts, where he worked as a rate clerk.

Chicago’s Union Depot was built in 1881 and was on Canal Street between Madison and Adams streets. Stations that served more than one railroad were known as union stations. Construction of the current Union Station, a massive project, began in 1913. It opened in 1925.

South Shore Line car 26 is at the Randolph Street Terminal in downtown Chicago in December 1981. These venerable cars, built in 1926, were retired in 1983– a remarkable 57 years of service. You can’t get a picture like this any longer, as Millennium Park has since been built above this station. We are looking north.

Pittsburgh Railways PC car 1640 is at South Hills Junction in June 1965 (processing date). This car, looking a bit worse for wear here, was built in 1945 by the St. Louis Car Company. It was rebuilt as car 1799 in 1979, and in 1990 it went to the Pennsylvania Trolley Museum in Washington, Pennsylvania. (Rick Burn Photo)

Chicago Aurora and Elgin express car 9 was built by Niles Car in 1907, and was scrapped in 1959. Here it is on September 1, 1948 at Wheaton.

Chicago Aurora and Elgin express car 11 heads up a fantrip train in 1949. Don’s Rail Photos: “11 was built by Brill in 1910, #16483. It was rebuilt to a line car in 1947 and replaced 45. It was acquired by Railway Equipment Leasing & Investment Co in 1962 and became Fox River Trolley Museum in 1984. It was lettered as Fox River & Eastern.”

From the Collections of Jeffrey L. Wien

Philadelphia SEPTA PCC #2245
Location: Philadelphia (Route 60, Allegheny-Collins)
Date: September 8, 1976
Photographer: James J. Buckley
This was the second Philadelphia PCC numbered 2245. It was originally Toronto Transportation Commission car 4762. It came to Philadelphia in 1976 and was scrapped in 1982.

Pittsburgh PAT PCC Streetcar Trolley #1468
Location: Pittsburgh, Pennsylvania (Route 73 – Highland)
Date: January 20, 1967
Photographer: Unknown
Pittsburgh Railways PCC streetcar 1468 was built in 1942 by the St. Louis Car Company.

Pittsburgh Railways PCC Streetcar #1520 (and 1549)
Location: Pittsburgh, PA (North St. Clair and Bowden, Routes 71 and 73)
Date: July 3, 1964
Photographer: Unknown
Pittsburgh Railways PCC streetcar 1520 was built in 1945 by the St. Louis Car Company. It was later renumbered to 1795.

Pittsburgh Railways PCC Streetcar #1662
Location: Pittsburgh, PA (Glenwood Bridge)
Date: October 7, 1962
Photographer: Unknown

Pittsburgh PAT PCC Streetcar Trolley #1646
Location: Pittsburgh, PA (Route 10 – Perrysville at Towers Terrace, Ross Township)
Date: May 23, 1965
Photographer: Unknown

Pittsburgh Railways PCC Streetcar #1478
Location: Pittsburgh, PA (Route 28 – Heidelberg, 1st and Railroad Avenue)
Date: July 1958
Photographer: Unknown

Pittsburgh PAT PCC Streetcar Trolley #1626
Location: Pittsburgh, PA (Route 39 – Brookline at Jillson Street)
Date: April 22, 1966
Photographer: Joseph P. Saitta

Pittsburgh Railways PCC Trolley #1623
Location: Pittsburgh, PA (Route 88 – Tioga Loop)
Date: September 13, 1964
Photographer: Unknown

Pittsburgh PAT PCC Streetcar Trolley #1619
Location: Pittsburgh, PA (Fort Pitt-Smithfield)
Date: October 23, 1973
Photographer: Joseph P. Saitta

Pittsburgh PAT Streetcar Trolley #3756
Location: Pittsburgh, PA (Grant and Fifth)
Date: July 3, 1976 (processing date)
Photographer: Joseph P. Saitta

Pittsburgh Railways PCC Trolley #1674
Location: Pittsburgh, PA (signed for Route 49 – Arlington)
Date: January 1, 1964
Photographer: Unknown

Pittsburgh Railways PCC Trolley #1685
Location: Pittsburgh, PA (Route 10 – West View)
Date: July 21, 1963
Photographer: Unknown

Pittsburgh Railways PCC Trolley #1627
Location: Pittsburgh, PA (Route 44 – Knoxville PA Station)
Date: May 1958 (processing date)
Photographer: Unknown

CTUSV Vera Cruz Mexico Tram Streetcar #212 (Operator: Sociedad Cooperativa de Transportes Urbanos y Sub-Urbanos de Veracruz)
Location: Vera Cruz, Mexico (Pages-Uribe)
Date: April 17, 1971
Photographer: Joseph P. Saitta

CMTC São Paulo Streetcar Tram #1813
Location: São Paulo, Brazil
Date: March 11, 1965
Photographer: James J. Buckley
Ex-Third Avenue Railway, New York City, built 1936-37.

Mexico City Streetcar #826
Location: Mexico City (Zocalo)
Date: September 30, 1950
Photographer: Unknown

TESCL Tampico Mexico Tram Streetcar #21 (Transportes Eléctricos Tampico Sociedad Cooperativa Limitada)
Location: Tampico, Mexico
Date: July 1972 (processing date)
Photographer: Unknown

South Shore Line Interurban Car #100
Location: Indiana (either Michigan City or South Bend)
Date: July 4, 1966
Photographer: Unknown
The South Shore Line, running between Chicago and South Bend, Indiana, is the one classic major interurban that has survived into the 21st Century. It is currently being upgraded and expanded. From Don’s Rail Photos (via Archive.org): “100 was built by Pullman in 1926, (order) #4936. It was lengthened in 1943, and received air conditioning and picture windows in 1949. It was sold to a shopping center at Chesterton, IN, in 1983.” Spence Ziegler adds, “The picture of CSS&SB combine #100 was taken at Michigan City.”

Philadelphia Market Frankford El 6-car arched roof elevated train
Location: Philadelphia (Market Street at 46th Street)
Date: September 12, 1955
Photographer: William C. Hoffman

Philadelphia Market Frankford El 6-car railroad roof elevated train
Location: Philadelphia (Entering 69th Street Terminal)
Date: September 12, 1955
Photographer: William C. Hoffman

PTC Peter Witt #8500
Location: Philadelphia (Market Street near 15th)
Date: September 12, 1955
Photographer: William C. Hoffman
Here is a classic view of a Philadelphia Transportation Company Peter Witt car. Philadelphia had 535 Peter Witt streetcars in all, built by Brill between 1923 and 1926. They were all retired from regular service by 1957.

PTC Peter Witt #8500
Location: Philadelphia (Route 32 – 17th Street at Market Street)
Date: September 12, 1955
Photographer: William C. Hoffman

Philadelphia Market Frankford El and PCC car
Location: Philadelphia (30th Street Station)
Date: September 12, 1955
Photographer: William C. Hoffman

NYCTA Manhattan Elevated
Location: IRT West Side Line at 125th Street
Date: 1953
Photographer: Unknown

Atlantic City Streetcar Trolley #213
Location: Atlantic City, New Jersey
Date: December 28, 1955
Photographer: Unknown
Mike Franklin: “This is the intersection of Fredericksburg and Atlantic Aves, Ventnor City, NJ.”

SF San Francisco Muni Twin Peaks Portal Reconstruction
Location: San Francisco, California
Date: May 1, 1977
Photographer: William C. Hoffman
The Twin Peaks streetcar tunnel was originally built in 1917. Here it is in 1977, while the tunnel entrance was being rebuilt. Our previous post A Colorful Harvest (October 28, 2023) included before and after pictures of the portal.

Fort Worth Tandy Subway xWashington PCC #3
Location: Fort Worth, Texas
Date: January 1975 (processing date)
Photographer: Unknown
From the Wikipedia: The Tandy Center Subway operated in Fort Worth, Texas, from February 15, 1963 to August 30, 2002. It ran a distance of 0.7 miles (1.1 km) and was, during the period of its operation, the only privately owned subway in the United States. The subway was originally built by Leonard’s Department Store in 1963, connecting the store to its large parking lots on the edge of downtown. Originally known as the Leonard’s M&O Subway, it consisted of one underground station beneath the store and four stations in the parking lots. Between 1962 and 1966, Leonard’s acquired a total of 15 PCC streetcars from DC Transit in Washington, D.C. These had been manufactured by the St. Louis Car Company in the 1930s and 1940s. The Tandy Corporation purchased the department store, its parking lots, and the subway in 1967. The corporation built its headquarters, the Tandy Center, on the site in 1974. Although it demolished the original store, Tandy retained the subway. The small subway primarily served patrons visiting the mall at the base of the Tandy Center, which also linked to the downtown location of Fort Worth Public Library. However, the anchor tenant moved out in 1995 and the mall declined. The Tandy Center Subway ceased operation on August 30, 2002. After the closure, one of the streetcars used on the subway was acquired by Dallas’s McKinney Avenue Transit Authority, which modified it to again make it suitable for in-street use, and it operated in service on the McKinney Avenue heritage streetcar line in Dallas until the mid-to late 2000s. As of 2012, it remained in storage in Dallas, out of use.

Fort Worth Tandy Subway xWashington PCC #24
Location: Fort Worth, Texas (Station #3)
Date: April 1975 (processing date)
Photographer: Philip Hom

Delaware & Hudson Baldwin RF16 Sharknose #1205
Location: Unknown
Date: May 1978
Photographer: John Swift
From the Wikipedia: “Delaware and Hudson 1205 and 1216 are two Baldwin RF-16 locomotives originally built for the New York Central Railroad in 1951 and 1952. They are the last two surviving examples of the Baldwin RF-16.” Dan Cluley adds, “The former D&H Sharks are in Cadillac MI at the former Ann Arbor RR engine house. The State of MI bought quite a bit of trackage that didn’t make it into Conrail, and then had contracts with several companies to run it. The Michigan Northern RR which operated several ex PRR & AA lines leased these sharks for a few years in the late ’70s.”

NWS&W Northwestern Steel & Wire Steam #74
Location: Sterling, Illinois
Date: May 1974 (processing date)
Photographer: Melvin Bernero

ICG Illinois Central Gulf E8A Diesel #4020 (The City of Miami)
Location: Chicago, Illinois
Date: April 25, 1971
Photographer: Unknown

C&WI Chicago & Western Indiana Diesel #256
Location: Chicago, Illinois
Date: October 1963 (processing date)
Photographer: Unknown

CB&Q Burlington Diesel EMD E8 #9948B
Location: Chicago, Illinois
Date: March 1965 (processing date)
Photographer: Unknown

PRR Pennsylvania Baldwin RF16 Sharknose #9739, 9592
Location: Ambridge, Pennsylvania
Date: September 10, 1961
Photographer: Unknown

N&W Norfolk & Western Diesel #1371
Location: Chicago, Illinois
Date: April 1975
Photographer: Unknown

N&W Norfolk & Western Diesel #507
Location: Chicago, Illinois
Date: March 27, 1970
Photographer: Richard R. Wallin
N&W #507 was an EMD GP9 built in November 1958. Here it is seen in Chicago commuter train service. This is now operated by Metra.

FEC Florida East Coast EMD E8A Diesel #1031
Location: Daytona Beach, Florida
Date: April 8, 1968
Photographer: Raymond J. Muller

Delaware & Hudson Baldwin RF16 Sharknose #1205
Location: Unknown
Date: October 1975
Photographer: Robert Malinoski

Delaware & Hudson Diesels Alco P-4s #18, 17
Location: Unknown
Date: August 1975
Photographer: Unknown
Dan Cluley: “I believe the Alco PAs are at D&H’s Colonie Shops near Albany NY.”

Delaware & Hudson Diesels Alco P-4s #18, 17
Location: Mayfield, Pennsylvania
Date: October 19, 1974
Photographer: Unknown

Delaware & Hudson Diesels Alco P-4s #18, 17
Location: Unknown
Date: October 1975 (processing date)

RI Rock Island Diesel Alco RS-3 #493
Location: Chicago, Illinois (where the Rock Island crossed the Pennsylvania Railroad)
Date: November 1963 (processing date)
Photographer: Unknown

Our resident south side expert M. E. has quite a lot to say about the Rock Island picture above:

There is a lot to talk about in this picture and about its component rail trackage.

This photo was taken, looking straight north, at the north end of the Washington Heights station platform of the Rock Island main line south of 103rd St. at Vincennes. In the foreground in the photo is the wooden walkway from Vincennes Ave. to the station. Note there were no safety setups to tell a pedestrian a train is coming.

Engine 493 is leading a main-line suburban train southbound. This train may, or probably may not, stop at Washington Heights, because main-line suburban service generally did not stop at stations along Vincennes Ave. except during rush hours. Judging by auto traffic, this is not rush hour. Also, this train has not yet cleared 103rd St., which can be seen to the east of the train’s last few cars.

Paralleling the Rock Island main line tracks is Vincennes Ave. heading north / northeast. The autos on Vincennes are waiting at the traffic signal for 103rd St. (It would appear the traffic signals did not turn green for Vincennes when a Rock Island train was near.)

Notice the space between the Rock Island tracks and Vincennes Ave. That space was once the private right-of-way for the Kankakee interurban that began at the Englewood Rapid Transit station at 63rd and Halsted, then ran south on Halsted, then Vincennes, past this spot, and on to Kankakee. Later in time, the Chicago Surface Lines Halsted service used this same trackage on its way to the end of line at 111th and Sacramento.

The cross tracks are a Pennsylvania freight line. This trackage started farther north in the city along Leavitt St. (2200 W.). Coming south, it eventually ran on the ground. At 91st and Hermitage (1732 W.), the Pennsy trackage crossed the Rock Island suburban line, then continued southeast to where this photo was taken, then all the way into Indiana. As a side note, the Baltimore & Ohio Capitol Limited ran along the Pennsy tracks south to 89th St., where the Capitol Limited then headed east along the Rock Island suburban line, the east-west Rock Island freight line into South Chicago, and finally on its own trackage.

The road paralleling the Pennsy tracks is Beverly Ave., which was basically an extension of Ashland Ave. south of 95th to 103rd St. There were no businesses on Beverly Ave., it was strictly residential.

Not shown in the picture, but off to the left, was the CTA bus barn, west of Vincennes and south of 103rd St.

Side note about 103rd St. bus service: As I recall calculating, the 103rd-106th bus line, which ran from Pulaski Rd. all the way east to the state line, crossed 13 railroad rights-of-way. It was a wonder that the bus could maintain a schedule with all these potential interruptions.
M E

D&RGW Rio Grande Diesel F7A #5674 (The Prospector)
Location: Salida, Colorado
Date: October 1966 (processing date)
Photographer: Unknown

RFP Richmond Fredericksburg E8A Diesel #1005
Location: Alexandria, Virginia
Date: April 22, 1971
Photographer: J. David Ingles

EL Erie Lackawanna Alco PA Diesel #853
Location: Lima, Ohio
Date: October 1967 (processing date)
Photographer: Eric Hirsimaki

GM&O Gulf Mobile & Ohio EMD F3A Diesel #882B
Location: Unknown
Date: August 1963 (processing date)
Photographer: Unknown

GM&O Gulf Mobile & Ohio “Abraham Lincoln”
Location: Unknown
Date: August 1963 (processing date)
Photographer: Unknown
Mike Franklin: “Photo of GM&O Gulf Mobile & Ohio “Abraham Lincoln” is taken looking due south from Union Station, Joliet IL across what is today New St.”

GM&O Gulf Mobile & Ohio EMD F3A Diesel #882B
Location: Unknown
Date: August 1963 (processing date)
Photographer: Unknown
Mike Franklin: “Photo of GM&O Gulf Mobile & Ohio EMD F3A Diesel #882B is taken looking SW from Joliet IL Station. Building to the right (Beutel Nash Co. Inc.) stood at 67-69 N. Scott St.”

Monon Railroad “The Thoroughbred”
Location: Mitchell, Indiana
Date: August 25, 1967
Photographer: Tom Smart
The Thoroughbred was a streamlined passenger train operated by the Chicago, Indianapolis and Louisville Railway (Monon) between Chicago, Illinois and Louisville, Kentucky via Monon, Indiana. It operated from 1948 to 1967. The Thoroughbred was the last passenger train operated by the Monon. It was named for the Thoroughbred horse breeds, a nod to the horse racing heritage of Louisville.
Following World War II new Monon president John W. Barriger III embarked on a program to renew the Monon’s passenger service, long neglected. The centerpiece of this program was a group of 28 surplus hospital cars originally built by the American Car and Foundry Company (ACF) in 1944–1945 for the U.S. Army. The Monon rebuilt these cars in their shops, creating enough lightweight coaches, parlor-observation cars, dining cars and mail/baggage cars to create three new streamliners: the Chicago-Indianapolis Hoosier and Tippecanoe, and the Chicago-Louisville Thoroughbred.
The Thoroughbred made its first run on February 15, 1948, replacing the Day Express. Monon discontinued the Thoroughbred on September 30, 1967. It was the final passenger service on the Monon, although Amtrak’s Hoosier State utilized part of Monon’s route between Indianapolis and Chicago.

Monon Railroad “The Thoroughbred” Chicago
Location: Chicago, Illinois
Date: October 1963 (processing date)
Photographer: Unknown

Subject: C&NW Chicago & North Western EMD E8A #5024A
Location: Janesville, Wisconsin
Date: June 1962 (processing date)
Photographer: Unknown

WMSRR Western Maryland Alco FPA4 Diesel #305
Location: Corriganville, Maryland
Date: July 31, 1991
Photographer: Bob Wilt

CNW Chicago & North Western Diesel Commuter
Location: Unknown
Date: November 1966 (processing date)
Photographer: Unknown
Miles Beitler: “I believe the Chicago & North Western commuter train in photo eba994 is on the C&NW Northwest Line at Edison Park (near Devon Avenue and Northwest Highway) on Chicago’s far northwest side.” Patrick J. Cunningham: “M.P. Heinze Machine Co. looks to have been at 6300 Northwest Highway, so that picture may have been taken from the Harlem Ave. grade crossing.” Matt Cajda: “I second this opinion. I grew up in this area and it looks like Harlem Ave. at Avondale. We would be looking southeast towards the Norwood Park station but it is not visible behind the train.”

CNW Chicago & North Western EMD E7 Diesel #5020A 1963 35mm Original Kodachrome Slide
Location: Unknown
Date: August 1963 (processing date)
Photographer: Unknown
Patrick J. Cunningham: “The picture of CNW 5020A is in Fond du Lac, WI.” https://fdlhistory.blogspot.com/2018/05/old-pictures.html

ATSF Santa Fe Diesel F3
Location: Leaving the Santa Fe Yard in fort Worth, Texas
Date: April 1963 (processing date)
Photographer: Unknown
From the Wikipedia: “The Texas Chief was a passenger train operated by the Atchison, Topeka and Santa Fe Railway between Chicago, Illinois, and Galveston, Texas. It was the first Santa Fe “Chief” outside the Chicago–Los Angeles routes. The Santa Fe conveyed the Texas Chief to Amtrak in 1971, which renamed it the Lone Star in 1974. The train was discontinued in 1979.”

N&W Norfolk & Western Steam Loco #132
Location: Roanoke, Virginia
Date: June 4, 1958
Photographer: Unknown
N&W #132, a K2a 4-8-2, was built by Baldwin in 1923 and scrapped in July 1959. Among the major railroads, the Norfolk and Western was the last to dieselize. Many of these classic scenes of late steam were captured by O. Winston Link. This photo by an unknown photographer was shot on early Ektachrome, which has shifted to red over the years due to the instability of the dyes. We have color-corrected it here. It is kind of a monochrome image anyway, although you can see some natural colors in the background.

Milwaukee Road Electrification E29B
Location: Butte, Montana
Photographer: Keith E. Ardinger
Date: October 1972
In the early 1900s, the Milwaukee Road electrified over 600 miles of freight trackage in the northwestern United States. Use of electric locos ended in 1974. This was a very picturesque, if not a profitable, operation. Large parts of it were eventually abandoned. As these were rather remote places, there are not a lot of pictures.

Milwaukee Road Electrification E50B, E35C, E47C, E50A (Avery Helper)
Location: Haugan, Montana
Photographer: R. Bruce Black
Date: October 2, 1971

PRR Pennsylvania RR Baldwin Shark #5779
Location: Columbus, Ohio
Date: August 1956
Photographer: David R. Sweetland
From Facebook: “The PRR’s Baldwin passenger shark units were PRR class BP20 (Baldwin model DR6-4-20). It’s a shame none of these remain today. There are, however, two former D&H freight sharks still around that hopefully someday will see the light of day.”

NYC New York Central Steam Loco #5256
Location: Shelbyville, Maryland
Date: May 23, 1954
Photographer: Unknown
New York Central loco #5256 was a Hudson (4-6-4) type, class J1c, built by Alco circa 1928-29.

NYC New York Central Steam Locos #3132 #3014
Location: Cincinnati, Ohio (leaving Riverside Yard with westbound freight)
Date: August 11, 1956
Photographer: Unknown
New York Central loco #3132 was a Mohawk (4-8-2) type, built by Lima circa 1943-44. NYC #3014, also a Mohawk (4-8-2) type, was built by Alco in 1940.

CNW Chicago & North Western Steam Loco #620
Location: 4 miles east of Crystal Lake, Illinois
Date: August 31, 1955
Photographer: Unknown
Here is an excellent original Kodachrome slide of a classic C&NW steam engine, in its last days of operation before being replaced by diesels. The final C&NW steam commuter run took place on May 10, 1956.

Keep those cards and letters coming in, folks.

Our Latest Book, Now Available:

The North Shore Line

FYI, my new Arcadia Publishing book The North Shore Line is now available for immediate shipment. My publisher decided to expand it to 160 pages, instead of the usual 128. That’s a 25% increase, without any change to the $23.99 price. I am quite pleased with how this turned out.

From the back cover:

As late as 1963, it was possible to board high-speed electric trains on Chicago’s famous Loop “L” that ran 90 miles north to Milwaukee. This was the Chicago North Shore & Milwaukee Railroad, commonly known as the North Shore Line. It rose from humble origins in the 1890s as a local streetcar line in Waukegan to eventually become America’s fastest interurban under the visionary management of Midwest utilities tycoon Samuel Insull. The North Shore Line, under Insull, became a worthy competitor to the established steam railroads. Hobbled by the Great Depression, the road fought back in 1941 with two streamlined, air-conditioned, articulated trains called Electroliners, which included dining service. It regained its popularity during World War II, when gasoline and tires were rationed, but eventually, it fell victim to highways and the automobile. The North Shore Line had intercity rail, commuter rail, electric freight, city streetcars, and even buses. It has been gone for nearly 60 years, but it will always remain the Road of Service.

Each copy purchased here will be signed by the author, and you will also receive a bonus North Shore Line map. Books will ship by USPS Media Mail.

Chapters:
01. Beginnings
02. The Milwaukee Division
03. The Shore Line Route
04. The Skokie Valley Route
05. The Mundelein Branch
06. On the “L”
07. City Streetcars
08. Trolley Freight
09. The Long Goodbye
10. The Legacy

Title The North Shore Line
Images of America
Author David Sadowski
Edition illustrated
Publisher Arcadia Publishing (SC), 2023
ISBN 1467108960, 978-1467108966
Length 160 pages

The price of $23.99 includes shipping within the United States.

For Shipping to US Addresses:

New Compact Disc Titles, Now Available:

HFIH
Hi-Fi Iron Horse
Price: $15.99

Hi-Fi Iron Horse is a unique collection of early steam recordings, made between 1949 and 1954. Portable tape recorders were not yet available when the earliest of these was made, but there was still another source for making high-quality audio– the optical sound track of motion picture film.

Featuring in-service steam of the Baltimore & Ohio, Bessemer & Lake Erie, Burlington, Canadian National, Delaware & Hudson, East Broad Top, Erie, Grand Trunk Western, Huntingdon & Broad Top Mountain, Western Maryland, and Rutland Railway.

Total time – 50:49

TSOS
The Sound of Steam
Reading 2124
Price: $19.99

Three very rare, out of print North Jersey Recordings LPs, now digitally remastered on two CDs at a special price.

The Sound of Steam offers a comprehensive overview of the twilight days of steam railroading in North America, with sounds recorded between 1957 and 1964. Railroads featured include the Denver & Rio Grande Western, Union Pacific, Canadian Pacific, Duluth, Missabe & Iron Range Railway, Gainesville Midland Railroad, Pennsylvania Railroad, Reading Railroad, Canadian National, Twin Seams Mining Company, Nickel Plate, Colorado & Southern, Norfolk & Western, Buffalo Creek & Gauley, Monadnock, Steamtown & Northern, Rockton & Rion Railway, and the National Railways of Mexico.

Reading 2124 features recordings made in 1959 and 1960 on a series of “Iron Horse Rambles,” excursion trips through eastern Pennsylvania. The Reading Company had retained this class T-1 4-8-4 for emergency use after steam was retired on the railroad. Seven years after the last Reading steam loco had hauled a passenger train, a series of 51 special excursion trips were held, ending in 1964. These have since been revived, and the Rambles continue.

Total time – 69:54 (Disc 1) and 61:20 (Disc 2)

RWW-V103
Rods, Wheels, and Whistles
Voice of the 103
Price: $19.99

Two very rare, out of print North Jersey Recordings LPs, now digitally remastered on two CDs at a special price.

Rods, Wheels, and Whistles features the sounds of the Pennsylvania Railroad and the Norfolk and Western Railway, recorded in the twilight years of steam. This LP was originally issued in 1958, but our version is taken from the revised and expanded edition, which includes additional recordings from 1959.

Voice of the 103 documents the former Sumter and Choctaw Railroad #103, a 2-6-2 locomotive built in 1925 by the Baldwin Locomotive Works, after it was refurbished in 1962 to operate on the Middletown and New Jersey. This was an excursion service of the Empire State Railway Museum, which has since moved to a new location and no longer operates trains. The 103 is now on static display.

Our collection is rounded out with three bonus tracks from the Strasbourg Railroad, when old number 31 ran excursion trains on the oldest short line railroad in the United States (chartered in June 1832), joining the Pennsylvania Dutch towns of Strasbourg and Paradise in the early 1960s.

Total time – 46:15 (RWW) and 49:26 (V103)

Help Support The Trolley Dodger

This is our 311th post, and we are gradually creating a body of work and an online resource for the benefit of all railfans, everywhere. To date, we have received over 1,042,000 page views, for which we are very grateful.

You can help us continue our original transit research by checking out the fine products in our Online Store.
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In order to continue giving you the kinds of historic railroad images that you have come to expect from The Trolley Dodger, we need your help and support. It costs money to maintain this website, and to do the sort of historic research that is our specialty.

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The Gift That Keeps On Giving

December 15, 2023March 7, 2025David Sadowski 12 Comments

This is a very well known shot of Chicago Aurora and Elgin wood cars 309 and 310 on a May 19, 1957 fantrip at the Glen Oak Country Club stop in Glen Ellyn. As this was a photo stop, there are lots of duplicate slides of this, although not necessarily by the same photographer. Robert D. Heinlein captured this classic picture about six weeks before the end of passenger service, and this was scanned from the original red border Kodachrome slide. We are looking mainly to the east.

The holiday season is once again upon us, and our thoughts naturally turn to gift giving. Then, it struck me. Here at the Trolley Dodger, we are engaged in historic preservation. History has a lot to teach us about our present and future. The past can shine light on many things, if we can only choose to look.

There is a lot of history in the images we present here. I have learned so much since starting this blog, nearly nine years ago. I hope my readers have too. Let’s all learn together.

It is truly a gift that keeps on giving.

Happy Holidays!

Our Annual Fundraiser

Since we started this blog in 2015, we have posted nearly 16,000 images. This is our 310th post.

In a few week’s time, we will need to renew our WordPress subscription, our domain registration, and pay other bills associated with maintaining this site, so it is time for our Annual Fundraiser.

The Trolley Dodger blog can only be kept going with the help of our devoted readers. Perhaps you count yourself among them.

We thank you in advance for your time and consideration.

-David Sadowski

PS- You might also like our Trolley Dodger Facebook auxiliary, a private group that now has 1,478 members.

Our Next Book Project

A real photo postcard (postmarked 1930) view of Front Street in Wheaton, looking east from Main Street, including the Chicago and North Western commuter station. It has since been replaced by a newer one nearby, served by Metra’s UP-West Line. The Chicago Aurora and Elgin station was just south of here, out of view.

Here’s how it looks today.

Chicago Aurora and Elgin car 418 is at the rear of a three-car train, heading east at Canal Street on the Metropolitan “L” main line. The building to the right is now known as the Old Post Office. The middle car is formerly from the Washington, Baltimore and Annapolis that CA&E bought in the late 1930s. They tapered the ends to fir the tight clearances on the “L” and made them into control trailers. This “L” stop had a walkway leading into Union Station. It was torn down after the Garfield Park line was replaced by the new Congress expressway median line in 1958– but by that time, the CA&E had stopped running passenger service. this picture probably dates to between the mid-1940s and 1953, when the interurban cut back service to Forest Park.

Here’s San Francisco cable car #507 in the early 1950s at the outer end of the Powell-Mason line (note the turntable). Here’s what streetcar.org has to say about this car: “This cable car was built in 1893 in the East Bay town of Newark by Carter Brothers. It was numbered 507 until Muni dropped the first number on Powell cable cars in the 1970s. Car 507 served the Sacramento-Clay line until the 1906 earthquake and fire, and then was moved over to Powell Street, where it has run ever since, almost exclusively on the Powell-Mason line until 1956; on both the Mason and Hyde lines since 1957.” It was overhauled in 1957 and is still in use today. This image was taken from an original red border Kodachrome.

Chicago Aurora and Elgin wood car 300 at Wheaton on April 23, 1962, shortly before it was scrapped. (K. C. Henkels Photo)

Chicago Aurora and Elgin car 457 at Wheaton on March 14, 1957. (M. Powell Photo)

North Shore Line car 300 in 1940. The interurban had stopped using its older wood cars a few years before, and had generously allowed the Central Electric Railfans’ Association to use it as their club car, for meetings and excursions. Color pictures from 1940 are rare indeed, and this red border Kodachrome has held up well. Unfortunately, none of the NSL woods have survived. This one was used as a locker room in Waukegan for the female employees the railroad hired during WWII. It was vandalized by some sailors at war’s end, and then stripped for parts when the remaining wood cars were sold to the Chicago Aurora and Elgin in 1946. The body of car 300 was used as a diner for a few years.

North Shore Line wood car 300 is on a fantrip, while it was used as the rolling clubhouse of the Central Electric Railfans’ Association circa 1940. The presence of a city streetcar (I think it is 509) would suggest this picture was taken in Waukegan.

