Back in Business

April 15, 2023May 22, 2023David Sadowski 12 Comments

North Shore Line cars 155, 190, and 154 are stopped by the historic Kenilworth fountain on July 24, 1955. The occasion was a Central Electric Railfans’ Association fantrip just prior to the abandonment of the Shore Line Route. A similar picture, taken by Ray DeGroote, is in my book The North Shore Line.

While this is our first new post in nearly three months, we have been hard at work this entire time. Since January 21st we took delivery on our new book The North Shore Line (see below), and shipped out over 200 copies to our purchasers and contributors. The book has been very well received by our readers.

We also gave a presentation on March 8th at the Schaumburg Township Public Library for our 2021 book Chicago’s Lost “L”s. This was a “hybrid” (in-person and on Zoom) program, but it was not recorded.

FYI, I will be giving a presentation on Monday, April 17th at the Libertyville Historical Society for my new book The North Shore Line. This is a “hybrid” program (both in person and on Zoom). More information here.

Three days later, on April 20th, I have another presentation scheduled (in Lake Forest) at the History Center Lake Forest-Lake Bluff. This one is in-person only. More information here.

Meanwhile, we have already begun doing research on our next book, which will be about the Chicago Aurora and Elgin interurban. This is a process that we expect will take the rest of this year. More than $2500 has been spent collecting materials for possible use.

Research does take both time and money, and the expenses are ongoing. If you support our efforts, we hope that you will consider making a donation. There are links to do just that in this post. Any and all contributions are very much appreciated, and we are very thankful for all the help we get from our readers. We can’t do it without you.

Keep those cards and letters coming in, folks.

-David Sadowski

PS- You might also like our Trolley Dodger Facebook auxiliary, a private group that now has 1,117 members.

Our friend Kenneth Gear now has a Facebook group for the Railroad Record Club. If you enjoy listening to audio recordings of classic railroad trains, whether steam, electric, or diesel, you might consider joining.

FYI, the Hoosier Traction Facebook Group celebrates electric transit in Indiana and the Midwest. It also supports the activities of the annual Hoosier Traction Meet (although not affiliated with the North American Transit Historical Society, which organizes that event).

The Lake Street “L” in Transition

We recently scanned several original slides taken by the late William C. Hoffman, documenting the transition made by the Lake Street “L”. For more than 60 years, the line ran at ground level west of Laramie Avenue (5200 West). On October 28, 1962, it switched to a new alignment on the adjacent Chicago and North Western embankment, where it has remained for more than 60 years.

We previously ran some other pictures showing this transition in our post Elevation (December 5, 2022).

This September 1959 view looks west along South Boulevard in Oak Park, and shows the Marion Street station on the Lake Street “L”, when it still ran at ground level west of Laramie Avenue. The “L” was relocated to the adjacent Chicago and North Western embankment in October 1962, and the buildings to the left are gone. The side street (Maple Avenue) shown in the picture has been truncated, and a large high-rise residential building occupies this space now.

The same location today.

William C. Hoffman took this picture from the back end of an “L” train on June 28, 1962 just west of the Laramie station. This offers a good view of the construction work underway at left, preparing the new embankment line which opened on October 28th. He referred to this as the “Laramie Avenue interchange.”

Here, we are looking east toward the Laramie Avenue station on the Lake Street “L” on June 28, 1962. According to photographer William C. Hoffman, the westbound track to the new embankment alignment was tied in on this date, and the first cars ran there.

A CTA diesel crane and work gondola are on the new connecting track leading to the Chicago and North Western embankment on August 22, 1962. At this time, there was a connection between the “L” and the new alignment via the westbound track, but not the eastbound one. For a time, it was necessary to have connections leading to both the ground-level trackage as well as the embankment, until service was switched over on October 28th. I am not sure when the new connection was made with the eastbound track. (William C. Hoffman Photo)

This photo by the late William C. Hoffman was taken on October 28, 1962 at the Central Avenue station on the Lake Street “L”, and shows how the transition was made from the ground level operation to the new alignment on the C&NW embankment. Unlike the situation in 1958, when the new Congress rapid transit line and the old Garfield Park “L” both ran on the same day, that was not possible here, due to the tight clearances at the station entrances. The new entrances could not be finished until the old line was torn out. So on October 28, 1962, which was a Sunday, the ceremonies dedicating the new 2.5 mile “L” realignment were held in the morning, and then, until 6 pm, trains only ran as far as Laramie Avenue, where the steel “L” structure ended. While workers put wooden platforms over the old tracks, riders west of Laramie had to take shuttle buses on Lake Street, as the signs here indicate. Passengers still had to enter via the old station entrances for a time.

A 6-car eastbound Lake Street “L” test train is on the new embankment on October 28, 1962, shortly before the new service began at 6 pm. Although the photographer did not indicate which station this was, I believe it is Ridgeland Avenue in Oak Park. (William C. Hoffman Photo)

The view looking east along the new Lake Street “L” embankment alignment at Marion Street on October 28, 1962, shortly before service began. A work train heads east. Photographer William C. Hoffman accessed this area via the Chicago and North Western Oak Park commuter train station, as the “L” station wasn’t yet open until 6 pm.

A 6-car train of CTA 4000-series “L” cars is heading eastbound near Ridgeland Avenue on the new embankment trackage on October 28, 1962, as the ground-level operation has finally been replaced. (William C. Hoffman Photo)

A westbound train of 4000s is on the new Lake Street “L” embankment alignment on November 11, 1962. A track welder’s car is on the eastbound track. The photographer notes, “Bub Lindgren on “L” train.” (William C. Hoffman Photo)

The view looking east along the old ground-level Lake Street “L” right-of-way at Menard Avenue on November 11, 1962. An eastbound two-car “L” train is on the new alignment on the embankment. (William C. Hoffman Photo)

A 4000-series “L” train is stopped at the Harlem and Lake station on November 11, 1962. Note how there are some transparent portions of the station canopy, to let more light in. (William C. Hoffman Photo)

The view looking west/northwest at Lake and Central on November 11, 1962. Riders still entered the station via a temporary connection to the old ground-level station. (William C. Hoffman Photo)

A westbound Lake Street “L” train has just left the Laramie Avenue station on November 11, 1962. This photo gives a good view of how the tracks were shifted over to connect with the nearby embankment. (William C. Hoffman Photo)

The view looking east/northeast along Lake Street (now Corcoran Place) at Austin Boulevard on August 12, 1963. The new station entrance has been finished. (William C. Hoffman Photo)

The view east along Mansfield Avenue at Lake Street on August 12, 1963. The old ground level tracks and ties have been removed, while a two-car train of 4000s is on the new embankment alignment. (William C. Hoffman Photo)

The view east at Lake and Parkside, showing the auxiliary entrance to the new Central Avenue “L” station on August 12, 1963. By now, the old ground-level tracks have been removed, except at street crossings. (William C. Hoffman Photo)

An eastbound two-car Lake Street “L” train heads east on November 24, 1963, after having left the terminal at Harlem Avenue. South Boulevard has been resurfaced, and parking spaces (with meters) added where the tracks used to be. (William C. Hoffman Photo)

A southbound Western Avenue PCC car prepares to cross the Garfield Park “L” temporary trackage on September 24, 1953. The view looks west. (William C. Hoffman Photo)

Several Chicago Aurora and Elgin interurban cars are visible at the entrance to the Wells Street “L” Terminal on April 6, 1953. The substation under the “L” is still there today and powers the Loop “L”. This was the very first color slide my friend Ray DeGroote took (with an Argus C3 camera) on April 6, 1953. He was standing on the platform of the old Franklin Street “L” station.

This is how the northwest corner of 21st Street and 3rd Avenue looked in Manhattan on August 5, 1937. The Third Avenue El was abandoned in 1955 without replacement subway service. In the 68 years since, only a small portion of the Second Avenue Subway has been built.

Photographer Arthur H. Peterson captured this image of a southbound Evanston Express “L” train, including car 4409, near the Berwyn Avenue station on November 25, 1973. The 4000s were ending their more than 50 years of passenger service on the “L”. Miles Beitler writes: “There is a third rail in photo aae109a, so why would the trolley pole be raised? The only reason I can think of is that it’s a fantrip, and the train might be on the gauntlet track (to access Buena Yard), but that is not apparent in the photo. Also, 4000s in Evanston Express service were usually at least four cars long.” November 25, 1973 was a Sunday, and since the Evanston Express only runs on weekdays (then and now), this must be a fantrip. But there were two-car Evanston Express trains in mid-day service, when the EE ran until almost noon (which it no longer does). I rode on one myself. As for the overhead wire, they may have simply preferred operating the fantrip train using the overhead, as it was about to be eliminated in Evanston, and would no longer be needed south of Howard (as the last CTA freight train had operated several months prior). It’s not entirely clear to me exactly when there was third rail available on the entire length of track 1, but the overhead was officially taken out of service in 1975. This left the Skokie Swift as the only CTA that continued to use any overhead wire, and even that was eliminated in the early 2000s.

Although partially double exposed, this rare image shows Hammond Whiting and East Chicago car 79 in service and in color. These streetcars were nearly identical to the Chicago Pullmans. Chicago Surface Lines streetcars shared trackage with these cars, which also went into Chicago as far as 63rd Street until 1940. That is the latest date when this Kodachrome slide could have been taken. Andre Kristopans: “Calumet 79 is NB on Ewing at 95th.”

Chicago Aurora and Elgin cars 455 ad 460 are looping at the DesPlaines Avenue Terminal in Forest Park on July 23, 1955. This view looks east.

Indiana Railroad lightweight high-speed car 58 is at Eaton on October 20, 1940 on a fantrip.

Indiana Railroad car 50 is in Fort Wayne on April 16, 1939.

Indiana Railroad car 71 is in New Castle. (Charles Able Photo)

Milwaukee Electric interurban car 1116, a West Junction car, is southbound on 6th Street in Milwaukee on October 10, 1948, passing by the North Shore Line Terminal.

Chicago Aurora and Elgin cars 413 and 453 are looping at the DesPlaines Avenue Terminal, sometime between 1953 and 1957. (Robert Heinlein Photo)

An Electroliner leaves the North Shore Line’s Edison Court station in Waukegan, probably in the late 1950s. (A. C. Kalmbach Photo)

Here is how the abandoned Chicago Aurora and Elgin Terminal looked like in Aurora in March 1974, fifteen years after the interurban was abandoned. It has since been removed.

North Shore Line line car 606 is at Orchard and 5th in Milwaukee on October 20, 1951.

The Metropolitan West Side Elevated’s Logan Square Terminal, as it appeared in the early 1900s. This station was open from 1895 until 1970, when it was replaced by a subway station. From a C. R. Childs real photo postcard.

Capital Transit (Washington D.C.) ordered 25 pre-PCC cars in 1935. Here is how cars 1002, 1010, 1006, 1009, and 1004 looked on May 13, 1958. By then, they were presumably in dead storage. Only car 1053 from this series was still in service by the time buses replaced streetcars in 1962. This image was shot on type 828 film, with an image size slightly larger than 35mm.

The view looking east from Narragansett Avenue along 63rd Place on May 19, 1953. This was around the time that buses replaced streetcars on the CTA 63rd Street route, which ran here. The buses ran on 63rd Street west of Central Avenue. 63rd Place became a street after streetcars were abandoned, and there is now a fully developed residential neighborhood (known as Clearing) here. (William C. Hoffman Photo)

CTA streetcar 6209 crosses the Nickel Plate railroad at 94th and Dorchester on July 2, 1949, operating on the 93-95 line. (William C. Hoffman Photo) Our resident South Side expert M.E. writes: “Your caption says the streetcar is crossing the Nickel Plate railroad. I had always thought these railroad tracks belonged to the Chicago and Western Indiana, which was basically a commuter line to towns near the Illinois / Indiana border. Fortunately I have a copy of the 1975 issue of “Train Watchers Guide to Chicago”, by John Szwajkart. That book came with a terrific map of Chicago-area railroads and their owners. Right near the junction in your picture, the map lists the track thus: “C&WI (NKP)”. So the C&WI owned it and the NKP used it.
Also: Note in the picture there are two crewmen. Before the streetcar could cross the railroad track, the conductor had to get off the streetcar, walk to the railroad track, look both ways, and only then signal the streetcar to proceed across the tracks. So the motorman picked up the conductor right next to the track, and the conductor kept the motorman company for this short segment. Several streetcar lines that ran east/west on the far south side required two crewmen because those streetcars crossed railroad tracks at grade.
Also: Note all the arms in the side windows. This route was busy because the eastern terminal was near the big steel mills in South Chicago. All those arms tell me it was time for a shift change.”

The view looking east along 63rd Street from Prairie Avenue on June 18, 1953. This is where the Jackson Park branch of the “L” turned east. The tracks at right ramped down to ground level and the 63rd Street Lower Yard. (William C. Hoffman Photo)

Northbound CTA pre-war PCC streetcar 4015 crosses the Garfield Park “L” temporary tracks at Western And Van Buren on August 4, 1955. Streetcars last ran on Western Avenue in June 1956. (William C. Hoffman Photo)

Photographer William C. Hoffman described this as a segment of old Chicago Surface Lines track in Exchange Avenue and Indianapolis Boulevard in East Chicago, Indiana on May 30, 1956. Streetcars last ran here in 1940. Andre Kristopans: “Indianapolis & Exchange “y” was (at the) south end of Whiting line.”

The late William C. Hoffman took pictures that no one else bothered to take. Here, he captured a danger sign at the northwest corner of Madison and Dearborn on June 6, 1954, warning motorists not to park where their cars would not clear turning Madison and Milwaukee streetcars.

On November 11, 1956, CTA red Pullman car 225 is in 81st Street at Emerald Avenue, on an Illini Railroad Club fantrip. This car was soon purchased by the Seashore Trolley Museum in Kennebunkport, Maine, where it remains today in much the same condition as when it last ran in Chicago. (William C. Hoffman Photo)

CTA “L” cars 4375 and 4376 are in the State Street Subway at Jackson Boulevard on an October 26, 1969 fantrip. (Ray DeGroote Photo)

One of the original CTA entrances to the Dearborn Street Subway at Quincy on May 28, 1961. I assume the building at left is the old post office. (William C. Hoffman Photo) Chris Cole writes: “The Dearborn Subway entrance was on the west side of Dearborn between Adams and Jackson. The building on the left is the old federal courthouse. The Fair Store was at the NE Corner of Adams and Dearborn. They were later replaced by Montgomery Wards who re-skinned the building to make it look “modern”.”

This appears to be Post Street in San Francisco, circa 1915. Taken from a real photo postcard.

A southbound Lake-Dan Ryan “L” train negotiate the curve at Wabash and Harrison in November 1969. The new Dan Ryan line had only recently opened in September, and was joined up with the Lake Street “L”. It was eventually linked with the Howard line, which was a better match for ridership than Lake. The view looks north.

The new Kimball Subway opened on February 1, 1970, as an extension of the Logan Square “L”, and connected to tracks in the Kennedy Expressway median. This picture was taken at the Logan Square station on January 29, one day prior to the dedication ceremony.

West Penn Railways car 739 is on a fantrip at an unknown time. Interestingly, the car survives. After being used as a residence, after retirement in 1952, it ended up at the Pennsylvania Trolley Museum, where it is being restored. Larry Lovejoy adds: “The photo of West Penn Railways 739 is northbound at Mt. Pleasant, on Center Avenue, just about to cross West Main Street, the latter which is now Pennsylvania Route 31 but back then had a different highway number. The date is August 10, 1952 and this is an “after the last day” fantrip charter by the Pittsburgh Electric Railway Club. PERC was the direct corporate predecessor of Pennsylvania Trolley Museum. The car behind 739 is the 733. Sorry I can’t identify any of the recognizable faces.”

Milwaukee and Suburban Transport car 943 received a unique paint job as a “safety car,” and is shown on February 20, 1955 at the National Avenue station. Ironically, this car was later damaged in an accident.

North Shore Line loco 459 is northbound at Edison Court in Waukegan in May 1962. Also visible are a late 1950s Plymouth (left) and two Chevys. (E. R. Burke Photo) Fred Hilgenberg adds, “For dating verification purposes (and the photo caption appears accurate), the license plates on the cars are white lettering on red. Illinois used that scheme starting in 1961 (and I think 1962) as a nod to North Central College. It was changed to John Deere colors in 1963. The Plymouth appears to be a 1959 (possibly 1958). The two-tone Chevy is a 1956 Bel Air, the other Chevy is a 1961 Impala.”

North Shore Line Silverliner 776 was the final conventional coach ordered by the interurban in 1930. Merchandise Despatch car 232 is at right in this November 19, 1960 view at the Harrison Street Shops.

This picture, taken on January 2, 1961, gives an excellent overview of the North Shore Line’s Milwaukee Terminal. The view looks south.

North Shore Line combine 250 has just left the Milwaukee Terminal in June 1962.

CTA “L” car number 1 in May 1963. Don’s rail Photos: “1 was built by Jackson & Sharpe in 1892 as South Side Rapid Transit Co 1 as a steam trailer. It was rebuilt as a MU motor car in 1898. It became Chicago Elevated Railway 1 in 1913 and became CRT 1 in 1924. It was preserved by CTA in 1947 and donated to Chicago History Museum in 2005.”

Philadelphia Suburban Transportation Company double-ended car 13 has just left the 69th Street Terminal and is signed for Westchester in this early 1950s view. The long Westchester line was replaced by buses in June 1954.

Three old Metropolitan “L” cars are at Indiana Avenue on September 2, 1955, and appear to be operating on the Stock Yards branch. Our resident South Side expert M.E. notes: “This time your caption is absolutely correct — this is the Stock Yards line’s terminal at Indiana Ave. on the southernmost platform. The other side of the platform was for southbound mainline trains to Jackson Park and Englewood.”

This picture was taken on a North Shore Line fantrip using the Electroliner, but the time and place are not evident. Nick Jenkins: “Photo of Electroliner (aae053) is on the interchange track with the Milwaukee Road at Racine.”

North Shore Line car 719 is part of a westbound two-car train on the Mundelein branch in November 1962. The Perpetual Adoration stop was an obvious fan favorite, as it expressed their thoughts about the legendary interurban.

North Shore Line caboose 1003 is part of a freight train at an unknown location.

North Shore Line caboose 1003 is at the back end of a freight train on the Skokie Valley Route in June 1962.

A two-car train of North Shore Line Silverliners is in North Chicago in January 1963.

Although there was never a chance that Chicago would be subjected to a Blitz during World War II, part of our war preparedness involved a practice blackout on August 12, 1942. Both “L” and interurban service was suspended for 30 minutes.

This rare poster (framed) recently sold for $338.34 on eBay. This was the CTA’s attempt to help riders get around after the North Shore Line abandonment. But there wasn’t much they really could do, since the NSL served many communities far beyond the reach of the CTA. In 1963, the CTA served Skokie with the #97 bus, but starting in April 1964, offered “L” service to Dempster Street via the new Skokie Swift (on the former NSL right-of-way).

This is the North Shore Line on February 6, 1949, and the photographer was Charles A. Brown. The Briergate station was built in 1926 on the new Skokie Valley Route, in a style generally referred to as “Insull Spanish.” There were nine such stations on the SVR and Briergate is the only one that still exists. There is a more recent picture of it in my new book The North Shore Line. Briergate station is in west Highland Park, IL and the car number is 157. (Courtesy of Larry Miller III)

North Shore Line electric loco 459 is an eastbound freight in Kenosha, Wisconsin on June 29, 1962.

The North Shore Line’s Milwaukee Terminal as it appeared on June 29, 1962.

North Shore Line wooden coach 302. Don’s Rail Photos: “300 thru 302 were built by Jewett in 1909 as mainline coaches. As the steel cars arrived, they were downgraded to local and school tripper service. In 1936 they became sleet cutters. In 1939 300 was turned over to the Central Electric Railfans Association as a private car. The ownership remained with the CNS&M, but the maintenance was taken over by CERA. During the war, with many members in service, CERA relinquished control, and the car was scrapped in 1947. 301 and 302 were retired in 1939 and scrapped in 1940.”

North Shore Line wooden coach 140. Don’s Rail Photos: “138 thru 141 were built by American Car in 1910. They were rebuilt for Elevated compatibility in 1919. They were also leased to the CA&E in 1936, returned to the CNS&M in 1945, and sold to the CA&E in 1946.”

North Shore Line wooden coach 303. Don’s Rail Photos: “303 thru 305 were built by American Car in 1910 and were almost identical. In 1939 they became sleet cutters and were retired and scrapped in 1940.”

North Shore Line car 162. Don’s Rail Photos: “162 was built by Brill in 1915, (job) #19605. It was acquired by American Museum of Electricity in 1963 and resold to Connecticut Trolley Museum in 1971.” Car 162 is now at the East Troy Railroad Museum, where it is undergoing restoration. It is now the oldest surviving car in the fleet.

North Shore Line car 748 is part of a two-car train heading northbound at Adams and Wabash on September 4, 1961. The view looks south, and you can see CTA Tower 12 in the distance.

A North Shore Line Electroliner is at the Adams and Wabash station on the Loop “L” on September 4, 1961. The interurban had a station here that was connected directly to the “L”.

Here is North Shore Line Merchandise Despatch car 228 as it appeared on Sunday afternoon, August 9, 1953, at the Highwood Shops. It is now undergoing restoration at the East Troy Railroad Museum in Wisconsin. (Bob Selle Photo on Ansco 616 film)

North Shore Line car 730 at Edison Court in Waukegan. This must be right before the end, as this Kodachrome slide (by Walter Schopp) wasn’t processed until March 1963, two months after the abandonment. Looks like someone has already swiped the destination sign.

Our Latest Book, Now Available:

The North Shore Line

Publication Date: February 20, 2023

FYI, my new Arcadia Publishing book The North Shore Line is now available. My publisher decided to expand it to 160 pages, instead of the usual 128. That’s a 25% increase, without any change to the $23.99 price. I am quite pleased with how this turned out.

From the back cover:

As late as 1963, it was possible to board high-speed electric trains on Chicago’s famous Loop “L” that ran 90 miles north to Milwaukee. This was the Chicago North Shore & Milwaukee Railroad, commonly known as the North Shore Line. It rose from humble origins in the 1890s as a local streetcar line in Waukegan to eventually become America’s fastest interurban under the visionary management of Midwest utilities tycoon Samuel Insull. The North Shore Line, under Insull, became a worthy competitor to the established steam railroads. Hobbled by the Great Depression, the road fought back in 1941 with two streamlined, air-conditioned, articulated trains called Electroliners, which included dining service. It regained its popularity during World War II, when gasoline and tires were rationed, but eventually, it fell victim to highways and the automobile. The North Shore Line had intercity rail, commuter rail, electric freight, city streetcars, and even buses. It has been gone for nearly 60 years, but it will always remain the Road of Service.

Each copy purchased here will be signed by the author, and you will also receive a bonus North Shore Line map. Books will ship by USPS Media Mail.

Chapters:
01. Beginnings
02. The Milwaukee Division
03. The Shore Line Route
04. The Skokie Valley Route
05. The Mundelein Branch
06. On the “L”
07. City Streetcars
08. Trolley Freight
09. The Long Goodbye
10. The Legacy

Title The North Shore Line
Images of America
Author David Sadowski
Edition illustrated
Publisher Arcadia Publishing (SC), 2023
ISBN 1467108960, 978-1467108966
Length 160 pages

The price of $23.99 includes shipping within the United States.

For Shipping to US Addresses:

New Compact Disc, Now Available:

CTA-1
The Last Chicago Streetcars 1958
# of Discs – 1
Price: $15.99

Until now, it seemed as though audio recordings of Chicago streetcars were practically non-existent. For whatever reason, the late William A. Steventon does not appear to have made any for his Railroad Record Club, even though he did make other recordings in the Chicago area in 1956.

Now, audio recordings of the last runs of Chicago streetcars have been found, in the collections of the late Jeffrey L. Wien (who was one of the riders on that last car). We do not know who made these recordings, but this must have been done using a portable reel-to-reel machine.

These important recordings will finally fill a gap in transit history. The last Chicago Transit Authority streetcar finished its run in the early hours of June 21, 1958. Now you can experience these events just as Chicagoans did.

As a bonus, we have included Keeping Pace, a 1939 Chicago Surface Lines employee training program. This was digitally transferred from an original 16” transcription disc. These recordings were unheard for 80 years.

Total time – 74:38

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More Railroad Record Club Rarities

April 22, 2019April 23, 2019David Sadowski 11 Comments

Waterloo Cedar Falls and Northern car 100. This car is featured on Railroad Record Club LP #2. Don’s Rail Photos: “100 was built by McGuire-Cummings in 1914. It was built as a second motor to operate behind the 140s as a two car train. The baggage compartment was a kitchen, and the rear end was an open platform observation. The buffet section was replaced with coach seats in 1918. The car was then rebuilt with a control station and baggage compartment in 1928 and the rear platform was enclosed at that time. It was the last interurban left on the WCF&N when it became diesel freight, and it was donated to the Iowa Chapter of the NRHS in 1956. It was moved to Centerville and operated on the Southern Iowa Ry. When the SI cut back its operation and dieselized, the Iowa Chapter transferred the car to the Iowa Terminal RR in 1966. Shortly after it was repainted and put into charter service, it was destroyed in the carbarn fire early November 24, 1967. It had been the only car saved from the WCF&N roundhouse fire on October 31, 1954, when the other two cars of its class burned.”

No one person has been more responsible for preserving the historic artifacts connected with William A. Steventon‘s Railroad Record Club than our good friend Kenneth Gear. A while back, Ken acquired many of the original RRC tape recordings, some of which were never issued.

I have referred before to the RRC output being the “tip of the iceberg,” so to speak, and thanks to Ken, we are beginning to see what the rest of the RRC archive consisted of. While we had already issued some “new” RRC recordings, taken from discs found in the Steventon archive, we have something even more exciting to announce today– newly uncovered audio recordings of the Chicago, North Shore and Milwaukee interurban, the fabled North Shore Line, unheard for perhaps as much as 60 years.

These recordings have been digitized from original RRC tapes that Ken purchased, and are now available for the first time on compact disc. More details about that will be found at the end of this post.

Because we feel it is important for Ken to get back at least some of the substantial investment he has made, in order to preserve these and other historic materials, we are paying Ken a royalty of $5 for each disc sold. Our humble offerings are already reasonably priced, and we don’t make much money from them. On top of that, the Trolley Dodger has, to date, operated at a loss for every year. Our original losses were in excess of $10k per year. This was reduced to $6k in 2017, and we recently did our taxes and are pleased to report that we cut the loss to just $1400 in 2018.

Our goal with this enterprise is historic preservation and education, to provide an archive where people can get, and exchange information about electric railways. In some ways it is the modern equivalent of what my friend Ray DeGroote calls the “intelligence network” of railfans, which has been around since the 1930s or even earlier, just updated for the Internet age.

It used to be that you had to know somebody to be part of this intelligence network, and information was passed from one person to another. Now, it is accessible to anyone and everyone who wants it, via the world wide web.

With that in mind, our goal has always been to break even, in order to make the Trolley Dodger a self-sustaining enterprise.

But we have to give credit where credit is due. Without Kenneth Gear’s personal sacrifices, it’s possible that these materials would have been lost forever, and would have ended up in a dumpster somewhere. You never would even have known they existed.

That’s why I hope you will help support Ken’s gallant efforts by purchasing a copy of this new CD offering.

Because we are not entirely mercenary, Ken is also sharing dozens of classic railfan photos which he purchased as part of the Railroad Record Club archive. Presumably, all or nearly all of these were taken by the late William A. Steventon (1921-1993) himself, as many reflect the areas he lived, worked, and traveled to in his career.

A few of these we already published, but most of these appear here for the first time.

As always, if you can help provide any additional information about these photos, we would love to hear from you.

Enjoy!

-David Sadowski

Altoona and Logan Valley car 74. Don’s Rail Photos: “74 was built by Osgood-Bradley Car Co in 1930.”

This photo was originally misidentified, but actually shows Indianapolis Railways Peter Witt car #132, apparently on a fantrip, probably circa 1950. The streetcar was a Master Unit (that was a Brill trade name), built circa 1932-33, making it one of the last such orders before the PCC era. Master Units were supposed to be a standardized car, but in actuality I believe no two orders were exactly the same.

A Chicago, Aurora & Elgin train street running in Aurora in 1931. The CA&E was relocated off-street here in 1939.

A Capital Transit PCC and bus at Catholic University in the Washington, DC area.

Denver and Rio Grande Western 476, which was featured on Railroad Record Club LP SP-1.

Denver and Rio Grande Western 481.

Des Moines and Central Iowa cars #1701 and 1704 in the scrap line, November 19, 1939.

Des Moines and Central Iowa #1705 in October 1938.

Des Moines and Central Iowa car 1710.

East Broad Top #15 on a rainy day, very likely while Railroad Record Club LP #3 was being recorded.

Evansville and Ohio Valley car #134.

Hagerstown and Frederick #19 in Frederick, MD on May 30, 1939.

The same picture cropped.

A Hagerstown and Frederick work car in Fredercik, MD on May 30, 1939.

Hagerstown and Frederick 164.

Illinois Terminal car 285. Don’s rail Photos: “285 was built by St Louis Car in 1914. It was rebuilt as a parlor car in 1024 and as a coach in December 1928. It was air conditioned in August 1938 and got new seating in December 1952. It was sold for scrap to Hyman Michaels Co. on May 16, 1956.”

An Illinois Terminal local on Caldwell Hill in East Peoria about 1936.

A fuzzy picture of Illinois Power Company loco #1551.

A builder’s photo of Illinois Terminal #207.

Illinois Terminal 1201 at Peoria. Don’s Rail Photos: “1201 was built by McGuire-Cummings in 1910 as an express motor with 20 seats at the rear. In 1919 it was rebuilt with a small baggage section at the front and the trucks were changed from Curtis to Baldwin.”

Indiana Railroad box car #550.

Indiana Railroad loco #752 waiting for loads at a mine scale.

Indiana Railroad lightweight high-speed car #64. Howard Pletcher adds, “Indiana Railroad lightweight high-speed car #64 is at the Fort Wayne passenger terminal.”

The Indiana Railroad passenger terminal in Fort Wayne. (Howard Pletcher Collection)

Indiana Railroad #93 at Anderson, IN on September 4, 1938.

Indiana Railroad box motor #722.

Indiana Railroad lightweight high-speed car #80 on an Indianapolis local. It was built by Pullman in 1931 and scrapped in 1941.

Indiana Railroad box motor #115.