A Chicago and Milwaukee Electric (later the North Shore Line) 300-series car at the Racine station in 1909.

Single-deck streetcar #105 is in Hobart, Tasmania, in Australia. This system had previously used doble-deck cars, but there were problems with them toppling over. As ridership on the system decreased over time, they were replaced with these home-built substitutes. The style of red border Kodachrome slide mount dates this picture to sometime between 1939 and 1949. The last Hobart tram ran in 1960.

The North Shore Line Freight Terminal in Milwaukee in 1925. This was just east of the passenger terminal. We are looking to the north-northwest. Car 401 is in the foreground. Don’s Rail Photos (via Archive.org): “401 was built by Jewett Car in 1909 as parlor-buffet car. In 1917 it was converted to straight coach and retired in 1935. It was leased to Chicago Aurora & Elgin and renumbered 142 in 1936. It came back for a short time with the CA&E number in 1945 and sold to CA&E in 1946. It was retired in 1953.” One of the cars at right is 122, a wooden coach. Again, from Don Ross: “122 was built by Jewett Car in 1906 and retired in 1937.”

A North Shore Line lunch counter menu from March 1961. There are some pictures of the lunch counter at the Milwaukee Terminal in my book The North Shore Line.

This rare photo was taken at Church Street in Evanston, where the North Shore Line had a station along the Evanston branch of the “L” (today’s CTA Purple Line). The presence of observation car 411 would date this to between 1923 (when the car was delivered) and 1926 (when the Skokie Valley Route opened).

This 1910 image is from a copy negative and shows a Chicago and Milwaukee Electric car that had derailed at Genesee and Washington Streets in downtown Waukegan. I believe this is car 121 and not 721 as the negative envelope had it. At this date, 721 had not yet been built. The C&ME was the predecessor of the North Shore Line (the name was changed in 1916).

A Brill builder’s photo (1902) of Chicago and Milwaukee Electric car 11. This is called a combine car, as it could handle both passengers and some freight. It was rebuilt into an express trailer in 1917.

Chicago and Milwaukee Electric express car #1 was built by Brill in 1902, as the interurban started to get into the freight business. It was retired prior to 1910.

Chicago Aurora and Elgin car 454 was built in 1945 by the St. Louis Car Company and ran in service until the 1957 abandonment.

Chicago Aurora and Elgin line car #11 is shown at the Fox River Trolley Museum in South Elgin, Illinois on January 17, 1976. (William C. Hoffman Photo)

Now here’s something else that’s rare– C&NW bilevels pulled by steam. Here, we see Chicago and North Western loco #566, a 4-6-2, with an outbound commuter “scoot” at Mayfair on August 12, 1955. Bilevels were just starting to be phased in and would eventually be used exclusively, while the last C&NW steam ran in 1956. The Burlington introduced bilevels in 1950, so they ran more under steam than the C&NW did. The Mayfair station is at 4737 W. Montrose in Chicago, and the tower visible here controlled the crossing of C&NW and Milwaukee Road trains. There is a Metra stop here for the Milwaukee District North Line. The former C&NW service here is now Metra’s Union Pacific Northwest line. (James J. Buckley Photo)

South Shore Line loco #704 is at the helm of a freight train in New Carlisle, Indiana on October 9, 1960. Don’s Rail Photos (via Archive.org): “704 was built by Alco-General Electric in June 1931, #68271, 11194, as NYC 1243, Class R-2. It was renumbered 343 in August 1936 and sold to CSS&SB in 1955. It was rebuilt as 704 in 1956 and scrapped in April 1976.”

South Shore Line car 28 is at Wagner Siding on the “Ideal Section” east of Gary in June 1975. Mitch Markovitz adds, “At the east end crossing County Line (Fulton) Road.”

The entrance to the South Shore Line train platforms at the Randolph Street Station on August 4, 1974. This station has since been completely redone, and the neon sign is at the Illinois Railway Museum. (Douglas N. Grotjahn Photo)

On October 24, 1954 South Shore Line car #1 is at the Smith stop in Indiana on a fantrip. This car was built by Pullman in 1926. (William C. Hoffman Photo)

South Shore Line car #111 is heading westbound in LaSalle Avenue in South Bend on October 13, 1957. Service was cut back to the outskirts of town in 1970, after there were a couple accidents where the brakes failed and there were runaway trains on South Bend streets. (William C. Hoffman Photo)

Robert D. Heinlein captured this view of a westbound Lake Street “L” B train on October 27, 1962, the last full day of ground level service here. The following day, the “L” west of Laramie Avenue was relocated onto the adjacent Chicago and North Western embankment. The two car CTA 4000-series train is passing the gateman’s shanty (these were all manually operated gates, 24/7), which shows why the newer 6000-series cars, with their curved sides, could not make these tight clearances. Not sure which cross street this is. Mike Franklin: “Smokestack above car is between Cuyler & Harvey, thus this is west of Ridgeland. West of Oak Park Ave, the concrete does not match, making this crossing between Oak Park Ave & Ridgeland. Euclid and East have brackets at the top level of the overhead girder, while Scoville does not; therefore, this is the only possible crossing. (Next gateman’s shanty is at Elmwood, which controlled a pedestrian tunnel leading to Scoville Park.)”

Bantam (Size 828) Slides

All the images in this section are scanned from 1950s red border Kodachromes on 828 size film, with an image area slightly larger than 35mm. All the Chicago ones are marked 1955, but the actual dates are not known, as Kodak did not begin date-stamping slides until 1958.

Now here’s something I don’t see very often… a red border Kodachrome slide shot on size 828 film. This has an image area of 28x40mm, as opposed to size 135 that is 24x36mm. Kodak came up with this format in the late 1930s, as their answer to 35mm, which was just starting to become popular due to Leica and Contax. Kodak thought 36 pictures on a roll was just too many for most people, so they took 35mm film stock, eliminated the sprockets, and made paper backed roll film, in similar fashion to the popular film sizes of the time (127, 620, 120, 616, 116, etc.). Their innovation was to put a small notch in the film that would actuate an automatic frame counter in some models of the new cameras, which were branded as the Bantam line. There were still numbers on the back of the paper roll for use in cheaper cameras with the familiar little red window. It was a good idea, but ultimately didn’t catch on. Kodak went on to use some of this technology in size 126, the Instamatic series, starting in 1963. 126 was nothing more than the same 828 type film stock, preloaded into a plastic cartridge. Proper loading and unloading of paper backed roll film was always a bit problematic and had resulted in lots of light leaks and fogged film up until then, and this solved the problem. Kodak went with a 26x26mm square format but unfortunately the film did not lie perfectly flat in this cartridge, and therefore overall sharpness suffered. For a time, though, 126 was all the rage, and was pretty much the death knell for amateur photographers using paper backed roll film. Toronto PCC 4441, pictured here, had a body shell built by the St. Louis Car Company, and the rest of the car was finished by the Canadian Car & Foundry Company in 1949. This picture was taken some time between then and 1955. Bill Robb adds, “Probably taken pre-1954 when the TTC was still the Toronto Transportation Commission. It has the old monogram logo and grey roof shrouds dating from the time of delivery. The TTC changed to Toronto Transit Commission on July 1, 1954 and adopted the keystone logo.”

CTA postwar PCC 4052, a product of St. Louis Car Company, is turning from St. Lawrence Avenue onto 111th Street in the Pullman neighborhood, near the Hotel Florence. The streetcar was heading northbound and was just a few blocks from the south end of Route 4 – Cottage Grove, located at 115th Street. Buses replaced streetcars on this line on June 19, 1955, and this picture was taken that year.

CTA prewar PCC streetcar 7027 is on private right-of-way at the south end of the Cottage Grove route. This ran parallel to the Illinois Central Suburban Electric.

This shows where the Cottage Grove line entered private right-of-way with open track around 96th Street. The sign warned motorists to steer clear of the open tracks.

A string of CTA red Pullmans are in the scrap line at South Shops in 1955.

A four-car South Shore Line train at 130th Street in 1955.

The interior of a CTA red Pullman in the scrap line at South Shops in 1955.

CTA postwar PCC 7238 is a southbound Route 36 – Broadway-State car, signed for 119th and Morgan, in 1955. Not sure of the exact location, but if I had to guess, I would say we are on the south side. Mike Franklin: “Photo aaf569a, car 7238 has just crossed 95th St, heading south on Michigan Ave. While the 3-story building in the middle of the photo is gone, the neighboring bungalow to the east is still there at 124 E Michigan Ave.”

CTA red Pullman streetcars 510 and 288 are on the scrap line at South Shops in 1955.

The motorman’s section of a CTA red Pullman in the scrap line at South Shops in 1955. Scott Greig writes: “That view of the motorman’s controls inside a Pullman in the South Shops scrap line was taken inside an “air door” Pullman, cars 501-600. Where the air gauge would normally be, between the controller and brake valve, there is instead a National Pneumatic door light housing. This was interlocked with the rear doors, similar to a modern “L” car, and allowed the motorman to proceed without waiting for a bell signal from the conductor. At least two air-door cars (507 and 542) lasted long enough to be among the last six red streetcars that the CTA torched for a press event in February of 1956.”

CTA D206 and D204 were sprinklers, shown here at South Shops in 1955. D206 is still sporting a Chicago Surface Lines logo. It was built by McGuire-Cummings and retired as of December 14, 1956. D204, behind it, made it to May 17, 1958.

The front of an unidentified CTA streetcar on the scrap line at South Shops in 1955. Dan Cluley writes, “I think the unidentified car in pic aaf574a is the AA92 shown in the next photo. The remnants of the roll sign, the half open window & various scuffs in the paint all seem to match.”

CTA salt spreader AA92, shown here on the scrap line at South Shops in 1955, was originally car 2826. It was scrapped on December 27, 1955.

CTA salt spreader AA86 was originally car 1498. It was scrapped on December 14, 1956.

A worker sweeps the sidewalk along 79th Street, by CTA’s South Shops. A number of old red streetcars are seen in the scrap line in 1955, along with some retired trolley buses at left.

CTA salt spreader AA50 was originally car 1260. It was scrapped on December 27, 1955.

Experimental pre-PCC cars 7001 (left) and 4001 (right) at the CTA South Shops in 1955, where they were being used as storage sheds. 7001 was scrapped in 1959, but the body of 4001 is now at the Illinois Railway Museum.

The view through the fence at CTA South Shops in 1955 shows red Pullman 518 at right, waiting to be scrapped, with salt spreader AA92 behind it.

Chicago Trolley Buses

CTA trolley bus #9742 is westbound on Montrose at Western on Sunday, October 8, 1972. (Steve Zabel Photo) Zabel (1949-1989) lived in NYC and worked as a motorman on the subway system there for 20 years. He was an excellent photographer, and some of his pictures have ended up in books. Unfortunately, he was brutally murdered during a robbery. His killer was convicted and sent to prison.

CTA trolley bus 9577 has the poles down in this June 1970 photo. Although signed for Route 72 – North Avenue, I have to wonder if the actual location is a wye located at Central Avenue and West End Avenue. This was an unusual arrangement where a bus would go head in, then back out to change direction. (Charles L. Tauscher Photo)

CTA trolley bus 9209 is eastbound on route 65 – Grand Avenue in October 1967, at Grand and Halsted and Milwaukee. The Como Inn, a well known restaurant, is partially visible at right. It was open from 1924 to 2001. (Charles L. Tauscher Photo)

CTA trolley bus 9747 is westbound on Route 81 – Lawrence in May 1963. The Peter Pan restaurant, at right, was part of a chain that featured fountain creations and catered to families with children. They had several locations, including this one on the northeast corner of Lawrence and Broadway. (Charles L. Tauscher Photo)

CTA trolley bus 9327 is heading northbound on Central Avenue at Montrose in May 1963. (Charles L. Tauscher Photo)

CTA trolley bus 9325 is at Irving Park and Neenah, the west end of Route 80, in October 1967. This turnaround loop was been eliminated after diesel buses replaced electric, and service west of here (previously Route 80A) was combined with the regular route. The buildings at rear were part of the Dunning mental health complex and have since been replaced by condos. The bus loop is now incorporated into a driveway. (Charles L. Tauscher Photo)

CTA trolley bus 9412 in July 1963. Andre Kristopans: “Lawrence and Lawler – the “incomplete wye” – wires didn’t quite come together as they didn’t go past the sidewalk. (Charles L. Tauscher Photo)

It’s July 1963 (at least, that’s the processing date), and CTA trolley bus 9412 appears to be on a fantrip. Despite being signed for Route 85, the bus stop indicates Route 52 – Kedzie-California. The Pilsen Drug Store at left would suggest which neighborhood we are in, which would make the street Kedzie at 26th Street. (Charles L. Tauscher Photo)

CTA trolley bus 9412 is signed for a short-turn on Route 85 – Central in August 1963. I am not sure if this is actually Central and Wabansia, however. (Charles L. Tauscher Photo) Mike Franklin: “In reply to: Photo aaf504a, car 9412 is facing east on Wabansia Ave immediately west of Central Ave. Building to the left is still there.”

CTA trolley bus 9745 is at the east end of Route 81 – Lawrence Avenue in January 1963. The hotel in the background is located at 1201 W. Leland Avenue. Instead of having an off-street loop, trolley buses turned around via local streets in the Uptown neighborhood. (Charles L. Tauscher Photo)

It’s July 1959, and CTA trolley bus 9597 is at the Navy Pier turnaround loop for Route 65 – Grand Avenue. The building has been wrapped for some festive occasion. (Charles L. Tauscher Photo) Kevin Doerksen adds, “Regarding the picture of CTA trolley bus 9597 at Navy Pier, in 1959, the event was the Chicago International Fair and Exposition. It was an international trade fair held in conjunction with the opening of the St Lawrence Seaway.”

On December 19, 1965, Cleveland Transit trolley bus 874 ran on a fantrip in Chicago, prior to going to the Illinois Railway Museum. It also ran on two fantrips in Johnstown, Pennsylvania. Here, it is at the back end of the Kedzie bus garage. (Charles L. Tauscher Photo)

East Troy in Early Days

The excellent trolley museum in East Troy, Wisconsin is the sole remaining remnant of the Milwaukee Electric interurban network. Although passenger service to East Troy ended in 1939, the electric line between that town and Mukwonago was retained for freight service and purchased by the Village of East Troy. As those operations began to wind down, it gradually morphed into a museum operation, starting in 1972. The original group that ran the museum was at loggerheads with the village, however, and left in the early 1980s, at which time the current group took over. They do a splendid job.

Here are some early shots of East Troy, taken by the late Robert D. Heinlein.

M15 in East Troy on May 18, 1958. (Robert D. Heinlein Photo)

D13, circa 1956-58. (Robert D. Heinlein Photo)

M15 in June 1959. (Robert D. Heinlein Photo)

M15 on January 5, 1957. (Robert D. Heinlein Photo)

M15 on May 18, 1958. (Robert D. Heinlein Photo)

D13 on January 5, 1957. (Robert D. Heinlein Photo)

M15 on January 5, 1957. (Robert D. Heinlein Photo)

M15 on May 18, 1958. (Robert D. Heinlein Photo)

M15 on September 30, 1956. (Robert D. Heinlein Photo)

The right-of-way and substation in East Troy on May 18, 1958. (Robert D. Heinlein Photo)

D13, circa 1956-58. (Robert D. Heinlein Photo)

Phantom Siding on January 5, 1957. (Robert D. Heinlein Photo)

The Soo Line interchange in Mukwonago on January 5, 1957. (Robert D. Heinlein Photo)

M15 in East Troy on January 5, 1957. (Robert D. Heinlein Photo)

M15 in East Troy on May 17, 1962. (Robert D. Heinlein Photo)

D13 in East Troy on May 18, 1958. (Robert D. Heinlein Photo)

L9 in East Troy on October 14, 1991. (Robert D. Heinlein Photo)

Keep those cards and letters coming in, folks.

Our Latest Book, Now Available:

The North Shore Line

From the back cover:

As late as 1963, it was possible to board high-speed electric trains on Chicago’s famous Loop “L” that ran 90 miles north to Milwaukee. This was the Chicago North Shore & Milwaukee Railroad, commonly known as the North Shore Line. It rose from humble origins in the 1890s as a local streetcar line in Waukegan to eventually become America’s fastest interurban under the visionary management of Midwest utilities tycoon Samuel Insull. The North Shore Line, under Insull, became a worthy competitor to the established steam railroads. Hobbled by the Great Depression, the road fought back in 1941 with two streamlined, air-conditioned, articulated trains called Electroliners, which included dining service. It regained its popularity during World War II, when gasoline and tires were rationed, but eventually, it fell victim to highways and the automobile. The North Shore Line had intercity rail, commuter rail, electric freight, city streetcars, and even buses. It has been gone for nearly 60 years, but it will always remain the Road of Service.

Each copy purchased here will be signed by the author, and you will also receive a bonus North Shore Line map. Books will ship by USPS Media Mail.

Title The North Shore Line
Images of America
Author David Sadowski
Edition illustrated
Publisher Arcadia Publishing (SC), 2023
ISBN 1467108960, 978-1467108966
Length 160 pages

The price of $23.99 includes shipping within the United States.

For Shipping to US Addresses:

New Compact Disc Titles, Now Available:

HFIH
Hi-Fi Iron Horse
Price: $15.99

Total time – 50:49

TSOS
The Sound of Steam
Reading 2124
Price: $19.99

Three very rare, out of print North Jersey Recordings LPs, now digitally remastered on two CDs at a special price.

Total time – 69:54 (Disc 1) and 61:20 (Disc 2)

RWW-V103
Rods, Wheels, and Whistles
Voice of the 103
Price: $19.99

Two very rare, out of print North Jersey Recordings LPs, now digitally remastered on two CDs at a special price.

Total time – 46:15 (RWW) and 49:26 (V103)

Help Support The Trolley Dodger

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Borrowed Time

May 26, 2022January 2, 2025David Sadowski 5 Comments

This January 1960 view, looking northeast, shows the temporary Central Avenue side platform station during construction of the Congress expressway. The CTA Congress median line had opened as far west as Cicero Avenue in June 1958, but farther west, used a series of temporary ground level alignments while highway work continue. The temporary station here was in use from October 1959 until October 1960, when the permanent center platform station opened. You can see a stairway for the new platform, built into the concrete wall of the Central Avenue underpass. The side platforms allowed for simultaneous construction of the new station. The expressway originally ended at Laramie Avenue (5200 W.), but was extended to Central (5600 W. ) in early 1960, and finally opened to Oak Park, Forest Park, and Maywood in October 1960. Newly delivered single car unit 22 heads up this westbound Congress-Milwaukee “A” train. East of here, the tracks curve off to go into the Lotus Tunnel, taking the line into the expressway median. Ultimately, this station did not develop much ridership, and closed in 1973, although it is still extant. (Jeffrey L. Wien Photo)

I was thinking about the expression “living on borrowed time” recently. I guess all of us are doing that, in a sense, but it occurred to me that when we look at old photographs, they can transport us back into the past. It’s almost as if by looking at them, we can borrow back some of the past.

Here are lots of photos that do just that. We also have some pictures from our recent trip to the East Troy Railroad Museum in Wisconsin. This was our first chance to see North Shore Line car 761 since it was restored by the museum.

I can’t say enough good things about the museum and its volunteers. We were treated to a tour of the barn where 761 and several other cars are stored. Even better, we ran into the Heinlein family who just happened to be there that day.

Keep those cards and letters coming in, folks. And thanks for lending us some of your time.

-David Sadowski

PS- You might also like our Trolley Dodger Facebook auxiliary, a private group that now has 835 members.

Our friend Kenneth Gear now has a Facebook group for the Railroad Record Club. If you enjoy listening to audio recordings of classic railroad trains, whether steam, electric, or diesel, you might consider joining.

Work on our North Shore Line book is ongoing. Donations are needed in order to bring this to a successful conclusion. You will find donation links at the top and bottom of each post. We thank you in advance for your time and consideration.

Recent Finds

New York Central loco 5287, a 4-6-4, heads south at Roosevelt Road on August 24, 1954. (David R. Sweetland Photo)

I recently purchased this “real photo postcard,” and the seller said this was the Harvard station on the Englewood branch of the “L”. However, closer inspection of the photo shows that this is actually the Princeton station, which opened in 1905, and closed in 1949 as part of the CTA’s restructuring of north-south service.

Electroliner 803-804 at Red Arrow’s 69th Street Shops on November 10, 1963, shortly after arriving from Chicago. (Jeffrey L. Wien Photo)

Liberty Liner “Valley Forge,” formerly North Shore Line Electroliner 801-802, being put into service on Red Arrow’s Norristown line on January 26, 1964. (Jeffrey L. Wien Photo)

SEPTA Liberty Liner “Valley Forge” crosses the Schuylkill River in September 1976, near the end of service on the Red Arrow line to Norristown. (Jeffrey L. Wien Photo)

Liberty Liner “Valley Forge,” formerly North Shore Line Electroliner 801-802, just after delivery to the Illinois Railway Museum on May 9, 1982. (Jeffrey L. Wien Photo)

Liberty Liner “Valley Forge,” aka Electroliner 801-802, at the Illinois Railway Museum on October 2, 1982. (Jeffrey L. Wien Photo)

North Shore Line wood car 134 is on a siding, and may be possibly be in New Trier school tripper service on the Shore Line Route, before the late 1930s Winnetka Grade Separation project. Don’s Rail Photos: “134 was built by Jewett Car Co in 1907 as C&ME 134. It was rebuilt in 1914 retired in 1948. In 1936, the CA&E leased 11 surplus cars from the CNS&M. These cars were modified for service by raising the coupler height, installing electric heat instead of the coal-fired hot water heaters, modifying the control, and adding jumper receptacles and other minor fittings to allow them to train with the other CA&E cars. Since these were 50 mile per hour cars, and the CA&E cars were 60 MPH cars, they were soon operated only in trains of their own kind rather than mixed in with other cars. In 1945 they were returned to the North Shore where they operated briefly. They were purchased in 1946 and last ran in regular service in September, 1953.”

CTA gate car 390. Don’s Rail Photos: “390 was built by American Car & Foundry Co in 1905 as SSRT 390. It became CERy 390 in 1913 and became CRT 390 in 1923. It was retired on June 20, 1957.” Andre Kristopans: “390 I think is at North/Halsted. At first thought Sedgwick, but background does not match.”

On March 29, 1943, the first official Chicago Rapid Transit Company train heads into the north portal of the new State Street Subway, then still under construction. Only one track was in service, and the south portal was still being built. Test rides were being given to servicemen and war bond buyers. The official opening was on October 17th.

Shaker Heights Rapid Transit car 302, formerly of the Aurora, Elgin & Fox River Electric, is inbound at Woodhill Road on September 6, 1951. Don’s Rail Photos: “302 was built by St Louis Car in 1924, #1308. In 1936 it was sold to CI/SHRT as 302 and in 1954 it was sold to Gerald Brookins for the Columbia Park & Southwestern aka Trolleyville.” Sounds like it was scrapped there for parts.

North Shore Line city streetcar 354 at the Illinois Railway Museum in September 1972.

The conventional view of the North Shore Line station in Lake Forest.

A different view of the large North Shore Line station in Lake Forest that served the Shore Line Route. This can’t be later than 1916, as the railroad is identified by its previous name, the Chicago and Milwaukee Electric. The station survived the 1955 Shore Line abandonment, but was torn down around 1970.

I believe we are looking north at the Chicago and North Western commuter train station in Highland Park. If so, the North Shore Line’s tracks for the Shore Line Route would be at right in the adjacent street. Apparently the station footprint here did not allow for sufficient space to locate the NSL tracks on private right-of-way.

Another view of the C&NW Highland Park station, again looking north with the NSL Shore Line tracks in the street at right.

The entrance to Ravinia Park around 1915. It was built by the Chicago and Milwaukee Electric to help generate more ridership.

This shows the wooden “L” ramp under construction for the CTA’s Garfield Park temporary trackage that ran east of here in Van Buren Street during construction of the Congress expressway. You can see where the temporary structure was going to turn and head south, to rejoin the existing Garfield Park “L” near Sacramento Boulevard. The new alignment was used starting in September 1953, so this is some time before then. (Henryk Shafer Photo)

Philadelphia Suburban Transportation Company (aka Red Arrow) cars 77 and 8 in Media, PA on April 25, 1954. Brilliner 8 is still in its original 1941 paint scheme. (Russell E. Jackson Photo)

Philadelphia Suburban Transportation Company (aka Red Arrow) car 83 on the West Chester line in 1954. Buses replaced trolleys on this long route the same year, as part of a highway widening project. Don’s Rail Photos: “83 was built by Brill Car Co in March 1932, #22980. It became SEPTA 83 in 1970 and sold to Middletown & Hummelstown in 1982.” The M&H actually purchased car 86 in 1982, which was found to have some damage. So car 83 was renumbered as 86 by SEPTA and sold to them that way. The original car 86 also went along and was scrapped for parts. M&H is a diesel-powered tourist operation and the Red Arrow car is in storage there.

Laurel Line (Lackawanna and Wyoming Valley Railroad) cars 38, 114, and 35. I assume this is in Scranton, PA. Interurban passenger service quit on December 31, 1952.

Laurel Line car 32.

Laurel Line car 19 looks like it has seen better days.

Laurel Line car 35.

Laurel Line car 32.

Another view of Laurel Line car 19.

CTA single car units 41 and 42, equipped with trolley poles for use on the Evanston branch, are posed at Sedgwick on the Ravenswood line. The date may be June 26, 1960. Sunday fantrips were popular, when Ravenswood trains only went as far as Armitage, and the fans could have lengthy photo stops without interfering with regular service. North Shore Line trains were routed via the outer tracks at this time. (Richard J. Anderson Photo)

A CTA single car unit heads south just north of South Boulevard in Evanston on May 26, 1963.

A train of 4000s at Armitage.

4000s at Wellington.

6000s at Wellington.

CTA 2041 at Hamlin on the Lake Street “L”, signed as a “B” train, sometime between 1964 and 1969.

6000s at Wellington.

CTA single car unit #2 at the Skokie Swift terminal at Dempster, some time in the 1960s.

4000s at Wellington.

Brooklyn and Queens Transit PCC 1070 is at Park Circle on November 11, 1955, running on the 68-C 1 Ave line.

Brooklyn and Queens Transit PCC 1001 is at the Bristol Street loop on line 35 – Church on May 30, 1956. The auto at right is in the “bathtub” style that was briefly popular around 1950.

Brooklyn and Queens Transit PCC 1031 in May 30, 1956. This is a Church Avenue car entering the underpass at Ocean Parkway.

Chicago Surface Lines work car S-53 on October 21, 1940. Don’s Rail Photos: “S53, supply car, was built by Chicago Railways in 1909 as 10. It was renumbered S53 in 1913 and became CSL S53 in 1914. It was retired on November 25, 1949.”

Chicago Transit Authority snow plow S-319 (ex-3146) at Skokie Shops in April 1955. Don’s Rail Photos: “3146 was built by St. Louis Car in 1901 as Lake Street Elevated RR 146. It was renumbered 3146 in 1913 and became CRT 3146 in 1923.” Not sure when it was converted into a work car.

North Shore Line city streetcar 357 is in Waukegan in 1946, signed for the Naval Station. Streetcar service ended the following year. Don’s Rail Photos: “357 was built by St Louis Car Co in January 1928, #1453. It was retired in 1948 and scrapped in 1950. The last city cars purchased new by the North Shore were cars 351 thru 360. They came from St. Louis Car in 1927 and 1928 and were designed to operate as one or two man cars. 351 thru 358 went to Milwaukee, and 359 and 360 went to Waukegan. In 1942, 353 thru 358 were sent to Waukegan for wartime service. It is said that 351 and 352 were also sent to Waukegan, but if so, their stay was short. In 1947, with the abandonment of the Waukegan lines, the entire group was sent to Milwaukee to replace the Birneys. They ran until abandonment on August 12, 1951.”

NSL loco 458 at the Pettibone Yard in North Chicago on July 16, 1960. (Gordon E. Lloyd Photo)

A North Shore Line freight train, headed by loco 456, at North Chicago Junction on March 2, 1946. (Gordon E. Lloyd Photo)

The North Shore Line headquarters in Highwood, IL. (Gordon E. Lloyd Photo)

NSL Silverliner756 at Highwood on April 15, 1950. (Gordon E. Lloyd Photo)

A three-car North Shore Line train on the “L”. (Gordon E. Lloyd Photo)

NSL 411 at Highwood on June 12, 1949. Don’s Rail Photos: “411 was built as a trailer observation car by Cincinnati Car in June 1923 #2640. It was out of service in 1932. It was rebuilt on February 25, 1943 as a two motor coach by closing in the open platform and changing the seating, and was sold to Trolley Museum of New York in 1963. It was sold to Wisconsin Electric Railway & Historical Society in 1973 and sold to the Escanaba & Lake Superior in 1989.” (Gordon E. Lloyd Photo)

A four-car NSL train on Greenleaf Avenue in Wilmette on February 11, 1939. (Gordon E. Lloyd Photo)

We have several pictures from this fantrip, which covered the Shore Line Route and then continued north to Milwaukee. I bought this, as I thought it might shed some light on the photo stops. But this “timetable” only gives the starting time of the trip. It does list points of interest, route mileage, safety rules, and has a complete roster of the equipment as of late 1954… including which 15 cars had already been converted to Silverliners by that time. (I think the total had reached 30 by 1963.)

Original 1920s artwork for four North Shore Line posters… in the collection of David A. Myers, who bought them when the railroad was going out of business in 1963.

The North Shore Line Mundelein Terminal in December 1962.

The same location today, looking east. The old terminal was located just to the right of that telephone pole. You can see where the old right-of-way was in that clearing at rear.

A North Shore Line train heads north at North Chicago Junction in June 1961. The tracks at left led to the old Shore Line Route. After the 1955 abandonment, one track was kept in service to connect with the headquarters at Highwood (and also for freight use). (William Shapotkin Collection)

The late William C. Hoffman took this picture of an Electroliner menu on November 12, 1962.

The East Troy Railroad Museum

Milwaukee streetcar 846 at East Troy. Don’s Rail Photos: “846 was built by St Louis Car Co in 1920, #1239. It was one-manned in 1925 and was donated to the Kentucky Railway Museum in 1958. After two floods it went to the Appleton Trolley Museum in 1983. It was found to be severely damaged and was finally restored in 1998. In October 2002, the ATM merged with the East Troy Electric Railroad Museum and 846 was the first car moved.”

South Shore Line car 24. Don’s Rail Photos: “24 was built by Pullman in 1927. It was lengthened and air conditioned, and got picture windows in 1947.” East Troy has turned it into a dining car.