Indiana Railroad car #375. Don’s Rail Photos: “375 was built by St Louis Car Co in 1926 as Indiana Service Corp 375. It was ass1gned to IRR as 375 in 1932 and rebuilt as a RPO-combine in 1935. It was sold to Chicago South Shore & South Bend in 1941 as 503 and used as a straight baggage car. It was rebuilt in 1952 with windows removed and doors changed.”

Indiana Railroad car #446.

Indiana Railroad car #730.

Indiana Railroad loco #792.

The same picture, restored.

Indiana Railroad Vigo with rails ripped out.

Indiana Service Corp., looking forward from car at speed on Spy Run Avenue showing car on #6 line, May 22, 1939.

Indiana Service Corporation #820 at Wabash station on August 3, 1936.

Indiana Service Corp View across the Broadway bridge, showing double truck car in distance, August 18, 1940. (But what city is this?) Mike Peters writes: “he ISC city car is in Fort Wayne, a block away from the south end of the Broadway line. The bridge carries Bluffton Road and the ISC interurban to Bluffton over the Saint Marys River. A good map of the Ft. Wayne system can be found in “Fort Wayne’s Trolleys” (George Bradley). ISC did provide service in several smaller cities, but these lines did not survive the 1930’s.”

Interstate car #711, ex-Indiana Public Service Corporation 427, on September 3, 1939.

Interstate car 711 on shop siding west of Greencastle on June 3 1939.

Indiana Railroad lightweight car #94. Don’s Rail Photos: “90 thru 99 were built by Cummings in 1930 as Northern Indiana Ry 350 thru 359. In 1935, they were returned to Cummings, who rebuilt them and sold them to the IRR. They were retired in 1940.”

Indiana Railroad line car 763 at the Muncie station on May 19, 1940.

Indiana Railroad lightweight car 96.

Indiana Railroad lightweight car #90 at New Castle, IN on July 4, 1936. Note the Woolworth’s at right.

Indiana Railroad lightweight car #95 at the Indianapolis terminal.

Indiana Railroad lightweight car #99.

Indiana Railroad #787.

Lake Erie and Northern car #795.

Lake Erie and Northern car #797.

Lake Erie and Northern car #939.

A Lehigh Valley Transit Allentown Limited on the Liberty Bell Route, descending the ramp at Norristown (where LVT shared tracks with the Philadelphia & Western for access to Philadelphia, at least until 1949).

Lehigh Valley Transit lightweight high-speed car 1002, presumably in Allentown PA.

Mason City and Clear Lake car #34 (photo restored).

Mason City and Clear Lake car #34 (unrestored photo).

Mason City and Clear Lake car #106.

Mason City and Clear Lake car #14.

Mason City and Clear Lake steeple cab #52.

Niagara St. Catharines and Toronto Railway yard.

A Niagara St. Catharines and Toronto Railway snow plow.

A Niagara St. Catharines and Toronto Railway trolley.

A nice right-of-way photo with no information, other than the date– March 31, 1936.

Jeff Wien: “TMER&T, route 13: Clybourn Downtown Milwaukee.”
.

No information.

This is a three-car train of Indiana Railroad lightweight high-speeds in multiple-unit service on a fantrip, circa 1938-40.

No information (photo restored).

No information (unrestored photo).

Does ST F Co RR stand for Santa Fe? At any rate, this is car #54 at Farmington, MO.

Salt Lake and Utah loco #101.

Sand Springs Railway (Oklahoma) loco #1001.

Unidentified car and person. Mike Peters: “The photo of 817 and employee would also be Fort Wayne. After passenger operations ceased, this motor was retained for switching the Spy Run power plant and several nearby industries. The roster in “Fort Wayne and Wabash Valley Trolleys” (CERA #122) shows the 817 as being retired in 1952.”

Unidentified steeple cab locomotive.

Union Electric Railway loco #80.

Utah Idaho Central #905 in June 1945.

Washington and Old Dominion car #44 and a Railway Express Agency truck in Rosslyn VA.

A Washington and Old Dominion locomotive.

A Washington and Old Dominion RPO (Railway Post Office) on a mail run outside Rosslyn VA.

The Washington and Old Dominion shops.

Recent Finds

The CTA DesPlaines Avenue terminal in Forest Park in July 1955. This is an unusal view, looking west from Desplaines Avenue. At left, you can just barely see some streetcar tracks, which were used by West Towns Railways trolleys no later than 1948. That could be a CTA Route 17 bus, and you can also see some Chicago, Aurora & Elgin interurban cars in the station. The CA&E cut back service to here in 1953.

CTA 1775 at Cermak and Kostner on March 21, 1954, about two months before streetcar service ended on Route 21.

CTA 7213 on Route 49 – Western on August 2, 1949. This car would later become the last Chicago streetcar to operate.

North Shore Line 254 “at freight station on “L”structure near Loop – January 27, 1962.”

The North Shore Line shops interior in Milwaukee, September 24, 1961.

Chicago Surface Lines 5258 at Lowe Avenue in the 1940s (not sure of main street, perhaps 79th?).

CTA 6180, a one-man car, picks up passengers at an “L” station in the early 1950s.

CTA 7216, a St. Louis Car Company PCC, is northbound on Route 36 – Broadway in the 1950s. Jeff Wien: “Cars laying over on 119th at Morgan.”

CTA 4362, a Pullman PCC, on Route 8 – Halsted, most likely in the late 1940s. Jeff Wien adds, “Rt. 8 car has just pulled off of Broadway onto Waveland to head south on Halsted to 79th Street loop. Photo ca 1951 when Halsted was operated with PCCs, most Pullmans.”

TRACTION AUDIO, NOW AVAILABLE ON COMPACT DISC:

CDLayout33p85

RRCNSLR
Railroad Record Club – North Shore Line Rarities 1955-1963
# of Discs – 1
Price: $15.99

Railroad Record Club – North Shore Line Rarities 1955-1963

Newly rediscovered and digitized after 60 years, most of these audio recordings of Chicago, North Shore and Milwaukee interurban trains are previously unheard, and include on-train recordings, run-bys, and switching. Includes both Electroliners, standard cars, and locomotives. Recorded between 1955 and 1963 on the Skokie Valley Route and Mundelein branch. We are donating $5 from the sale of each disc to Kenneth Gear, who saved these and many other original Railroad Record Club master tapes from oblivion.

Total time – 73:14

Tape 4 switching at Roudout + Mundeline pic 3 Tape 3 Mundeline Run pic 2 Tape 3 Mundeline Run pic 1 Tape 2 Mundeline pic 3 Tape 2 Mundeline pic 2 Tape 2 Mundeline pic 1 Tape 1 Electroliner Tape 1 Electroliner pic 3 Tape 1 Electroliner pic 2 Notes from tape 4 Note from tape 2

The Trolley Dodger On the Air

We appeared on WGN radio in Chicago last November, discussing our book Building Chicago’s Subways on the Dave Plier Show. You can hear our 19-minute conversation here.

Order Our New Book Building Chicago’s Subways

There were three subway anniversaries in 2018 in Chicago:
60 years since the West Side Subway opened (June 22, 1958)
75 years since the State Street Subway opened (October 17, 1943)
80 years since subway construction started (December 17, 1938)

To commemorate these anniversaries, we have written a new book, Building Chicago’s Subways.

While the elevated Chicago Loop is justly famous as a symbol of the city, the fascinating history of its subways is less well known. The City of Chicago broke ground on what would become the “Initial System of Subways” during the Great Depression and finished 20 years later. This gigantic construction project, a part of the New Deal, would overcome many obstacles while tunneling through Chicago’s soft blue clay, under congested downtown streets, and even beneath the mighty Chicago River. Chicago’s first rapid transit subway opened in 1943 after decades of wrangling over routes, financing, and logistics. It grew to encompass the State Street, Dearborn-Milwaukee, and West Side Subways, with the latter modernizing the old Garfield Park “L” into the median of Chicago’s first expressway. Take a trip underground and see how Chicago’s “I Will” spirit overcame challenges and persevered to help with the successful building of the subways that move millions. Building Chicago’s subways was national news and a matter of considerable civic pride–making it a “Second City” no more!

Bibliographic information:

Title Building Chicago’s Subways
Images of America
Author David Sadowski
Edition illustrated
Publisher Arcadia Publishing (SC), 2018
ISBN 1467129380, 9781467129381
Length 128 pages

Chapter Titles:
01. The River Tunnels
02. The Freight Tunnels
03. Make No Little Plans
04. The State Street Subway
05. The Dearborn-Milwaukee Subway
06. Displaced
07. Death of an Interurban
08. The Last Street Railway
09. Subways and Superhighways
10. Subways Since 1960

Building Chicago’s Subways is in stock and now available for immediate shipment. Order your copy today! All copies purchased through The Trolley Dodger will be signed by the author.

The price of $23.99 includes shipping within the United States.

For Shipping to US Addresses:

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For Shipping Elsewhere:

Redone tile at the Monroe and Dearborn CTA Blue Line subway station, showing how an original sign was incorporated into a newer design, May 25, 2018. (David Sadowski Photo)

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Railroad Record Club Treasure Hunt, Part 2

September 24, 2018June 5, 2023David Sadowski 9 Comments

1 Selection of Steventon tapes mostly unreleased

Following up on our previous posts William A. Steventon’s Railroad Record Club (September 24, 2018), and Railroad Record Club Treasure Hunt (July 30, 2017) guest author Kenneth Gear continues with a detailed rundown on his latest discoveries.

I have been interested in historic preservation for a long time, and it’s not every day that anyone comes across original material such as this. Suddenly, out of nowhere it seems, previously unknown, unissued audio recordings have emerged for some long-vanished steam and electric railroads, along with 16mm motion picture film, and various artifacts related to the Railroad Record Club’s 42 issued LPs, in their various forms. It seems like a miracle that somehow, it all survived to be rescued from oblivion.

Getting this done involved a tremendous financial sacrifice on Ken’s part, as he is of modest means. I hope that he will be able to recoup at least some of his substantial investment in the future. I am sure he will appreciate any contributions you may be able to offer him, towards the cost of transferring some of these reel-to-reel tapes and 16mm movie films to digital.

You can find Part 1 here: Railroad Record Club Treasure Hunt (July 30, 2017)

-David Sadowski

PS- Our new book Building Chicago’s Subways is now available for immediate shipment. If you already pre-ordered it, your copy is already on its way to you. We are excited to have had the opportunity to tell the story of this exciting chapter in Chicago history. Details on how to order are at the end of this post.

Railroad Record Club Treasure Hunt, Part 2

It’s been over a year since I acquired a large portion of the William Steventon estate. The Railroad Record Club items that I purchased last year have enabled David and I to piece together a fairly complete history of the RRC and to more fully appreciate the time and effort Mr. Steventon put into producing these records. The homemade 78rpm records alone proved to be an invaluable resource. Not only did they provide us with some wonderful recordings, most of which hadn’t been heard in over fifty years, they revealed the pre-history of the club and offered a glimpse into the infancy of railroad field recording.

We were able to hear the very first railroad recording Steventon made– B&O trains at Riverdale, Maryland in 1953. We also finally completed our quest to get a copy of every single released RRC record digitized and put on CDs. We are now only in need of two samplers, the 5th and 6th years. More interesting information was garnered from examining original record jacket artwork and paste up boards, as well as the metal print blocks. We were also able to compile a list of records re-issued on 12″ stock and find out what was necessary for it to happen and the cost of doing it.

Photographs from his personal collection were scanned and published in the Trolley Dodger for all to enjoy. I think the effort that went into keeping all this material from ending up in a dumpster was well worth the time and expense and I’m happy to have been involved.

In spite of this, I knew the job was only half finished. There was much more that needed to be saved and time was running out. Those tapes I wrote about under the heading “what I left behind” in the first treasure hunt story needed to be preserved. There were still a big box of photos, reams of correspondence, the metal master discs for the 12″ reissues and lots and lots of sealed records.

The estate dealer was quite adamant that this stuff had to go…and quickly! I purchased all that I could, but I certainly could not afford to buy anything else and asked for some time to raise the money. As I tried to come up with the extra cash needed, months went by and the emails ceased. For a while it seemed that all this great material would be lost. Still, I squirreled away what money I could when I could and slowly, much too slowly, I approached his asking price. With the funds in hand, I emailed the estate dealer putting in the subject line that I HAD the money for the remaining Steventon estate items. Even as I composed that email I couldn’t be sure that the entire lot wasn’t already in some land fill rotting away. He answered me the next day, but it seemed a lot longer then that to me. His first two sentences were a relief:

Ken, good to hear from you. Yes, it is all as we left it a year ago.

There was one complication that needed to be addressed. I could not make the trip up to him in Wisconsin this year as I had done before. All the items would have to be shipped to me in New Jersey.

The estate dealer was agreeable to packing up the items and doing the weighing and making the transportation arrangements, but again there was a complication. This was his busy season and he would be working extensively out of town. He would not be able to devote much time to this effort for the next few weeks. A little progress was made here and there through the rest of June and I purchased boxes and packing material in July. I was a little apprehensive about shipping old open reel tapes and vinyl records during the hottest part of the summer anyway, so I just had to be patient. In early August progress was made and on the 13th I received the long-awaited email:

The last box is packed. You’ll have a pallet coming that’s right around 400 pounds, perhaps a touch over. Nine boxes to be delivered to the YRC terminal.

Several more delays would still be encountered, not the lest of which was the local hardware store’s forklift needing repairs. The hardware store, for a $20 fee, would be used to lift the pallet onto the truck. At last, in early September, with all hurdles cleared, a newly-repaired forklift placed the shipment on to the truck. Finally, the second half of the Steventon estate’s Railroad Record Club items were on their way to me.

A few days later I heading to the local YRC terminal to receive the long-awaited shipment. After some paperwork in the office, I backed a borrowed ¾-ton pick-up truck to the indicated bay. Soon a forklift lowered the last of the Railroad Record Club items from the Steventon estate into the truck bed. I now had a night of treasure hunting to look forward to!

I had sort of “cherry picked” the first half of the estate, so I knew that a great unexpected find was rather doubtful, but I did come across a few surprises.

THE TAPES

2 Tapes appear to be in good condition

3 Tape with hand written track listing

4 More unreleased Steventon audio

5 Lots of interesting material on these tapes

6 Still more intersting tapes

7 Unreleased audio this is why I bought the whole lot

8 Steventon tapes

9 More Stevnton tapes

10 Even more tapes

11 Small reels -the master tapes for the 78rpm records

12 Another view of the Small reels -the master tapes for the 78rpm records

13 A box full of the Small reels -the master tapes for the 78rpm records

14 Close up of the 78rpm record master tapes

15 Another Close up of the 78rpm record master tapes

16 78rpm master tapes showing condition of tapes-not too bad

17 close up of 78rpm master tape showing condition

18 BC Electric and Montreal & South Counties tapes with Steventon letter

19 Montreal & South Counties tape with Steventon letter

20 BC Electric tape with Steventon letter

21 Close up of the BC Electric and Montreal & South Counties tapes

22 Railroad Record Club Master tapes

23 Master tape for record 26

24 A stack of 22 Railroad Record Club Master tapes

25 master tape Railroad Record Club number 16

26 master tape Railroad Record Club number 15

27 master tape Railroad Record Club with memo

28 master tape Railroad Record Club number 17

29 master tape Railroad Record Club number 18

30 Note on box containing master tape Railroad Record Club number 18

31 Two master tapes for record number 3

32 Two master tapes for record number 3 showing condition

33 master tape Railroad Record Club number 7

34 master tapes Railroad Record Club number 10

35 master tape Railroad Record Club number 23 with memo

36 master tape Railroad Record Club number 17

The reel to reel tapes that I had left behind last year were the real reason I went to all this trouble and expense to acquire the rest of the estate. I’m sure I did not get any of the tapes that were actually in Steventon’s recorder when he was trackside, but they may no longer exist. Perhaps he transferred these “field tapes” to newer tape stock, in an effort to preserve them and some of these duplicates are what I received. There is at least one recording I know he made that is not among my tapes. In the liner notes of Record Number 20, Steventon writes that the cab ride onboard NYC # 1441 with his father at the throttle was edited down from over two hours of tape. I would have been very happy to find 4 or 5 reels of tape marked “cab ride with Dad” but it was not to be. What I did find, however, is some very good and interesting stuff, most of which has never been released on a Railroad Record Club LP.