South Shore Line car 33. Don’s Rail Photos: “33 was built by Standard Car in 1929, #P-3340. It was air-conditioned and sold to National Park Service in 1983.”

These stickers were applied to South Shore Line cars in the mid-1970s and became a rallying cry against abandonment.

South Shore Line car 9. Don’s Rail Photos: “9 was built by Pullman in 1926.”

South Shore Line car 13. Don’s Rail Photos: “13 was built by Pullman in 1926 and was rebuilt in 1946.”

CTA 4453. Don’s Rail Photos: “4453 was built by Cincinnati Car in 1924, #2860. It was acquired by Indiana Transportation Museum in 1974 and sold to East Troy Electric Ry in 1995.” George Trapp adds: “Enjoyed your latest post, but have a correction on the build dates for CRT/CTA 4420 and 4453 at East Troy. This order #2860 for cars 4356-4455 was placed in December of 1924 but the cars were actually built in 1925, being delivered in late summer, August and September. Car #4422 was photographed on September 4, 1925 by Cincinnati Car. The only cars built in 1924 were 4351-4355, order #2715 ordered in 1923 by Chicago Elevated prior to merger of January, 1924 of Northwestern, Metropolitan and South Side into CRT. Bankrupt Chicago & Oak Park purchased at foreclosure later in January, 1924.”

Sheboygan Light, Power and Railway Company car 26. Don’s Rail Photos: “Sheboygan 26 was built by Cincinnati Car in 1908, #835. It was converted to one man operation. It later was used as a lake cabin for many years and was given full restoration to its original condition.” This car was added to the National Register of Historic Places in 2006.

Milwaukee Electric Railway & Light Company locomotive L-9. Don’s Rail Photos: “L9 was built at Cold Spring in 1944. It became WEPCo L9 in 1963 and was acquired by WERHS in 1979. It became East Troy Electric Ry L9 in 1989.”

South Shore Line car 30. Don’s Rail Photos: “30 was built by Standard Car in 1929, #P-3340. It was air conditioned and sold to Wisconsin Electric Railway Museum in 1984. It was sold to East Troy Electric Ry in 1984. It was later rebuilt without the humps and renumbered 1130.”

South Shore Line car 25. Don’s Rail Photos: “25 was built by Pullman in 1927. It was lengthened and air conditioned, and got picture windows in 1947.” East Troy has turned it into a dining car.

North Shore Line car 761 has recently been restored by East Troy and looks beautiful. Don’s Rail Photos: “761 was built by Standard Steel Car Co in 1930. It was modernized in 1949 and rebuilt as a Silverliner in October 11, 1957.” It has had a number of owners since 1963 but came to East Troy from the Michigan Transit Museum in 2001.

Watch your step. The car could board on either high-level or low-level platforms.

761’s cab area.

This would have been the smoking compartment back in the day.

The museum is justifiably proud of their restoration work.

The ticket booth at East Troy.

Bob Heinlein and his brother at East Troy.

Aboard 4420.

CTA 4420 at the Elegant Farmer store in Mukwonago. Don’s Rail Photos: “4420 was built by Cincinnati Car in 1924, #2860. It was acquired by Wisconsin Electric Historical Society on February 11, 1975, and sold to East Troy Electric Ry in 1988.” George Trapp adds: “Enjoyed your latest post, but have a correction on the build dates for CRT/CTA 4420 and 4453 at East Troy. This order #2860 for cars 4356-4455 was placed in December of 1924 but the cars were actually built in 1925, being delivered in late summer, August and September. Car #4422 was photographed on September 4, 1925 by Cincinnati Car. The only cars built in 1924 were 4351-4355, order #2715 ordered in 1923 by Chicago Elevated prior to merger of January, 1924 of Northwestern, Metropolitan and South Side into CRT. Bankrupt Chicago & Oak Park purchased at foreclosure later in January, 1924.”

Recent Correspondence

We recently received these two photos from our good friend David Harrison:

CTA 3311 on June 19, 2006 charter, paying tribute to the 2005 World Champion Chicago White Sox. (Bruce C. Nelson Photo, courtesy of David Harrison)

David Harrison in his CTA uniform, near Loomis, in a photo taken by his mother. I couldn’t quite make the processing date out on the slide– it was either December ’65 or ’66, although this picture was obviously taken at a different time of the year.

North Shore Line Mystery Photo

If anyone knows who took this picture, taken at the North Shore Line’s Milwaukee Terminal, please let me know. I checked with the Center for Railroad Photography and Art, and it apparently was not taken by the late John E. Gruber, although it does look similar to his work.

Now Available:

SGA-1
Stan Griffith Audio Recordings of the North Shore Line
# of Discs – 1
Price: $15.99

The late Stanwood C. Griffith (1926-2013) was an interesting character who is probably best known for building the two-foot gauge Rock River Valley Traction, a miniature electric railway that is large enough to ride on. He began building it on private property in a mysterious wooded area somewhere near Rockford, IL around 1950. Work continues on it to this day, and there are several videos of it on YouTube.

We only recently found out that he recorded some North Shore Line audio. Even better, what he did record is different than the other known recordings by William A. Steventon and Brad Miller.

Mr. Griffith made the only known recordings of the Shore Line Route, which quit in 1955. Steventon didn’t record NSL until the following year, and the Miller recordings are circa 1960.

This recording has some occasional narration. At one point, Griffith notes that the trolley bus wires in Kenosha are gone. Trolley buses ran there until 1952, so this dates the recordings to circa 1952-55.

He also recorded North Shore Line street running in Milwaukee, which is also unique as far as I am aware. There are also recordings of Milwaukee streetcars on this CD.

Total time – 52:36

Chicago’s Lost “L”s Online Presentation

We recently gave an online presentation about our book Chicago’s Lost “L”s for the Chicago Public Library, as part of their One Book, One Chicago series. You can watch it online by following this link.

The Trolley Dodger On the Air

We appeared on the Dave Plier Show on WGN radio on July 16, 2021, to discuss Chicago’s Lost “L”s. You can hear that discussion here.

Our Latest Book, Now Available:

Chicago’s Lost “L”s

From the back cover:

Chicago’s system of elevated railways, known locally as the “L,” has run continuously since 1892 and, like the city, has never stood still. It helped neighborhoods grow, brought their increasingly diverse populations together, and gave the famous Loop its name. But today’s system has changed radically over the years. Chicago’s Lost “L”s tells the story of former lines such as Garfield Park, Humboldt Park, Kenwood, Stockyards, Normal Park, Westchester, and Niles Center. It was once possible to take high-speed trains on the L directly to Aurora, Elgin, and Milwaukee, Wisconsin. The L started out as four different companies, two starting out using steam engines instead of electricity. Eventually, all four came together via the Union Loop. The L is more than a way of getting around. Its trains are a place where people meet and interact. Some say the best way to experience the city is via the L, with its second-story view. Chicago’s Lost “L”s is virtually a “secret history” of Chicago, and this is your ticket. David Sadowski grew up riding the L all over the city. He is the author of Chicago Trolleys and Building Chicago’s Subways and runs the online Trolley Dodger blog.

The Images of America series celebrates the history of neighborhoods, towns, and cities across the country. Using archival photographs, each title presents the distinctive stories from the past that shape the character of the community today. Arcadia is proud to play a part in the preservation of local heritage, making history available to all.

Title Chicago’s Lost “L”s
Images of America
Author David Sadowski
Edition illustrated
Publisher Arcadia Publishing (SC), 2021
ISBN 1467100007, 9781467100007
Length 128 pages

Chapters:
01. The South Side “L”
02. The Lake Street “L”
03. The Metropolitan “L”
04. The Northwestern “L”
05. The Union Loop
06. Lost Equipment
07. Lost Interurbans
08. Lost Terminals
09. Lost… and Found

Each copy purchased here will be signed by the author, and you will also receive a bonus facsimile of a 1926 Chicago Rapid Transit Company map, with interesting facts about the “L” on the reverse side.

The price of $23.99 includes shipping within the United States.

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Railroad Record Club Treasure Hunt, Part 2

September 24, 2018June 5, 2023David Sadowski 9 Comments

1 Selection of Steventon tapes mostly unreleased

Following up on our previous posts William A. Steventon’s Railroad Record Club (September 24, 2018), and Railroad Record Club Treasure Hunt (July 30, 2017) guest author Kenneth Gear continues with a detailed rundown on his latest discoveries.

I have been interested in historic preservation for a long time, and it’s not every day that anyone comes across original material such as this. Suddenly, out of nowhere it seems, previously unknown, unissued audio recordings have emerged for some long-vanished steam and electric railroads, along with 16mm motion picture film, and various artifacts related to the Railroad Record Club’s 42 issued LPs, in their various forms. It seems like a miracle that somehow, it all survived to be rescued from oblivion.

Getting this done involved a tremendous financial sacrifice on Ken’s part, as he is of modest means. I hope that he will be able to recoup at least some of his substantial investment in the future. I am sure he will appreciate any contributions you may be able to offer him, towards the cost of transferring some of these reel-to-reel tapes and 16mm movie films to digital.

You can find Part 1 here: Railroad Record Club Treasure Hunt (July 30, 2017)

-David Sadowski

PS- Our new book Building Chicago’s Subways is now available for immediate shipment. If you already pre-ordered it, your copy is already on its way to you. We are excited to have had the opportunity to tell the story of this exciting chapter in Chicago history. Details on how to order are at the end of this post.

Railroad Record Club Treasure Hunt, Part 2

It’s been over a year since I acquired a large portion of the William Steventon estate. The Railroad Record Club items that I purchased last year have enabled David and I to piece together a fairly complete history of the RRC and to more fully appreciate the time and effort Mr. Steventon put into producing these records. The homemade 78rpm records alone proved to be an invaluable resource. Not only did they provide us with some wonderful recordings, most of which hadn’t been heard in over fifty years, they revealed the pre-history of the club and offered a glimpse into the infancy of railroad field recording.

We were able to hear the very first railroad recording Steventon made– B&O trains at Riverdale, Maryland in 1953. We also finally completed our quest to get a copy of every single released RRC record digitized and put on CDs. We are now only in need of two samplers, the 5th and 6th years. More interesting information was garnered from examining original record jacket artwork and paste up boards, as well as the metal print blocks. We were also able to compile a list of records re-issued on 12″ stock and find out what was necessary for it to happen and the cost of doing it.

Photographs from his personal collection were scanned and published in the Trolley Dodger for all to enjoy. I think the effort that went into keeping all this material from ending up in a dumpster was well worth the time and expense and I’m happy to have been involved.

In spite of this, I knew the job was only half finished. There was much more that needed to be saved and time was running out. Those tapes I wrote about under the heading “what I left behind” in the first treasure hunt story needed to be preserved. There were still a big box of photos, reams of correspondence, the metal master discs for the 12″ reissues and lots and lots of sealed records.

The estate dealer was quite adamant that this stuff had to go…and quickly! I purchased all that I could, but I certainly could not afford to buy anything else and asked for some time to raise the money. As I tried to come up with the extra cash needed, months went by and the emails ceased. For a while it seemed that all this great material would be lost. Still, I squirreled away what money I could when I could and slowly, much too slowly, I approached his asking price. With the funds in hand, I emailed the estate dealer putting in the subject line that I HAD the money for the remaining Steventon estate items. Even as I composed that email I couldn’t be sure that the entire lot wasn’t already in some land fill rotting away. He answered me the next day, but it seemed a lot longer then that to me. His first two sentences were a relief:

Ken, good to hear from you. Yes, it is all as we left it a year ago.

There was one complication that needed to be addressed. I could not make the trip up to him in Wisconsin this year as I had done before. All the items would have to be shipped to me in New Jersey.

The estate dealer was agreeable to packing up the items and doing the weighing and making the transportation arrangements, but again there was a complication. This was his busy season and he would be working extensively out of town. He would not be able to devote much time to this effort for the next few weeks. A little progress was made here and there through the rest of June and I purchased boxes and packing material in July. I was a little apprehensive about shipping old open reel tapes and vinyl records during the hottest part of the summer anyway, so I just had to be patient. In early August progress was made and on the 13th I received the long-awaited email:

The last box is packed. You’ll have a pallet coming that’s right around 400 pounds, perhaps a touch over. Nine boxes to be delivered to the YRC terminal.

Several more delays would still be encountered, not the lest of which was the local hardware store’s forklift needing repairs. The hardware store, for a $20 fee, would be used to lift the pallet onto the truck. At last, in early September, with all hurdles cleared, a newly-repaired forklift placed the shipment on to the truck. Finally, the second half of the Steventon estate’s Railroad Record Club items were on their way to me.

A few days later I heading to the local YRC terminal to receive the long-awaited shipment. After some paperwork in the office, I backed a borrowed ¾-ton pick-up truck to the indicated bay. Soon a forklift lowered the last of the Railroad Record Club items from the Steventon estate into the truck bed. I now had a night of treasure hunting to look forward to!

I had sort of “cherry picked” the first half of the estate, so I knew that a great unexpected find was rather doubtful, but I did come across a few surprises.

THE TAPES

2 Tapes appear to be in good condition

3 Tape with hand written track listing

4 More unreleased Steventon audio

5 Lots of interesting material on these tapes

6 Still more intersting tapes

7 Unreleased audio this is why I bought the whole lot

8 Steventon tapes

9 More Stevnton tapes

10 Even more tapes

11 Small reels -the master tapes for the 78rpm records

12 Another view of the Small reels -the master tapes for the 78rpm records

13 A box full of the Small reels -the master tapes for the 78rpm records

14 Close up of the 78rpm record master tapes

15 Another Close up of the 78rpm record master tapes

16 78rpm master tapes showing condition of tapes-not too bad

17 close up of 78rpm master tape showing condition

18 BC Electric and Montreal & South Counties tapes with Steventon letter

19 Montreal & South Counties tape with Steventon letter

20 BC Electric tape with Steventon letter

21 Close up of the BC Electric and Montreal & South Counties tapes

22 Railroad Record Club Master tapes

23 Master tape for record 26

24 A stack of 22 Railroad Record Club Master tapes

25 master tape Railroad Record Club number 16

26 master tape Railroad Record Club number 15

27 master tape Railroad Record Club with memo

28 master tape Railroad Record Club number 17

29 master tape Railroad Record Club number 18

30 Note on box containing master tape Railroad Record Club number 18

31 Two master tapes for record number 3

32 Two master tapes for record number 3 showing condition

33 master tape Railroad Record Club number 7

34 master tapes Railroad Record Club number 10

35 master tape Railroad Record Club number 23 with memo

36 master tape Railroad Record Club number 17

The reel to reel tapes that I had left behind last year were the real reason I went to all this trouble and expense to acquire the rest of the estate. I’m sure I did not get any of the tapes that were actually in Steventon’s recorder when he was trackside, but they may no longer exist. Perhaps he transferred these “field tapes” to newer tape stock, in an effort to preserve them and some of these duplicates are what I received. There is at least one recording I know he made that is not among my tapes. In the liner notes of Record Number 20, Steventon writes that the cab ride onboard NYC # 1441 with his father at the throttle was edited down from over two hours of tape. I would have been very happy to find 4 or 5 reels of tape marked “cab ride with Dad” but it was not to be. What I did find, however, is some very good and interesting stuff, most of which has never been released on a Railroad Record Club LP.

One tape that was a bit of a surprise was a 4″ reel of tape marked NYS&W. Of all the railroads in the New York area, why the Susquehanna? If he recorded this tape while in New York to ride and record the Queensboro Bridge trolley, which had to be prior to April 1957 when that line shut down, then why not record PRR K-4s on the New York & Long Branch which lasted until October of that year? Or all those electric locomotives on the NYC and NYNH&H? Perhaps he did record some or all these railroads and I just don’t have the tapes. Anything is possible, but I have found no evidence that he ever did. I’ll just have to wait until I have the NYS&W tape put on CD to find out just what the attraction may have been.

Other interesting finds include three 5″ reels of a fan trip operated by the Northern Pacific Railroad on June 20, 1957. 4-8-4 # 2686 pulled the train from St. Paul, MN to Staples. One tape is labeled “NP 2686-LV MPLS,” the second NP 2686 coal dock stop,” and the last, “NP 2686 LV Staples.” There was also a negative of the NP 2686 at Staples found among the photographs. Other steam and/or diesel tapes are labeled “CPR,” “NKP Ft. Wayne,” “N&W,” and “Soo Line.”

The traction fans among us will be happy to know there is plenty for them. The CNS&M has several tapes devoted to it. One tape is marked “CNS&M switching at Rondout and Mundelein”. There is a cut on Record 26 of locomotive # 459 switching at Rondout, but not at Mundelein. Another North Shore tape is marked “Mundelein Run” and another simply ” Mundelein”. One more CNS&M tape has “Electroliner” written on the box.

There is a tape marked “ITS 202”, apparently Steventon preferred Illinois Traction System to Illinois Terminal. On Record 25 Steventon wrote in the liner notes, “We had just arrived (at Harristown, IL) on interurban No. 202 where we had made an “on train” recording east from Springfield. We alighted and watched the 202 fade into the distance. This was the last sight and sound we had of the Illinois Terminal as an interurban. The “on train” recording of 202 and a streamliner is scheduled for release at a later date.” It never was. I don’t know about the streamliner recording, I may or may not have it, but I will consider it a privilege to be involved with releasing the 202 recording for him.

There are also tapes of the Cedar Rapids & Iowa City (CRANDIC), Charles City Western, Toledo & Eastern, and Capital Transit. Canadian traction fans are not overlooked either. There is a 5″ reel of the Niagara, St. Catharines & Toronto Railway. There are also two 5″ reels, one each, of the BC Electric and the Montreal & Southern Counties. These two tapes were recorded by Eugene Van Dusen, and the accompanying letter to Steventon, plus a copy of it sent to Elwin Purington, were found among some RRC papers I have. Another reel of tape not recorded by Steventon is “Cincinnati Street Railway Car 187 12/13/51.” Finding this was a nice surprise. I don’t know who did record it, but Steventon did not start making recordings until 1953.

Here is the entire list of the tape reels, excluding 21/2″ reels which I’ll list separately, and the master tapes for the LPs,

REEL TO REEL TAPES

INFORMATION MARKED ON TAPE BOXES

4″ reels:

1. NYS&W

5″ reels:

1. CPR-J. Van Brocklin
2. Soo Line
3. T&E NKP Diesel-NKP Ft. Wayne
4. N&W
5. N&W from Salem
6. N&W Billy + Larry on end
7. NP 2686 Lv Mpls-6/20/57
8. NP 2686 coal dock stop
9. NP 2686 Lv Staples
10. B. C. Electric
11. Montreal & Southern Counties
12. Potomac Edison #5
13. Potomac Edison H&F last run radio program
14. CNS&M -switching at Rondout and Mundelein
15. Mundelein Run
16. Capital Transit co 1151
17. ITS car 202
18. Cedar Rapids and Iowa City 5/31/53
19. CCW 5/18/54*
20. CCW CC to Colwell
21. Toledo & Eastern
22. PRR GG-1s

7″ reels:

1. Railroading in Spooner Wisconsin
2. CNS&M Electroliner
3. N. St. C & Toronto
4. Johnstown Traction and Altoona & Logan Valley
5. Cincinnati Street Railway car 187 12/13/51

The next bunch of tapes are smaller reels. These 21/2″ reels are in their original manufacture’s boxes and are marked only with a Railroad name and a catalog number. The catalog numbers correspond with the catalog numbers on the 10″ 78rpm acetate records that I acquired with the first half of the estate. As producing these records was a very time-consuming task, Steventon saved time by making a master tape for each record. The master tape would contain his spoken introductions followed by the train sounds. I bought over sixty of these small master tapes, and a large number have never been put on the regular Railroad Record Club releases. They contain sounds of railroads I was completely unaware Steventon ever recorded, such as L&N, Southern, and Virginian. This collection also contains the Queensboro Bridge trolley, the IND subway, and the Third Avenue EL recordings Steventon made in New York City.

21/2″ reels:

1. Potomac Edison, 4 reels
2. Shenandoah Central, 2 reels
3. Capital Transit, 3 reels
4. Altoona & Logan Valley, 2 reels
5. B&O, 9 reels
6. Shaker Heights RT, 3 reels
7. PRR, 5 reels
8. NKP, 1 reel
9. St. Louis PS, 1 reel
10. Illinois Terminal, 2 reels
11. ICRR 3 reels
12. N&W, 1 reel
13. WM Rwy, 1 reel
14. Baltimore Transit, 2 reels
15. Senate Subway, 1 reel
16. Scranton Transit, 1 reel
17. Rochester Subway, 1 reel
18. CB&Q, 2 reels
19. Niagara, St. C & T, 2 reels
20. Virginian, 2 reels
21. Southern, 2 reels
22. Queensboro Bridge, 2 reels
23. Wabash, 1 reel
24. Third Ave. EL, 2 reels
25. Soo Line, 5 reels
26. L&N, 2 reels
27. St. Elizabeth Hospital, 1 reel (used steam switcher to move coal hoppers)
28. Omaha Road, 1 reel
29. NYC IND Subway, 1 reel
30. Unidentified, 4 reels

This is not a complete set of all the master tapes made for the 78rpm records to be sure, but it’s most of them. I consider it a small miracle that any survive at all! I am not an audio expert, but in my opinion, uninformed as it may be, these tapes appear to be in reasonably good condition. I would think that the tapes would be able to withstand a few more plays, enough to be digitized at least. Neither David nor I have the equipment to attempt this and I think it would be ill advised of us to try anyway. The tapes are old and were not stored in archival conditions. I’m sure the prudent course of action is to entrust any work on them to a professional.

The last batch of tapes are the master tapes made for the released Railroad Record Club LPs. There are different size reels, some tapes are only of one side of the LP while others have both sides on the same reel. Some are in good condition and some are not. Some I have multiple copies of and a few of the LPs I have no tapes for, Rather then make a complete list of every reel I will simply list the few LPs I have NO master tapes for.

No master tapes:

RRC 21
RRC 24
RRC 29
RRC 31
RRC SP-2
RRC SP-4
RRC SP-6

Most of these reels are 7″ with only a few smaller or larger. The most interesting master tapes are the reels for RRC 3 EBT/D&RGW. There are two 7″ reels that most likely have the original release version of the record, the one with William Steventon’s narration. There are also two 5″ reels, one marked “sounds only” and the other labeled “Narrative.” Since Steventon removed his voice from the 12″reissue of the record, the “Narrative” tape must contain just the voice of Elwin Purington doing the new narration.

I’m not sure just what to do with these master tapes. Some are in rough shape and all these sounds are on the released Railroad Record Club LPs. It certainly would be a considerable expense to digitize them all and no new sounds would be gained. For now, I’ll store them in the best possible conditions that I can provide and perhaps one day a clear path of action will present itself.

MOVIE FILMS

1 Steventon Film that should be all trains

2 Capital Transit B&W Night Film

3 Steventon film

4 Pennsy and B&O film

5 Back of Kodachrome box

6 Front of kodachrome box

I found several rolls of 16mm movie film within the boxes of audio tapes. Fortunately, Steventon was very good at labeling everything. He inserted little slips of paper into the film boxes listing the contents of the films. Unfortunately, the majority are family home movies. Most are of Steventon’s son Seth. His first day of school, Christmases, and birthday parties. There were six 100-foot reels that should be all trains.

16mm movies;

1. 100-foot reel but only about 50 feet of film. Labeled “Pennsy Fan Trip and B&O near Riverdale.”
2. 100-foot reel, full, labeled “Canada Term”. I’m not sure what that is supposed to indicate. I unspooled a few feet of film and the first few frames are without a doubt a steeple cab locomotive.
3. 100-foot reel, full, B&W, labeled “Cap Transit Night Film.”
4. 100-foot reel, full, labeled “EBT Reel 1.”
5. 100-foot reel, full, labeled “EBT Reel 2.”
6. 100-foot reel, full, labeled “Negative 1R Freight” Also written on box “bad footage.”

PRINT BLOCKS

1 Selection of print blocks

2 More print blocks

3 Still more print blocks

4. Print block for very early RRC traction logo

5. Railroad Record Club logo print block

6 Another style Railroad Record Club logo print block

7 Interurban car fron LP Sound Scrapbook-Traction

8 Interurban car fron LP Sound Scrapbook-Traction in two sizes

9 PRR steamer from 1st edition of RRC 10 in two sizes

10 D&RGW locomotive from the 1st edition of the LP the Siverton Train

11A Print block for NKP LP

12 Ad for RRC 25

13 Ad for RRC 25 reversed

14 Print block for large ad

15 Print block for large ad reversed

16 Ad for traction watch fobs

17 Ad for steam LPs

18 Ad for steam LPs reversed

19 Strange RRC ad

20 Strange RRC ad printed version

I also acquired a good number of print blocks, which are mostly quite small and were used in the RRC advertisements. I have a bunch of print blocks of the LP covers, all about the size of a postage stamp. They were used in ads and in the catalogs. There are a few complete ads that mostly feature a single record release. One large ad of interest is a very 1960’s, almost psychedelic illustration of a steam locomotive looming over a record player. Smoke is shooting from it’s stack and entwined within the billows of smoke are such things as a whistle blowing, a box cab electric locomotive, and a steam train. LPs are seen flying through the air and the words “steam and electric recordings” in twisted snake-like lettering fills the upper portion. Wild and unexpected. I would certainly like to know if this ad ever appeared anywhere in print.

I did not make a list of these small print blocks, there are just too many. I did photograph a representative selection of them. These photos will give a good idea of what is in the collection.

RECORDS

1 41 copies of RRC 3

2 18 copies of RRC 5

3 RCA test pressing for Sound Scrapbook Steam showing notation on upper left of sleeve

4 RCA test pressing for Illinois Terminal one of only 3 good discs

5 Back of RCA test pressing for Illinois Terminal

6 Close up of RCA test pressing for Illinois Terminal

7 Close up of RCA test pressing for NKP

8 RCA test pressing for CN showing damage

9 Metal press stamp

10 Metal press stamp with cardboard sleeve

11 RRC Nashville Metal press stamp

12 Metal press stamps in cardboard sleeves for RRC4 B&O

13 3 RRC Nashville Metal press stamps

14 Metal press stamp for RRC LP

15 Railroad Record Club SP-4 boxes and sleeves

16 Record jackets for each of the 3 records in the SP-4 set

17 Label for 1st edition of record 1 side 1 of RRC-SP4

18 Label for 2nd edition of record 1 side 1 of RRC-SP4

19 Label for 3rd edition of record 1 side 1 of RRC-SP4

Since the estate dealer would only sell me the tapes unless I bought the entire lot, including the remainder of the RRC LP stock, I had no choice but to buy them. I’ll admit I would not have wanted to see all these mint condition, still sealed LPs go in the trash, but what am I going to do with them and where am I going to store them? These questions I’m still contemplating. However, these concerns are secondary to preserving and digitizing the tapes. I have a few options, I can rent a table at a few railroadiania swap meets, contact a few local hobby stores and see if they are willing to sell some, and David and I have been thinking of making them available through the blog.

I’ll have to carefully consider my options. It would be nice to make a little of my money back and put it towards digitizing tapes. For the record, here is a list of the 12″ remasters. They are all still sealed and, for the most part, in mint condition. A few may have a bend or crease in the jackets and a few copies of RRC 20 have brown water stains in the lower right corner.

12″ remaster LPs:

41 copies of RRC 3, EBT/D&RGW
18 copies of RRC 5, D7rgw
36 copies of RRC 8 CN
29 copies of RRC 3 15, CB&Q
34 copies of RRC 16, Westside Lumber
25 copies of RRC 20, NYC/C&IM (6 copies have water damage)
15 copies of RRC 26, CNS&M Freight
22 copies of RRC 29, NKP 779

Included with the unsold record stock were several mint copies of the original 10″ LPs:

10″ LPs:
1 copy RRC 2, WCF&N
1 copy RRC 4, B&O
2 copies of RRC 5, D&RGW
1 copy RRC 7, N&W
1 copy RRC 8, CN
1 copy RRC 10, PRR
1 copy RRC 16, Westside Lumber
1 copy RRC 17, Soo Line
1 copy RRC 19, DM&IR
1 copy RRC 20, NYC/C&IM
8 copies of RRC 28, Charles City Western
1 copy RRC 29, NKP 779
1 copy RRC SP-2 NP 2626

Twenty-four RCA test pressing were included in the sale, ten 12″ pressings and fourteen 10″. All these pressings are stamped on one side only and on the paper sleeve of two of the 12″ pressings there is a hand-written note: “Masters will be 12 inch”. This is the one rather disheartening part of the story. All but three of these test pressings are in very poor condition. The accrete has flaked off in large chips. When I removed the disc from the paper sleeve to determine its condition, a black snowfall often resulted. I’m not sure what to do with these, they are really just trash now. I will photograph the label of each one for my archive but after that, I just don’t know. The three good discs are two 12″ pressings for both sides of RRC 15, CB&Q. It’s lucky that the only undamaged 12″ RCA test pressings are for the two sides of the same record. The one good 10″ disc is for side 2 of RRC 25, Illinois Terminal.

The metal stamping plates vary in condition. I was able to inspect these plates while at the dealer’s property last July, so I knew what to expect. I turned them down last year to save my money for what I considered the good stuff, the artwork and 78rpm records. All the original RCA stamp plates were lost in 1973, necessitating the 12″ remaster program. These plates are the Nashville-made stamps made in the late 1970s and throughout the 1980s. As I remember it, all 17 master plates were in the dealer’s warehouse. I only looked at them briefly but the top few were scratched and dented. Now, if I wanted the tapes, I had to buy them. Here I did a little dealing. Since these plates were a bit heavier than the records and I was paying for shipment by the pound, I convinced the dealer to choose a few of the stamps that were in the best condition. Those in poor condition he would not charge me for and he could discard them. The archivist in me wanted to save them all, but compromises must occasionally be made.

In all I got twelve of these stamps, five are 14″ and 7 are 12″.

I ended up with a bunch of returned records as well. Numbering somewhere around fifteen or twenty, these records were returned by buyers dissatisfied with them. Most of them have a note attached with the buyer’s name and his complaint. Things such as scratches, surface noise, and various clicks and pops were the most often cited reasons for the return.

An interesting find was various copies of the records that comprise the three-record set of SP-4. I was able to put together a set of each of the three pressings this set had. A surprise was a set of these records not in the display box that they came in, but in three separate record jackets. Each jacket had the same drawing of CSS&SB MU #108 that appeared on the box lid. Perhaps this was some sort of test printing or the original idea for the jackets. I may never know but I’m sure it is a unique set.