One tape that was a bit of a surprise was a 4″ reel of tape marked NYS&W. Of all the railroads in the New York area, why the Susquehanna? If he recorded this tape while in New York to ride and record the Queensboro Bridge trolley, which had to be prior to April 1957 when that line shut down, then why not record PRR K-4s on the New York & Long Branch which lasted until October of that year? Or all those electric locomotives on the NYC and NYNH&H? Perhaps he did record some or all these railroads and I just don’t have the tapes. Anything is possible, but I have found no evidence that he ever did. I’ll just have to wait until I have the NYS&W tape put on CD to find out just what the attraction may have been.

Other interesting finds include three 5″ reels of a fan trip operated by the Northern Pacific Railroad on June 20, 1957. 4-8-4 # 2686 pulled the train from St. Paul, MN to Staples. One tape is labeled “NP 2686-LV MPLS,” the second NP 2686 coal dock stop,” and the last, “NP 2686 LV Staples.” There was also a negative of the NP 2686 at Staples found among the photographs. Other steam and/or diesel tapes are labeled “CPR,” “NKP Ft. Wayne,” “N&W,” and “Soo Line.”

The traction fans among us will be happy to know there is plenty for them. The CNS&M has several tapes devoted to it. One tape is marked “CNS&M switching at Rondout and Mundelein”. There is a cut on Record 26 of locomotive # 459 switching at Rondout, but not at Mundelein. Another North Shore tape is marked “Mundelein Run” and another simply ” Mundelein”. One more CNS&M tape has “Electroliner” written on the box.

There is a tape marked “ITS 202”, apparently Steventon preferred Illinois Traction System to Illinois Terminal. On Record 25 Steventon wrote in the liner notes, “We had just arrived (at Harristown, IL) on interurban No. 202 where we had made an “on train” recording east from Springfield. We alighted and watched the 202 fade into the distance. This was the last sight and sound we had of the Illinois Terminal as an interurban. The “on train” recording of 202 and a streamliner is scheduled for release at a later date.” It never was. I don’t know about the streamliner recording, I may or may not have it, but I will consider it a privilege to be involved with releasing the 202 recording for him.

There are also tapes of the Cedar Rapids & Iowa City (CRANDIC), Charles City Western, Toledo & Eastern, and Capital Transit. Canadian traction fans are not overlooked either. There is a 5″ reel of the Niagara, St. Catharines & Toronto Railway. There are also two 5″ reels, one each, of the BC Electric and the Montreal & Southern Counties. These two tapes were recorded by Eugene Van Dusen, and the accompanying letter to Steventon, plus a copy of it sent to Elwin Purington, were found among some RRC papers I have. Another reel of tape not recorded by Steventon is “Cincinnati Street Railway Car 187 12/13/51.” Finding this was a nice surprise. I don’t know who did record it, but Steventon did not start making recordings until 1953.

Here is the entire list of the tape reels, excluding 21/2″ reels which I’ll list separately, and the master tapes for the LPs,

REEL TO REEL TAPES

INFORMATION MARKED ON TAPE BOXES

4″ reels:

1. NYS&W

5″ reels:

1. CPR-J. Van Brocklin
2. Soo Line
3. T&E NKP Diesel-NKP Ft. Wayne
4. N&W
5. N&W from Salem
6. N&W Billy + Larry on end
7. NP 2686 Lv Mpls-6/20/57
8. NP 2686 coal dock stop
9. NP 2686 Lv Staples
10. B. C. Electric
11. Montreal & Southern Counties
12. Potomac Edison #5
13. Potomac Edison H&F last run radio program
14. CNS&M -switching at Rondout and Mundelein
15. Mundelein Run
16. Capital Transit co 1151
17. ITS car 202
18. Cedar Rapids and Iowa City 5/31/53
19. CCW 5/18/54*
20. CCW CC to Colwell
21. Toledo & Eastern
22. PRR GG-1s

7″ reels:

1. Railroading in Spooner Wisconsin
2. CNS&M Electroliner
3. N. St. C & Toronto
4. Johnstown Traction and Altoona & Logan Valley
5. Cincinnati Street Railway car 187 12/13/51

The next bunch of tapes are smaller reels. These 21/2″ reels are in their original manufacture’s boxes and are marked only with a Railroad name and a catalog number. The catalog numbers correspond with the catalog numbers on the 10″ 78rpm acetate records that I acquired with the first half of the estate. As producing these records was a very time-consuming task, Steventon saved time by making a master tape for each record. The master tape would contain his spoken introductions followed by the train sounds. I bought over sixty of these small master tapes, and a large number have never been put on the regular Railroad Record Club releases. They contain sounds of railroads I was completely unaware Steventon ever recorded, such as L&N, Southern, and Virginian. This collection also contains the Queensboro Bridge trolley, the IND subway, and the Third Avenue EL recordings Steventon made in New York City.

21/2″ reels:

1. Potomac Edison, 4 reels
2. Shenandoah Central, 2 reels
3. Capital Transit, 3 reels
4. Altoona & Logan Valley, 2 reels
5. B&O, 9 reels
6. Shaker Heights RT, 3 reels
7. PRR, 5 reels
8. NKP, 1 reel
9. St. Louis PS, 1 reel
10. Illinois Terminal, 2 reels
11. ICRR 3 reels
12. N&W, 1 reel
13. WM Rwy, 1 reel
14. Baltimore Transit, 2 reels
15. Senate Subway, 1 reel
16. Scranton Transit, 1 reel
17. Rochester Subway, 1 reel
18. CB&Q, 2 reels
19. Niagara, St. C & T, 2 reels
20. Virginian, 2 reels
21. Southern, 2 reels
22. Queensboro Bridge, 2 reels
23. Wabash, 1 reel
24. Third Ave. EL, 2 reels
25. Soo Line, 5 reels
26. L&N, 2 reels
27. St. Elizabeth Hospital, 1 reel (used steam switcher to move coal hoppers)
28. Omaha Road, 1 reel
29. NYC IND Subway, 1 reel
30. Unidentified, 4 reels

This is not a complete set of all the master tapes made for the 78rpm records to be sure, but it’s most of them. I consider it a small miracle that any survive at all! I am not an audio expert, but in my opinion, uninformed as it may be, these tapes appear to be in reasonably good condition. I would think that the tapes would be able to withstand a few more plays, enough to be digitized at least. Neither David nor I have the equipment to attempt this and I think it would be ill advised of us to try anyway. The tapes are old and were not stored in archival conditions. I’m sure the prudent course of action is to entrust any work on them to a professional.

The last batch of tapes are the master tapes made for the released Railroad Record Club LPs. There are different size reels, some tapes are only of one side of the LP while others have both sides on the same reel. Some are in good condition and some are not. Some I have multiple copies of and a few of the LPs I have no tapes for, Rather then make a complete list of every reel I will simply list the few LPs I have NO master tapes for.

No master tapes:

RRC 21
RRC 24
RRC 29
RRC 31
RRC SP-2
RRC SP-4
RRC SP-6

Most of these reels are 7″ with only a few smaller or larger. The most interesting master tapes are the reels for RRC 3 EBT/D&RGW. There are two 7″ reels that most likely have the original release version of the record, the one with William Steventon’s narration. There are also two 5″ reels, one marked “sounds only” and the other labeled “Narrative.” Since Steventon removed his voice from the 12″reissue of the record, the “Narrative” tape must contain just the voice of Elwin Purington doing the new narration.

I’m not sure just what to do with these master tapes. Some are in rough shape and all these sounds are on the released Railroad Record Club LPs. It certainly would be a considerable expense to digitize them all and no new sounds would be gained. For now, I’ll store them in the best possible conditions that I can provide and perhaps one day a clear path of action will present itself.

MOVIE FILMS

1 Steventon Film that should be all trains

2 Capital Transit B&W Night Film

3 Steventon film

4 Pennsy and B&O film

5 Back of Kodachrome box

6 Front of kodachrome box

I found several rolls of 16mm movie film within the boxes of audio tapes. Fortunately, Steventon was very good at labeling everything. He inserted little slips of paper into the film boxes listing the contents of the films. Unfortunately, the majority are family home movies. Most are of Steventon’s son Seth. His first day of school, Christmases, and birthday parties. There were six 100-foot reels that should be all trains.

16mm movies;

1. 100-foot reel but only about 50 feet of film. Labeled “Pennsy Fan Trip and B&O near Riverdale.”
2. 100-foot reel, full, labeled “Canada Term”. I’m not sure what that is supposed to indicate. I unspooled a few feet of film and the first few frames are without a doubt a steeple cab locomotive.
3. 100-foot reel, full, B&W, labeled “Cap Transit Night Film.”
4. 100-foot reel, full, labeled “EBT Reel 1.”
5. 100-foot reel, full, labeled “EBT Reel 2.”
6. 100-foot reel, full, labeled “Negative 1R Freight” Also written on box “bad footage.”

PRINT BLOCKS

1 Selection of print blocks

2 More print blocks

3 Still more print blocks

4. Print block for very early RRC traction logo

5. Railroad Record Club logo print block

6 Another style Railroad Record Club logo print block

7 Interurban car fron LP Sound Scrapbook-Traction

8 Interurban car fron LP Sound Scrapbook-Traction in two sizes

9 PRR steamer from 1st edition of RRC 10 in two sizes

10 D&RGW locomotive from the 1st edition of the LP the Siverton Train

11A Print block for NKP LP

12 Ad for RRC 25

13 Ad for RRC 25 reversed

14 Print block for large ad

15 Print block for large ad reversed

16 Ad for traction watch fobs

17 Ad for steam LPs

18 Ad for steam LPs reversed

19 Strange RRC ad

20 Strange RRC ad printed version

I also acquired a good number of print blocks, which are mostly quite small and were used in the RRC advertisements. I have a bunch of print blocks of the LP covers, all about the size of a postage stamp. They were used in ads and in the catalogs. There are a few complete ads that mostly feature a single record release. One large ad of interest is a very 1960’s, almost psychedelic illustration of a steam locomotive looming over a record player. Smoke is shooting from it’s stack and entwined within the billows of smoke are such things as a whistle blowing, a box cab electric locomotive, and a steam train. LPs are seen flying through the air and the words “steam and electric recordings” in twisted snake-like lettering fills the upper portion. Wild and unexpected. I would certainly like to know if this ad ever appeared anywhere in print.

I did not make a list of these small print blocks, there are just too many. I did photograph a representative selection of them. These photos will give a good idea of what is in the collection.

RECORDS

1 41 copies of RRC 3

2 18 copies of RRC 5

3 RCA test pressing for Sound Scrapbook Steam showing notation on upper left of sleeve

4 RCA test pressing for Illinois Terminal one of only 3 good discs

5 Back of RCA test pressing for Illinois Terminal

6 Close up of RCA test pressing for Illinois Terminal

7 Close up of RCA test pressing for NKP

8 RCA test pressing for CN showing damage

9 Metal press stamp

10 Metal press stamp with cardboard sleeve

11 RRC Nashville Metal press stamp

12 Metal press stamps in cardboard sleeves for RRC4 B&O

13 3 RRC Nashville Metal press stamps

14 Metal press stamp for RRC LP

15 Railroad Record Club SP-4 boxes and sleeves

16 Record jackets for each of the 3 records in the SP-4 set

17 Label for 1st edition of record 1 side 1 of RRC-SP4

18 Label for 2nd edition of record 1 side 1 of RRC-SP4

19 Label for 3rd edition of record 1 side 1 of RRC-SP4

Since the estate dealer would only sell me the tapes unless I bought the entire lot, including the remainder of the RRC LP stock, I had no choice but to buy them. I’ll admit I would not have wanted to see all these mint condition, still sealed LPs go in the trash, but what am I going to do with them and where am I going to store them? These questions I’m still contemplating. However, these concerns are secondary to preserving and digitizing the tapes. I have a few options, I can rent a table at a few railroadiania swap meets, contact a few local hobby stores and see if they are willing to sell some, and David and I have been thinking of making them available through the blog.

I’ll have to carefully consider my options. It would be nice to make a little of my money back and put it towards digitizing tapes. For the record, here is a list of the 12″ remasters. They are all still sealed and, for the most part, in mint condition. A few may have a bend or crease in the jackets and a few copies of RRC 20 have brown water stains in the lower right corner.

12″ remaster LPs:

41 copies of RRC 3, EBT/D&RGW
18 copies of RRC 5, D7rgw
36 copies of RRC 8 CN
29 copies of RRC 3 15, CB&Q
34 copies of RRC 16, Westside Lumber
25 copies of RRC 20, NYC/C&IM (6 copies have water damage)
15 copies of RRC 26, CNS&M Freight
22 copies of RRC 29, NKP 779

Included with the unsold record stock were several mint copies of the original 10″ LPs:

10″ LPs:
1 copy RRC 2, WCF&N
1 copy RRC 4, B&O
2 copies of RRC 5, D&RGW
1 copy RRC 7, N&W
1 copy RRC 8, CN
1 copy RRC 10, PRR
1 copy RRC 16, Westside Lumber
1 copy RRC 17, Soo Line
1 copy RRC 19, DM&IR
1 copy RRC 20, NYC/C&IM
8 copies of RRC 28, Charles City Western
1 copy RRC 29, NKP 779
1 copy RRC SP-2 NP 2626

Twenty-four RCA test pressing were included in the sale, ten 12″ pressings and fourteen 10″. All these pressings are stamped on one side only and on the paper sleeve of two of the 12″ pressings there is a hand-written note: “Masters will be 12 inch”. This is the one rather disheartening part of the story. All but three of these test pressings are in very poor condition. The accrete has flaked off in large chips. When I removed the disc from the paper sleeve to determine its condition, a black snowfall often resulted. I’m not sure what to do with these, they are really just trash now. I will photograph the label of each one for my archive but after that, I just don’t know. The three good discs are two 12″ pressings for both sides of RRC 15, CB&Q. It’s lucky that the only undamaged 12″ RCA test pressings are for the two sides of the same record. The one good 10″ disc is for side 2 of RRC 25, Illinois Terminal.

The metal stamping plates vary in condition. I was able to inspect these plates while at the dealer’s property last July, so I knew what to expect. I turned them down last year to save my money for what I considered the good stuff, the artwork and 78rpm records. All the original RCA stamp plates were lost in 1973, necessitating the 12″ remaster program. These plates are the Nashville-made stamps made in the late 1970s and throughout the 1980s. As I remember it, all 17 master plates were in the dealer’s warehouse. I only looked at them briefly but the top few were scratched and dented. Now, if I wanted the tapes, I had to buy them. Here I did a little dealing. Since these plates were a bit heavier than the records and I was paying for shipment by the pound, I convinced the dealer to choose a few of the stamps that were in the best condition. Those in poor condition he would not charge me for and he could discard them. The archivist in me wanted to save them all, but compromises must occasionally be made.

In all I got twelve of these stamps, five are 14″ and 7 are 12″.

I ended up with a bunch of returned records as well. Numbering somewhere around fifteen or twenty, these records were returned by buyers dissatisfied with them. Most of them have a note attached with the buyer’s name and his complaint. Things such as scratches, surface noise, and various clicks and pops were the most often cited reasons for the return.

An interesting find was various copies of the records that comprise the three-record set of SP-4. I was able to put together a set of each of the three pressings this set had. A surprise was a set of these records not in the display box that they came in, but in three separate record jackets. Each jacket had the same drawing of CSS&SB MU #108 that appeared on the box lid. Perhaps this was some sort of test printing or the original idea for the jackets. I may never know but I’m sure it is a unique set.

PHOTOGRAPHS

A Washington and Old Dominion RPO (Railway Post Office) on a mail run outside Rosslyn VA. Here is some additional information, via trainorders.com: “The shot of eastbound car 44 was taken at the grade crossing of North Quinn Street; which was located just outside of Rosslyn,VA near the west end of the bridge that carried the W&OD across Lee Highway and into the Rosslyn yard. 44 had been rebuilt into an RPO, by the railroad from a 1912 Southern Car interurban combine. After passenger service ended (for the first time) in 1941, 44 continued to run under wires by itself twice a day for mail and express duties; until the conversion to diesel power in 1942. After the power was turned off for good; 44 was hauled by a GE 44-tonner.”

NP 4-8-4 2686

CA&E Elgin train on street in Aurora IL 1931

Capital Transit PCC and bus Catholic University

D&RGW 476 locomotive featured on SP-1

D&RGW 481

Des Moines & Central Iowa car 1710

EBT 15 on a rainy day very likely while record 3 was being recorded

Evansville & Ohio Valley car 134

Ill Terminal car 285

Ill Terminal local on Caldwell Hill East Pearia about 1936

Indiana box car 550

Indiana RR 752 waiting for loads at mine scale

Indiana RR car 64

Indiana RR car 93 at Anderson IN September 4 1938

Indiana RR Vigo with rails ripped out.

Interstate car 711 ex-IPSC 427 September 3 1939

Interstate car 711 on shop siding west of Greencastle June 3 1939

Interurban car 44 and REA truck Rosslyn VA

MC&CL RR car 34

MC&CL Steeple cab 52

Nice right of way photo but no info other than date March 31 1936

S T F Co RR 54 Farmington MO

Unidentified car and person

Unidentified steeple cab locomotive

Unidentified steeple cab locomotive photo 2

Waterloo Cedar Falls & Northern car 100 this car is featured on RRC 2

Here again I had to do a little dealing. I went quickly through the box of Steventon photos last year, choosing about 20 photos to purchase. The box contained a mix of railroad photos and family snap shots. The family photos outnumbered the trains. Again, I did not want to pay for, or have the added weight of photos that were just going to be tossed away. Steventon’s son was the one who sold all this family history in the first place, so I saw no reason to try and get it back to him. The dealer agreed to sort the photos and sell and ship only railroad photos. He would discard the unwanted photos.

In all there are 135 photos of railroad equipment, mostly traction subjects. Some have complete caption information, and some have nothing. There are 23 photos of active traction right-of-ways but no caption information. 24 photos of abandoned traction right-of-ways have no captions. I cannot be sure if it is a “before” and “after” series of 27 photos. I also received 11 steam negatives, the aforementioned NP 4-8-4 # 2686 (two almost identical shots at Staples, MN) and several D&RGW narrow gauge roster photos. There is one EBT negative and a shot of a steam tractor. I haven’t had time to scan all of these photos yet, but they will appear in the Trolley Dodger as I do. For now, here are a few scans to whet your appetite.

DOCUMENTS

Stack of prints of Soo 2715

VHS VIDEO TAPES

There was one last surprise waiting for me. There are eight VHS video tapes in the estate lot, seven of which were professionally produced programs of traction subjects, several of which Steventon provided audio for. One tape on a store-bought blank was labeled simply “Railroad Programs”. I thought it was most likely a tape of TV shows about trains, but I popped it in the player just to see. It turned out to be a recording of a presentation that Steventon made to a local historical society. The video quality is bad, but you can hear everything he says perfectly.

It’s all really basic stuff, what you would expect him to present to a general audience. Such things as the appeal of a steam locomotive, the nicknames of various railroad job positions like “Hogger” for engineer etc. He then gets into the “sound portion” of his talk. He has a reel to reel tape player with him, and he explains the use of whistle signals and then plays a cut of a B&O EM-1 from Record number 4, noting the “two longs-a short-and another long” signal for a road crossing. He then goes into how a steam locomotive gains traction. Here he plays the sequence of SOO Line 2718 backing off the wye track from the intro record. He stops the tape at places to note the change in the locomotive’s sound and what that indicates to the engineer. Next, he talks about the use of torpedoes as a signaling device and plays a cut from Record number 8. He never says that these sounds are from his records. In fact, he never mentions that he ever sold records and the Railroad Record Club is not once referenced.

He eventually brings out a chart of steam locomotive wheel arrangements. He walks out of frame with it, but you can still hear what he is saying. At some point someone thinks to pan the camera around, but the view is only the back of the chart!

By the time he finishes with the chart, the program has gone on for about 40 minutes. Now he introduces “Whistle ‘Round the Bend” and plays the entire record, all 30 minutes. While the camera never moves during this, and Steventon just sits there listening, it’s a bit of a poignant moment. The video quality, as I said, is poor, and he is in the center of a wide shot, but it’s still possible to see that he is moved by the words and sounds he his hearing.

While little information is given about how, where, or when the sounds he played were recorded a little more personal stuff is revealed. He tells of the day in 1936 that his mother died. His father was at work and needed to get home. The NYC put every opposing train on the siding and he had green signals the whole way. He also tells us that he was a sickly child and his father took him onboard the locomotive with him, even against the rules, because he wanted to spend time with him, and make William happy, as the doctors said he may not survive into adulthood. With this video I was able to “know” William Steventon just a little bit better.

As I have these tapes put on to CD, they will be offered for sale in the online store. I bought these tapes not to just save them from destruction, but to have them made available to everyone who may be interested. I think that is perhaps the best way to ensure these historic sounds are preserved. Not just as a tribute to the people who recorded them who are now gone, but to ensure these sounds will endure to instruct and entertain future railfans long after we are gone too.

-Kenneth Gear

New Steam Audio CD:

FTS
Farewell To Steam
Mister D’s Machine
# of Discs – 1
Price: $14.99

Farewell To Steam
On February 6, 1955 the Santa Fe Railway ran a railfan train from Los Angeles to Barstow and back for the Railway Club of Southern California. This was Santa Fe’s last run powered by a steam locomotive over this route. The engine was a 4-8-4, #3759. We have used the original, rare 1955 mono version of this recording, and not the later 1958 reissue that had a bunch of echo added to create a fake stereo effect.

Mister D’s Machine
When diesel locomotives replaced steam in the 1950s, they offered a multitude of different sounds. This original 1963 stereo recording showcases the many sounds of diesels on the San Joaquin and Los Angeles Divisions of the Southern Pacific, including the Tahachappi Loop, an engineering feat that made modern railroading famous.

As with all of our recordings, this CD comes with the complete, original liner notes.

Total time – 72:56

Order Our New Book Building Chicago’s Subways

There are three subway anniversaries this year in Chicago:
60 years since the West Side Subway opened (June 22, 1958)
75 years since the State Street Subway opened (October 17, 1943)
80 years since subway construction started (December 17, 1938)

To commemorate these anniversaries, we have written a new book, Building Chicago’s Subways.

While the elevated Chicago Loop is justly famous as a symbol of the city, the fascinating history of its subways is less well known. The City of Chicago broke ground on what would become the “Initial System of Subways” during the Great Depression and finished 20 years later. This gigantic construction project, a part of the New Deal, would overcome many obstacles while tunneling through Chicago’s soft blue clay, under congested downtown streets, and even beneath the mighty Chicago River. Chicago’s first rapid transit subway opened in 1943 after decades of wrangling over routes, financing, and logistics. It grew to encompass the State Street, Dearborn-Milwaukee, and West Side Subways, with the latter modernizing the old Garfield Park “L” into the median of Chicago’s first expressway. Take a trip underground and see how Chicago’s “I Will” spirit overcame challenges and persevered to help with the successful building of the subways that move millions. Building Chicago’s subways was national news and a matter of considerable civic pride–making it a “Second City” no more!

Bibliographic information:

Chapter Titles:
01. The River Tunnels
02. The Freight Tunnels
03. Make No Little Plans
04. The State Street Subway
05. The Dearborn-Milwaukee Subway
06. Displaced
07. Death of an Interurban
08. The Last Street Railway
09. Subways and Superhighways
10. Subways Since 1960

Building Chicago’s Subways is in stock and now available for immediate shipment. Order your copy today! All copies purchased through The Trolley Dodger will be signed by the author.

The price of $23.99 includes shipping within the United States.

For Shipping to US Addresses:

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For Shipping Elsewhere:

Redone tile at the Monroe and Dearborn CTA Blue Line subway station, showing how an original sign was incorporated into a newer design, May 25, 2018. (David Sadowski Photo)

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William A. Steventon’s Railroad Record Club

September 24, 2018September 24, 2018David Sadowski 11 Comments

William Steventon

Today’s post is the first of two by Kenneth Gear, long a friend of this blog. We have great news to report– Ken has finally been able to purchase all the remaining Railroad Record Club items from the dealer that purchased them many years ago from the estate of William A. Steventon, who died 25 years ago.

Ken details all that in another post, Railroad Record Club Treasure Hunt, Part 2. These new discoveries have enabled him to offer what is, to my knowledge, the first-ever comprehensive and factual history of William A. Steventon’s Railroad Record Club.

Thanks in great part to Ken’s dedication and persistence, you can find practically all the RRC’s 10″ and 12″ output, now digitized on compact discs for the 21st century, in our Online Store. We thank him for these efforts, and hope you will too.

-David Sadowski

INTRODUCTION

As regular readers of this blog know, David and I have been gathering bits and pieces of information about the Railroad Record Club and its founder, William A. Steventon. We wanted to get a better understanding of what went into making these records, and to put together a history of the club. David started the ball rolling in April 2015 when he wrote the first Trolley Dodger post about it. As soon as I read that post I jumped aboard having been interested in the subject for some time. Together we finally managed to accumulate enough separate fragments of the story so that when we put it all together, it formed an accurate outline of the events leading up to the formation of the club and offered some insight into its operation. We were also able to build a brief biological sketch of Mr. Steventon.

Separately David and I looked for any resource that might reveal some small bit of new information. We read liner notes, club newsletters, and we looked through back issues of magazines in search of RRC ads. We collected order blanks, and I purchased copies of records I already owned because they had club inserts tucked away in the jackets. I researched the meaning of the matrix codes engraved in the lead out grooves of the LPs to more accurately date them. We studied artwork and found some of Steventon’s personal correspondences. Everything came together when I purchased a large collection of Railroad Record Club items from Steventon’s estate. Combing through this material finally gave us enough information so that David and I could piece together the Railroad Record Club story you are about to read.

There are still unanswered questions to be sure and there are also missing recordings. We haven’t been able to secure copies of the 5th and 6th year sampler records. We also can only speculate on how, to whom, and at what cost these sampler records were distributed.

If any readers have any RRC material, please contact David. We only ask for a scan of any paper work or leads you may be able to offer as to who might be able to help. Thank you.

I have recently been able to purchase the last of the Steventon estate items I left behind last year (more on that in A Railroad Record Club Treasure Hunt, Part 2) and with luck David and I will be able to put together a few more pieces of the Railroad Record Club puzzle.

WILLIAM STEVENTON & THE RAILROAD RECORD CLUB

William A. Steventon was born in 1921 in Mount Carmel, Illinois, son of a locomotive engineer on the Big Four Railroad (New York Central). As a child he spent much of his time around the red brick passenger station and wooden freight house across from Main Street. The family eventually moved to Cairo, Illinois and there he would often ride in the locomotive cab with his father. In the liner notes to Record number 20- NYC/C&IM while describing an in-cab recording made with his father at the throttle, Steventon reminisces about his boyhood days spent there:

“It is strange that this recording should remind me of something that I had almost forgotten. If I hadn’t heard my father pull a whistle cord in 50 years, and in the distance I should hear a certain whistle, I would know that it was him. This recording also reminds me of the many times I had waited as a youngster for him to whistle near Cherry switch to let us know he was coming home from a north-end run. It reminds me of the many times I have walked down Washington Street in Cairo and heard him whistling in the yards.”

After serving in World War II Steventon married and took a government job. He and his wife settled in the Washington DC area and it is here that the Railroad Record Club story begins.

It all began when Steventon’s wife gave him a record of Railroad sound effects as a Christmas gift, most likely in 1952. While he was interested in the concept of recorded train sounds, he was very dissatisfied with this record. He was convinced that the sounds were not those of actual trains, that they were train “effects” created in a recording studio. He wanted sound recordings of REAL trains. He purchased one of the new reel to reel tape recorders that had recently become available and in March 1953, set out to make his first railroad sound recordings.

First recording

The first recording he made was along the Baltimore & Ohio Railroad at the Riverdale, Maryland passenger station (MP 32.4 on the Washington Branch). As best as can be determined, the first train he recorded was # 523 the “MARYLANDER” powered by an EMD diesel (he did not make note of the locomotive number). His second train was powered by steam but in his haste to hear the recording immediately after making it, he accidently partially erased it! He wrote about his frustration in an article for TRACTION & MODELS Magazine:

“When we made our very first recording in 1953 we took the equipment to Riverdale, Maryland and recorded a steamer thundering past the B&O station. When it was gone we stopped the recorder, rewound the tape and played it back. Nothing happened-the tape was silent. we waited thinking that the steamer wasn’t within “hearing distance” as yet, but when it became evident that we should be hearing the sound, we investigated. In our enthusiasm to “get recording” we had failed to become familiar with our equipment. Instead of pushing the playback key, we had pushed the record key and were erasing the sound we had just recorded.”

That partially erased recording, as well as the others he made that night, were discovered on a 78rpm acetate record in his estate. It is included on the Trolley Dodger Railroad Record Club Rarities Steam & Diesel CD.

During the next few years, Steventon made numerous railroad sound recordings, both in and around Washington DC and on trips to visit family in Illinois. Near Washington DC he recorded the streetcars of the Capital Transit Company, steam & diesels on the B&O, and Pennsy GG-1s. He even recorded the sounds of the Senate Subway. He made trips to Maryland to record the Western Maryland, the Hagerstown & Frederick interurban cars and freight box motors, and he rode and recorded the Baltimore streetcars. In Pennsylvania he recorded mainline steam on the PRR, revenue steam on the East Broad Top, and made extensive recordings of the Johnstown Traction Company and the Altoona & Logan Valley. In Illinois he captured the sounds of the New York Central, Chicago & Illinois Midland, Nickel Plate, Illinois Central, and Chicago Burlington & Quincy among others. He did recordings of the passenger and freight operations of the Midwestern electric railways including the Illinois Terminal, Chicago North Shore & Milwaukee, Chicago Aurora & Elgin and even recorded an entire run of Chicago South Shore & South Bend M.U. car # 108 from Chicago to South Bend. In Iowa he added the Waterloo, Cedar Falls & Northern, Southern Iowa, Cedar Rapids & Iowa City and Charles City Western. In his travels he made recordings of the Pacific Electric, Shaker Heights Rapid Transit, Wabash, Soo Line, Denver & Rio Grande Western narrow gauge, and Norfolk & Western. In a 1958 newspaper interview he stated he had traveled to fifteen states to record train sounds. It is quite an extensive output and not all of it has been pressed into vinyl or released on tape or CD.