PHOTOGRAPHS

A Washington and Old Dominion RPO (Railway Post Office) on a mail run outside Rosslyn VA. Here is some additional information, via trainorders.com: “The shot of eastbound car 44 was taken at the grade crossing of North Quinn Street; which was located just outside of Rosslyn,VA near the west end of the bridge that carried the W&OD across Lee Highway and into the Rosslyn yard. 44 had been rebuilt into an RPO, by the railroad from a 1912 Southern Car interurban combine. After passenger service ended (for the first time) in 1941, 44 continued to run under wires by itself twice a day for mail and express duties; until the conversion to diesel power in 1942. After the power was turned off for good; 44 was hauled by a GE 44-tonner.”

NP 4-8-4 2686

CA&E Elgin train on street in Aurora IL 1931

Capital Transit PCC and bus Catholic University

D&RGW 476 locomotive featured on SP-1

D&RGW 481

Des Moines & Central Iowa car 1710

EBT 15 on a rainy day very likely while record 3 was being recorded

Evansville & Ohio Valley car 134

Ill Terminal car 285

Ill Terminal local on Caldwell Hill East Pearia about 1936

Indiana box car 550

Indiana RR 752 waiting for loads at mine scale

Indiana RR car 64

Indiana RR car 93 at Anderson IN September 4 1938

Indiana RR Vigo with rails ripped out.

Interstate car 711 ex-IPSC 427 September 3 1939

Interstate car 711 on shop siding west of Greencastle June 3 1939

Interurban car 44 and REA truck Rosslyn VA

MC&CL RR car 34

MC&CL Steeple cab 52

Nice right of way photo but no info other than date March 31 1936

S T F Co RR 54 Farmington MO

Unidentified car and person

Unidentified steeple cab locomotive

Unidentified steeple cab locomotive photo 2

Waterloo Cedar Falls & Northern car 100 this car is featured on RRC 2

Here again I had to do a little dealing. I went quickly through the box of Steventon photos last year, choosing about 20 photos to purchase. The box contained a mix of railroad photos and family snap shots. The family photos outnumbered the trains. Again, I did not want to pay for, or have the added weight of photos that were just going to be tossed away. Steventon’s son was the one who sold all this family history in the first place, so I saw no reason to try and get it back to him. The dealer agreed to sort the photos and sell and ship only railroad photos. He would discard the unwanted photos.

In all there are 135 photos of railroad equipment, mostly traction subjects. Some have complete caption information, and some have nothing. There are 23 photos of active traction right-of-ways but no caption information. 24 photos of abandoned traction right-of-ways have no captions. I cannot be sure if it is a “before” and “after” series of 27 photos. I also received 11 steam negatives, the aforementioned NP 4-8-4 # 2686 (two almost identical shots at Staples, MN) and several D&RGW narrow gauge roster photos. There is one EBT negative and a shot of a steam tractor. I haven’t had time to scan all of these photos yet, but they will appear in the Trolley Dodger as I do. For now, here are a few scans to whet your appetite.

DOCUMENTS

Stack of prints of Soo 2715

VHS VIDEO TAPES

There was one last surprise waiting for me. There are eight VHS video tapes in the estate lot, seven of which were professionally produced programs of traction subjects, several of which Steventon provided audio for. One tape on a store-bought blank was labeled simply “Railroad Programs”. I thought it was most likely a tape of TV shows about trains, but I popped it in the player just to see. It turned out to be a recording of a presentation that Steventon made to a local historical society. The video quality is bad, but you can hear everything he says perfectly.

It’s all really basic stuff, what you would expect him to present to a general audience. Such things as the appeal of a steam locomotive, the nicknames of various railroad job positions like “Hogger” for engineer etc. He then gets into the “sound portion” of his talk. He has a reel to reel tape player with him, and he explains the use of whistle signals and then plays a cut of a B&O EM-1 from Record number 4, noting the “two longs-a short-and another long” signal for a road crossing. He then goes into how a steam locomotive gains traction. Here he plays the sequence of SOO Line 2718 backing off the wye track from the intro record. He stops the tape at places to note the change in the locomotive’s sound and what that indicates to the engineer. Next, he talks about the use of torpedoes as a signaling device and plays a cut from Record number 8. He never says that these sounds are from his records. In fact, he never mentions that he ever sold records and the Railroad Record Club is not once referenced.

He eventually brings out a chart of steam locomotive wheel arrangements. He walks out of frame with it, but you can still hear what he is saying. At some point someone thinks to pan the camera around, but the view is only the back of the chart!

By the time he finishes with the chart, the program has gone on for about 40 minutes. Now he introduces “Whistle ‘Round the Bend” and plays the entire record, all 30 minutes. While the camera never moves during this, and Steventon just sits there listening, it’s a bit of a poignant moment. The video quality, as I said, is poor, and he is in the center of a wide shot, but it’s still possible to see that he is moved by the words and sounds he his hearing.

While little information is given about how, where, or when the sounds he played were recorded a little more personal stuff is revealed. He tells of the day in 1936 that his mother died. His father was at work and needed to get home. The NYC put every opposing train on the siding and he had green signals the whole way. He also tells us that he was a sickly child and his father took him onboard the locomotive with him, even against the rules, because he wanted to spend time with him, and make William happy, as the doctors said he may not survive into adulthood. With this video I was able to “know” William Steventon just a little bit better.

As I have these tapes put on to CD, they will be offered for sale in the online store. I bought these tapes not to just save them from destruction, but to have them made available to everyone who may be interested. I think that is perhaps the best way to ensure these historic sounds are preserved. Not just as a tribute to the people who recorded them who are now gone, but to ensure these sounds will endure to instruct and entertain future railfans long after we are gone too.

-Kenneth Gear

New Steam Audio CD:

FTS
Farewell To Steam
Mister D’s Machine
# of Discs – 1
Price: $14.99

Farewell To Steam
On February 6, 1955 the Santa Fe Railway ran a railfan train from Los Angeles to Barstow and back for the Railway Club of Southern California. This was Santa Fe’s last run powered by a steam locomotive over this route. The engine was a 4-8-4, #3759. We have used the original, rare 1955 mono version of this recording, and not the later 1958 reissue that had a bunch of echo added to create a fake stereo effect.

Mister D’s Machine
When diesel locomotives replaced steam in the 1950s, they offered a multitude of different sounds. This original 1963 stereo recording showcases the many sounds of diesels on the San Joaquin and Los Angeles Divisions of the Southern Pacific, including the Tahachappi Loop, an engineering feat that made modern railroading famous.

As with all of our recordings, this CD comes with the complete, original liner notes.

Total time – 72:56

Order Our New Book Building Chicago’s Subways

There are three subway anniversaries this year in Chicago:
60 years since the West Side Subway opened (June 22, 1958)
75 years since the State Street Subway opened (October 17, 1943)
80 years since subway construction started (December 17, 1938)

To commemorate these anniversaries, we have written a new book, Building Chicago’s Subways.

While the elevated Chicago Loop is justly famous as a symbol of the city, the fascinating history of its subways is less well known. The City of Chicago broke ground on what would become the “Initial System of Subways” during the Great Depression and finished 20 years later. This gigantic construction project, a part of the New Deal, would overcome many obstacles while tunneling through Chicago’s soft blue clay, under congested downtown streets, and even beneath the mighty Chicago River. Chicago’s first rapid transit subway opened in 1943 after decades of wrangling over routes, financing, and logistics. It grew to encompass the State Street, Dearborn-Milwaukee, and West Side Subways, with the latter modernizing the old Garfield Park “L” into the median of Chicago’s first expressway. Take a trip underground and see how Chicago’s “I Will” spirit overcame challenges and persevered to help with the successful building of the subways that move millions. Building Chicago’s subways was national news and a matter of considerable civic pride–making it a “Second City” no more!

Bibliographic information:

Title Building Chicago’s Subways
Images of America
Author David Sadowski
Edition illustrated
Publisher Arcadia Publishing (SC), 2018
ISBN 1467129380, 9781467129381
Length 128 pages

Chapter Titles:
01. The River Tunnels
02. The Freight Tunnels
03. Make No Little Plans
04. The State Street Subway
05. The Dearborn-Milwaukee Subway
06. Displaced
07. Death of an Interurban
08. The Last Street Railway
09. Subways and Superhighways
10. Subways Since 1960

Building Chicago’s Subways is in stock and now available for immediate shipment. Order your copy today! All copies purchased through The Trolley Dodger will be signed by the author.

The price of $23.99 includes shipping within the United States.

For Shipping to US Addresses:

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Redone tile at the Monroe and Dearborn CTA Blue Line subway station, showing how an original sign was incorporated into a newer design, May 25, 2018. (David Sadowski Photo)

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William A. Steventon’s Railroad Record Club

September 24, 2018September 24, 2018David Sadowski 11 Comments

William Steventon

Today’s post is the first of two by Kenneth Gear, long a friend of this blog. We have great news to report– Ken has finally been able to purchase all the remaining Railroad Record Club items from the dealer that purchased them many years ago from the estate of William A. Steventon, who died 25 years ago.

Ken details all that in another post, Railroad Record Club Treasure Hunt, Part 2. These new discoveries have enabled him to offer what is, to my knowledge, the first-ever comprehensive and factual history of William A. Steventon’s Railroad Record Club.

Thanks in great part to Ken’s dedication and persistence, you can find practically all the RRC’s 10″ and 12″ output, now digitized on compact discs for the 21st century, in our Online Store. We thank him for these efforts, and hope you will too.

-David Sadowski

INTRODUCTION

As regular readers of this blog know, David and I have been gathering bits and pieces of information about the Railroad Record Club and its founder, William A. Steventon. We wanted to get a better understanding of what went into making these records, and to put together a history of the club. David started the ball rolling in April 2015 when he wrote the first Trolley Dodger post about it. As soon as I read that post I jumped aboard having been interested in the subject for some time. Together we finally managed to accumulate enough separate fragments of the story so that when we put it all together, it formed an accurate outline of the events leading up to the formation of the club and offered some insight into its operation. We were also able to build a brief biological sketch of Mr. Steventon.

Separately David and I looked for any resource that might reveal some small bit of new information. We read liner notes, club newsletters, and we looked through back issues of magazines in search of RRC ads. We collected order blanks, and I purchased copies of records I already owned because they had club inserts tucked away in the jackets. I researched the meaning of the matrix codes engraved in the lead out grooves of the LPs to more accurately date them. We studied artwork and found some of Steventon’s personal correspondences. Everything came together when I purchased a large collection of Railroad Record Club items from Steventon’s estate. Combing through this material finally gave us enough information so that David and I could piece together the Railroad Record Club story you are about to read.

There are still unanswered questions to be sure and there are also missing recordings. We haven’t been able to secure copies of the 5th and 6th year sampler records. We also can only speculate on how, to whom, and at what cost these sampler records were distributed.

If any readers have any RRC material, please contact David. We only ask for a scan of any paper work or leads you may be able to offer as to who might be able to help. Thank you.

I have recently been able to purchase the last of the Steventon estate items I left behind last year (more on that in A Railroad Record Club Treasure Hunt, Part 2) and with luck David and I will be able to put together a few more pieces of the Railroad Record Club puzzle.

WILLIAM STEVENTON & THE RAILROAD RECORD CLUB

William A. Steventon was born in 1921 in Mount Carmel, Illinois, son of a locomotive engineer on the Big Four Railroad (New York Central). As a child he spent much of his time around the red brick passenger station and wooden freight house across from Main Street. The family eventually moved to Cairo, Illinois and there he would often ride in the locomotive cab with his father. In the liner notes to Record number 20- NYC/C&IM while describing an in-cab recording made with his father at the throttle, Steventon reminisces about his boyhood days spent there:

“It is strange that this recording should remind me of something that I had almost forgotten. If I hadn’t heard my father pull a whistle cord in 50 years, and in the distance I should hear a certain whistle, I would know that it was him. This recording also reminds me of the many times I had waited as a youngster for him to whistle near Cherry switch to let us know he was coming home from a north-end run. It reminds me of the many times I have walked down Washington Street in Cairo and heard him whistling in the yards.”

After serving in World War II Steventon married and took a government job. He and his wife settled in the Washington DC area and it is here that the Railroad Record Club story begins.

It all began when Steventon’s wife gave him a record of Railroad sound effects as a Christmas gift, most likely in 1952. While he was interested in the concept of recorded train sounds, he was very dissatisfied with this record. He was convinced that the sounds were not those of actual trains, that they were train “effects” created in a recording studio. He wanted sound recordings of REAL trains. He purchased one of the new reel to reel tape recorders that had recently become available and in March 1953, set out to make his first railroad sound recordings.

First recording

The first recording he made was along the Baltimore & Ohio Railroad at the Riverdale, Maryland passenger station (MP 32.4 on the Washington Branch). As best as can be determined, the first train he recorded was # 523 the “MARYLANDER” powered by an EMD diesel (he did not make note of the locomotive number). His second train was powered by steam but in his haste to hear the recording immediately after making it, he accidently partially erased it! He wrote about his frustration in an article for TRACTION & MODELS Magazine:

“When we made our very first recording in 1953 we took the equipment to Riverdale, Maryland and recorded a steamer thundering past the B&O station. When it was gone we stopped the recorder, rewound the tape and played it back. Nothing happened-the tape was silent. we waited thinking that the steamer wasn’t within “hearing distance” as yet, but when it became evident that we should be hearing the sound, we investigated. In our enthusiasm to “get recording” we had failed to become familiar with our equipment. Instead of pushing the playback key, we had pushed the record key and were erasing the sound we had just recorded.”

That partially erased recording, as well as the others he made that night, were discovered on a 78rpm acetate record in his estate. It is included on the Trolley Dodger Railroad Record Club Rarities Steam & Diesel CD.

During the next few years, Steventon made numerous railroad sound recordings, both in and around Washington DC and on trips to visit family in Illinois. Near Washington DC he recorded the streetcars of the Capital Transit Company, steam & diesels on the B&O, and Pennsy GG-1s. He even recorded the sounds of the Senate Subway. He made trips to Maryland to record the Western Maryland, the Hagerstown & Frederick interurban cars and freight box motors, and he rode and recorded the Baltimore streetcars. In Pennsylvania he recorded mainline steam on the PRR, revenue steam on the East Broad Top, and made extensive recordings of the Johnstown Traction Company and the Altoona & Logan Valley. In Illinois he captured the sounds of the New York Central, Chicago & Illinois Midland, Nickel Plate, Illinois Central, and Chicago Burlington & Quincy among others. He did recordings of the passenger and freight operations of the Midwestern electric railways including the Illinois Terminal, Chicago North Shore & Milwaukee, Chicago Aurora & Elgin and even recorded an entire run of Chicago South Shore & South Bend M.U. car # 108 from Chicago to South Bend. In Iowa he added the Waterloo, Cedar Falls & Northern, Southern Iowa, Cedar Rapids & Iowa City and Charles City Western. In his travels he made recordings of the Pacific Electric, Shaker Heights Rapid Transit, Wabash, Soo Line, Denver & Rio Grande Western narrow gauge, and Norfolk & Western. In a 1958 newspaper interview he stated he had traveled to fifteen states to record train sounds. It is quite an extensive output and not all of it has been pressed into vinyl or released on tape or CD.

All this recording did not come easily. Dragging the equipment from home to car and from car to trackside required the help of at least one other person. Steventon wrote about the difficulty of using this bulky equipment in the field:

“We had a 12-volt auto battery for the primary power source, a 12 v.d.c. to 110 v.a.c. rotary converter, a reel to reel recorder plus a satchel of extra equipment, tapes, and assorted material. Two men could struggle with all this equipment, but it required three men to carry everything with any degree of ease and mobility. In addition, we normally carried a battery charger for use with keeping the battery up to par during the night. This could be left in the auto during the day but was a very necessary part of our total equipment requirement.”

It is a wonder anyone was able to record anything, considering the burden it must have been to get all this stuff trackside. It makes one grateful for the ability to record high quality sound and high definition video with just a tiny cell phone as we can do today.

Steventon eventually took a job as manager of the Cream Valley Telephone Company and he and his wife moved to Hawkins, Wisconsin. There he would continue to make railroad sound recordings, start a family. and create the Railroad Record Club.

Doing all this traveling and making these recordings invariably put him in contact with like-minded people. It is safe to assume that they would want to trade and share the recordings they made with each other. In the mid-1950s this was no easy task. Modern home audio systems, as we think of them now, simply did not exist. The problem was made even worse if recordings were to be shared or sold to someone who did not make recordings themselves and therefore did not own a reel to reel tape player/recorder. While most people at the time did not own a tape player, a phonograph could be found in most homes.

Steventon pre-RRC 78rpm records

If Steventon wanted to give or sell his recordings to many other people, they would have to be put onto phonograph records. This too, wouldn’t be easy. The solution was to procure a portable disc cutter. These machines became available for home use starting in about 1929 and were most often used to record things off the radio. The standard record format of the time was a disc ten inches in diameter and made of aluminum covered with acetate. The 78rpm playing speed yielded no more than five minutes of content per side. These records had to be made in real time and the record blanks were quite heavy compared to a modern vinyl record. To distill more and varied content on these homemade records, he spliced together all sorts of bits and pieces and recorded brief introductions to tell listeners what they were about to hear. He conceived a catalog numbering system and had rubber stamps made for the most popular titles, the rest having hand-written labels. Steventon produced an extraordinary amount of records this way. Finding a sizable collection of these acetate records in the Steventon estate reveled just how extensive the output was. Although a complete catalog listing of these records can not presently be made, the following partial list is still very impressive.

01. Potomac Edison (aka Hagerstown & Frederick)
02. Shenandoah Central
03. Capital Transit
04. Johnstown Traction
05. Altoona & Logan Valley
06. Baltimore & Ohio
07. Shaker Heights Rapid Transit
08. Claude Mahoney Radio Program about NRHS fantrip (1953)
09. Pennsylvania Railroad
10. Nickel Plate Road
11. St. Louis Public Service
12. Illinois Terminal
13. Illinois Central
16. Norfolk & Western
17. Western Maryland Railway
18. Baltimore Transit
19. Senate Subway (Washington, DC)
21. Rochester Subway
22. East Broad Top
23. Chicago, Burlington & Quincy
24. Chicago & Illinois Midland
25. Niagara, St. Catharines & Toronto
26. Virginian
28. Queensboro Bridge
29. Wabash
30. 3rd Avenue Elevated
31. Minneapolis, St Paul & Sault Ste Marie
32. Louisville & Nashville
34. St Elizabeth’s Hospital (hospital in Washington DC that used a 0-4-0T to move coal from the B&O.)
37. Independent Subway

It is worth noting that this numbering sequence is totally different from the later one adopted for the 10” records issued later.

Things were apparently going well for Steventon’s railroad record enterprise for a while but things were about to change. Long playing 33 1/3 rpm records made of lighter materials and with improved sound were beginning to gain in popularity. Record blanks and parts for the disc cutter would undoubtedly become harder to get. Steventon needed to have his records made by a professional record pressing company to continue selling them. Steventon would have to make new master tapes for each release because the new records, although still 10”, could hold fifteen minutes of sound on each side-a full half-hour altogether. This would be the equivalent of more then five of the old acetates. He would forgo, for the most part, his spoken introductions and provide printed notes on the cardboard record jackets. These notes could be pretty sparse at first, containing little more than the railroad and locomotive number.

RRC intro record

RRC INTRO old SP5

Bill Steventon recording compressor noise on CNS&M interurban

Eventually he began to write extensive notes on separate sheets of paper that were inserted into the record jackets. In time, the first completed master tape was sent off to the RCA Custom Record facility in Indianapolis, Indiana and soon afterward the first official Railroad Record Club LP came into being. The record was titled simply INTRODUCTORY RECORD and carried no catalog number. Side one contained the sounds of Soo Line 4-6-2 # 2718 powering an August, 1955 fan trip between Minneapolis, Minnesota and Rice Lake, Wisconsin. Illinois Central 0-8-0 # 3509 switching at Centralia, Illinois was featured on the flip side. A look at the first four characters in the matrix code engraved into the lead-out grooves of a first edition of this record, G8OL, gives the following information: First is the date code-G indicates the record was manufactured in 1956, then the label code-8 showing it was a custom job that was re-recorded from the client’s source material. Next is the category code-O meaning it is a phonograph record, and the fourth character-L denoted the size, speed & groove, 10”, mono, & 331/3 rpm. The final numbers 0479 for side one and 0480 on side two were simply sequence numbers. The Introductory Record was therefore available for sale sometime in 1956 or perhaps 1957.

He made the decision to sell these new records not as a regular mail order business, but as a club. The club membership idea may have been the direct result of the expense associated with this new endeavor. He had to have the records pressed by RCA which required metal master plates to be made. Cardboard record jackets had to be purchased and be printed with photographs or drawings. Tape stock had to be bought for the making of the new master tapes. All in all, this must have been a considerable expense. Selling the records through a club meant that the members were required to purchase a set number of records and paying for them in advance, thereby guaranteeing he would get some return on all this investment. The club worked like this: Four records would be offered per year. Members could buy the records at the discounted price of $4 each providing they maintained membership by purchasing at least three of the selections. Membership expired upon the purchase of one year’s group. There were no membership dues, but records were paid for in advance to provide the necessary money to have the metal masters made. Special pressings could be purchased at club prices but were not counted toward the three-record minimum. Non-members could buy individual LPs at $5.25 each. $4.00 for a LP record sounds like a bargain but remember those $4 in 1958 had the same buying power as $34.72 in 2018! These Records weren’t cheap. According to a 1958 interview he gave to the Milwaukee Sentinel, the club started off very well. The article stated that there were some 200 club members through out the United States and several foreign countries including New Zealand, Australia, England and Canada. It goes on to state he has already sold 1,000 records.

Steventon continued to sell his records through the yearly club membership plan until October 1965 when the club membership requirement was withdrawn. The records would now be sold separately and at the same price to everyone.

From 1957 with the release of the Introductory record until October 1965 when the last regularly scheduled production of a Railroad Record Club release (Record number 32-New York Central) was offered, Steventon produced thirty-two regular club releases and three special pressings. One more release, SP-4-CSS&SB would be released later that year. Afterwards, Steventon released Records Numbers 33-36 and special pressings numbers SP-5 (a reissue of the introductory record) and the last all new Railroad Record Club record in 1983, number SP-6 Milwaukee Road box cab electrics. Each record was simply numbered in the order it was produced.

RAILROAD RECORD CLUB TITLES
0 Soo Line, Illinois Central (Introductory Record)
1 Wabash Railroad, Chicago, St. Paul, Minneapolis & Omaha
2 Waterloo, Cedar Falls & Northern, Southern Iowa Railway
3 Denver, Rio Grande & Western, East Broad Top
4 Baltimore and Ohio
5 Denver & Rio Grande Western
6 Potomac Edison (Hagerstown & Frederick)
7 Norfolk & Western, Illinois Central (Also includes a bit of Illinois Terminal Railroad)
8 Canadian National (aka Canadian Railroading in the Days of Steam)
9 Winston-Salem Southbound
10 Pennsylvania Railroad
11 Shaker Heights Rapid Transit
12 Duluth Missabe & Iron Range
13 Nickel Plate Road
14 Pacific Electric
15 Chicago, Burlington & Quincy
16 Westside Lumber Company
17 Minneapolis & St Paul, Sault Ste Marie Railway
18 Chicago, North Shore & Milwaukee
19 Duluth, Missabe & Iron Range
20 Chicago & Illinois Midland – New York Central
21 Duluth & Northeastern
22 Buffalo Creek & Gauley
23 Pennsylvania Trolleys
24 Canadian Pacific
25 Illinois Terminal Railroad
26 Chicago, North Shore & Milwaukee (freight)
27 Capital Transit Company
28 Charles City Western – Waterloo, Cedar Falls & Northern
29 Nickel Plate Road
30 Sound Scrapbook, Traction
31 Sound Scrapbook, Steam
32 New York Central
33 Chicago, South Shore & South Bend (freight)
34 Chicago, South Shore & South Bend (freight)
35 Milwaukee & Suburban Transport, Chicago, North Shore & Milwaukee
36 Chicago, Aurora & Elgin, Chicago Transit Authority

Special Pressings
SP1 The Silverton Train
SP2 Northern Pacific 2626 Memorial Album
SP3 Whistle ‘Round the Bend
SP4 Chicago, South Shore & South Bend Railroad (passenger)
SP5 Soo Line, Illinois Central
SP6 The Milwaukee Road (electric freight)

He also produced several “sampler” records which contain short snippets of tracks from the LP records.

THE RAILROAD RECORD CLUB SAMPLERS

1st & 2nd Year Sampler: (short excerpts from records 1 to 4 on side one & records 5 to 8 on side two)
3rd & 4th Year Sampler: (short excerpts from records 9 to 12 on side one & records 13 to 16 on side two)
5th Year Sampler: (short excerpts from records 17 to 20 recorded on one side only)
6th Year Sampler: (short excerpts from records 21 to 24 recorded on one side only)
7th & 8th Year Sampler: (short excerpts from records 25 to 28 on side one & records 29 to 32 on side two)

Among these forty-two LPs there are some real gems. He certainly started off strong with Record Number one. On side two there is one of his best “sound picture” type recordings. It features Chicago, St. Paul, Minneapolis & Omaha 2-8-0 # 219 switching in the yards at Spooner, Wisconsin on a dark misty night in October of 1955. This was one of his favorite audio sequences and he described it like this in the record’s reissue liner notes:

“Close your eyes and imagine you are in a Pullman berth. Your passenger train has stopped at the station and you are sleepily listening to this nearby switching movement.” And from the notes to the original release: “That night in October of 1955 was very dark, moonless and misting heavily. The sulfuric, yet nostalgic odor of coal smoke drifted sluggishly over the Spooner, Wisconsin yards as the sound of exhausts and squealing brakes seeped through the murky atmosphere. A dim yellow light at the south end of the station platform rocked in the wind, flicking shadows to and fro over the moving cars.”

If you don’t feel the dampness, smell the coal smoke, or find that you need to shake off a chill while listening to this, you’re just not trying.

There are so many remarkable sound sequences on these LPs that it would be impossible to list them all, Some of the most interesting ones include: a D&RGW narrow gauge train with a mid-train helper on Cumbres Pass on Record number 3, the B&O EM-1 stopping and starting sequences on Record Number 4, a PRR 4-8-2 on slick rail on Record number 10, the cab rides in CSS&SB freight motors on Record numbers 33 and 34, the list goes on and on.

William Steventon did not exclusively use his own recordings on the Railroad Record Club LPs. In the second year of the club he began to utilize the talents of his friends, and the most notable of the group was Elwin D. Purington. Mr. Purington’s considerable recording talents added greatly to the quality of Steventon’s releases. Three records were entirely comprised of his recordings and they are three of the best. Record number 8-Canadian National (re-released as “Canadian Railroading in The Days Of Steam”) is one of Steventon’s favorites, and SP-2 the Northern Pacific 2626 memorial album Steventon called “a masterpiece.” He provided the sounds for side one of Record number 12-DM&IR and his recordings of the CMSt.P&P electric freight locomotives are featured on Record SP-6. He also did the narration on Number 3-East Broad Top and SP-3-Whistle ‘Round the Bend. Thomas A. Hosick recorded the train sounds for Record number 9-Winston-Salem Southbound, and John L. Wise contributed to Record number 10-PRR. Harold O. Lewis did some fine recording work that was used on three LPs, Record number 16-Westside Lumber, number 24-Canadian Pacific, and number 31-Sound Scrapbook-Steam. Eugene Van Dusen made all but the final three cuts for Record Number 32-NYC, and finally A. L. Shade, another top-notch sound recorder of trains, added his talents to Record numbers 13-Nickel Plate, 29-NKP 779 and 22-Buffalo Creek & Gauley.

Excellent HM Pech cover RRC 5

Marginal HM Pech cover 1st edition of Record number 8

RRC 19

The sounds on these LPs were great right from the start, but it took awhile for the record jackets to evolve into something interesting and appealing. At first the record jackets had little in the way of cover art, nothing more than a small photo or two plus a few paragraphs of text. Eventually sketches of the featured locomotive pulling a train were added, usually draw by an artist who signed his work HM Pech. These drawings could range from excellent (Record number 5) to marginal (1st edition of Record number 8). All mediocrity was removed for good when the cover art for Record number 19 was revealed. The cover of this record is a very nice accomplishment. The drawing of DM&IR 2-8-8-4 # 222 is perfect in every way. This great drawing combined with an appealing layout makes for a wonderful cover. A new visual benchmark for the Railroad Record Club had been reached and there was no going back. The drawing was done by Marshall P. (Pat) McMahon. He worked for the Minneapolis Star Tribune as an illustrator. His drawings of railroad equipment are flawless. The detail is meticulously rendered and drawn with precision and skill. Mr. McMahon would from here on out, be the main artist used by Steventon to illustrate the record jackets. When second editions of previously released records were pressed, McMahon would be called upon to create a new cover drawing. Every one is a vast improvement over what had come before. He also got the call to do new drawings when the records began to be reissued on 12″ discs, and he even did at least one drawing that Steventon sold prints of (Soo Line steamer # 2715). He would go on to do cover illustrations for thirty record jackets for the club! Rounding out the list of artists employed by the Railroad Record Club: Ernie Towler did a fine pencil sketch of a Shay locomotive for the 12″ reissue of Record Number 16-Westside Lumber and he did the cover of the reissue of number 15-CB&Q. Herb Mott did a painting of a boy watching a steam train passing for the cover of SP-3-Whistle ‘Round the Bend. This record has the distinction of being the only one with a full color cover.

RRC 17 Steventon enjoyed being here Hawkins WI Soo station

RRC 17 1st edition drawing Hawkins WI Soo station

RRC 20

Advertising had to be done, and ads were placed in several railroad and modeling magazines including Trains and Model Railroad Craftsman. Such tag lines as “Authentic steam and electric railway recordings,” “Sounds you like to hear steam-traction,” and “Out of the past and into your home” were used. A mailing list was maintained, and announcements and sales information mailed directly to those on it. Records were sold in hobby stores, and Steventon sent LPs to railroad historical societies that coincided with the group’s interests. He even devised a unique “Audition Set Program”. To audition a set of records a request form had to be filled out. A choice could be made as to which records were wanted but a choice of pre-selected LPs could be made by choosing ” all steam” or “all traction” or both. A “random” selection could be made giving the customer the choice of titles and number of records. A deposit in the following amounts had to be sent: “all steam” consisting of 25 10″ records-$100.00, “all traction” consisting of 15 10″ records-$60.00 and “random” $4.00 each. After listening, the records were to be returned with (hopefully) a purchase order. The money for the purchased records would be deducted from the deposit and the remainder returned with the record order.