All this recording did not come easily. Dragging the equipment from home to car and from car to trackside required the help of at least one other person. Steventon wrote about the difficulty of using this bulky equipment in the field:

“We had a 12-volt auto battery for the primary power source, a 12 v.d.c. to 110 v.a.c. rotary converter, a reel to reel recorder plus a satchel of extra equipment, tapes, and assorted material. Two men could struggle with all this equipment, but it required three men to carry everything with any degree of ease and mobility. In addition, we normally carried a battery charger for use with keeping the battery up to par during the night. This could be left in the auto during the day but was a very necessary part of our total equipment requirement.”

It is a wonder anyone was able to record anything, considering the burden it must have been to get all this stuff trackside. It makes one grateful for the ability to record high quality sound and high definition video with just a tiny cell phone as we can do today.

Steventon eventually took a job as manager of the Cream Valley Telephone Company and he and his wife moved to Hawkins, Wisconsin. There he would continue to make railroad sound recordings, start a family. and create the Railroad Record Club.

Doing all this traveling and making these recordings invariably put him in contact with like-minded people. It is safe to assume that they would want to trade and share the recordings they made with each other. In the mid-1950s this was no easy task. Modern home audio systems, as we think of them now, simply did not exist. The problem was made even worse if recordings were to be shared or sold to someone who did not make recordings themselves and therefore did not own a reel to reel tape player/recorder. While most people at the time did not own a tape player, a phonograph could be found in most homes.

Steventon pre-RRC 78rpm records

If Steventon wanted to give or sell his recordings to many other people, they would have to be put onto phonograph records. This too, wouldn’t be easy. The solution was to procure a portable disc cutter. These machines became available for home use starting in about 1929 and were most often used to record things off the radio. The standard record format of the time was a disc ten inches in diameter and made of aluminum covered with acetate. The 78rpm playing speed yielded no more than five minutes of content per side. These records had to be made in real time and the record blanks were quite heavy compared to a modern vinyl record. To distill more and varied content on these homemade records, he spliced together all sorts of bits and pieces and recorded brief introductions to tell listeners what they were about to hear. He conceived a catalog numbering system and had rubber stamps made for the most popular titles, the rest having hand-written labels. Steventon produced an extraordinary amount of records this way. Finding a sizable collection of these acetate records in the Steventon estate reveled just how extensive the output was. Although a complete catalog listing of these records can not presently be made, the following partial list is still very impressive.

01. Potomac Edison (aka Hagerstown & Frederick)
02. Shenandoah Central
03. Capital Transit
04. Johnstown Traction
05. Altoona & Logan Valley
06. Baltimore & Ohio
07. Shaker Heights Rapid Transit
08. Claude Mahoney Radio Program about NRHS fantrip (1953)
09. Pennsylvania Railroad
10. Nickel Plate Road
11. St. Louis Public Service
12. Illinois Terminal
13. Illinois Central
16. Norfolk & Western
17. Western Maryland Railway
18. Baltimore Transit
19. Senate Subway (Washington, DC)
21. Rochester Subway
22. East Broad Top
23. Chicago, Burlington & Quincy
24. Chicago & Illinois Midland
25. Niagara, St. Catharines & Toronto
26. Virginian
28. Queensboro Bridge
29. Wabash
30. 3rd Avenue Elevated
31. Minneapolis, St Paul & Sault Ste Marie
32. Louisville & Nashville
34. St Elizabeth’s Hospital (hospital in Washington DC that used a 0-4-0T to move coal from the B&O.)
37. Independent Subway

It is worth noting that this numbering sequence is totally different from the later one adopted for the 10” records issued later.

Things were apparently going well for Steventon’s railroad record enterprise for a while but things were about to change. Long playing 33 1/3 rpm records made of lighter materials and with improved sound were beginning to gain in popularity. Record blanks and parts for the disc cutter would undoubtedly become harder to get. Steventon needed to have his records made by a professional record pressing company to continue selling them. Steventon would have to make new master tapes for each release because the new records, although still 10”, could hold fifteen minutes of sound on each side-a full half-hour altogether. This would be the equivalent of more then five of the old acetates. He would forgo, for the most part, his spoken introductions and provide printed notes on the cardboard record jackets. These notes could be pretty sparse at first, containing little more than the railroad and locomotive number.

RRC intro record

RRC INTRO old SP5

Bill Steventon recording compressor noise on CNS&M interurban

Eventually he began to write extensive notes on separate sheets of paper that were inserted into the record jackets. In time, the first completed master tape was sent off to the RCA Custom Record facility in Indianapolis, Indiana and soon afterward the first official Railroad Record Club LP came into being. The record was titled simply INTRODUCTORY RECORD and carried no catalog number. Side one contained the sounds of Soo Line 4-6-2 # 2718 powering an August, 1955 fan trip between Minneapolis, Minnesota and Rice Lake, Wisconsin. Illinois Central 0-8-0 # 3509 switching at Centralia, Illinois was featured on the flip side. A look at the first four characters in the matrix code engraved into the lead-out grooves of a first edition of this record, G8OL, gives the following information: First is the date code-G indicates the record was manufactured in 1956, then the label code-8 showing it was a custom job that was re-recorded from the client’s source material. Next is the category code-O meaning it is a phonograph record, and the fourth character-L denoted the size, speed & groove, 10”, mono, & 331/3 rpm. The final numbers 0479 for side one and 0480 on side two were simply sequence numbers. The Introductory Record was therefore available for sale sometime in 1956 or perhaps 1957.

He made the decision to sell these new records not as a regular mail order business, but as a club. The club membership idea may have been the direct result of the expense associated with this new endeavor. He had to have the records pressed by RCA which required metal master plates to be made. Cardboard record jackets had to be purchased and be printed with photographs or drawings. Tape stock had to be bought for the making of the new master tapes. All in all, this must have been a considerable expense. Selling the records through a club meant that the members were required to purchase a set number of records and paying for them in advance, thereby guaranteeing he would get some return on all this investment. The club worked like this: Four records would be offered per year. Members could buy the records at the discounted price of $4 each providing they maintained membership by purchasing at least three of the selections. Membership expired upon the purchase of one year’s group. There were no membership dues, but records were paid for in advance to provide the necessary money to have the metal masters made. Special pressings could be purchased at club prices but were not counted toward the three-record minimum. Non-members could buy individual LPs at $5.25 each. $4.00 for a LP record sounds like a bargain but remember those $4 in 1958 had the same buying power as $34.72 in 2018! These Records weren’t cheap. According to a 1958 interview he gave to the Milwaukee Sentinel, the club started off very well. The article stated that there were some 200 club members through out the United States and several foreign countries including New Zealand, Australia, England and Canada. It goes on to state he has already sold 1,000 records.

Steventon continued to sell his records through the yearly club membership plan until October 1965 when the club membership requirement was withdrawn. The records would now be sold separately and at the same price to everyone.

From 1957 with the release of the Introductory record until October 1965 when the last regularly scheduled production of a Railroad Record Club release (Record number 32-New York Central) was offered, Steventon produced thirty-two regular club releases and three special pressings. One more release, SP-4-CSS&SB would be released later that year. Afterwards, Steventon released Records Numbers 33-36 and special pressings numbers SP-5 (a reissue of the introductory record) and the last all new Railroad Record Club record in 1983, number SP-6 Milwaukee Road box cab electrics. Each record was simply numbered in the order it was produced.

RAILROAD RECORD CLUB TITLES
0 Soo Line, Illinois Central (Introductory Record)
1 Wabash Railroad, Chicago, St. Paul, Minneapolis & Omaha
2 Waterloo, Cedar Falls & Northern, Southern Iowa Railway
3 Denver, Rio Grande & Western, East Broad Top
4 Baltimore and Ohio
5 Denver & Rio Grande Western
6 Potomac Edison (Hagerstown & Frederick)
7 Norfolk & Western, Illinois Central (Also includes a bit of Illinois Terminal Railroad)
8 Canadian National (aka Canadian Railroading in the Days of Steam)
9 Winston-Salem Southbound
10 Pennsylvania Railroad
11 Shaker Heights Rapid Transit
12 Duluth Missabe & Iron Range
13 Nickel Plate Road
14 Pacific Electric
15 Chicago, Burlington & Quincy
16 Westside Lumber Company
17 Minneapolis & St Paul, Sault Ste Marie Railway
18 Chicago, North Shore & Milwaukee
19 Duluth, Missabe & Iron Range
20 Chicago & Illinois Midland – New York Central
21 Duluth & Northeastern
22 Buffalo Creek & Gauley
23 Pennsylvania Trolleys
24 Canadian Pacific
25 Illinois Terminal Railroad
26 Chicago, North Shore & Milwaukee (freight)
27 Capital Transit Company
28 Charles City Western – Waterloo, Cedar Falls & Northern
29 Nickel Plate Road
30 Sound Scrapbook, Traction
31 Sound Scrapbook, Steam
32 New York Central
33 Chicago, South Shore & South Bend (freight)
34 Chicago, South Shore & South Bend (freight)
35 Milwaukee & Suburban Transport, Chicago, North Shore & Milwaukee
36 Chicago, Aurora & Elgin, Chicago Transit Authority

Special Pressings
SP1 The Silverton Train
SP2 Northern Pacific 2626 Memorial Album
SP3 Whistle ‘Round the Bend
SP4 Chicago, South Shore & South Bend Railroad (passenger)
SP5 Soo Line, Illinois Central
SP6 The Milwaukee Road (electric freight)

He also produced several “sampler” records which contain short snippets of tracks from the LP records.

THE RAILROAD RECORD CLUB SAMPLERS

1st & 2nd Year Sampler: (short excerpts from records 1 to 4 on side one & records 5 to 8 on side two)
3rd & 4th Year Sampler: (short excerpts from records 9 to 12 on side one & records 13 to 16 on side two)
5th Year Sampler: (short excerpts from records 17 to 20 recorded on one side only)
6th Year Sampler: (short excerpts from records 21 to 24 recorded on one side only)
7th & 8th Year Sampler: (short excerpts from records 25 to 28 on side one & records 29 to 32 on side two)

Among these forty-two LPs there are some real gems. He certainly started off strong with Record Number one. On side two there is one of his best “sound picture” type recordings. It features Chicago, St. Paul, Minneapolis & Omaha 2-8-0 # 219 switching in the yards at Spooner, Wisconsin on a dark misty night in October of 1955. This was one of his favorite audio sequences and he described it like this in the record’s reissue liner notes:

“Close your eyes and imagine you are in a Pullman berth. Your passenger train has stopped at the station and you are sleepily listening to this nearby switching movement.” And from the notes to the original release: “That night in October of 1955 was very dark, moonless and misting heavily. The sulfuric, yet nostalgic odor of coal smoke drifted sluggishly over the Spooner, Wisconsin yards as the sound of exhausts and squealing brakes seeped through the murky atmosphere. A dim yellow light at the south end of the station platform rocked in the wind, flicking shadows to and fro over the moving cars.”

If you don’t feel the dampness, smell the coal smoke, or find that you need to shake off a chill while listening to this, you’re just not trying.

There are so many remarkable sound sequences on these LPs that it would be impossible to list them all, Some of the most interesting ones include: a D&RGW narrow gauge train with a mid-train helper on Cumbres Pass on Record number 3, the B&O EM-1 stopping and starting sequences on Record Number 4, a PRR 4-8-2 on slick rail on Record number 10, the cab rides in CSS&SB freight motors on Record numbers 33 and 34, the list goes on and on.

William Steventon did not exclusively use his own recordings on the Railroad Record Club LPs. In the second year of the club he began to utilize the talents of his friends, and the most notable of the group was Elwin D. Purington. Mr. Purington’s considerable recording talents added greatly to the quality of Steventon’s releases. Three records were entirely comprised of his recordings and they are three of the best. Record number 8-Canadian National (re-released as “Canadian Railroading in The Days Of Steam”) is one of Steventon’s favorites, and SP-2 the Northern Pacific 2626 memorial album Steventon called “a masterpiece.” He provided the sounds for side one of Record number 12-DM&IR and his recordings of the CMSt.P&P electric freight locomotives are featured on Record SP-6. He also did the narration on Number 3-East Broad Top and SP-3-Whistle ‘Round the Bend. Thomas A. Hosick recorded the train sounds for Record number 9-Winston-Salem Southbound, and John L. Wise contributed to Record number 10-PRR. Harold O. Lewis did some fine recording work that was used on three LPs, Record number 16-Westside Lumber, number 24-Canadian Pacific, and number 31-Sound Scrapbook-Steam. Eugene Van Dusen made all but the final three cuts for Record Number 32-NYC, and finally A. L. Shade, another top-notch sound recorder of trains, added his talents to Record numbers 13-Nickel Plate, 29-NKP 779 and 22-Buffalo Creek & Gauley.

Excellent HM Pech cover RRC 5

Marginal HM Pech cover 1st edition of Record number 8

RRC 19

The sounds on these LPs were great right from the start, but it took awhile for the record jackets to evolve into something interesting and appealing. At first the record jackets had little in the way of cover art, nothing more than a small photo or two plus a few paragraphs of text. Eventually sketches of the featured locomotive pulling a train were added, usually draw by an artist who signed his work HM Pech. These drawings could range from excellent (Record number 5) to marginal (1st edition of Record number 8). All mediocrity was removed for good when the cover art for Record number 19 was revealed. The cover of this record is a very nice accomplishment. The drawing of DM&IR 2-8-8-4 # 222 is perfect in every way. This great drawing combined with an appealing layout makes for a wonderful cover. A new visual benchmark for the Railroad Record Club had been reached and there was no going back. The drawing was done by Marshall P. (Pat) McMahon. He worked for the Minneapolis Star Tribune as an illustrator. His drawings of railroad equipment are flawless. The detail is meticulously rendered and drawn with precision and skill. Mr. McMahon would from here on out, be the main artist used by Steventon to illustrate the record jackets. When second editions of previously released records were pressed, McMahon would be called upon to create a new cover drawing. Every one is a vast improvement over what had come before. He also got the call to do new drawings when the records began to be reissued on 12″ discs, and he even did at least one drawing that Steventon sold prints of (Soo Line steamer # 2715). He would go on to do cover illustrations for thirty record jackets for the club! Rounding out the list of artists employed by the Railroad Record Club: Ernie Towler did a fine pencil sketch of a Shay locomotive for the 12″ reissue of Record Number 16-Westside Lumber and he did the cover of the reissue of number 15-CB&Q. Herb Mott did a painting of a boy watching a steam train passing for the cover of SP-3-Whistle ‘Round the Bend. This record has the distinction of being the only one with a full color cover.

RRC 17 Steventon enjoyed being here Hawkins WI Soo station

RRC 17 1st edition drawing Hawkins WI Soo station

RRC 20

Advertising had to be done, and ads were placed in several railroad and modeling magazines including Trains and Model Railroad Craftsman. Such tag lines as “Authentic steam and electric railway recordings,” “Sounds you like to hear steam-traction,” and “Out of the past and into your home” were used. A mailing list was maintained, and announcements and sales information mailed directly to those on it. Records were sold in hobby stores, and Steventon sent LPs to railroad historical societies that coincided with the group’s interests. He even devised a unique “Audition Set Program”. To audition a set of records a request form had to be filled out. A choice could be made as to which records were wanted but a choice of pre-selected LPs could be made by choosing ” all steam” or “all traction” or both. A “random” selection could be made giving the customer the choice of titles and number of records. A deposit in the following amounts had to be sent: “all steam” consisting of 25 10″ records-$100.00, “all traction” consisting of 15 10″ records-$60.00 and “random” $4.00 each. After listening, the records were to be returned with (hopefully) a purchase order. The money for the purchased records would be deducted from the deposit and the remainder returned with the record order.

Eventually Steventon branched out and began to sell all types of things. His biggest sideline was selling photographs. The photo catalog alone was 40 pages! He sold 16mm, 8mm and super 8 traction movies, books, records from other producers, he even had a line of railroad logo watch fobs! In one sales flyer he was trying to unload his old adding machine, a Sears model No. 871.58251 (he wanted $40 for it postpaid).

After 1965, when The Railroad Record Club stopped functioning as a club, not much else changed. Steventon continued to release records and in fact had plans to release many more. In a 1966 newsletter Steventon makes mention of future planned releases, unfortunately not all of them were produced. He writes: “Future releases will be made on the basis of availability of time and material. At this writing an “on train” recording of the old 1000 series Chicago South Shore & South Bend locomotives is in production. No release date has been set.” (Records number 33 & 34). He continues: “Other material for future work includes many steam and electric lines including the Shenandoah Central (never produced), Baltimore & Ohio (never produced) Chicago Aurora & Elgin (Record Number 36), Chicago Transit Authority (record number 36) Queensboro Bridge (never produced) and others.”

This newsletter also announces the first Railroad Record Club selection ever to be released on 12” discs-Special Pressing number 4. “On December 21, 1965 a new milestone was established with the release of a set of three 12-inch 33 1/3 rpm recordings of the complete run of interurban No. 108 from Chicago to South Bend. Approximately two hours playing time and conveniently arranged for automatic playing sequence. Prepared and recommended for the devoted traction enthusiast.”

Through the rest of the 1960s and into the 1970s Steventon successfully sold his records. Some of the most popular selections had second and even third editions pressed, and the covers and liner notes continued to evolve, The liner notes were becoming more extensive and contained more information, not just about the equipment recorded, but somewhat personal stuff as well. For example, on record number 17, the entirety of side one contains the sounds of the activities going on inside the Hawkins, Wisconsin Soo Line station. Although Steventon writes in the third person he conveys his pleasure at being there. The sound of the telegraph, talking with the agent, the rumble of trains going past, the whole “atmosphere” he loved. “Plant your feet on the desk” he writes, “lean back in your chair and you’re the agent at this small village station.” He wrote fond boyhood memories in the notes to Record number 20 and revealed in those same notes just how he felt about diesel locomotives. He wrote that while recording a C&IM 0-8-0 switcher going about her chores, he was “dismayed” and “disgusted” when a GM&O RS-1 came onto the scene. He included the diesel on the record however, noting that the steamer and the diesel sharing the stage made for an interesting recording. As he puts it: “Actually this could be considered as the tug-of-war between two types of motive power as to which will dominate the railroad scene”. At this point, he had to be dismayed to know steam would be the loser. Eventually his negative view of diesels must have softened a bit because in 1988, when he revised the notes to Record number 20, he removed the word “disgusted” although he continued to be “dismayed”. Steventon never released an LP that was entirely diesel sounds. He recorded diesels with some degree of regularity, as his first recording was of one. In his estate there was an open reel tape labeled “Nickel Plate Diesels” and on those acetate records there are plenty of B&O diesels. Perhaps he thought his record buying customers wouldn’t want to spend money to hear those “disgusting” machines. Rarely is the sound of a diesel included on any of the records.

The Railroad Record Club continued steadily along until early in 1973. A situation then developed that could not be easily overcome, in fact, it never would be completely. Early in that year RCA informed Steventon that they would no longer press his records. In club announcements concerning this situation Steventon wrote “In February of 1973 they (RCA) notified us that all of their custom work was being discontinued.” If RCA would not press his records, he would just have to find another company that would. That plan quickly died when another, more devastating difficulty was discovered. RCA had lost or destroyed all the Club’s metal master discs at its Indianapolis plant. Without those master discs new records could not be pressed by anyone. Steventon was stopped cold. If he wanted to continue selling his previously released records, new master discs would have to be made. By the early 1970s 7” singles and 12” albums were the standards and the old 10” format was on the way out. New master discs would have to be made and they would have to be 12”. Steventon managed to surmount these obstacles. He found a new company to work with, Nashville Record Productions of Nashville, Tennessee.

Even as the process of remastering and pressing new records progressed, Steventon was cautious with his expectations. He wrote carefully in a flyer about the remastering: “Due to a shortage of raw material record pressings may become difficult to obtain. Consequently we have no guarantee that our complete line can be produced, but will re-issue each record as conditions permit.” Interested parties were mailed a “Railroad Record Club Advance Notice Mailing Card.” On this card selections were to be made as to which records the recipient wanted to be notified of when the 12” reissue was being readied. The recipient could then purchase the record at a pre-production discounted price. Progress was made, albeit very slowly. The RCA masters were lost in the winter of 1973 but by summer 1976, only two records had been reissued. The first two being number 10-PRR and the second Number 8-CN now titled “Canadian Railroading in The Days Of Steam.” Steventon could not simply reissue the records numerically starting at number one and progressing from there. This was a very expensive undertaking and he needed to release the most popular titles first. At first, he considered having all the records remastered at once and getting a press run of each. This idea was dropped when the cost turned out to be more then $30,000! He decided to go back to his original club plan where he required a set amount of those pre-production advance payments to come in. Once there was sufficient interest shown for a certain record, as calculated from the advance mailing cards, he would announce that it was being readied for remastering. He would only send an order to Nashville when enough of the pre-production money came in to justify it.

In a telling reply to an inquiry from a customer wanting to know why a certain record, number 36, was still unavailable, Steventon spelled it out clearly:

“The program of re-mastering was started in ’73 after RCA lost our metal masters. The pre-production offer is used to generate funds to pay for the re-mastering process. As a rule of thumb it takes about 125 pre-payments to cover these costs. Experience has shown that roughly only 50% of those who ask to be notified on a new selection actually follow through with an order. Thus we need 250 requests to start the program. As of this date (March 29, 1989) only 99 have shown an interest in record 36, CA&E. The pressing firm in TN has just notified us of another increase in production costs. Dollar wise we are now talking $1100 to $1200 to re-master and get the first press run. The RR club is not a profit venture – we only ask to break even. In 1987 we operated at a loss of $444.10. 1988 was better with a modest net income of $119.75. We need EVERY bit of interest shown to keep the program rolling – it is a tough job!”

It was a tough job to be certain and it was also a very slow one. An order blank from November 1984 shows only eight remastered records, Number 4-B&O, 7-N&W/IC, 8-CN, 10-PRR, 19-DM&IR, 29-NKP 779 and SP-5-SOO/IC the ex-intro record. Also for sale at that time was a second pressing of SP-4 the CSS&SB three record set. Also listed on this order blank was a brand new record. Even with the remastering difficulties going on the Railroad Record Club managed to release one last all-new record. This last hurrah was special pressing number 6-The Milwaukee Road- Box Cab Electric Locomotives on the Coast Division, recorded by Elwin Purington in stereo. On the jacket SP-6 is touted as the “30th Anniversary Issue 1953-1983.” Another fine McMahon drawing graced the cover.

As each 12” reissue was produced, Steventon would revise and update the liner notes. If the record had an existing McMahon illustration it was transferred to the new jacket in the same size it appeared on the 10” jacket, but with a wide white border. If a reissue did not have a previously drawn McMahon picture, one would be commissioned. These black and white record jackets were distinctive and attractive. On the reissues the audio content was always identical to the 10” version, since the same master tapes were used. There was one exception, however. Although the railroad sounds were exactly the same, on the original release of Record number 3-EBT/D&RGW, Steventon had recorded spoken introductions to each of the EBT tracks, just as he had done for the old 78 acetate records in fact, they are exactly the same. Steventon wanted these introductions removed to correct a mistake and instead of simply taking them off and writing the information into the liner notes, he had Elwin Purington re-record them.

The long and expensive remastering project continued into 1990. A test pressing for Record number 16-Westside Lumber had a memo attached that read: “Record No. 16, Westside Lumber Co. Record pressing approved if “blips” at approximately 3 min, 36 seconds into side one and continuing for about 6 or 7 seconds were corrected. Card returned 1/10/90.” Not all of the surviving test pressings have dates on the jackets, but it is obvious that this one had to be among the last. By the early 1990s’ compact discs were already poised to topple vinyl records as the standard audio format. Steventon simply choose not to upgrade to yet another new format. Record number 16 being reissued in 1990, proves that Steventon worked at remastering the records almost to the end of his life. He died in 1993, just three years after the test pressing date for Record number 16. The long, expensive, and difficult remastering program started in 1973 and continued into at least 1990. In all only 17 of the 40 10” records were reissued on 12″ discs.

RAILROAD RECORD CLUB RECORDS REISSUED IN 12″ FORMAT
#1-WABASH (10″ 3rd Edition Cover Art)
#3-D&RGW/EBT (New Cover Art)
#4-B&O (New Cover Art)
#5-D&RGW
#7-N&W/IC (New Cover Art)
#8-CN (New Cover Art) Title changed to “Canadian Railroading In The Days Of Steam”
#10-PRR (10″ 2nd Edition Cover Art)
#15-CB&Q (New Cover Art)
#16-Westside Lumber (New Cover Art) Cover changed from a photograph to a pencil sketch
#17-Soo (New Cover Art)
#18-CNS&M (10″ 2nd Edition Cover Art)
#19-DM&IR
#20-C&IM/NYC
#26-CNS&M (Freight)
#29-NKP 779
#SP-2-NP 2626 (Same photo used on both 10″ & 12″ record covers but reproduced smaller on the reissue)
#SP-4-CSS&SB (passenger) 3 record set was only released on 12″ stock in display box
#SP-5-Soo/IC Formally the introductory record (New Cover Art)
#SP-6-MILW Box Cabs (Only released in 12″ format)
17 records reissued from 10″ to 12″
2 records only released on 12″

The Railroad Record Club didn’t completely die with William Steventon. His son Seth revived the club some years after his father’s death by putting the entire line of records on cassette tapes. By this time, however, CDs were the favored format and the effort was shelved.

Because of William A. Steventon’s commitment to recording the vanishing sounds of a passing era on American railroads, and just as importantly, making those recordings available to all who were interested, we can today hear the sounds of a Hagerstown & Frederick interurban car speeding past a lonely country crossing. We can experience the sonic thunder of a New York Central 4-6-4 blasting out of Mount Carmel, Illinois with a whistle full of water. We can ride along in the cab of a CSS&SB freight motor on its trip out of Michigan city, and we can enjoy the work of the other talented railroad recordists whose work Steventon put on his records. We can even listen to that whining rotary converter in Harristown, Illinois.

-Kenneth Gear

New Steam Audio CD:

FTS
Farewell To Steam
Mister D’s Machine
# of Discs – 1
Price: $14.99

As with all of our recordings, this CD comes with the complete, original liner notes.

Total time – 72:56

Pre-Order Our New Book Building Chicago’s Subways

To commemorate these anniversaries, we have written a new book, Building Chicago’s Subways.

While the elevated Chicago Loop is justly famous as a symbol of the city, the fascinating history of its subways is less well known. The City of Chicago broke ground on what would become the “Initial System of Subways” during the Great Depression and finished 20 years later. This gigantic construction project, a part of the New Deal, would overcome many obstacles while tunneling through Chicago’s soft blue clay, under congested downtown streets, and even beneath the mighty Chicago River. Chicago’s first rapid transit subway opened in 1943 after decades of wrangling over routes, financing, and logistics. It grew to encompass the State Street, Dearborn-Milwaukee, and West Side Subways, with the latter modernizing the old Garfield Park “L” into the median of Chicago’s first expressway. Take a trip underground and see how Chicago’s “I Will” spirit overcame challenges and persevered to help with the successful building of the subways that move millions. Building Chicago’s subways was national news and a matter of considerable civic pride–making it a “Second City” no more!

Bibliographic information:

Building Chicago’s Subways will be published on October 1, 2018. Order your copy today, and it will be shipped on or about that date. All copies purchased through The Trolley Dodger will be signed by the author.

The price of $23.99 includes shipping within the United States.

For Shipping to US Addresses:

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Redone tile at the Monroe and Dearborn CTA Blue Line subway station, showing how an original sign was incorporated into a newer design, May 25, 2018. (David Sadowski Photo)

Help Support The Trolley Dodger

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Our 200th Post

November 25, 2017November 27, 2017David Sadowski 13 Comments

CTA Pullman-built PCC 4281 on Route 36 – Broadway-State. Andre Kristopans: “4281 is on 119th east of Morgan.”

It is fitting that our 200th Trolley Dodger blog post should appear on Thanksgiving weekend. There is always so much in life to be thankful for.

We are thankful for our relative good health (knock on wood), and thankful for friends and family. Since we began this venture in January 2015, we have made many new friends among our readers.

I am thankful to be able to share these classic images with you.

After wandering far afield recently to such exotic places as Milwaukee and Fairmount Park in Philadelphia, we are home for the holidays with an all-new post chock full of Chicago transit pictures.

We wanted to make this one something special. But that is our goal with every post… we want #199 to be as good as #200, and #201 to be as good as this one. We may not always succeed, but it is not for lack of trying.

Enjoy!

-David Sadowski

PS- We threw in a few shots from outside the Chicago area, just because we liked them.

Meet the Author

Incredibly, this building, which served as the terminal for the Logan Square branch of Chicago’s “L” until 1970, is still there, although heavily modified, and now serves as the home of City Lit Books at 2523 N. Kedzie. (Chicago Transit Authority Photo)

FYI, this Saturday at 5 pm (11-25) I will be at City Lit Books (2523 N. Kedzie Blvd., Chicago) to discuss my new book Chicago Trolleys. Additional authors will be there as well. Their books are Cycling in Chicago and The Great Chicago Fire. I hope to see you there.

More information here.

Recent Correspondence

Wally Weart writes:

David, I want to let you know how much I enjoy your postings. I grew up in Chicago during and after World War II and was able to ride a lot of the streetcar and “L” lines as well as those interurbans still in operation through the 50s and 60s.

Your pictures bring back a lot of memories and show me things that I missed during that period of time as well. Please do know how much your work is appreciated and keep it going.

I appreciate that, thanks! I will do my best.

Another of our regular readers writes:

Creative writing has always been your skill, whether it was the CERA blog, the Trolley Dodger blog, as well as several CERA publications. Some of your postings on the Trolley Dodger blog are mini stories in themselves. Writing seems to come easily to you and you do it well. Such has never been the case for me. Although I have done some writing, maintaining a blog like you do would be boring to me.

I was extremely impressed with your postings on the Fairmount Trolley, the CA&E 400 series Pullmans, and Andre Kristopan’s analysis of the end of the Red streetcars (see our post The Fairmount Park Trolley, November 7, 2017).