Eventually Steventon branched out and began to sell all types of things. His biggest sideline was selling photographs. The photo catalog alone was 40 pages! He sold 16mm, 8mm and super 8 traction movies, books, records from other producers, he even had a line of railroad logo watch fobs! In one sales flyer he was trying to unload his old adding machine, a Sears model No. 871.58251 (he wanted $40 for it postpaid).

After 1965, when The Railroad Record Club stopped functioning as a club, not much else changed. Steventon continued to release records and in fact had plans to release many more. In a 1966 newsletter Steventon makes mention of future planned releases, unfortunately not all of them were produced. He writes: “Future releases will be made on the basis of availability of time and material. At this writing an “on train” recording of the old 1000 series Chicago South Shore & South Bend locomotives is in production. No release date has been set.” (Records number 33 & 34). He continues: “Other material for future work includes many steam and electric lines including the Shenandoah Central (never produced), Baltimore & Ohio (never produced) Chicago Aurora & Elgin (Record Number 36), Chicago Transit Authority (record number 36) Queensboro Bridge (never produced) and others.”

This newsletter also announces the first Railroad Record Club selection ever to be released on 12” discs-Special Pressing number 4. “On December 21, 1965 a new milestone was established with the release of a set of three 12-inch 33 1/3 rpm recordings of the complete run of interurban No. 108 from Chicago to South Bend. Approximately two hours playing time and conveniently arranged for automatic playing sequence. Prepared and recommended for the devoted traction enthusiast.”

Through the rest of the 1960s and into the 1970s Steventon successfully sold his records. Some of the most popular selections had second and even third editions pressed, and the covers and liner notes continued to evolve, The liner notes were becoming more extensive and contained more information, not just about the equipment recorded, but somewhat personal stuff as well. For example, on record number 17, the entirety of side one contains the sounds of the activities going on inside the Hawkins, Wisconsin Soo Line station. Although Steventon writes in the third person he conveys his pleasure at being there. The sound of the telegraph, talking with the agent, the rumble of trains going past, the whole “atmosphere” he loved. “Plant your feet on the desk” he writes, “lean back in your chair and you’re the agent at this small village station.” He wrote fond boyhood memories in the notes to Record number 20 and revealed in those same notes just how he felt about diesel locomotives. He wrote that while recording a C&IM 0-8-0 switcher going about her chores, he was “dismayed” and “disgusted” when a GM&O RS-1 came onto the scene. He included the diesel on the record however, noting that the steamer and the diesel sharing the stage made for an interesting recording. As he puts it: “Actually this could be considered as the tug-of-war between two types of motive power as to which will dominate the railroad scene”. At this point, he had to be dismayed to know steam would be the loser. Eventually his negative view of diesels must have softened a bit because in 1988, when he revised the notes to Record number 20, he removed the word “disgusted” although he continued to be “dismayed”. Steventon never released an LP that was entirely diesel sounds. He recorded diesels with some degree of regularity, as his first recording was of one. In his estate there was an open reel tape labeled “Nickel Plate Diesels” and on those acetate records there are plenty of B&O diesels. Perhaps he thought his record buying customers wouldn’t want to spend money to hear those “disgusting” machines. Rarely is the sound of a diesel included on any of the records.

The Railroad Record Club continued steadily along until early in 1973. A situation then developed that could not be easily overcome, in fact, it never would be completely. Early in that year RCA informed Steventon that they would no longer press his records. In club announcements concerning this situation Steventon wrote “In February of 1973 they (RCA) notified us that all of their custom work was being discontinued.” If RCA would not press his records, he would just have to find another company that would. That plan quickly died when another, more devastating difficulty was discovered. RCA had lost or destroyed all the Club’s metal master discs at its Indianapolis plant. Without those master discs new records could not be pressed by anyone. Steventon was stopped cold. If he wanted to continue selling his previously released records, new master discs would have to be made. By the early 1970s 7” singles and 12” albums were the standards and the old 10” format was on the way out. New master discs would have to be made and they would have to be 12”. Steventon managed to surmount these obstacles. He found a new company to work with, Nashville Record Productions of Nashville, Tennessee.

Even as the process of remastering and pressing new records progressed, Steventon was cautious with his expectations. He wrote carefully in a flyer about the remastering: “Due to a shortage of raw material record pressings may become difficult to obtain. Consequently we have no guarantee that our complete line can be produced, but will re-issue each record as conditions permit.” Interested parties were mailed a “Railroad Record Club Advance Notice Mailing Card.” On this card selections were to be made as to which records the recipient wanted to be notified of when the 12” reissue was being readied. The recipient could then purchase the record at a pre-production discounted price. Progress was made, albeit very slowly. The RCA masters were lost in the winter of 1973 but by summer 1976, only two records had been reissued. The first two being number 10-PRR and the second Number 8-CN now titled “Canadian Railroading in The Days Of Steam.” Steventon could not simply reissue the records numerically starting at number one and progressing from there. This was a very expensive undertaking and he needed to release the most popular titles first. At first, he considered having all the records remastered at once and getting a press run of each. This idea was dropped when the cost turned out to be more then $30,000! He decided to go back to his original club plan where he required a set amount of those pre-production advance payments to come in. Once there was sufficient interest shown for a certain record, as calculated from the advance mailing cards, he would announce that it was being readied for remastering. He would only send an order to Nashville when enough of the pre-production money came in to justify it.

In a telling reply to an inquiry from a customer wanting to know why a certain record, number 36, was still unavailable, Steventon spelled it out clearly:

“The program of re-mastering was started in ’73 after RCA lost our metal masters. The pre-production offer is used to generate funds to pay for the re-mastering process. As a rule of thumb it takes about 125 pre-payments to cover these costs. Experience has shown that roughly only 50% of those who ask to be notified on a new selection actually follow through with an order. Thus we need 250 requests to start the program. As of this date (March 29, 1989) only 99 have shown an interest in record 36, CA&E. The pressing firm in TN has just notified us of another increase in production costs. Dollar wise we are now talking $1100 to $1200 to re-master and get the first press run. The RR club is not a profit venture – we only ask to break even. In 1987 we operated at a loss of $444.10. 1988 was better with a modest net income of $119.75. We need EVERY bit of interest shown to keep the program rolling – it is a tough job!”

It was a tough job to be certain and it was also a very slow one. An order blank from November 1984 shows only eight remastered records, Number 4-B&O, 7-N&W/IC, 8-CN, 10-PRR, 19-DM&IR, 29-NKP 779 and SP-5-SOO/IC the ex-intro record. Also for sale at that time was a second pressing of SP-4 the CSS&SB three record set. Also listed on this order blank was a brand new record. Even with the remastering difficulties going on the Railroad Record Club managed to release one last all-new record. This last hurrah was special pressing number 6-The Milwaukee Road- Box Cab Electric Locomotives on the Coast Division, recorded by Elwin Purington in stereo. On the jacket SP-6 is touted as the “30th Anniversary Issue 1953-1983.” Another fine McMahon drawing graced the cover.

As each 12” reissue was produced, Steventon would revise and update the liner notes. If the record had an existing McMahon illustration it was transferred to the new jacket in the same size it appeared on the 10” jacket, but with a wide white border. If a reissue did not have a previously drawn McMahon picture, one would be commissioned. These black and white record jackets were distinctive and attractive. On the reissues the audio content was always identical to the 10” version, since the same master tapes were used. There was one exception, however. Although the railroad sounds were exactly the same, on the original release of Record number 3-EBT/D&RGW, Steventon had recorded spoken introductions to each of the EBT tracks, just as he had done for the old 78 acetate records in fact, they are exactly the same. Steventon wanted these introductions removed to correct a mistake and instead of simply taking them off and writing the information into the liner notes, he had Elwin Purington re-record them.

The long and expensive remastering project continued into 1990. A test pressing for Record number 16-Westside Lumber had a memo attached that read: “Record No. 16, Westside Lumber Co. Record pressing approved if “blips” at approximately 3 min, 36 seconds into side one and continuing for about 6 or 7 seconds were corrected. Card returned 1/10/90.” Not all of the surviving test pressings have dates on the jackets, but it is obvious that this one had to be among the last. By the early 1990s’ compact discs were already poised to topple vinyl records as the standard audio format. Steventon simply choose not to upgrade to yet another new format. Record number 16 being reissued in 1990, proves that Steventon worked at remastering the records almost to the end of his life. He died in 1993, just three years after the test pressing date for Record number 16. The long, expensive, and difficult remastering program started in 1973 and continued into at least 1990. In all only 17 of the 40 10” records were reissued on 12″ discs.

RAILROAD RECORD CLUB RECORDS REISSUED IN 12″ FORMAT
#1-WABASH (10″ 3rd Edition Cover Art)
#3-D&RGW/EBT (New Cover Art)
#4-B&O (New Cover Art)
#5-D&RGW
#7-N&W/IC (New Cover Art)
#8-CN (New Cover Art) Title changed to “Canadian Railroading In The Days Of Steam”
#10-PRR (10″ 2nd Edition Cover Art)
#15-CB&Q (New Cover Art)
#16-Westside Lumber (New Cover Art) Cover changed from a photograph to a pencil sketch
#17-Soo (New Cover Art)
#18-CNS&M (10″ 2nd Edition Cover Art)
#19-DM&IR
#20-C&IM/NYC
#26-CNS&M (Freight)
#29-NKP 779
#SP-2-NP 2626 (Same photo used on both 10″ & 12″ record covers but reproduced smaller on the reissue)
#SP-4-CSS&SB (passenger) 3 record set was only released on 12″ stock in display box
#SP-5-Soo/IC Formally the introductory record (New Cover Art)
#SP-6-MILW Box Cabs (Only released in 12″ format)
17 records reissued from 10″ to 12″
2 records only released on 12″

The Railroad Record Club didn’t completely die with William Steventon. His son Seth revived the club some years after his father’s death by putting the entire line of records on cassette tapes. By this time, however, CDs were the favored format and the effort was shelved.

Because of William A. Steventon’s commitment to recording the vanishing sounds of a passing era on American railroads, and just as importantly, making those recordings available to all who were interested, we can today hear the sounds of a Hagerstown & Frederick interurban car speeding past a lonely country crossing. We can experience the sonic thunder of a New York Central 4-6-4 blasting out of Mount Carmel, Illinois with a whistle full of water. We can ride along in the cab of a CSS&SB freight motor on its trip out of Michigan city, and we can enjoy the work of the other talented railroad recordists whose work Steventon put on his records. We can even listen to that whining rotary converter in Harristown, Illinois.

-Kenneth Gear

New Steam Audio CD:

FTS
Farewell To Steam
Mister D’s Machine
# of Discs – 1
Price: $14.99

As with all of our recordings, this CD comes with the complete, original liner notes.

Total time – 72:56

Pre-Order Our New Book Building Chicago’s Subways

To commemorate these anniversaries, we have written a new book, Building Chicago’s Subways.

While the elevated Chicago Loop is justly famous as a symbol of the city, the fascinating history of its subways is less well known. The City of Chicago broke ground on what would become the “Initial System of Subways” during the Great Depression and finished 20 years later. This gigantic construction project, a part of the New Deal, would overcome many obstacles while tunneling through Chicago’s soft blue clay, under congested downtown streets, and even beneath the mighty Chicago River. Chicago’s first rapid transit subway opened in 1943 after decades of wrangling over routes, financing, and logistics. It grew to encompass the State Street, Dearborn-Milwaukee, and West Side Subways, with the latter modernizing the old Garfield Park “L” into the median of Chicago’s first expressway. Take a trip underground and see how Chicago’s “I Will” spirit overcame challenges and persevered to help with the successful building of the subways that move millions. Building Chicago’s subways was national news and a matter of considerable civic pride–making it a “Second City” no more!

Bibliographic information:

Building Chicago’s Subways will be published on October 1, 2018. Order your copy today, and it will be shipped on or about that date. All copies purchased through The Trolley Dodger will be signed by the author.

The price of $23.99 includes shipping within the United States.

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Redone tile at the Monroe and Dearborn CTA Blue Line subway station, showing how an original sign was incorporated into a newer design, May 25, 2018. (David Sadowski Photo)

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From the Collections of Bill Shapotkin

August 16, 2018August 20, 2018David Sadowski 6 Comments

On August 13, 1971 Chicago Rock Island & Pacific #303 and 125 are backing into Blue Island (Burr Oak) yard. Bill Shapotkin adds, “The train is a ROCK Mainline Suburban train (if it had operated via Beverly, it would be west of the depot (to left).”

Today, we feature more classic photos of buses, trolleys, and trains, courtesy of Bill Shapotkin, long a friend of this blog. Mr. Shapotkin should be well-known to many of you from his longtime activities as a transit historian, author, and the many informative programs he has given over the years.

Today’s sampling from the Shapotkin Collection includes some rare pictures of Chicago & North Western RDCs (Budd Rail Diesel Cars), which were self-propelled and ran in Chicago area commuter train service for a short period of time in the 1950s. They replaced steam-powered trains and were in turn replaced by the familiar push-pull diesel bi-levels still in use today.

In addition, there are several pictures of Grand Central Station, a Chicago landmark in use between 1890 and 1969, which was torn down in 1971. We have some interesting correspondence, plus some new images of our own.

Enjoy!

-David Sadowski

PS- We have done our part to make these old images look as good as they possibly can. The C&NW RDC pictures were all shot around 1956 on early Ektachrome film, whose dyes turned out to be unstable and quickly shifted to red. (Technically, the red layer was relatively stable, while the green and blue layers faded.)

It used to be some people thought these sorts of images were only suitable for use as black-and-whites. But with modern technology, it is possible, to some extent, to bring back the original colors. This was easier to do on some than others, but the results look much better than you might expect. If you have ever seen one of these early red Ektachromes, you will know what I mean. Modern films are much more stable and resistant to dye fading.

I would be remiss without mentioning Bill has been involved for many years with the annual Hoosier Traction meet, which takes place in September:

It is that time of year again — the 35th annual gathering of the Hoosier Traction Meet is being held Fri-Sat, Sept 7-8 in Indianapolis, IN. The meet includes two full days of interesting presentations on a variety of subjects, as well as our “Exhibition Room” of vendors — with everything from transfers to track charts available. Book now and you can join us for just $25.00 ($40.00 at the door). We recommend that once you book hotel accommodations as early as possible, as there is an event scheduled at the Indianapolis Motor Speedway that same weekend. By calling the number of the Waterfront Inn (where our event is being held), by mentioning that you are with the Hoosier Traction Meet, you should be able to register at our group rate.

For those of you would are unable to attend both days, we have a special “Saturday Only” rate of just $15.00 ($25.00 at the door). As many of our Friday presentations are repeated on Saturday, you will be able to partake of a wide variety of subjects and presenters.

We hope you are able to join us for what many consider to be THE electric railway gathering in the country…see you there!

Thanking you in advance,

Bill Shapotkin

The Milwaukee Road’s Elgin terminal in August 1970. Bill Shapotkin adds, “The MILW depot in Elgin was built 1948. It is the second depot constructed at the same site. View looks south from Chicago St.”

Chicago & Milwaukee Electric 354, built in 1928 by the St. Louis Car Company, is seen at the Illinois Railway Museum in May 1977. It ran in Milwaukee and Waukegan as a North Shore Line city streetcar.

The Chessie Steam Special in Wellsboro, IN on June 17, 1978.

The Chessie Steam Special in Peru, IN on June 17, 1978.

The Chessie Steam Special in Wellsboro, IN on June 17, 1978.

Minneapolis & St. Louis “doodlebug” GE 29, was used as a railway post office (RPO). According to http://www.rrpicturearchives.net/, ” Number GE-29 was built in 1931, body by Saint Louis Car Company (c/n 1550), the power plant was 400 horsepower EMC Winton Model 148 gasoline engine (c/n 491) coupled to GE electrical gear. I don’t know who is responsible for the boxy structure on the roof but it’s likely the cooling system for the prime mover. This unit went by the name ‘Montgomery’ (painted above the rear truck) and was repowered in August 1950 with a Caterpillar 400 horsepower Model D diesel.”

CTA bus 4606 is at the Roosevelt/Monitor Loop in October 1992 (same one used by trackless trolleys a few years earlier). The view looks E-N/E (toward Monitor Avenue). I don’t know much about the GM Fishbowl next to it, however.

A Milwaukee Road dome car near Union Station in Chicago.

Milwaukee Road equipment in downtown Chicago.

Pace buses in Elgin, June 2003.

A westbound NYC passenger train as it approaches LaSalle Street Station in November 1963. At right is the CRI&P’s coach yard. The view looks south from the Roosevelt Road bridge. (John Szwajkart Photo)

Chicago, IL. NYC loco #7300 is seen as it passes the CRI&P coachyard. The view looks south from the Roosevelt Road bridge in November 1963. (John Szwajkart Photo)

Metra Milwaukee District loco 124 is pushing an eastbound train towards Union Station in Chicago. The view looks east from DesPlaines Street. August 1995. (Dan Munson Photo)

Loco 604 leads a northbound (timetable: westbound) Metra/Milwaukee District passenger train out of Union Station in Chicago. The view looks south-southwest off the Lake Street bridge over the south branch of the Chicago River. July 19, 1990. (Dan Munson Photo)

Control cab 3244 brings up the reat of a westbound Metra/Rock Island train at Joliet Union Station. The view looks west in December 1990. (Paul D. Schneider Photo)

Joliet, IL: Loco 163 is seen pushing an eastbound Metra/Rock Island suburban train across the ATSF/IC (ex-ICG, former GM&O, nee C&A) diamonds at Union Station. The view looks south in December 1990. (Paul D. Schneider Photo)

The imposing clock tower of Grand Central Station, in operation from 1890 to 1969. Located at the southwest corner of Wells and Harrison, it was demolished in 1971. This view looks northwest. (Ron Peisker Photo)

The Wells Street side of Grand Central Station in Chicago. The view looks north along Wells Street in the 1960s. (Ron Peisker Photo)

In the 1960s, and auto is parked on Wells Street in front of Grand Central Station. The view looks to the west-northwest across Wells Street. (Ron Peisker Photo)

Looking west from the clock tower at Grand Central Station in the 1960s. Through these windows are various railroad offices. The building at left in the background is the CGW freight house. (Ron Peisker Photo)

Grand Central Station, Chicago is viewed from the west side of Franklin Street from a point north of Harrison Street. The view looks southwest. (Ron Peisker Photo)

Looking north on Holden Court in March 2000, under the South Side “L”, we are looking north under the St. Charles Air Line bridge. (William Shapotkin Photo)

A westbound B&O freight train prepares to cross the IHB at the Illinois/Indiana state line. The view looks east in September 1959. (John Szwajkart Photo)

This is 91st St Tower in November 1949 — protecting the PRR/ROCK Xing on the ROCK’s Suburban (now Beverly) Branch. The tracks heading off to the upper right are the ROCK. Tracks heading off to the upper left are the PRR.

This billboard, advertising SouthShore Freight, is located west of Indianapolis Boulevard north of the Indiana Toll Road in East Chicago, IN. The view looks west. June 28, 2018. (William Shapotkin Photo)

C&NW cab-coach 152 in Chicago, north of the Clinton Street Tower on August 2, 1978.

An eastbound C&NW train is passing under the CGW bridge on July 9, 1968. Bill Shapotkin adds, “This photo was taken in Lombard east of Grace St. Today, a Great Western Trail x/o over the UP (C&NW) at the same location. View looks west.”

C&NW cab car 254 at Davis Street in Evanston on July 18, 1976.

C&NW GP7 is at an unknown location, on a morning train running between Milwaukee and Madison, Wisconsin in March 1954. Bill Shapotkin: “This location is West Allis, WI just west of Belden Tower (the freight line to Butler is in background). View looks N/E.”

C&NW KO Tower in Lake Bluff, IL on May 5, 1977.

C&NW 1653 at Kenmore station, Chicago.

The C&NW commuter stop in Zion, July 30, 1966.

C&NW RDC cars in Park Ridge, IL.

C&NW RDC cars southbound departing Kenmore station (Granville Avenue) in Chicago.

C&NW 1531 in Kenmore station, Chicago in May 1956.

C&NW RDC cars, southbound at Kenmore station, Chicago, 1956.

C&NW RDC cars in Waukegan, IL.

C&NW RDC car 9933 just north of Thome Avenue in August 1956.

Chicago Surface Lines 6213. Tony Waller adds, “The photo of the red streetcar on route 95 captioned as being at 93rd and Anthony Ave. is actually at 93rd and Exchange Ave. The streetcar line westbound turned from Exchange onto 93rd. Anthony Ave. parallels the PRR/NYC viaducts (and now the Skyway bridge alignment) that is in the near distance; crossing the streetcar line at a perpendicular angle.”

CTA 6213 at 95th and State in 1949.

CSL 6212 on Route 93 near Blackstone, west of Stony Island on August 13, 1947.

Here, we are looking north (from 31st Street) under the South Side “L” mainline. Note supports at left – that portion of the structure dates back to 1892. The pillars and structure at right was added when a third main (express) track was added. June 28, 2018. (William Shapotkin Photo)

A southbound Englewood train approaches 31st Street on the South Side “L” main line. The view looks north from 31st Street. June 28, 2018. (William Shapotkin Photo)

A southbound CTA Englewood train has just crossed over 31st Street on the South Side “L” main line. The view looks south across 31st. June 28, 2018. (William Shapotkin Photo)

A southbound CTA Jackson Park train makes its stop at the 35th Street “L” station. The view looks north. June 28, 2018. (William Shapotkin Photo)

A westbound Metra train in Blue Island on June 26, 1992. (R. Bullermann Photo)

Metra loco #104 is seen heading a westbound Metra/Milwaukee District suburban train out from Union Station in August 1995. The view looks east from DesPlaines Street. (Dan Munson Photo)

A 7900-series CTA bus, working a westbound trip on Route 31 – 31st, is westbound in 31st Street approaching the South Side “L” main line. The view looks east. June 28, 2018. (William Shapotkin Photo)

CTA bus 1158, working an eastbound trip on Route 103 – West 103rd, is eastbound in 103rd Street, approaching the Metra Rock Island tracks at Hale Avenue. The view looks west. June 28, 2018. (William Shapotkin Photo)

CTA bus 1158, working an eastbound trip on Route 103 – West 103rd, is eastbound in 103rd Street, makes a stop before crossing over the Metra Rock Island tracks at Hale Avenue. The view looks west. June 28, 2018. (William Shapotkin Photo)

CTA bus 1158, working an eastbound trip on Route 103 – West 103rd, is eastbound in 103rd Street, crossing over the Metra Rock Island tracks at Hale Avenue. The view looks west. June 28, 2018. (William Shapotkin Photo)

CTA bus 1158, working an eastbound trip on Route 103 – West 103rd, is eastbound in 103rd Street, having just crossed over the Metra Rock Island tracks at Hale Avenue. The view looks east. June 28, 2018. (William Shapotkin Photo)

CTA bus 1094, working a westbound trip on Route 103 – West 103rd, is westbound in 103rd Street at Hale Avenue and the Metra Rock Island tracks. View looks northeast. June 28, 2018. (William Shapotkin Photo)

CTA bus 1094, working a westbound trip on Route 103 – West 103rd, is westbound in 103rd Street, having just crossed over Hale Avenue and Metra Rock Island tracks. The view looks northwest. June 8, 2018. (William Shapotkin Photo)

My Metra title slide… nice, eh? December 1990. (Paul D. Schneider Photo)

A close-up of Metra 126 and its brethren in December 1990. (Paul D. Schneider Photo)

Recent Site Additions

This picture was added to our recent post The Magic of Jack Bejna (August 4, 2018):

Don’s Rail Photos says, (North Shore Line) “213 was built by Cincinnati in March 1920, #2445, as a merchandise despatch car. In 1940 it was rebuilt as a disc harrow ice cutter. It was retired in 1955 and sold to CHF as their 242. It was donated to Illinois Railway Museum in 1964.” Here, we see the car at the Chicago Hardware Foundry Company in February 1960. This was also then the location of the Illinois Electric Railway Museum.

Chicago Streetcar Tracks Exposed

Exposed streetcar tracks are a rare sight in Chicago nowadays. We recently took some pictures of some on Western Avenue under a viaduct just north of 18th Street, in the northbound lane.

-David Sadowski

While we were in the neighborhood, we took this picture of an inbound CTA Orange Line train on Archer:

Recent Finds

CTA 2029-2030 on the turnaround loop at the DesPlaines Avenue terminal in October 1964. We are looking west. Here, you can see the close proximity of the Chicago Great Western tracks to the right. These have since been removed, and the area turned into a bike path connecting with the Illinois Prairie Path at First Avenue in Maywood.

On July 12, 1955 we see Pittsburgh Railways car 4398 at the Drake Loop. It is signed for the Washington interurban, which continued for several miles from here until interurban service was cut back a few years before this picture was taken. Don’s Rail Photos adds, “4398 was built by St. Louis Car Co. in 1916.” This car was retired in 1956 and has been at the Pennsylvania Trolley Museum in (fittingly) Washington, PA ever since. Service to the Drake Loop ended in 1999, when the last PCC streetcars were retired. In its last few years, it had operated as a shuttle. You can read more about the final days of the Drake Loop here. (C. Foreman Photo)

We recently acquired this World War II-era brochure promoting the Chicago Aurora & Elgin interurban’s services as a way to get around in spite of wartime gasoline rationing and tire shortages:

Here is an article about the new Chicago Subway, from the May 1943 issue of Trains magazine. (For information about our new book Building Chicago’s Subways, see the end of this post).

Recent Correspondence

Mark Batterson writes:

We recently purchased the Navy Yard Car Barn, built in 1891 by the Washington and Georgetown Railroad Company. It was one of four streetcar barns in DC. We’d like to celebrate the history of streetcars in our buildout of the space. I know you’ve got some amazing images in your collection. Is there a way to purchase some of those? We’re also trying to purchase an old DC streetcar. Thought I’d ask if you know where we might be able to find one?

Thanks so much for your time and consideration.

Thanks for writing.

FYI, there is a web page that lists the current whereabouts (as of 2014) of all surviving DC trolley cars:

http://www.bera.org/cgi-bin/pnaerc-query.pl?sel_allown=DC+Transit&match_target=&Tech=Yes&pagelen=200

After the DC system quit in 1963, some PCC cars were shipped overseas and others were heavily modified for use in the Tandy Subway operation, which no longer exists. The bulk of remaining equipment is in museums.

Unfortunately, there were a few DC streetcars that were preserved at first, but were later destroyed. These include the Silver Sightseer PCC and pre-PCC car 1053.

We can offer prints from some of the images on this site, but not others… only the ones we own the rights to. We specialize in the Chicago area, and as a result, do not have that many DC images. But perhaps some of our readers can point you in the right direction for those. (If anyone reads this and can help, write to me and I can put you in touch with Mr. Batterson.

-David Sadowski

Chicago Rapid Transit Company Door Controls

A picture appeared in our last post The Magic of Jack Bejna that has stirred up some correspondence:

This three-car train of Chicago Transit Authority 4000-series “L” cars is signed as a Howard Street Express in June 1949. (L. L. Bonney Photo) Our resident south side expert M. E. adds, “Methinks this photo was taken looking west at the Indiana Av. (at 40th St.) station.
Because the train destination sign says Howard Express, the location has to be on the main north/south line. (Plus, this train had to originate on the Jackson Park branch, because Englewood trains at that time ran to Ravenswood.) Also, I don’t recall any other three-track main anywhere else on the north/south line. Also, Indiana Ave. had the overhead walkway to get to and from the Stock Yards L, which terminated to the left of the left-hand platform in the photo.
When this photo was taken, the Kenwood L ran as through service from 42nd Place, through Indiana Ave., up to Wilson Ave. Later in 1949, the Kenwood service was cut back to a shuttle ending at Indiana Ave. The inbound station platform was extended over the northernmost track, then mainline north/south service used the middle track heading downtown. A fuller explanation is at
https://www.chicago-l.org/operations/lines/kenwood.html .
Also of interest is that this photo shows a three-car train. Before the advent of new equipment in 1950 there were no “married pairs” of cars. Trains could be as small as a single car, which I recall seeing on the Englewood branch on Sunday mornings.
Plus, the three-car train shown in the photo would have had two conductors whose job was to open the passenger entry doors (which were on the sides, at the ends of the cars) using controls situated between the cars. So conductor #1 operated the doors at the rear of car 1 and the front of car 2. Conductor #2 operated the doors at the rear of car 2 and the front of car 3. Side doors at the front of car 1 and the rear of car 3 were not used by passengers. To operate his side doors, a conductor had to stand between the cars. (Yes, in any weather.)
And the conductors had to notify the motorman when to proceed. To do this, the conductors had to observe when there was no more boarding or alighting at their doors. They used a bell system to notify the motorman. Two dings meant “proceed”. One ding meant “hold”. The rearmost conductor started with his bell, then the next rearmost, etc., until two dings rang in the motorman’s compartment, his signal to go. The longer the train, the longer it took to leave the station.”

Recently, Jim Huffman commented:

Photo #365? 3-car train of CTA 4000s standing at the 38th St station. I differ with your explanation of the conductors door work.
1. When the CTA took over they made all the doors on the 4000s one-man operated, allowing for trains with odd number of cars . Thus, 8-cars, 4-cars, 3-cars, 1-car= only 1-conductor per train.
2. Way prior to that, the CRT used a conductor between each two cars, doing the doors as you described. 8-cars=8-conductors, etc.
3. But later, prior to the CTA, the CRT re-wired (air?) the 4000s so that a conductor between every two cars could operate all the doors on two cars. 8-cars=4-conductors etc.
4. On multi conductor trains, there was only one signal used and that was by the front conductor, not by the other conductors. Nor were there differing sounds or number of bells or buzzers! The front conductor monitored the rear conductors doors, when all were closed, then he would signal the Motorman. There usually was not much of any delay, the reason for less men was to lower labor costs, not to speed up the train.
This is from my memory & further info from conductors back then.

We replied:

You are referring to the explanation of how door controls worked on the 4000s, given by one of our readers (M. E.) in the caption for the photo called proofs365.jpg.

We had previously reproduced a CTA training brochure dated March 1950 in our post Reader Showcase, 12-11-17. By this time, the 4000s had been retrofitted into semi-permanent married pairs, so a three-car train, as shown in the June 1949 picture, no longer would have been possible.

The 1950 training brochure does mention using a buzzer to notify the next train man in one direction.

This is how Graham Garfield’s excellent web site describes the retrofit:

After the CTA ordered the first set of 6000s (6001-6200), they set about retrofitting the 4000s to make them operate more safely, economically and basically more like the forthcoming 6000s. By the time the 6000s started rolling in, the changes had been pretty much completed. In this overhaul, the 4000s were given multiple unit door control, standardized to use battery voltage for control, the trolley feed on Evanston cars was tied together so only one pole per pair was needed, and they were paired up into “semi-permanently coupled pairs” (as opposed to the “married-pairs” of the 6000s), usually in consecutive numerical order. Additionally, the destination signs (which were all still hand-operated) were changed to display either the route names (i.e. “Ravenswood” or “Lake A”) or both terminals (i.e. “Howard – Jackson Park B”) so they wouldn’t have to be changed for the reverse trip. The number of signs per car was reduced from four to two, not counting the destination board on the front. All this allowed a two-man crew to staff a train of any length.

This does not of course explain door operation prior to 1950, and I promised to do further research, by contacting Andre Kristopans.

PS- in addition to this, in a previous comment on this post, Andre Kristopans wrote, “On CRT the conductor was the man between the first and second cars. The rest were Guards. Motorman and conductor worked together all day but guards were assigned according to train length that trip.”

So, I asked Andre to explain. Here’s what he wrote:

Wood cars very simple – man between each two cars as doors were completely local control. End doors of train were not used. Steel cars more complicated. Originally same as woods – man between each two cars. Remember steels and woods were mixed. In 1940’s changed so man could control doors at both ends of cars on either side of him, so conductor between 1and 2, guards between 3 and 4, 5 and 6, 7 and 8 only. Then in 1950’s full trainlined doors. Initially one conductor for 2 or 4 car trains, working between last 2 cars, on 6 or 8 car trains conductor between cars 3 and 4, guard between last two. Guard eliminated late 50’s, conductor in sane (same?) position now controls all doors.

Thanks for the info. On the woods and early 4000s, how did the guards and conductor signal each other?

They had signal bells. First rear guard pulled the cord that rang the gong at forward end of that car. Then that guard pulled the rope by his position to signal the next guard up. When the conductor got the signal and pulled his rope, the gong by the motorman rang and he released and started up.

Yes the 4000’s evolved. Originally basically operationally identical to woods. Circa 1943 before subway, converted from line voltage control to battery control. Now they were no longer able to train with woods. Around same time changed to door control at each end controlling doors at both ends. In 1950’s full mudc, paired with permanent headlights and permanent markers (over a period of a decade or so!). Shore Line’s Baldies book shows how this happened over time if you compare photos. Large door controls early for single door control, small door controls for entire car control, then no door controls on paired sets.

This is something that has not been looked into much, but a 1970’s 4000 was VERY different from a 1930’s 4000!

Our thanks to Andre and everyone else who contributed to this post. Keep those cards and letters coming in, folks!

-David Sadowski

Pre-Order Our New Book Building Chicago’s Subways

To commemorate these anniversaries, we have written a new book, Building Chicago’s Subways.

While the elevated Chicago Loop is justly famous as a symbol of the city, the fascinating history of its subways is less well known. The City of Chicago broke ground on what would become the “Initial System of Subways” during the Great Depression and finished 20 years later. This gigantic construction project, a part of the New Deal, would overcome many obstacles while tunneling through Chicago’s soft blue clay, under congested downtown streets, and even beneath the mighty Chicago River. Chicago’s first rapid transit subway opened in 1943 after decades of wrangling over routes, financing, and logistics. It grew to encompass the State Street, Dearborn-Milwaukee, and West Side Subways, with the latter modernizing the old Garfield Park “L” into the median of Chicago’s first expressway. Take a trip underground and see how Chicago’s “I Will” spirit overcame challenges and persevered to help with the successful building of the subways that move millions. Building Chicago’s subways was national news and a matter of considerable civic pride–making it a “Second City” no more!

Bibliographic information:

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Redone tile at the Monroe and Dearborn CTA Blue Line subway station, showing how an original sign was incorporated into a newer design, May 25, 2018. (David Sadowski Photo)

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Recent Finds, 8-16-2017

August 16, 2017June 3, 2018David Sadowski 9 Comments

Chicago Aurora & Elgin wood car 301 sports a new paint job at Wheaton Yard in August 1959, two years after the end of passenger service. It sits forlornly while waiting for a buyer that never came. Fortunately, some other cars were saved.

We have been hard at work since our last post. Here are lots of great, classic pictures for your consideration.

In addition, we have new CD titles, which include about six hours of classic train audio. This means we have now digitized the complete Railroad Record Club collection and have made these long out-of-print recordings available to a new generation of fans. For each hour of CD audio, there is at least 10 hours of work involved. I hope that you will enjoy the results.

Our new book Chicago Trolleys is now 100% finished and has gone to press. There is also a set of 15 postcards available for a very reasonable price, using selected images from the book. The details are at the end of this post.

Enjoy!

-David Sadowski

CTA one-man streetcar 3144 heads east on Route 16 – Lake Street somewhere between Laramie and Pine Street, while a two-car train of 400-series “L” cars runs at ground level parallel to the streetcar. The time must be near the end of red car service here, which was May 30, 1954, as that is a 1953 or 1954 Cadillac at left. The C&NW signal tower on the embankment is still there today, at about Pine Street, which is where streetcars crossed the “L” to run north of the embankment for a few blocks before terminating at Austin Boulevard, the city limits.

CTA 1777 is on Lake Street heading east near Laramie, next to the ramp that once took the Lake Street “L” up to steel structure. A few of the older red trolleys were repainted in this color scheme by CTA, but I don’t know anyone who found this very attractive when compared to what it replaced. The total distance where streetcars and “L” cars ran side-by-side was only a few blocks.

The same location today, at about 5450 West Lake Street.

A two-car train of CTA 4000s at the west end of the Lake Street “L” in Forest Park. This picture was probably taken circa 1961-62, since you can see that at right, work is already underway on expanding the embankment to create space for a rail yard. On October 28, 1962, the out end of Lake was relocated to the C&NW embankment at left.

Here, we see the Garfield Park “L” temporary tracks on Van Buren at Loomis, looking east on July 1, 1956. Construction on the adjacent Congress Expressway (now Eisenhower) is pretty far along. This operation would continue until the opening of the Congress median line on June 22, 1958.

At left, we can see Chicago Pullman 225 under a makeshift shelter at the Seashore Trolley Museum. 225 went there in 1957, but offhand, I’m not sure when the UK double-decker tram made the trip across the Atlantic.

A night shot from the National Tramway Museum in Crich (UK), which is home to more than 60 trams built between 1900 and 1950.

CTA’s line car S-606 at the Dempster terminal of the Skokie Swift (today’s Yellow Line). According to Don’s Rail Photos, “S-606 was built by Cincinnati in January 1923, #2620, as Chicago North Shore & Milwaukee 606. In 1963 it became CTA S-606 and burned in 1978. The remains were sold to the Indiana Transportation Museum.” (Photo by Bob Harris) Bob Harris adds, “By the way, the body of 606 is back in Illinois. When CLS&SB #73 comes out of the restoration shop, 606 goes in. We have the Cincinnati Car Company drawings. But since 606 was virtually destroyed in the November 26, 1977 fire, this will be more of a re-creation rather than a restoration.”

Here, we are looking south on State Street from Monroe in 1942. Construction of the State Street Subway is being finished up, with the construction of stairway entrances. New streetcar tracks have been set in concrete, while it looks like some street paving work is still going on. The famous Palmer House is at left. There are a few references to WWII visible, meaning this picture was taken after Pearl Harbor. The subway was put into regular service on October 17, 1943.

A close-up of the previous picture.

This aerial view shows the old Main Chicago Post Office and the near west side in 1946, before work started on building the Congress Expressway (now Eisenhower), which now runs right through the center of the building. That will give you an idea of just what a massive project this was. The old Metropolitan “L”, parts of which were displaced by the highway, has already curved off to the left, where it can be seen crossing the Union Station train sheds. Two side-by-side bridges carried the four tracks over the Chicago River. Then, tracks split, one part going to the Wells Street Terminal, the other continuing to a connection with the Loop structure at Wells and Van Buren. Now, the CTA Blue Line subway goes underneath the post office and river.

A close-up of the previous picture shows the Met “L” in greater detail. An eastbound two-car “L” train and a red CSL streetcar are visible.

In this picture, it looks like the Congress Expressway (now Eisenhower) has just opened, which would date the picture to November 1960. We are looking east near Oak Park Avenue. Many things are unfinished, and traffic is limited to two lanes in each direction (and already very crowded). According to Graham Garfield’s excellent web site, the new Oak Park station opened on March 19, 1960, and the station house was finished on March 27, 1961.

Chicago, North Shore & Milwaukee car 772 in 1959 at the barn lead to the Harrison Street Shops in Milwaukee..

North Shore Line car 158 is a northbound Waukegan Express on the Shore Line Route at North Chicago, July 4, 1949. This was the also date of an Electric Railroaders Association (ERA) fantrip. 158 was built by Brill in 1915.

North Shore Line city streetcar 356 in the 1940s. The consensus is this shows Waukegan, as there was no curve in Milwaukee that matches the buildings in this picture. Jerry Wiatrowski adds, “This is in Waukegan! The photographer is standing on the South side of Belvidere Street looking East/Northeast. The Westbound streetcar is turning off of Marion Street (now South Genesee Street) and will shortly turn right onto South Genesee Street as it travels North thru the center of downtown Waukegan. If I recall correctly, the “s-curve” this streetcar is on was known as “Merchants curve”. The sailors that can be seen in the windows of the car are going to downtown Waukegan from the Great Lakes Naval Base, the South end of the streetcar line.”

Randolph Street looking east in the late 1940s. The RKO Palace Theatre, located at 151 West Randolph, is now the Cadillac Palace.

CTA Pullman 106 at South Shops on September 10, 1952.

A view of the north side of CTA’s South Shops on September 10, 1952. In a previous post, we ran a picture of car 4001 taken on this trackage. That picture was taken in the 1930s, and by 1952 it appears one track had been taken out of service.

PS- Here is that photo of 4001, which we previously ran in our post More Chicago PCC Photos – Part Four (10-12-2015):

CSL 4001 may be on non-revenue trackage at the north end of South Shops. (Edward Frank, Jr. Photo)

This picture was taken on September 9, 1952, looking north from the Main Street station on CTA’s Evanston branch.

On September 9, 1952, a southbound North Shore Line train, running via the Shore Line Route, stops at Foster Street in Evanston. Here, NSL had its own platform to keep passengers from transferring to the “L” without paying another fare. The stairs descended to a free area. It was not necessary to have a similar platform for northbound riders, as North Shore Line conductors would check tickets on the train.

A view from the 15th floor of the YMCA Hotel on Wabash Avenue on September 9, 1952.

Another view from the same location.

From the door configuration, you can tell that this prewar Chicago PCC has been converted to one-man operation. It is running on Route 4 – Cottage Grove in this blow-up of the previous image.

CTA work car L-203 and various PCCs parked behind South Shops on September 10, 1952.

A CSL trailer being used as an office at South Shops on September 10, 1952.

Here, one-man car 3266 is on the south side (Route 67). The car is at Harvard, heading westbound, and I believe the destination sign reads 79th and California. On the other hand, our resident south side expert M. E. writes: “In pict662.jpg , your caption says “I believe the destination sign reads 79th and California.” No, it is 71st and California. Route 67 was known as 67th-69th-71st; abbreviated, just 69th, because that was the longest stretch. In fact, you might want to revise the caption to note that the photo is at 69th and Harvard.”

69th and Harvard today, looking east.

CTA 6193, a “169” or Broadway-State car, was built by Cummings in 1923. It was converted to one-man operation in 1949 and has suffered some damage in this September 10, 1952 view at South Shops.

CTA 4314 and 4304 on the west side of South Shops, September 10, 1952. On the other hand, M. E. writes: “In pict664.jpg, you say “on the west side of South Shops.” No, this has to be the east side of South Shops. That’s because South Shops was on the east side of Vincennes, so its west side faced Vincennes. There is no Vincennes in this photo.” We were just going by the information written in the negative envelope that came with this image, which turns out to be incorrect. Gosh darn those out-of-town photographers!!

CTA 4314 and 4304 on the east side of South Shops, September 10, 1952.

CTA prewar PCC 4047 and postwar car 7038 at South Shops on September 10, 1952.

Two CTA freight locos at South Shops, September 10, 1952.

A CTA freight loco, possibly L-201, at South Shops on September 10, 1952.

A CTA wood car at 42nd Place, end of the Kenwood branch, during the 1950s. (Walter Broschart Photo)

A two car train of singles just north of Main Street in Evanston. #27 is the lead car.

A CTA single-car unit under wire on the Evanston branch, just north of Main Street. This might be car 47.

A CTA single-car unit heads south from Isabella on the Evanston branch, sometime between 1961 and 1973.

A train of 4000s, signed for Jackson Park via the Subway, in 1947. If I am reading the sign correctly, this is 31st Street, a station the CTA closed in 1949. There was also apparently a Chicago White Sox home game when this picture was taken. M. E. writes: “pict673.jpg features a Jackson Park train at 31st St. Notice three tracks. The middle track was used, although I am unsure under what circumstances. One possibility that comes to mind is that the Kenwood line (until it became a shuttle out of Indiana Ave.) ran on this trackage into the Loop and up to Wilson. The Kenwood was a local. The Englewood and Jackson Park trains sometimes bypassed the Kenwood locals using the middle track. There were switches up and down the line to enable moving to and from the middle track.
Another possibility is that at one point the North Shore ran trains south as far as 63rd and Dorchester (1400 East) on the Jackson Park line. Perhaps some CNS&M trains used the middle track.
One impossibility is that the Englewood and Jackson Park trains used the middle track the whole way from south of Indiana Ave. to the Loop. I say this was not possible because all the stations on this line were on the outer sides of the outside tracks. I don’t recall any Englewood or Jackson Park trains running express on the middle track along this stretch.
By the way, prior to the 1949 changes, only the Jackson Park line ran north to Howard. The Englewood ran to Ravenswood (to Lawrence and Kimball).”

A close-up of the previous picture.

North Shore Line city streetcar 509 in August 1941. Don’s Rail Photos says, “509 was built by St Louis Car in 1909. It was rebuilt to one man and transferred to Waukegan on November 3, 1922. It was used as a waiting room at 10th Street, North Chicago, for a short time in 1947, until a new station could be built at the truncated north end of the Shore Line Route. It was sold for scrap in 1949.”

North Shore Line wood car 304, built by American Car in 1910, as it looked in June 1938. It became a sleet cutter in 1939 and was scrapped the following year.

Gary Railways 19 at Indiana Harbor on May 1, 1938 during the very first fantrip of Central Electric Railfans’ Association. This car was built by Cummings in 1927. (LaMar M. Kelley Photo)

Gary Railways 22 on May 10, 1940.

Gary Railways 21 in 1938, signed for 22nd Avenue. It was built by Cummings in 1927.

Northern Indiana Railways 216 in South Bend, Indiana on June 25, 1939. The occasion was Central Electric Railfans’ Association fantrip #9, which brought people here via the South Shore Line. This deck roof car was built by Kuhlman in 1923.

Gary Railways 5, a 1925 Kuhlman product, is shown at Indiana Harbor on May 1, 1938, date of the very first Central Electric Railfans’ Association fantrip. (LaMar M. Kelley Photo)

Here, we see New Castle Electric Street Railway 352 in Grant Street at the Erie/B&O/P&LE station in New Castle, PA on August 24, 1941. This was a Birney car, a 1919 National product that, to these eyes, reminds me of the Osgood-Bradley Electromobiles of ten years later. All streetcar service in this area was discontinued on December 11, 1941. (W. Lupher Hay Photo)

The Queensboro Bridge trolley, which last ran on April 7, 1957, making it New York City’s final (to date) streetcar. Our new audio collection has a “mystery track” on it that may or may not be the Queensboro Bridge trolley. You be the judge.
It takes a serious railfan to distinguish an Osgood Bradley Electromobile, as we see here, from the very similar Brill Master Unit. Parts from sister car 601 are now being used to help the Electric City Trolley Museum Association restore Scranton Transit car 505.

Indianapolis Railways 175 was a Brill “Master Unit” built in 1934. These were among the last cars built by Brill prior to the pre-PCCs. Brill’s idea behind the “Master Unit” was to create a standardized car, but as it turned out, no two orders placed were exactly alike.

North Shore Line city streetcar 352 at Harrison Street Shops in Milwaukee, June 1941.

Philadelphia Suburban Transportation Co. (aka Red Arrow) 13, a 1949 product of St. Louis Car Co., in side-of-the-road operation on West Chester Pike, June 2, 1954. Buses replaced trolleys a few days later to allow for the widening of this important thoroughfare.

Here, Red Arrow 61 approaches the 69th Street Terminal in Upper Darby, sometime in the 1930s. Car 61 was a Brill product from about 1927. Note the man wearing a straw hat, which is something people used to do on hot days.

North Shore Line car 760 in Milwaukee. Don’s Rail Photos says: “760 was built by Standard Steel Car Co in 1930. It was modernized in 1945 and rebuilt as (a) Silverliner on September 23, 1952.” Since photographer LaMar M. Kelley died on January 5, 1948 (see below), this picture cannot be later than that date.

We don’t often know much about the people who took some of these historic photographs. But here is an obituary of LaMar M. Kelley appeared in the February 1948 issue of Central Headlight, an employee publication of the New York Central railroad. I also found this online (even though it gets the date wrong): “Lamar M. Kelly (d. 1947) of Elkhart IN worked as a helper at the sand house and coal pockets at Elkhart . He was crippled by polio and devoted most his time to rail photography. He traded negatives with Jerry Best who considered Kelley’s work to be of varied quality. Kelley died suddenly in a workplace accident in 1947. His negative collection was sold piecemeal.” I object to the author’s use of the word “crippled,” which implies limitations in someone’s life that are more than just physical disabilities. Personally, I think LaMar M. Kelley’s photography was quite good, and that he led a life of great accomplishment in his 50 short years.

“View of two passenger interurban cars on side track for local southbound loading at Edison Court, Waukegan, Ill. Note sign on post, “Save Your North Shore Line.” Photo taken circa 1960 by Richard H. Young. Ultimately, these efforts failed, but the demise of the North Shore Line (and the Chicago Aurora & Elgin) helped spur the Federal Government into action to begin subsidizing transit across the country.

As new streetcar tracks are being laid in Milwaukee, it is important to know what we once had that was lost. Here, the North Shore Line terminal in downtown Milwaukee is being reduced to rubble in 1964, a year after passenger service ended. If only we could have found some way to keep what we had, we wouldn’t now need to build so much. An important lesson in life– it is better to create than it is to destroy.

Recent Correspondence

Jack Bejna writes:

Here’s the latest. The Chicago Aurora & Elgin Railway ordered 5 cars to be built by the G C Kuhlman Car Company in 1909, numbered 311-315. The wood siding extended down to cover the previously exposed side sill channel, enhancing the look of these classic beauties.

The final wooden car order was placed with the Jewett Car Company in 1914 for six cars numbered 316-321. Car 318 was unique, with the sides being steel up to the belt line, the only wood car built this way. In the 1920s cars 319-321 were upgraded with more powerful motors and thereafter they were used together and/or with trailers.

I don’t know how you manage to put out an interesting, informative post every month, so thanks again for your website and all of the interesting stories within.

And we, in turn, really enjoy seeing these wonderful pictures that you have managed to make look better than ever, using all your skills and hard work.

Larry Sakar writes:

Hi Dave,

I just returned from my 6500 mile Amtrak trip to San Francisco, LA & Portland. I took the Hiawatha from Milwaukee to Chicago and connected to #5 the California Zephyr. Spent 2 days in SFO then took train 710 the San Joaquin to Bakersfield where they bus you to LA. The bus takes I-5 for most of the 100 mile trip to LA. As we got close to LA we were coming into Glendale and looking to my right I saw the abandoned PE r.o.w. where it crossed Fletcher Dr. There’s a picture that has been reproduced numerous times of a 3 car train of PCC’s crossing the bridge over Fletcher Dr. I thought the abandoned North Shore Line r.o.w. here in Milwaukee was high up but the PE r.o.w. is twice as high. The LA Downtown Hotel where I stayed was a block away from what used to be the Subway Terminal Bldg. at 4th & Hill.

When I was leaving the next day I rode the Red Cap’s motorized vehicle to the platform from the Metropolitan lounge. the lounge which is exclusively for 1st Class (sleeping car) passengers is on the second floor of LAUPT (Los Angeles Union Passenger Terminal). They travel down a ramp and in the process cross the light rail tracks. We had to stop at the crossing for the passage of a Gold Line train headed to Pasadena and Cucamonga. Bit by bit LA is rebuilding the PE at a cost of billions! So far lines to Long Beach, Pasadena and Santa Monica have been rebuilt. Light rail has become very big in LA.

Two days later on my way back to Portland Union Station my taxi was traveling eight alongside a Portland MAX light rail train. In SFO the F-Line streetcars to Fisherman’s Wharf were packed to the rafters. Articulated buses were operating in place of the JKLM & N light rail lines that run in the Market St. subway. The new cars that are replacing the present BREDA cars were being tested. Saw BART when the Zephyr stopped in Richmond, CA. I know they have new cars coming but they don’t appear to be there as yet. BART is experiencing a significant increase in crime on its lines. Same holds true for Portland. In fact the Portland city council voted to ban anyone convicted of a serious crime on any of its light rail lines, buses or the Portland streetcar for life.

Coming home from Portland on the Portland section of the Empire Builder we heard that the previous day’s train was hit at a crossing (don’t know where) by a water truck. The 24 year old driver smashed thru the crossing gates and slammed into the second Genesis engine destroying it, the baggage car and part of the Superliner crew car behind it. No one was injured, luckily. The cause of the accident was the truck driver texting on his cell phone and not paying attention to driving. He’ll have lots of time to text now as I’m sure he’ll be fired. He’ll lose his CDL (Commercial Drivers License) and I’m sure the trucking company’s insurance carrier will be suing him for the damages they have to pay to Amtrak.

The day I was heading up the California coast from LA to Portland our train was held for almost an hour at LA for late connecting San Diego to LA (Pacific Surfliner) train 763 which is a guaranteed connection to #14. The train hit and killed some guy who was walking on the tracks north of San Diego and south of San Juan Capistrano.

It was a great trip and I’d do it again in a heartbeat.

Thanks for sharing!

FYI, Larry Sakar comments:

Hi Dave,

Fantastic posts! Those poor CA&E cars died a slow death rotting away in Wheaton yards until everything was finally scrapped in 1961.

I enjoyed the aerial shots of Canal St. station on the Metropolitan “L” (CTA). It’s not a station that seems to have been photographed a lot but there is a giant wall-sized shot of it on display in the Clinton St. CTA blue line subway station which replaced it. In the days of the “Met” there was a passageway from the south end of Union Station to the “L”. It’s still there and I understand it leads to the present day parking garage south of the station.

In the caption for that shot of the 2 car train of 4000’s on the Lake St. “L”, I don’t think the Lake St. “L” goes to Forest Park. The Green Line as it’s known today ends in Oak Park unless it’s been extended.

Looking at that North Shore Line city car photo I’d guess that is somewhere in Waukegan – Merchant’s curve perhaps? The only place in Milwaukee that had that kind of a curve was where the NSL went between 5th & 6th Sts. None of the buildings in this photo seem to match the ones that were along that curve. The curve was reconstructed after the NSL quit and is now the way you get on to southbound I-94 at Greenfield Ave. The factory building seen in so many of the photos of NSL trains on that curve still stands. Some sort of auto repair facility has been built in front of it. I just rode over that curve last Saturday in the taxi that was taking me home from the Milwaukee Intermodal station downtown. Here’s a Bob Genack photo I have showing that curve. Larry Sakar

Thanks… actually, the Lake Street “L” ground-level operation did cross Harlem Avenue into Forest Park, and there was actually a station there a short distance west which was technically the end of the line. But few people got on there, the great majority using Marion Street instead. The Harlem station on the embankment has entrances at Marion and on the west side of Harlem, and thus serves both Oak Park and Forest Park.

An Early History of the Railroad Record Club

Kenneth Gear and I have some new theories about the early history of the Railroad Record Club. This is based on careful study of the new material featured in our recent post Railroad Record Club Treasure Hunt (July 30, 2017).

One of the homemade 78 rpm records Ken recently bought was marked as having William A. Steventon‘s first recordings. These were dated March 24, 1953.

In a 1958 newspaper interview, Steventon said his wife had given him a tape recorder for Christmas in 1953. He probably meant to say 1952, and it took him a few months to get used to operating it.

Steventon always said that the club started in 1953. However, this seemed odd since he did not issue his first 10″ 33 1/3 rpm records until some years later. The 36 numbered discs came out at the rate of four per year from 1958 through 1966.

There was an Introductory Record, which was probably issued in 1957, and a few “special” releases, the most notable of which (SP-4) documents an entire 1962 trip of the South South Shore Line in real time on three 12″ discs as a box set. That was Steventon’s masterpiece.

In 1967, RCA Custom Records closed up shop, and it was not until some years later that Steventon began reissuing some of his recordings on 12″, using a different pressing plant in Nashville. But what was the Railroad Record Club doing from 1953 through 56?

Apparently, during those years, Steventon was distributing 78 rpm records made using a portable disc cutter. These had been available for home use starting in about 1929, and were often used to record things off the radio.

A few enterprising individuals like the late Jerry Newman took such machines to jazz clubs. This is how he made several recordings of Charlie Christian jamming at Minton’s Playhouse in Harlem in 1941.

In similar fashion, a portable disc cutter was used to record Duke Ellington and his Orchestra in Fargo, North Dakota in 1940. You can read about that here.

While Steventon was using a tape recorder, made portable by being hooked up to an auto battery, tape was not yet an effective way to distribute recordings in 1953. Very few people had such machines.

But most people did have record players, and the standard format of the time was 78 rpm, which yielded at most five minutes per side on 10″ aluminum discs covered with acetate. “Long Playing” 33 1/3 rpm records were a new format, just beginning to gain popularity.

No doubt Steventon dated the RRC’s beginnings to 1953, since that is when he began making recordings, but it is alsolikely that is when he started distributing them. Using a homemade disc cutter meant the records were made in real time. As things gained in popularity, this would have taken up more and more of his time.

To distill much longer recordings to fit the five minute limit, Steventon spliced together all sorts of bits and pieces, and recorded brief introductions later, to tell listeners what they were about to hear.

Some of the homemade discs that Ken purchased have numbers on them. Others have stamped titles, which would indicate to me that Steventon was making them in quantity, and had rubber stamps made for the most popular titles.

These early records were distributed using a number sequence that is totally different than the later one adopted for the 10″ records issued in 1958 or later. Here is a partial list of these early releases:

In this period (1953-55), Steventon was living in Washington, D.C., so many of his recordings were made in that area. He was originally from Mount Carmel, Illinois, which is near the Indiana border. That explains his Hoosier accent as heard on his introductions.

Over time, Steventon branched out, making recordings in other cities when he was on vacation. Regarding his traction recordings, he generally preferred to tape the older equipment, since these made all the right noises. It was more difficult to make successful recordings of PCC cars, since they were much quieter by design, but he did do some.

The success of these records surely inspired Steventon to have records made in quantity by a pressing plant, the RCA Custom Records Division. By 1957, the 33 1/3 rpm format had become the norm, and this permitted about 15 minutes per side on a 10″ record. The resulting disc could hold as much sound as three of the 78s, and weighed a lot less, saving on postage.

Eventually, Steventon began including detailed liner notes with his records, and largely abandoned the spoken introductions.

The 1958 newspaper article mentioned above said that Steventon had sold 1000 records in the previous year. Without his previous experience with homemade records, it is unlikely that Steventon would have records pressed commercially.

We have now cleaned up and digitized many of these early recordings, which are now available under the title Railroad Record Club Rarities. The Traction recordings fill two discs, and the Steam and Diesel tracks are on a single disc. More details are below.

Sometimes, in the absence of written records, or spoken introductions, it is only possible to identify certain recordings through a bit of detective work. As an example, on one recording, the only clues we have are Steventon’s brief mention of riding cars 80 and 83.

This narrows down considerably the list of possible locations. The most likely is the Philadelphia Suburban Transporation Company, also known as the Red Arrow Lines. Cars 80 and 83, which fortunately have survived, were 1932 Brill-built “Master Units.”

We know that Steventon made recordings of similar cars. On one of the Altoona discs, he even refers to an Osgood Bradley Electromobile at one point as a “Master Unit.”

Car 80 still runs to this day at the Electric City Trolley Museum in Scranton, PA., so there are YouTube recordings that I compared with this one. They sound very much the same.

Finally, the Steventon recording shows cars 80 and 83 running at speed, frequently blowing the horn, very much in interurban mode. The longest Red Arrow route, and the most interurban in character, was the West Chester line, which was largely side-of-the-road operation along West Chester Pike.

The final trolley trips on West Chester took place on June 6, 1954. We have written about this before– see Red Arrow in West Chester, September 13, 2016. Buses replaced trolleys so that West chester Pike could be widened.

The National Railway Historical Society held a fantrip after the last revenue runs were made. We know that Steventon participated in NRHS events, since one of the 78 rpm records he distributed features a radio program that discusses a 1953 NRHS excursion.

So, the most logical conclusion is that this rare recording was made by Steventon in 1953 or 1954, and documents the Red Arrow line to West Chester. This recording is included on Railroad Record Club Rarities – Traction.

While we are happy to report that we have finally achieved our long-sought goal of digitizing the Railroad Record Club’s later output, it seems very likely there are still more of these early recordings waiting to be discovered.

-David Sadowski

Now Available on Compact Disc

RRC-RT
Railroad Record Club Rarities – Traction!
# of Discs – 2
Price: $19.95

Railroad Record Club Rarities – Traction!
These are rare recordings, which date to 1953-55 and predate the 10″ LPs later issued by the Railroad Record Club. Many are previously unissued, and some are available here in a different (and longer) format than later releases, often including William A. Steventon’s spoken introductions. We have used the best available sources, and while some recordings sound excellent, others have some imperfections. But all are rare, rare, rare!

Includes Altoona & Logan Valley, Baltimore Transit, Capital Transit (Washington D.C.), Johnstown Traction, Pennsylvania GG-1s, Potomac Edison (Hagerstown & Frederick), Red Arrow, St. Louis Public Service, Shaker Heights Rapid Transit, and South Shore Line Electric Freight.

Total time – 149:52

RRC-RSD
Railroad Record Club Rarities – Steam and Diesel!
# of Discs – 1
Price: $14.95

Railroad Record Club Rarities – Steam and Diesel
These are rare recordings, made by William A. Steventon between 1953 and 1955, and include his earliest recordings. These predate the regular output of the Railroad Record Club. Many are previously unissued, and some are available here in a different (and longer) format than later releases, often including William A. Steventon’s spoken introductions. In general, audio quality is good, but some recordings have imperfections. However, the best available sources have been used, and you won’t find them anywhere else. Much of this material has not been heard in over 60 years.

Includes: Baltimore & Ohio, Chicago & Illinois Midland, East Broad Top, Illinois Central, Nickel Plate road, Pennsylvania Railroad, Shenadoah Central, and even a 1953 radio broadcast by Claude Mahoney that discusses an NRHS fantrip.

Total time – 69:36

RRC #22 and 31
Buffalo Creek & Gauley
Sound Scrapbook – Steam!
# of Discs – 1
Price: $14.95

Railroad Record Club #22 and 31:

The Buffalo Creek and Gauley Railroad (BC&G) was a railroad chartered on April 1, 1904 and ran along Buffalo Creek in Clay County, West Virginia. The original Buffalo Creek and Gauley ended service in 1965.

The BC&G was one of the last all-steam railroads, never operating a diesel locomotive to the day it shut down in 1965. Its primary purpose was to bring coal out of the mountains above Widen to an interchange with the Baltimore and Ohio Railroad at Dundon. These recordings were made in 1960.

Sound Scrapbook – Steam! covers several different steam railroads, including Canadian National, National Railways of Mexico, McCloud River Railway, Union Pacific, Southern Pacific, Westside Lumber Company, Duluth Missabe & Iron Range, and Pickering Lumber Corp.

Total time – 62:43

RRC #32, Sampler for Years 3 & 4, and Steam Whistles and Bells
# of Discs – 1
Price: $14.95

RRC #32, Sampler for Years 3 & 4, and Steam Whistles and Bells
This disc features the New York Central, recorded in 1954-55. It’s mainly steam, but with some diesel. In addition, the Railroad Record Club Sampler for years 3 and 4 includes selections from discs 9 through 16. Finally, we have included a very rare circa 1955 recording, Steam Whistles and Bells, which covers several properties across the country.

Total time – 72:07

Pre-Order Our New Book Chicago Trolleys

On the Cover: Car 1747 was built between 1885 and 1893 by the Chicago City Railway, which operated lines on the South Side starting in April 1859. This is a single-truck (one set of wheels) open electric car; most likely a cable car, retrofitted with a trolley and traction motor. The man at right is conductor William Stevely Atchison (1861-1921), and this image came from his granddaughter. (Courtesy of Debbie Becker.)

We are pleased to report that our new book Chicago Trolleys will be released on September 25th by Arcadia Publishing. You can pre-order an autographed copy through us today (see below). Chicago Trolleys will also be available wherever Arcadia books are sold.

Overview

Chicago’s extensive transit system first started in 1859, when horsecars ran on rails in city streets. Cable cars and electric streetcars came next. Where new trolley car lines were built, people, businesses, and neighborhoods followed. Chicago quickly became a world-class city. At its peak, Chicago had over 3,000 streetcars and 1,000 miles of track—the largest such system in the world. By the 1930s, there were also streamlined trolleys and trolley buses on rubber tires. Some parts of Chicago’s famous “L” system also used trolley wire instead of a third rail. Trolley cars once took people from the Loop to such faraway places as Aurora, Elgin, Milwaukee, and South Bend. A few still run today.

The book features 226 classic black-and-white images, each with detailed captions, in 10 chapters:

1. Early Traction
2. Consolidation and Growth
3. Trolleys to the Suburbs
4. Trolleys on the “L”
5. Interurbans Under Wire
6. The Streamlined Era
7. The War Years
8. Unification and Change
9. Trolley Buses
10. Preserving History

Product Details

ISBN-13: 9781467126816
Publisher: Arcadia Publishing SC
Publication date: 09/25/2017
Series: Images of Rail
Pages: 128

Meet the Author

David Sadowski has been interested in streetcars ever since his father took him for a ride on one of the last remaining lines in 1958. He grew up riding trolley buses and “L” trains all over Chicago. He coauthored Chicago Streetcar Pictorial: The PCC Car Era, 1936–1958, and runs the online Trolley Dodger blog. Come along for the ride as we travel from one side of the city to the other and see how trolley cars and buses moved Chicago’s millions of hardworking, diverse people.

Images of Rail

The Images of Rail series celebrates the history of rail, trolley, streetcar, and subway transportation across the country. Using archival photographs, each title presents the people, places, and events that helped revolutionize transportation and commerce in 19th- and 20th-century America. Arcadia is proud to play a part in the preservation of local heritage, making history available to all.

The book costs just $21.99 plus shipping. Shipping within the US is included in the price. Shipping to Canada is just $5 additional, or $10 elsewhere.

Please note that Illinois residents must pay 10.00% sales tax on their purchases.

We appreciate your business!

For Shipping to US Addresses:

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NEW – Chicago Trolleys Postcard Collection

We are pleased to report that selected images from our upcoming book Chicago Trolleys will be available on September 25th in a pack of 15 postcards, all for just $7.99. This is part of a series put out by Arcadia Publishing. Dimensions: 6″ wide x 4.25″ tall

The Postcards of America Series

Here in the 21st century, when everyone who’s anyone seems to do most of their communicating via Facebook and Twitter, it’s only natural to wax a little nostalgic when it comes to days gone by. What happened to more personal means of communication like hand-written letters on nice stationery? Why don’t people still send postcards when they move someplace new or go away on vacation?

If that line of thinking sounds familiar, then Arcadia Publishing’s Postcards of America was launched with you in mind. Each beautiful volume features a different collection of real vintage postcards that you can mail to your friends and family.

Pre-Order your Chicago Trolleys Postcard Pack today!

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Railroad Record Club Treasure Hunt

July 30, 2017June 5, 2023David Sadowski 11 Comments

Kenneth Gear, author of today’s post, has long been a friend of this blog. Since we began writing about William A. Steventon and the Railroad Record Club of Hawkins, Wisconin (see our previous posts A Railroad Record Club Discography and Revisiting the Railroad Record Club), Ken has been very helpful in obtaining recordings in our quest to reissue the entire RRC oeuvre for the digital age.

Recently, following up on a lead for some RRC material, Ken traveled from New Jersey to the Midwest. The discoveries he is sharing with you today are the result.

This represented a tremendous investment of time and money for Ken who, like myself is of very modest means. Since there is only a very limited market for railroad audio (the whole world, apparently, being transfixed with video), chances are we will never be able to recoup Ken’s costs.

He does not care about that, since his main interest is in preserving these historic recordings for future generations. Ken is doing this for the love of it, not the money.

Thanks to Ken, we will now be able to reach our goal of remastering all 41 issued Railroad Record Club recordings onto compact discs. We will let you know when that work is done. The only ones we don’t have now are some of the samplers.

One unexpected benefit of his quest is the discovery of additional unissued steam and electric RRC recordings, detailed below.

Due to the limits of Ken’s budget, he was unfortunately not yet able to purchase what appear to be the original RRC master tapes. If you are interested in making a contribution to that worthwhile effort, please let us know.

Any donations received will help Ken negotiate for their purchase, and make it possible to preserve these fine recordings for future generations of railfans. They are currently at risk of being lost forever.

It is remarkable that this collection somehow managed to stay intact for 24 years after Steventon’s death.

We thank you in advance for your help.

-David Sadowski

PS- The disc labeled Indiana Railroad is actually Steventon reciting a history of the Hoosier interurban. Since it quit in 1941, that predates the development of audio tape recorders in the early 1950s. A few fans had wire recorders in the late 1940s (these were developed in Germany prior to the war). Prior to that time, the only way to make a “field recording” was with a portable disc cutter. Those were available starting around 1929.

My Railroad Record Club Treasure Hunt

by Kenneth Gear

Some months ago David received a very intriguing email. It came from an estate auctioneer who wrote that he was in possession of a large collection of items from the estate of William Steventon, founder of the Railroad Record Club. He had seen the Trolley Dodger CDs for sale online and figured David would be interested in the collection. The auctioneer had these items in storage, where they had been for many years, and he now wanted to dispose of them. He asked David if he would be interested in buying these items or if he knew of anyone who might.

Knowing my keen interest in all things related to the RRC, David forwarded the email to me.

We were quite excited about the offer. What could this collection consist of? Had we hit the mother lode of RRC material? The possibilities were almost endless- photos, art work, even movies! The most satisfying find for me would be, of course, coming across some unreleased Steventon railroad audio. If there were some, would the 60 plus year old tapes be salvageable? Were they stored properly? As endless as the possibilities for great finds were, it was equally possible that disappointment could lie ahead.

At the very least it seemed very likely that we would be able fill the holes in the Trolley Dodger CD reissuing catalog. We were still in need of records 22, 31 & 32 plus the elusive sampler records.

Emails went back and forth between the three of us and eventually concrete plans were hammered out.

My friend and fellow railfan photographer Chris Hughes and I usually make several road trips a year in pursuit of short line railroads to photograph. This year, and as a favor to me, it was decided to find some photographic subjects conveniently close to were the Railroad Record Club items were stored. I wasn’t going to let this opportunity slip by without at least seeing the collection. On July 20th Chris and I set off from New Jersey heading for the Midwest, some short line RRs, and the possibility of a RRC gold mine!

The Day Arrives!

Anticipation was running high as I approached the building that housed the collection. Some of the items were laid out on a table and there were large boxes containing many copies of the same record, all still sealed in plastic and all were the 12″ reissues editions. What immediately caught my attention was that each box had beside it the metal print block for the cover of the LP contained in the box. There were other print blocks on the table as well, not every one had a box of LPs to go with it. This was the real deal for sure. Where else would the original print blocks come from but the Steventon estate.

I wanted the print blocks but was less interested in buying the LPs. I really didn’t want to get saddled with scores of records that I would have to find a place to store and later try to sell. A deal was struck and I got the print blocks but not the LPs. So far so good.

LIST OF PRINT BLOCKS PURCHASED

full covers with titles and other lettering:

#1 Wabash

#4 B&O

#8 CN

#10 PRR

#18 CNS&M

#19 DM&IR

#20 C&IM/NYC

#21 D&NW

#22 BC&G

#23 Pennsy Trolleys

#24 CP

#25 Ill Term

#26 NKP 779

#27 Capital Trans

#28 Iowa Trolleys

#29 CNS&M Freight

#30 Sound Scrapbook-Traction

#31 Sound Scrapbook-Steam

#32 NYC

#33 & 34 CSS&SB freight

#35 Milwaukee Trans

#36 Chicago Trans

#SP-1 Silverton

#SP-2 NP 2626 (both front and back photos)

OTHER PRINT BLOCKS

1st EDITIONS-TRAIN ONLY- NO LETTERING:

Intro SOO

#2 WCF&N

#3 EBT

#4 B&O

#5 D&RGW

#6 H&F

#7 N&W

#8 CN

#9 WSSB

#11 SHRT

#12 DM&IR

#13 NKP

#14 PE

#15 CB&Q

#17 SOO

#18 CNS&M

Not from a RRC record cover: BRILL 27-E truck

Next up was what appeared to be Mr. Steventon’s personal collection of RRC albums (for some unknown reason number 23 was missing). The records were in plain white jackets and did not have any of the liner notes or cover art with them. Just a hand written number in the upper right hand corner of the jacket, corresponding to the record contained therein. The records were a mix of 10 and 12 inch stock. It could be that Steventon upgraded his own collection with the 12″ remasters as they were pressed and that the 10″ records in his collection never got the 12″ treatment. If true, then we can finally know exactly which of the records were reissued and those that were not. It seems likely, but we will need to look a little deeper into this. Interestingly a few of the plain white jackets have a hand written “delete schedule” on them. This I’m sure is some whittling down of the tracks to fit in the allotted time of the record. Photos of two of them follow. Also found was a sampler record. I always thought there were 6 of these records but it turns out that each year only has one side of a disc. Therefore it’s not 6 records, but only 3. 1 down and 2 to go.

Along with these LPs came a large stack of test pressings. I wasn’t sure of just what may be on them, perhaps the deleted audio written of in those delete schedules. They went into the back of the SUV with Steventon’s personal RRC records. Things were getting very interesting!

The stack of test pressings consisted of 44 12″ records from the Nashville Record Productions and 4 10″ pressings from RCA Custom Records.

Also, I saved perhaps 50 10″ empty record jackets that were heading to a dumpster. I’m glad I did because I was able to find the jackets for 22 BC&G, 31 Sound Scrapbook-Steam & 32 NYC. I got those records from Steventon’s personal collection, but they did not, as I said, have any liner notes or jackets with them.

So no more suspense- yes unreleased Steventon railroad audio was indeed found!

It came in the form of “Audiodisc” record blanks that Steventon cut at home. For convenience’s sake, or perhaps to keep his tapes safe, he transferred field recordings on to these “record at home” discs. 25 of these discs were offered to me and I snatched them right up. Later at home, I discovered that 21 have railroad sounds on them. The rest were radio shows and a relative who was apparently proficient at playing the piano.

These discs are 10″ and play at 78rpm. They contain about 6 minutes of audio when fully utilized but not all are. Frustratingly some records, in spite of the label being marked “Western Maryland” or “Pennsylvania RR”, are blank on one side or contain just a fraction of the audio it could hold. There is plenty of good stuff here and the condition of most of the records are surprisingly good in my opinion. Here are some of the highlights:

One of the best finds is a record marked “B&O-1st Recording” It seems I have found a record of William Steventon’s first recordings! From the article he wrote for TRACTION & MODELS we know he accidentally erased his very first recording of a B&O steamer while trying to play it back. So perhaps this is actually his second attempt. The record contains B&O steam & Diesel sounds recorded at the station in Riverdale, MD on March 31, 1953. Trains include number 523 “Marylander” and number 17 “Cleveland Night Express” among others.

He would return to the B&O many times, with recordings being made at both Riverdale and Silver Springs, MD. I have records of B&O trains recorded in July, August, and September 1953. Some of these recordings include the station announcements for trains number 9 “Chicago Express” and Train 5 “Capitol Limited” . There is one great sequence (too short) of an on-train recording behind B&O 5066 powering local train #154. Also there is a very good recording of a 5300 series loco on a heavy drag freight. Even early on he sure knew how to capture the sound of steam.

There are recordings of steam on the Shenandoah Central (loco # 12) IC # 3619 at Christopher, IL, PRR at Mill Creek, PA, C&IM, and on the EBT. Some of this material may have been included on the released albums, but here William Steventon himself provides commentary and the sounds may be edited differently. Steventon gives information about almost every cut in his distinctive, Walter Winchell-like voice. Other interesting sounds are those of PRR GG-1s recorded on August 22, 1954. They were recorded at, as Steventon puts it, a “country crossing”. Plenty of that toneless yet somehow appealing GG-1 horn blowing is included.

Potomac Edison box motor # 5 has several sides of these records devoted to it. Without checking, I’d say there is more of the sounds of the cab ride on these discs than what eventually made it on to Record #6. There is some Shaker Heights RT as well. Plenty of Johnstown Traction and Altoona & Logan Valley too. This may or may not have been released.

There is definitely some unreleased traction sound here. One full record contains the sounds of the Baltimore Transit company. One side is a ride on car # 5727 on the Lorraine Line and the other side is car # 5706 on the Ellicott City Line. Both recorded on January 16, 1954 This recording is in wonderful shape too.

More fine unreleased traction sounds include a nice recording of the St. Louis Public Service. Recorded in December of 1953 it includes both on board and trackside recordings of PCC cars on the University Line.

There is also some Washington DC Capital Transit stuff I don’t think made it to Record 27.

There are some unidentified traction sounds on an unmarked disc. The record starts with William Steventon telling a story about a blanket someone gave his father that had pictures of locomotives on it (his father was an engineer on the NYC). The story abruptly ends without concluding and the sounds of motor hum, gears, and door buzzers start. It sounds to me as if the recording was made at a subway station. We know Steventon made recordings in the IRT subway in New York and this may very well be it. The other side has more unidentified traction sound that may been the Queensboro Bridge recordings that were mentioned in the RRC newsletter David posted in this blog some time ago. Maybe someone knows for sure what all this sound really is. One other record worth noting is titled “Claude Mahoney.” Playing the record reveled that he was a radio commentator in the Washington DC area. This is both parts of a two-part show about riding an NRHS fantrip from Washington DC to Harrisburg, PA by way of Hagerstown on October 4, 1953. No train sounds are included but it is interesting in itself, especially if you enjoy old time radio broadcasts.

All of these records will soon be sent off to David for him to transfer to digital. Hopefully he can clean up and restore some of the sounds that right now, are degraded with surface noise and various clicks, pops, and hisses. I’m sure there is enough good sound to fill out a CD and it sure will make a great Railroad Record Club “bonus tracks” CD.

Another interesting aspect of the Railroad Record Club story is that some years after William Steventon’s death in 1993, his son Seth made an effort to reissue the entire RRC catalog on cassette tapes. David and I made inquiries about this to several people without much success. It’s likely the project was abandoned before much headway was achieved.

Evidence of Seth’s attempts were included in the estate. All of the records were converted to cassette and cover art and liner notes were put on cards for every record. Four completed tapes were in the collection and so are many of the cards.

Next I purchased 10 cover art paste-up boards. These are what was used to make the print blocks. A few actually contain the original art work. It seems Steventon would have the lettering glued to the same canvas board that the artist drew the picture on. They are not all originals, but several are. This was a bit of luck I would have never thought possible. On a few, such as the BC&G drawing for number 22 and the trolley picture for #23, the glued-on lettering has fallen off. This has revealed more of the drawing than we record owners have ever seen.

COVER ART

# 1 WAB (12″remaster cover)

# 3 EBT (12″remaster cover)

# 4 B&O (12″remaster cover) Original Drawing

# 19 DM&IR (12″remaster cover) Original Drawing

# 22 BC&G (12″remaster cover) Original Drawing

# 23 Pennsylvania Trolleys Original Drawing

# 24 CP Original Drawing

# SP-3 Whistle/Bend Original Painting

# SP-4 CSS&SB

# SP-5 Soo (12″remaster cover)

One other original drawing was found hiding among the others. It is of WCF&N interurban car # 100. This drawing did not appear on any RRC record jacket. The car is featured on Record 2. The first edition of the record had a cover that featured a photograph of the car. The second edition had a drawing of it, but it is not the one I have. Both of these editions were on 10″ stock. There is no way of knowing for sure but maybe a 12″ reissue of number 2 was in the works and this was to be the cover illustration. It’s possible. It could also be that this was a gift to Steventon or he commissioned it simply because he liked the car. Who knows?

Several boxes of photos were for sale as well. Both finances and cargo space were starting to reach their limits so I had to choose only a few to buy. As time allows I will scan and email all of the photos to David and he can include them in future Trolley Dodger posts. For now, I’ve scanned a few photos that in some way relate to the Railroad Record Club.

Photo 1. I was looking for a good photo of William Steventon, preferably in a railroad setting or with audio equipment in the field or at home. Nothing was found but this photo of him I think is quite good.

Photo 2 & 3. I found a copy of the photo that was used in the TRACTION & MODELS magazine article, the one that shows him making a recording of a North Shore Line interurban car. It has been posted in this blog before but this is a much better scan. It was made from an actual photograph and not a magazine reproduction as posted before. The shot is somewhat wider too. Because it is a good scan it is possible to crop the photo to a point where you can get a good look at all that recording equipment he needed. Imagine having to cart all that stuff around. Think of this next time you shoot audio AND video on your tiny Smartphone!

Photo 4. As was stated before, William Steventon’s father Seth was an engineer on the Big 4 (New York Central). This is very likely him in the cab of NYC 6879. Photo is dated 1915.

Photos 5 & 6. These two are good photos to keep in mind while listening to Record # 20 C&IM/NYC. The in cab recording Steventon made while aboard NYC # 1441 with his father as engineer was recorded while switching in this yard. While this photo was not taken at the time the sound recording was made (sound recording made December 9, 1953, these photos were taken on February 12, 1948) and is of a different locomotive (NYC # 1169), the setting is the same- the yard at Cairo, IL. In the liner notes of this record Steventon writes about the sound of the locomotive being “amplified by the huge empty lumber shed we were paralleling at the time.” That huge empty lumber shed is plainly visible in the wider shot of # 1169. Seth was again the engineer at the throttle.

Photo 7. Seth in the cab of Shenandoah Central # 12. This is the locomotive that is on one of the unreleased audiodisc records. It was very likely taken on the same day as that the sound recordings were made.

Photo 8. When I saw this picture in the box with a bunch of others, it stood out to me. Why I wasn’t sure until I took a closer look. It is of Charles City Western car # 50. What made it stand out was that the angle and position of the car is exactly as the car appears on the cover of record 28. Remove the car barn and some of the background, take away the bit of freight car to the left, add a few clouds in the sky and you have the record cover! It would be hard to convince me that the record cover drawing is not based on this photo.

Photo 9. CCW car 50 as it appears on RRC record # 28’s cover. Compare the two.

A few interesting documents were found as well. There was a large box of correspondence to and from the Club. Apparently Mr. Steventon threw very little away. If you ever wrote to him or ordered a record from him, chances are your letter or envelope are in that box! I looked briefly for anything from me but no luck. I would have needed more time to do a good search.

What I left Behind

There were more treasures to be found in that darkened building for sure. Time, storage space, and money, the bane I’m sure of every collector, shook me from my excitation. No more space and no more money meant no more discoveries.

While I’m very happy with what I got, there is still more. All those boxes of records I turned down and all those wonderful photos I couldn’t afford. I would hate to find out they had to be trashed.

The most glaring oversight on my part were the boxes of reel to reel tapes I saw. I did look at them and even took some photos, but it all appeared to be master tapes for the records. All these sound I was positive were safely cut into vinyl.

After getting home and closely looking at those photos I can now see that there was unreleased railroad audio there too. Such titles as L&N, NKP Diesel, IRT Subway, IND Subway, 3rd Avenue El and the Queensboro Bridge Trolley, among others, now jumped out at me. Perhaps there might be a way to save this material as well.

I had a great time making these discoveries, and I’m very happy that David should be able to make CDs of these sounds so they can be shared with all who are interested. After not being heard in decades, it feels great to be a part of the effort to bring these lost Railroad Record Club sounds into the light of day.

Recent Correspondence

Continuing from our last post (regarding Speedrail) Larry Sakar writes:

This was the aftermath of the 8/24/49 collision at Soldiers Home. Car 1143 with motorman Ralph Janus was an all steel car. That was the one that backed up. Car 1119 with motorman LeRoy Equitz was a car that was wood with I think steel sheets surrounding it. That was true of nearly all of the 1100-series TM single cars except 1142-1145. Those 4 were all steel. Equitz was speeding going twice as fast as he should have been given that he had a yellow caution signal. As you came downhill and into the Calvary Cemetery cut, the r.o.w. made a sharp curve beneath the Hawley Rd. overpass and then continued downhill. That and the Mitchell Blvd. overpass at the east end of the cut limited the view ahead. Equitz didn’t spot the 1143 until it was too late.

The newspaper picture I’m attaching looks forward from the front or what was left of the front of 1119 to the back of 1143. Note the telescoping. That’s the floor of 1143 in front of the fireman who is bending over on the right. Had anyone been sitting in the smoking compartment of 1143 they would have been killed. Luckily, no one was.

The Calvary Cemetery cut is the only part of the abandoned r.o.w. that remains relatively unchanged today. Here are some photos of it over the years.

Thanks for sharing!

Larry again:

Here’s more about that accident, Dave as well as a view of the 65 as it looked upon arrival in Milwaukee. Note no front end “LVT” design.

I promised Scott (Greig) that I would look into the Speedrail accident of 9/5/50 to see if the newspaper accounts identified the crew of car 1121. In the July, 2017 comments, Scott thought that the motorman of car 1121 was Ralph Janus who was motorman of car 1143 which backed up for the missed passenger at Soldiers Home station on 8/24/49 and was rammed from behind by car 1119 with motorman LeRoy Equitz. I thought it was someone by the name of Eugene Thompson.

According to the Milwaukee Journal article, “Speedrail Dead Now 10; Line Has New Collision” (MKE Journal 9/5/50 P.1) the motorman of car 1121 was Eugene Thompson. The motorman of car 64 which 1121 ran into was Virgil McCann. There was one passenger aboard car 64, Ewald Rintelmann, age 50 of Hales Corners whom the article says was “shaken and bruised.” I hoped that the other two crew members aboard car 1121 would be identified but they weren’t. It only mentions that there were “2 other men aboard the freight car.” At least not in this article or the following day. As I mentioned previously, I recall the late Speedrail motorman Don Leistikow saying it was a father and son, one of whom was the conductor and the other the brakeman. The article reported that Maeder “initially blamed the accident on ‘slick, moisture covered tracks’.” The accident happened 1000 feet south of the West Jct. station.

The 9-5-50 article is also where we hear of the 8 or 9 year old boy Maeder saw “standing awfully close to the landing at Oklahoma Ave.,” who drew his attention away from the Nachod signal. “Ordinarily, you keep you eye on the light for more than an instant,” Maeder said. “On Saturday, however, I noticed a small boy about 8 or 9, standing awfully close to the tracks at Oklahoma av. landing. When I noticed, in a quick look, that I had the white light, my thoughts turned to the more immediate danger of the small boy and I turned my eyes from the light to the boy.”

I’ll give Maeder credit for coming up with a good story to explain his failure to keep an eye on the signal but that’s all. He makes no mention of the fact that Speedrail supervisor John Heberling was stationed at Oklahoma Ave. and that he had set the switch so that Maeder’s train went into the siding. Nor does he mention that he ordered Heberling to immediately reset the switch and let him out of the siding when the latter wanted to take time to call the dispatcher and see where Equitz was at. Neither John Heberling nor any of the fans gathered around Maeder on the front platform ever reported seeing a small boy playing or standing near the tracks.

When Maeder refers to “the landing,” I am guessing he was referring to the station platform. Oklahoma Ave. station was on the bridge over Oklahoma Ave.

About 3 years ago I had a phone conversation with George Wolter, the assigned motorman on Maeder’s train. I asked if it was true that Maeder took control of the train shortly after leaving the Public Service Building outbound to Hales Corners. He confirmed that Maeder said, “Go and have a seat. I’ll take it from here,” when they got to 6th & Michigan Sts. I asked if Maeder had given him a reason and he said, “Well we got caught in a traffic jam on 6th St.” I said, “OK but what does that have to do with anything?” Maeder taking over operation of the train wasn’t going to change the fact that you were caught in street traffic. I mean he wasn’t Moses. He couldn’t lift up his switch iron and demand that the traffic part and let his train pass in the name of the Lord.”

I know that was a rather sarcastic remark but Wolter’s excuse for Maeder was utterly ridiculous. Wolter said, “I will swear to my dying day that I saw that signal at Oklahoma Ave. and it was white.” That was the end of the conversation. His statement contradicts what he told the DA and testified to at the Coroner’s inquest. His exact statement at that time was that he was just coming up front having “gone back to the rear car for a while.”

This was when he spotted the roof of Equitz’s train coming up over the top of the hill ahead of the northbound train. He said he DID NOT see the signal at Oklahoma Ave.! I think his testimony at the time carries far more weight than the way he remembered events more than 60 years later. I should also point out that had he been so inclined the DA could have charged Wolter with negligence since PSC rules required that a qualified motorman had to be present at all times when someone who was not qualified was operating the train. He had absolutely no business being in the rear car of 39-40.

Don Leistikow said that had he been the motorman he would have stood right next to Maeder whether he liked it or not. He would have been the scheduled motorman and this was officially his train. He was the person responsible for it. As Don pointed out the PSC regulations did not make an exception just because you owned the company. Based on the way the DA went after Maeder and statements made by the DA as early as 9-5 when he said he had concluded that based on the evidence he’d gathered that Maeder went thru a red signal. And it was obvious that he wasn’t buying Maeder’s story about safety concerns. Maeder’s frequent sessions with railfans in his office, seeking their input while ignoring Tennyson the VP of operations, fits the pattern of someone who on 9/2 saw an opportunity to bask in the admiration of his fellow model railroaders and railfans and just couldn’t pass up such a “golden opportunity” to show off by being at the controls of duplex 39-40. Tennyson said as much in my book and reluctantly, I would have to agree with him.

I am sure our readers will appreciate this important bit of history on what was a very serious tragedy.

Finally, Larry asks:

One thing that has puzzled me for a long time is why the CTA was so anti-streetcar. It seems to me that they would have wanted to keep the PCC’s running on at least the 22-Clark-Wentworth, the 36-Broadway-State and the 49-Western Ave. Weren’t those 3 lines some of the busiest crosstown streetcar routes? It’s always seemed to me, not knowing much more than the basics about the CSL and CTA that it appeared to be terribly wasteful to junk all of those mostly new St. Louis Car PCC’s. Yes, I know that a lot of parts went into the 6000 series “L” cars but did they really recoup their investment?

I know there have been books written about the CSL but has anyone ever thought about writing a comprehensive history of it say for CERA? Dave Stanley told me that when CTA acquired CSL it was broke. Was the CRT in any better shape, financially?

In a way it’s too bad the CTA wasn’t selling off the PCC’s in 1949.Both the Waukesha and Hales Corners lines had turning loops so their being single ended would not have been a problem though whether Maeder could have afforded them, I have serious doubts.

TM did not have turning loops on any of the streetcar lines and that is part of the reason S.B. Way was not interested in buying PCC’s for Milwaukee. It would have meant constructing loops at the ends of the car lines or buying double ended PCC’s. I know of only 2 systems that had double ended PCC’s; PE and Dallas. Of course by the time the first PCC’s rolled off the production line for the Brooklyn & Queens, TM had pretty much turned its back on streetcars in favor of trolleybuses.

The Chicago Transit Authority purchased the Surface Lines in 1947 for $75m. However, the CSL had $30m in cash on hand in a renewal account, so the actual amount spent was only $45m.

While the underlying companies behind the CSL facade were bankrupt, this was more of a technical bankruptcy, a situation that the City of Chicago wanted to maintain since they had by the mid-1940s decided that municipal ownership was the only way forward. Otherwise, contemporary accounts indicate that CSL could have emerged from bankruptcy during WWII.

CSL could have done better, except that its fares were being kept artificially low by the Illinois Commerce Commission. When the CTA took over, there were numerous fare increases in its first decade of operation since the agency had the power to set its own rates.

By contrast, the Chicago Rapid Transit Company was a financial basket case that could barely pay its bills. During the transition to CTA ownership between 1945 and 1947, the most that CRT could spend for new railcars was $100k, while the Surface Lines had millions on hand for such purchases. CRT ordered four articulated sets while CSL ordered the 600 postwar PCCs plus other buses.

CSL was very much a pro-streetcar operator, but in the years prior to 1947, had been expanding service using motor buses and trolley buses, including some initial conversions of lightly-used streetcar routes to bus.

The City of Chicago commissioned a transportation study in 1937 that suggested replacing half the trolleys with buses. This still would have meant purchasing 1500 new streetcars.

As the years went on, this amount kept being decreased in the plans, from 1500 to 1000 to 800, and ultimately it became 600.

While the CTA still planned to order an additional 200 PCCs in their 10-Year Plan, published in 1947, this did not come to pass, and the first general manager of CTA, Walter J. McCarter, was hired in part because of his success in “rubberizing” the Cleveland streetcar system.

So, while CSL was pro-streetcar, increasingly the City of Chicago was pro-bus, and when municipal ownership came to be, the new CTA reflected the attitudes of the City.

The war had put off some bus substitutions and equipment purchases, so there was a backlog of conversions in the pipeline by that time. This led to a more rapid switch from streetcar to bus than might have been the case otherwise.

The difficulty in abandoning lightly-used lines also worked against CSL, and to some extent CSL and CRT competed with each other. Once CTA took over, they could rationalize both systems to work better together.

Still, even as late as 1949, CTA was at least considering purchasing 200 more PCCs, and retaining service on as many as 11 streetcar lines. The 600 PCCs were brand new, and the 83 prewar cars plus the 100 Sedans could have provided good service for many years to come.

Around that time, however, a number of factors were already at work against the surface system in general.

First, along with increased car ownership and frequent fare increases, there was a serious drop-off in surface system ridership, to the point where it was eventually decided that buses could do the job.

Second, the CTA changed its method of accounting, allocating a portion of surface system revenue to the rapid transit. This meant that some service that were once considered profitable were suddenly seen as unprofitable.

One thing that CTA did almost immediately was work to reduce their labor costs by eliminating as many employees as possible. This became even more important in the inflationary postwar period as unionized workers demanded better pay and benefits. CTA had a chronic manpower shortage and was thus in a weak position to hold the line.

Since most streetcars were two-man, they were easy targets for substitution by one-man buses.

A 1951 consultant’s report proposed that CTA retain the PCCs, convert them to one-man, and stop purchasing electric vehicles for the surface system due to the supposedly high cost of electric power purchased from Commonwealth Edison.

By the 1950s, CTA had become convinced that maintaining ridership was a matter of providing faster service. Faster service could not easily be provided on city streets, with increasing competition from cars and trucks, but there were ways to speed up service on the rapid transit system.

The so-called PCC Conversion Program was mainly public relations. The CTA had decided it no longer wanted to operate streetcars, yet had 600 that were just a few years old, with an expected 20-year life and attendant depreciation. The main purpose of the program was to take these cars off the books in a way that would not show a loss on paper.

While frequent claims were made that supposedly the program was yielding $20,000 or more per streetcar, CTA actually received $11,000 for each of the 570 cars sold to St. Louis Car Company. In addition, there were thousands of dollars in additional costs involved with adapting and reconditioning parts. Over the five years or so of the program, the amount of costs increased, to the point where, by 1958, CTA admitted it was receiving no more than scrap value for each PCC sold.

But since these were non-standard cars, there was no market for reselling them to another city.

The Conversion Program only made sense if you believed that PCC streetcars, which were state-of-the-art and just a few years old, had absolutely no future value as transit vehicles, even though the 1951 consultant report indicated that the tracks and wire were in good shape and were worth keeping. The consultant thought that the cost of replacing the service with bus was more than the cost of keeping what they had.

CRT was in such bad shape that within a few short years, CTA decided to devote 70% of its investments in upgrading it, even though in 1947 it only had a market share of less than 20% of local ridership. As a consequence, some might argue that the surface system got the “short end of the stick,” especially after October 1, 1952 when CTA purchased the assets of the competing Chicago Motor Coach Company.

Perhaps not coincidentally, this was also the date when the CTA, having eliminated its last remaining competitor, announced the Conversion Program that spelled the end of streetcars in Chicago. It was no longer necessary to offer a “premium service” that could compete with CMC for riders.

As for a history of CSL, it would be hard for anyone to better the Chicago Surface Lines book by Alan R. Lind, especially the third edition published in 1979.

The subject is of sufficient complexity to demand a series of books, of which Chicago Streetcar Pictorial: The PCC Car Era, 1936-1958 (published as Bulletin 146 of the Central Electric Railfans’ Association in 2015), at 448 pages, including several hundred photos in color, forms an important part. I am proud to have been a co-author of that book.

My upcoming book Chicago Trolleys, although a much more modest 128 pages, will be another addition to that field.

-David Sadowski

Bonus Pictures

FYI, I found this brochure in one of the issues of Surface Service (the Chicago Surface Lines employee publication) I recently scanned:

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Guy Wicksall and His Films

October 11, 2016October 11, 2016David Sadowski 7 Comments

South Shore Line car 102 in downtown Chicago.

You probably have not ever heard of Guy J. Wicksall before, but he has been shooting movies of trains for a long time now. He recently had some of his rare 16mm color films converted to video. By special arrangement with the photographer, we are now able to offer our readers The Guy Wicksall Traction Collection (1963-1975) on DVD (details below, at the end of this post).

All the photos in this post are screen grabs from the Wicksall Collection. We figured the best way to introduce these films to you would be to go to the source, and discuss them with Guy himself.

Here is an edited transcript of my conversation with the man behind the movies from October 10, 2016. Mr. Wicksall is now 81 years old and lives in the Finger Lakes area in upstate New York.

-David Sadowski

How long have you been making movies?

I started making movies in 1960. I have right now, some 59 DVDs. If I could ever get the money together, I have enough material for another 30 or 40.

That’s pretty incredible. What subject matter would most of them be?

Most of it is anything that ran on steel rails (laughs), there are a few exceptions, I have a few of the aerial cable ways in Switzerland. I have a real short piece, a 15-minute piece, on the Minnesota Transportation Museum trolleys.

And what percentage of your film footage would you say is devoted to electric traction?

Oh, probably 5 percent, maybe as much as 10 when you count in the European stuff.

And was it all 16mm that you shot?

Not all of it. The first few years I was shooting 8mm. When Kodak came out with their Super 8, my local photo shop loaned me a sample of Kodak Super 8 film, and I looked at that, and compared it with the 8mm, and decided that the 8mm wasn’t suitable, and the Super 8 wasn’t any better, so I changed at that time to 16mm.

(Editor’s note: Kodak introduced Super 8 in 1965, but some of Mr. Wicksall’s 16mm films date back to 1963. You can read more about these film formats here.)

And how much larger is the 16mm film area that the 8mm?

Oh, well, it’s at least four times the area.

That makes a tremendous difference as far as the quality is concerned. I’m very pleased with the excellent quality of the films that you made, because I am used to seeing videos made up from 8mm, where the picture is so fuzzy that if you made a screen shot of it, you’d hardly know what it was a picture of.

Right. I know what you mean. And, talking with people, it seems that the Super 8 got worse as the years went by. They tried to push the speed, it hurt the quality of the image.

Was it Kodachrome or Ektachrome, or both?

Kodachrome.

What was the film speed back then?

Well, I started out with 25 ASA, and I think I got to 64 at some point.

And what kind of film was available for 16mm? Was it also Kodachrome?

Yes. I always shot Kodachrome on the 16mm.

And then, at some point, did you switch over to using video?

Yes, I got pushed into it by the cost, when I started shooting 16 it was about $9 for a 50-foot reel, and it went to $70, and I just couldn’t stand it anymore. I had to go to something that was a little more reasonable. Unfortunately, I lost a little quality on the early Hi8 camera I used.

Sure. But now they keep coming up with new formats for the video, they’ve got this new one called 4k, which is the best one yet.

Well, the big problem is they keep changing formats so quickly. Now I’ve had three different video cameras with three different setups. A couple used Hi8, and the last one is digital video on SD cards, and things keep changing.

Regarding some of the film on the two traction discs, I could ask you a few questions. You made some business trips to Chicago, is that how you ended up making some films around Chicago?

Some of it was business trips to Chicago, and some of it was just plain vacation. I didn’t get a lot of business trips. The stuff shot in New York was on business trips, and some of the stuff shot in Chicago was on business trips, but not all of it.

In ’63 or so, you took some film on the “L”. It looked like you were at what they now call Adams and Wabash station, watching some trains come around into the station, and you’ve got some footage where you rode out on the Lake Street “L” to Oak Park.

Right.

That was the year after they had elevated that one section, the outer end of the Lake Street “L”, it ran on the ground for 2 ½ miles on the west end, and I saw that you had a glimpse there showing the track was still in place, even though you were up on the embankment. But it looks like they had paved over the grade crossings.

I was wondering a little bit what that track was.

Until October 28, 1962, the west end of the Lake Street “L” ran on the ground, west of the Laramie station. There was a ramp that went down to ground level and it ran parallel to the Chicago and North Western embankment there, using overhead wire. They had trolley poles on the trains, and clearances were very tight. There were something like 22 grade crossings, blind crossings, where you could easily have an accident where a vehicle would run under that viaduct and run right into a train. It was kind of dangerous. These were manually operated gates, so there was a lot of manpower involved.

The CTA wanted to reduce expenses, improve the running time, and safety, so they made a deal with the Chicago and North Western in the 1950s to relocate the tracks onto the embankment, which had probably been put up sometime around 1910. It was a big project which involved a variety of different government bodies, the Village of Oak Park, the City of Chicago, the Chicago Transit Authority, the State of Illinois, and it was a “win-win” situation, because everybody benefited from the relocation of the tracks. When they got rid of those tracks, that made the street wider, and it allowed for more parking, and of course there were a lot of improvements based on the quicker running time for the trains, and since it was grade separated, there weren’t going to be any more accidents with pedestrians and vehicles.

I grew up in the area around Oak Park, so we rode those trains many times when they ran on the ground. The clearances were so tight that they couldn’t run the 6000-series “L” cars, which had curved sides, and just that little bit of extra room was enough that they couldn’t run those cars on that part of the line. I noticed also that you had taken some film showing trains going up the ramp out of the old Hamlin Yard, which was near Lake and Pulaski.

You remind me of what was in that video. A lot of it, I’ve forgotten. Of course, it’s been a few years, I’ve had some time to forget stuff.

Yeah, for car storage then, they really didn’t have a proper yard as such at the end of the line, which was in Forest Park, just west of Harlem Avenue. For car storage, they had this Hamlin Yard, across the street from West Shops, used by the Surface Lines. They had streetcar trackage running in and out of there, where they had overhead wire. They also had a third track on the Lake Street “L” where they stored some cars. You had some great shots of all of that.

And then you had shots of the South Shore Line and the Illinois Central Electric, showing the old IC cars from 1926, plus the Highliners, the bi-levels that were replacing them back in the ’70s.

Yes, yes.

All great stuff. Those first generation Highliners have now been retired, just within the last year or so, and they’ve been replaced by something very similar, but more modern.

That’s the thing about a lot of this railfanning. I’ve been at it long enough that sometimes, the things have been replaced, and sometimes the replacements have been replaced.

Right. And on the South Shore Line, all those old cars have been replaced. I think that many of them have been saved, by many railway museums, and there are a few of them that actually operate some, like the Illinois Railway Museum, and the East Troy Electric Railroad in Wisconsin. I did ride those cars a few times in their twilight years. Those cars were replaced by some Japanese-made vehicles around 1981, and now they even have some bi-levels of their own. They piggybacked on an order of cars for the Metra Electric, which runs the service now that used to be the Illinois Central suburban. They just use them during weekday rush hours. There is even now some talk of double-tracking the rest of the line out to South Bend.

It’s been a lot of changes.

Your first shots there of the South Shore Line were taken in 1971 or so. Up until the summer of 1970, they ran all the way into downtown South Bend. They had some street running there, which they cut back to the outskirts of town. Since that time, they built some new track to a nearby airport. There’s always been talk about grade separating the track that runs on the streets through Michigan City, but they haven’t done that yet. They keep arguing over which route they would use. So, at the moment, all those South Shore trains run right down the street through Michigan City, like they have for many, many decades.

You had some great footage in other places too, like in San Francisco, amazing shots of all that wonderful old equipment. Fortunately, they still have some old equipment running, on those historic lines they’ve come up with, and then Red Arrow, some great footage there of the Red Arrow Lines. Do you have some memories of those visits?

Oh yes. I have some memories, but I don’t have the details. I have to watch the videos to see what I saw.

There’s a lot out east, New York and New Jersey.

I’ve got a lot of, oh dear, Conrail. I was looking here, I’ve got Minnesota Transportation Museum, September ’74, that’s 11 minutes. There’s another one that’s about 15 minutes, that shows the same stuff years later.

Some of the east coast stuff would be interesting to many people. There’s a friend of mine who lives in New Jersey. I’m sure he would love to see your footage of the Gladstone Branch, the Erie Lackawanna. Some of that reminds me of, the old cars there, reminds me a lot of the ones that were used on the Illinois Central.

Trains have changed so much in the last 50 years.

Sure, those lines are running too, but they’re all NJ Transit.

Now, the Como-Harriet trolley (Minneapolis-St. Paul), I have the one reel from 1974, and another one that shows the same thing in 1998, with expansion and so on. Anyway, I’ve got these two, which add up to another oh, 26 minutes. They might be of some small interest too.

Oh, sure.

I used to show my movies to the Syracuse chapter of the NRHS. I wore out a projector doing that. Now I’ve gotta get off the phone. My wife is calling me for supper.

I have no objection to your making copies of these DVDs, and to sell them. I am quite happy with it. My thought is, it does no good sitting on my shelf. I would rather have it spread as widely as possible, and you look like you might be a good person to do that.

It’s been so nice talking to you. We’ll be in touch. Thanks so much. Take care.

You’re welcome.

The original Illinois Central Electric trains, which were built in 1926.

4000s pass the old Tower 12 at Wabash and Van Buren in Chicago’s Loop.

A Lake train of 4000s approaches Adams and Wabash in 1963, when the Loop was single-directional.

A two-car CTA Ravenswood train approaches Adams and Wabash in 1963.

In 1963, the old Lake Street Transfer station had not yet been torn down. It was removed the following year. Logan Square and Humboldt Park trains stopped running on the other level here in 1951.

A quick glimpse of CTA trolley bus 9649.

A Milwaukee Road train in the early 1960s. Not sure if this is inter-city or commuter service. Bi-levels were being phased in on the MR commuter lines. David Vartanoff adds: “The Milw Road train is a commuter run. By the time he was filming, intercity cars had been repainted to UP as the E-7 was.”

The photographer was on a northbound Evanston train that was pacing a Howard train of 6000s.

4000s pass the old Tower 18 in Chicago’s Loop. It was torn down and relocated in 1969 so that Lake Street trains could go directly east at this point, when that line was paired with the new Dan Ryan service.

CTA single-car units under wire in Evanston in 1963.

A Pennsy GG1.

A New Haven train emerges from a tunnel in Manhattan.

A New York rapid transit train on the 7 line in 1964.

The New York Central in Manhattan.

To this day, San Francisco operates trolley buses as well as PCCs.

SF Muni PCC 1021 and a 1955-57 two-seater Thunderbird roadster.

SF Muni double-end PCC 1015.

A San Francisco cable car in the late 1960s.

Red Arrow Strafford car 163 on a curve.

Red Arrow Strafford car 164.

A Strafford car with a Liberty Liner (ex-North Shore Line Electroliner) behind it at 69th Street.

A Bullet car on the Norristown High-Speed Line.

A train of Philadelphia “Almond Joys” at 69th Street Terminal.

St. Louis-built double-end car 16 (not an official PCC, although it certainly looks like one) on the Red Arrow.

Red Arrow Brilliner #1 at 69th Street.

David Vartanoff: “PRR never had RDCs. That is an NYC (New York Central) car.”

David Vartanoff: “The PRR EMU you show is NYC (New York Central). The under running third rail is the clue.”

Erie Lackawanna.

A Penn Central train.

An Erie Lackawanna train in New Jersey.

700-series electric freight locos.

The South Shore Line shops in Michigan City.

The South Shore Line in Indiana.

South Shore Line car 108 in Chicago.

An Illinois Central bi-level whose end has not yet been repainted in brighter colors.

IC Highliners downtown.

Illinois Central bi-levels in Chicago, with the old Central Station in the background.

Recent Correspondence

Father Thomas Nagle writes:

Hello…hope you can point me in the right direction. I remember seeing CTA wreck wagons as a kid and was always fascinated by them. They looked like CFD rigs to me with Mars lights, gongs and sirens and even red and green headlights. Are there any photos of them available anywhere? I’ve googled them and come up empty. Thank you.

Fr Thomas Nangle
CPD chaplain retired

Perhaps our readers may have some pictures, thanks!

One of our regular readers writes:

Why didn’t the CSL/CTA ever install Post War PCC cars on Ashland Avenue? The street was as wide as Western Avenue from the north end to the south end. All that would have been necessary would have been the construction of an off street loop (such as Western and Berwyn) at 95th Street and a connecting track off of northbound Clark to southbound Southport at the north terminal.

PS: Is it possible that Ashland and Milwaukee might have been slated for PCCs if they had ordered 1,000 as had been originally thought?

In 1937, when the “Green Book” plan was issued, the City of Chicago envisioned replacing half the existing streetcar fleet with PCCs, and the other half with buses (some of which would have been trolley buses). But the report noted that at some future date, buses might be able to handle all the traffic.

Half the fleet, at that time, would have been something more like 1,500 PCC cars. That the number was soon reduced to 1,000 probably reflects the continuing trend toward buses.

Milwaukee would have to be a candidate for PCCs, since one PCC (4051) was operated there in 1940-41, on a test basis with the altered door configuration that CSL adopted for the postwar cars.

On the other hand, arguing against that is the plan, formulated in 1939, for the Dearborn-Milwaukee subway. Only the outer portion of Milwaukee truly made sense to run PCCs if you were going to have a greatly improved, more direct rapid transit service running in a subway on Milwaukee. PCCs would have done well in feeder service between the Imlay Loop at the city limits and the Logan Square terminal.

Offhand, I don’t know where Ashland would stack up in a list of the heaviest lines. But certainly the prevailing wisdom at CSL in the 1930s and 40s was to use streetcars for the heaviest lines, trolley buses for the medium ones, and gas or diesel buses for the rest. I assume that Ashland had plenty enough ridership to be considered for PCCs, though, and it would have been an excellent choice.

Ridership in the WWII era was heavy enough that CSL and the City planned to assign the 600 postwar PCCs to just four major lines. But by the time the deliveries were complete, this had been expanded to six lines, since ridership was declining.

What we don’t know is how strategic these assignments were, with the thought of creating an ongoing streetcar system for Chicago that could have continued into the future. One thought is that perhaps the CTA and the City felt that they had to spread the new cars around, so that more neighborhoods would benefit from the new service.

If that was a consideration, it would argue against Ashland, since it ran parallel to Western and went to many of the same parts of town. It would argue in favor of choosing a street like 63rd, which ran east-west on the south side and therefore served different neighborhoods.

In any event, by 1947 the CTA, even as it was still taking deliveries on the postwar order, seems to have planned for the gradual phasing out of streetcars, even the PCC ones. The 1947 CTA modernization plan (which you can read in my E-book Chicago’s PCC Streetcars: The Rest of the Story), which covered the years 1946-1955, anticipated having only three streetcar lines left by 1955, which is pretty much what actually did happen. Presumably, they would have phased those out in the years following 1955, if another such plan had been published.

Furthermore, it was not always possible for CTA to put turnback loops where they wanted them. The area around 95th and Ashland was built up and who knows what locations would have been available.

There were plans to build a loop for the 36-Broadway at 115th that never materialized, due to neighborhood opposition. And the Grand-Nordica trolley bus loop for route 65 – Grand could only be put a couple blocks away from Harlem, which would have been much the preferred location.

Keep those cards and letters coming in, folks. You can always reach us at:

thetrolleydodger@gmail.com

New From Trolley Dodger Press

VIDEOS ON DVD:

South Shore Line car 102 in downtown Chicago.

The Guy Wicksall Traction Collection (1963-1975)

Our latest release, by special arrangement with Guy Wicksall, features video transfers of rare, high quality 16mm color films of electric railroads taken across the country between 1963 and 1975. These are much better quality than the more typical 8mm films railfans used back then. If you like classic railfan videos, you are sure to enjoy this collection, which features narration by the photographer. Mr. Wicksall receives a royalty on each disc sold.

Disc 1: 38 Chicago and New York Commuter Trains, 1963-1964 (18:24)
Includes Illinois Central Electric, South Shore Line, Chicago Transit Authority “L” trains in the Loop, on Lake Street, Howard, and Evanston lines, Chicago & North Western and Milwaukee Road commuters, Pennsylvania Railroad, New York Central, Long Island Rail Road, New Haven, and New York elevated trains.

Disc 2: 48 Commuter Trains, 1968-1975 (57:22)
Includes San Francisco Municipal Railway (Muni) PCCs (some double-ended), trolley buses, and cable cars, Philadelphia Suburban (Red Arrow Lines), including Straffords and Bullets), Penn Central, New Haven, Erie Lackawanna, South Shore Line, Illinois Central Electric, and more.

Total time – 75:46

# of Discs – 2
Price: $24.95

Help Support The Trolley Dodger

This is our 161st post, and we are gradually creating a body of work and an online resource for the benefit of all railfans, everywhere. To date, we have received over 206,000 page views, for which we are very grateful.

You can help us continue our original transit research by checking out the fine products in our Online Store. You can make a contribution there as well.

As we have said before, “If you buy here, we will be here.”

We thank you for your support.

New Railroad Record Club Discs

November 19, 2015November 20, 2015David Sadowski 2 Comments

Trolley Dodger Records is making considerable progress towards our goal of releasing the entire output of the long-gone Railroad Record Company on compact discs. Today, we announce the availability of six more RRC LPs in digital form. Now there are just seven remaining RRC LPs that we are still looking for (see the list at the end of this post).

We have found several of these titles thanks to the generosity of collector Kenneth Gear.

Most of the 40 or so RRC discs were 10″ records with a running time of about 30 minutes apiece. Therefore, we have paired up various RRC recordings, since two will fit on a single CD. So, today we are offering three new CD collections. One previous release has been expanded.

Perhaps the rarest Railroad Record Company LP of them all is #23, Pennsylvania Trolleys. This disc showcases two of the smaller trolley systems in the Keystone State, as they existed in the early 1950s– Altona & Logan Valley and Johnstown Traction. We are excited to add this to our list of available titles as one of the “crown jewels” of the RRC collection, of which there are many.

This has been paired with RRC #30, Sound Scrapbook – Traction. This includes additional recordings from Johnstown Traction and the Altoona & Logan Valley, and adds to them the Rochester Subway, the old US Senate Subway, Grand River Railway, and Scranton Transit.

It’s worth noting that Johnstown Traction car 311, featured on these recordings, is now preserved at the Rockhill Trolley Museum.

Even by 1953-54, when these recordings were made, it was apparent that the traction era in many of the smaller cities of Pennsylvania was fast coming to an end. The last Altoona & Logan Valley streetcar ran on August 7, 1954, and the final Scranton trolley on December 18, 1954. Johnstown, the smallest US city ever to purchase new PCC streetcars, was the last to go on June 11, 1960.

Today, there is an effort underway by the Electric City Trolley Museum to restore Scranton car 505, an “Electromobile” built in 1929 by Osgood-Bradley. Its sister car 506 can be heard operating in Scranton on these recordings.

The Altoona & Logan Valley recordings on discs 23 and 30 feature car 74, which was also an Osgood-Bradley Electromobile, built in 1930. There is a picure of the car on Don’s Rail Photos:

http://donsdepot.donrossgroup.net/dr0902/alv74.jpg

Unless you are a Canadian traction fan, you may not know much about the Grand River Railway, an Ontario electric interurban. Passenger service was abandoned on April 23, 1955. While we do not know when the Grand River audio was recorded for RRC disc #30, most likely it was around this time. There were two final fantrips, the last of which took place on May 1, 1955. Electric freight service continued until October 1, 1961. According to the Wikipedia, parts of the old Grand River right-of-way are going to be used in the next few years for light rail.

RRC LP #28, with both Charles City Western and Waterloo, Cedar Falls & Northern, has been added to our previous CD release of #11, Shaker Heights Rapid Transit, a Cleveland area interurban.

Some of the cars on this CD are also preserved. Charles City Western car 50, now 100 years old, still operates in Iowa on the Boone & Scenic Valley Railway & Museum. Box motor OX is at the Northern Ohio Railway Museum. SHRT car 306 (formerly of the Aurora, Elgin & Fox River Electric) is now being restored at the Illinois Railway Museum.

Sadly, WCF&N car 100, which survived that interurban operation, was itself destroyed in an unfortunate fire on November 24, 1967 at the Iowa Terminal Railroad. As Don’s Rail Photos notes, “It had been the only car saved from the WCF&N roundhouse fire on October 31, 1954, when the other two cars of its class burned.” While the car itself is gone, at least these audio recordings remain.

Turning to steam, we have paired RRC LPs #03 and 16, since they are both narrow gauge recordings. These feature the Denver, Rio Grande & Western, East Broad Top Railroad, and the Westside Lumber Company.

RRC #20, which mainly features New York Central steam from the early 1950s, was almost entirely recorded in the state of Illinois. Here is where these records bring some unexpected personal stories to light.

The late William A. Steventon, founder of the Railroad Record Club, was the son of a railroad man. This record includes audio of his father operating a New York Central steam engine for the very last time in his career.

Although the RRC was based out of Hawkins, Wisconsin, Steventon himself grew up in Mt. Carmel, Illinois, in the southern part of the state, very close to the Indiana border. Therefore it should be no surprise that Steventon’s voice, as featured in the narration on the East Broad Top recordings, has a decided southern Indiana twang.

The liner notes to the Altoona & Logan Valley recordings were written by Walter Evans, who was blind from birth, but very much tuned in to the sound of Altoona trolleys. His recollections of these streetcars dated back to 1916.

I did some Internet searches and determined that Mr. Evans was born in 1910 and died in 1999, apparently living his whole life in the Altoona, Pennsylvania area. He taught at a school for the blind and retired in 1975 after having done this for 31 years.

RRC #20, which also has steam recordings of the Chicago & Illinois Midland in addition to New York Central, has been paired with an LP called Railroad Sounds. This late 1950s release came from another obscure and long defunct small record label, and includes both steam and diesel sounds from the Illinois Central.

Following up on an earlier post, one of our readers reports that the model of Chicago Surface Lines car 7001 was imported to this country by Ken Kidder. You can read more about his line of models here. Apparently, Mr. Kidder worked in the shoe department of a San Francisco department store. He was, it seems, more concerned with getting these fine models into people’s hands than he was in making money.

We are still looking for the following Railroad Record Club recordings, which are needed to complete our collection:

#19 – Duluth, Missabe & Iron Range
#21 – Duluth & Northeastern
#22 – Buffalo Creek & Gauley
#31 – Sound Scrapbook – Steam
#32 – New York Central
#33, 34 – South Shore Line (freight)

All other RRC recordings, including LPs #1-19, 20, 23-30, 35-36, plus Special releases 1-6, are available now in our Online Store. These come with free shipping within the United States.

-David Sadowski

Help Support The Trolley Dodger

This is our 96th post, and we are gradually creating a body of work and an online resource for the benefit of all railfans, everywhere. To date, we received more than 91,000 page views from more than 26,800 individuals.

You can help us continue our original transit research by checking out the fine products in our Online Store. You can make a donation there as well.

As we have said before, “If you buy here, we will be here.”

We thank you for your support.

RRC #23 and 30
Pennsylvania Trolleys
Sound Scrapbook – Traction
# of Discs – 1
Price: $14.95

Record #23:
Car No. 311 of the Johnstown Traction Company running in city streets, going over switches, and the thump of the compressor. You can almost “feel” the sway of the car over low joints! Side Two is car No. 74 of the Altoona and Logan Valley on track work in Altoona.

Johnstown Traction car 311 is now preserved at the Rockhill Trolley Museum in Pennsylvania.

Record #30:
A wide selection of traction sounds including Rochester Subway, Senate Subway, Grand River Railway, Scranton Transit, Altoona & Logan Valley and the Johnstown Traction Company compressors, air horns, flange squeal, and even trolley seats being turned.

Total time – 61:22

RRC #11 and 28
Shaker Heights Rapid Transit
Charles City Western
Waterloo, Cedar Falls & Northern
# of Discs – 1
Price: $14.95

Record #11:
Shades of the past with Shaker Heights Rapid Transit Nos. 30 and 306 sporting air horns and whistles from the Lake Shore Electric and Cincinnati & Lake Erie. Box Motor OX on rusty rail with lots of whistling. Even line car 101 puts in its appearance! If you like traction, you’ll like this.

Record #28:
An “on train” recording of Charles City Western No. 50 on the Colwell branch. A whistle that varies in pitch, controller notching and motor hum. Waterloo, Cedar Falls & Northern city car 381 leaving the Waterloo station for Cedar Falls. Also loco 184 and compressors on No. 100.

Total time – 64:45

RRC #03 and 16
East Broad Top Railroad and Coal Company
Denver and Rio Grande Western
Westside Lumber Company
# of Discs – 1
Price: $14.95

Record #03:
Trackside recordings of the East Broad Top while it was still a common carrier. Scenes from Rockhill Furnace to Robertsdale, including an upgrade struggle near Kimmel. Side Two is a trackside scene of No. 499 and 481 fighting upgrade at Cumbres Pass on the Denver and Rio Grande Western.

Record #16:
The exhaust of a Shay is soft and rapid. Here are soft, stuttering exhausts and whistles echoing along rocky hills. This is lumber transport in rough country with Westside Lumber Company Nos. 8, 9, and 10 picturing the indestructible Shay in action!

Total time – 68:48

RRC #20 and RRS
New York Central
Chicago and Illinois Midland
# of Discs – 1
Price: $14.95

Record #20:
New York Central locomotives 5382, 1599, 3140 and an “on train” switching scene at Cairo, Illinois on the 1441. Side Two is Chicago & Illinois Midland No. 701 southbound, and the No. 540 switching. Gulf, Mobile & Ohio diesel No. 1110 presents an unusual program with the 540.

Record #RRS:
The steam and diesel sounds of a vanishing era… they become dimmer and dimmer as the sounds of a new and greater power age grow to be more of a reality with every passing day. They are part of the romance of America that will always be with us, in spite of atomic power and new technical wonders. for here, through the process of full frequency range recording, every nuance of this sound world of railroading is captured with earth-shaking dynamism. Here is a galvanic auditory experience for high fidelity enthusiasts to enjoy as they contemplate the rich pageantry of railroading and its mighty impact on the growth of an industrial world. Featuring the sounds of the New Orleans Division of the Illinois Central Railroad.

Total time – 55:37