Thanks… I think that everyone has a unique contribution to make in life, and we all need to find that “niche” for ourselves. I seem to have found mine with this type of work. No doubt there are other things you excel at that would leave me clueless.

While some might think working on a blog such as this would be a burden, I consider it a privilege and a responsibility. Like many other things in life, you get back out of it what you put in. I hear from so many people who are grateful to see our posts. Like The Beatles famously sang, “And in the end, the love you take is equal to the love you make.”

It’s anything but boring to me, because in the process of researching these articles, I always learn so much. And when I do get things wrong, which does happen, our readers are quick to point that out, and I learn from that too. So, we all learn together and I feel that our readers are an integral part of what goes on here. So again, I am thankful to you.

If you challenge yourself to “think outside the box,” you can achieve more in life than you ever dreamed possible. There is so much to learn in life that I don’t see how it would ever be possible to be bored. There simply aren’t enough hours in the day to take it all in.

Recent Finds

A westbound Garfield Park “Met” car crosses the B&OCT tracks in Forest Park.

In July 1965, a two-car train of flat-door CTA 6000s is on the ground-level portion of the Ravenswood route, todays’ Brown Line. (Roger Puta Photo)

CSL Small Pullman 891 is on north Lincoln Avenue, running on Through route 3 (Lincoln-Indiana). Cliff Burnstein adds, “The CSL small Pullman 891 is on the northbound track at the end of the line on Lincoln at Peterson near Kedzie. . The poles have been reversed and 891 will shortly cross over to the southbound track. The north suburban gas tower is seen in the distance to the right.”

CTA “Turtleback” 1702 is at Division and California.

CSL 584, a Milwaukee Avenue car, is at Madison and Canal, in front of the Chicago Daily News building.

CTA 6152 at Waveland and Halsted, north end of the Halsted car line in April 1952.

CTA 1801 at Kedzie and 67th Streets on March 28, 1948.

CTA 407, signed for the Museum Loop, is on Roosevelt Road in August 1949.

CTA535 on Milwaukee at Paulina in April 1951 (this is the date that I received with this negative, however it must be wrong). Milwaukee was converted to buses on May 11, 1952. George Trapp: “The photo at Milwaukee and Paulina looks to me to be earlier than 1951, auto at far right looks like it dates to late 1920’s early 1930’s and no post war autos are in sight so I guess the photo is from the late 1930’s early 1940’s.”

CTA 363 at the Pennsylvania Railroad viaduct at Ashland and Arbor in March 1951. Andre Kristopans notes, “363 Ashland north of Fulton – bridge has three railroads over it, closer behind car is PRR with Milwaukee Road also using the same tracks, beyond is C&NW. Note that street under bridge is much narrower than rest of street. Ashland was widened relatively late, and the bridges were never widened out to this day.”

CTA 415 at Cermak and Kenton. The date given is August 2, 1949, but that must be wrong, since there is a Chicago & West Towns streetcar at left and the 415 still has a CSL logo. So perhaps 1947 would be more like it as the West Towns streetcars quit in April 1948.

CTA Sedan 3358, still sporting a CSL logo, is at Cottage Grove and 115th, south end of the Cottage Grove line, in May 1948.

CTA 6168, signed for Route 38, is on the Wabash Avenue bridge in October 1951.

CSL Sedan 6316 is on Wentworth and 73rd Street, running on Route 22, Clark-Wentworth.

CSL 3318 is at Damen and 74th on November 28, 1946.

CTA Pullman 585 is signed for Halsted and Waveland in February 1954, which suggests it is running on Route 8 – Halsted, which was bussed three months later. Andre Kristopans: “585 is on Emerald south of 79th.”

CTA 6172 is at Lawrence and Austin on February 26, 1950, running on Route 81.

Some passengers are getting off CSL 3312, which is running on the Damen Avenue extension. This gives you an idea of how some men dressed back in the 1940s when it was cold out.

CSL work car S-53. Not sure of the location.

CTA 4380, signed for Clark-Wentworth, on June 30, 1955. This may be South Shops.

CTA Postwar PCC 7053 is signed for Route 38 in this November 1952 view. This designation was used for Route 4 – Cottage Grove cars to indicate they were terminating at Grand and Wabash. As you can see, some postwar cars were used on Cottage, and this one appears to have been converted to one-man operation.

CSL 7054 in the late 1940s, running on Route 22, probably near the south end of the line. Andre Kristopans: “7054 is AT the south end of 22 – 81st and Halsted about to turn north into Halsted.”

CTA 4008, in “tiger stripes,” is on Route 20 – Madison in March 1948. Notice the sign advertising the Chicago Herald-American, which at this time was owned by the Hearst Corporation. It was sold to the Chicago Tribune in 1956.

North Shore Line wood car 300,in the days circa 1939-42 when it was used as the “club car” for the fledgling Central Electric Railfans’ Association.

North Shore Line “Birney” car 333 circa 1947. (Donald Ross Photo) Larry Sakar says this is “southbound at 5th & Chase.”

North Shore Line wood car 201, which looks like it is headed for the scrapper (probably in the late 1940s). (Donald Ross Photo)

South Shore Line car 107 at the South Bend terminal near the LaSalle Hotel in 1954. (Walter Hulseweder Photo)

Chicago Rapid Transit Company “L” car 328 at Indiana Avenue in September 1936. It is signed as a Stock Yards local.

CRT “Met” car 2847 at Canal in August 1938. Riders could change here for Union Station. This station remained in service until June 1958, when the Congress rapid transit line opened.

CTA Pullman 908 is at Navy Pier, east end of Route 65 – Grand.

South Shore Line car 110 is in South Bend, not far from the LaSalle Hotel which was its east terminus until 1970. I presume it is heading into a storage yard.

CSL experimental pre-PCC 4001 at South Shops in 1934. Like its counterpart 7001, it was used in service that year to bring people to A Century of Progress, the Chicago World’s Fair.

CTA PCC 4168 is seen in 1949, signed for Route 42 – Halsted-Downtown (note the side sign says Halsted-Archer-Clark). There is a Route 8 – Halsted car behind it. The location is on Emerald south of 79th.

CTA 7052 appears to be in dead storage at South Shops on June 30, 1955. Note the lack of overhead wire.

CTA 4025 at South Shops on June 30, 1955.

A train of CRT steel 4000s emerges from the brand-new State Street subway in late 1943.

Cable cars are shown here using the LaSalle Street tunnel under the Chicago River some time before they were replaced by streetcars in 1906.

CTA 4035 on Cottage Grove in 1953. Not sure of the exact location. (Walter Hulseweder Photo)

CTA 4004 running on State Street, signed for Route 4 – Cottage Grove, in the early 1950s. (Walter Broschart Photo)

CSL 4039 at the Madison and Austin Loop in August 1941.

CSL 7018, a Madison-Fifth car, heads west near Union Station in August 1941.

CTA 7067 at South Shops on June 30, 1955. The “Enter at Rear” sign indicates this was a two-man car and was thus not one that had recently been assigned to Western Avenue. However, chances are the date I received is wrong, since George Trapp notes: ” The photo of PCC #7067 at South Shops shows the car brand new, note CSL logo, so should be dated around May 18, 1947 when that car was delivered, for some reason St. Louis Car cranked the side signs to HALSTED on there first order of Post War cars when shipping. I have a photo of car #7089 just delivered with same side sign.”

CTA 7225 at South Shops in 1956.

Don’s Rail Photos says that North shore Line wood car 131 “was built by Jewett Car in 1907. It was rebuilt in 1914 and rebuilt as a plow in 1930. It was retired in 1935 and scrapped in 1942.”

CTA 7060 on June 30, 1955, possibly in dead storage.

CTA 7041, possibly in dead storage at South Shops on June 30, 1955.

CSL 7025 is downtown and signed for Madison-Fifth, which was a branch line of Route 20.

CSL 7090 is at 81st and Halsted, south end of Route 22, in the late 1940s.

CTA 7156 is signed as a one-man car (but appears to be convertible to two-man) at South Shops in October 1956. (Walter Hulseweder Photo)

CTA 4022 heading east on 63rd Street in the early 1950s.

CTA 4094 in dead storage at South Shops on June 30, 1955. Postwar Pullmans were an endangered species by then, practically all having been scrapped as part of the CTA’s “PCC Conversion Program.” I believe the date is correct; however George Trapp says, “Last Pullman PCC’s to be sent off to St. Louis were the oldest while the newest were sent first, 150 cars in series 4172-4371 went in 1953 with the rest in early 1954.”

CTA 4401 on October 21, 1950.

CTA 4401, with 4376 trailing, is heading north on Dearborn via Route 22 in 1955.

CTA 7268 is signed for Route 36 – Broadway-State and appears to be near Devon Station (car barn) in 1955. (Walter Hulseweder Photo)

CTA side dump car N-1 at South Shops on May 16, 1954. A CERA fantrip was held on that day, over the last remaining streetcar lines that used the old red cars, which were retired from service two weeks later. (James C. Barrick Photo)

CTA side dump car N-1 at South Shops in October 1956. (Walter Hulseweder Photo)

Capital Transit Company pre-PCC 1053 is on line 42 – Mt. Pleasant in Washington, D. C. on September 26, 1948. This was probably on a fantrip.

CTA 6163 is at Lake and Austin in the early 1950s. The Park Theater has already been closed, which would probably date this to circa 1952-54. (Walter Hulseweder Photo)

Lehigh Valley Transit car 702 is part of a three-car fantrip circa 1950 or 51 at stop #96 in Quakertown, Pennsylvania. This was in the waning days of the Liberty Bell Limited interurban between Allentown and Norristown. The “Bell” stopped running on the Philadelphia & Western’s Norristown High-Speed Line in 1949.

CTA salt spreader AA-105 (ex-2854) at the North Avenue car barn in February 1952. Don’s Rail Photos: “2854 was built by South Chicago City Ry in 1907 as SCCRy 340. It was rebuilt in 1907 and became C&SCRy 839 in 1908. It was renumbered 2854 in 1913 and became CSL 2854 in 1914. It was later converted as a salt car and renumbered AA105 in 1948. It was retired on February 17, 1954.”

CTA Pullmans 482, 584, and 518 on the scrap line at South Shops in March 1955. (Walter Hulseweder Photo)

CSL R-202 was a single-truck sand car. It is seen here on February 20, 1943.

CSL 4000 was a 1920s experiment in articulation that did not work out. It is seen here on the scrap track in the early 1940s.

With gas and tire rationing during World War II, CSL 2840, which had been in storage for ten years, was put back into service. Here, we see it on September 13, 1942.

CSL 2779 at South Shops on October 23, 1938. On this day, the Surface Lines held a fantrip that helped garner new members to the Central Electric Railfans’ Association, which was just getting started. (LaMar M. Kelley Photo)

Chicago Aurora & Elgin 407 and 432 in Forest Park in April 1955.

CA&E 413 at Wheaton on July 26, 1942.

South Shore Line cars 109, 39, 353, and 103 are on west Chicago Avenue at Northcote Avenue in East Chicago, Indiana on July 16, 1956. Not long after this, street running in East Chicago came to an end, as the South Shore began using a new bypass route parallel to the Indiana Toll Road. (James C. Barrick Photo)

South Shore Line “Little Joe” freight loco 803, with a train of 25 cars, is in the 1100 block of west Chicago in East Chicago on July 9, 1956. (James C. Barrick Photo)

South Shore Line cars 107, 37, 27, and 5 are on east Chicago Avenue at Whiteoak Avenue in East Chicago on July 16, 1956. (James C. Barrick Photo)

CRT 294 is signed as a Kenwood Local on July 21, 1934.

CTA 4109 at Madison and Austin in August 1948.

CTA 4383, I would assume, is turning from Clark onto westbound Devon as it is to run on Route 49 – Western.

CTA Sedan 6317 is running on Route 4 – Cottage Grove in the south Loop.

CSL Birney car 2000 in 1927.

CRT 1048 is a Jackson Park Local on July 21, 1934.

CRT 1763 is at Cermak Road on September 19, 1934.

CRT 337 at Indiana Avenue in September 1936.

Queensboro Bridge car 534 on January 16, 1949.

North Shore Line 719 is northbound on the Loop “L” at Adams and Wabash in June 1940.

North Shore Line car 181 in Winnetka.

North Shore Line car 409 at the Milwaukee terminal yard in February 1952. (Donald Ross Photo) Don Ross adds, “North Shore 409 at the Milwaukee station yard is interesting. That car had no smoking area and it was completely open. We used that car for our ERA meetings and the North Shore people helped to make sure it was set up.”

North Shore Line cars 720 and 747 in Milwaukee on October 12, 1941.

North Shore Line car 725 in Milwaukee in June 1940.

North Shore Line 170 at the Highwood Shops on July 5, 1949.

North Shore Line 250 in Wilmette on July 11, 1939.

CSL 3210 on the 51st-55th route, probably in the late 1930s.

North Shore Line Electroliner 803-804, which was new at the time, on a February 8, 1941 fantrip, making a photo stop at South Upton Junction.

Updated Posts

FYI, new material has been added to our post The Other Penn Central (May 9, 2016). Several additional pictures have also been added to The Fairmount Park Trolley (November 7, 2017).

Chicago Trolleys

On the Cover: Car 1747 was built between 1885 and 1893 by the Chicago City Railway, which operated lines on the South Side starting in April 1859. This is a single-truck (one set of wheels) open electric car; most likely a cable car, retrofitted with a trolley and traction motor. The man at right is conductor William Stevely Atchison (1861-1921), and this image came from his granddaughter. (Courtesy of Debbie Becker.)

Check out our new book Chicago Trolleys. Signed copies are available through our Online Store.

-David Sadowski

Help Support The Trolley Dodger

This is our 200th post, and we are gradually creating a body of work and an online resource for the benefit of all railfans, everywhere. To date, we have received over 341,000 page views, for which we are very grateful.

You can help us continue our original transit research by checking out the fine products in our Online Store.

As we have said before, “If you buy here, we will be here.”

We thank you for your support.

DONATIONS

Your financial contributions help make this web site better, and are greatly appreciated.

More CA&E in Color

August 26, 2017January 2, 2021David Sadowski 19 Comments

CA&E 410 (plus one), westbound at Fifth Avenue in Maywood.

A friend recently gave me a stack of Chicago Aurora & Elgin slides, which make up the bulk of today’s post. Some we have run before, but I don’t think too many of you will mind seeing them again, this time from a different source. Others, you haven’t seen.

Scanning an image is just a starting point in this whole process. Mostly, these were dupe slides made using Kodachrome, which is not what commercial labs used for this purpose. A regular lab would have used special low-contrast Ektachrome duplicating film.

Contrast is your enemy when copying things film-to-film, and Kodachrome is contrasty– great for original slides, not as good for dupes. So these were likely homemade dupes, and a lot of them were not color-corrected. I spent a great deal of time working these over in Photoshop, but in some cases, imperfections remain.

I don’t think there is a single image that I didn’t try to improve in some way, and I included a few of the original scans, just to show you how some of them looked before corrections were applied.

As always, if you have location information, or other factual tidbits to share, don’t hesitate to either leave a Comment on this post, or drop us a line at:

thetrolleydodger@gmail.com

Enjoy!

-David Sadowski

PS- Each image has a unique number. When referring to individual images, please use the image name/number, i.e. pict763. To find this, hover your mouse over the image.

CA&E 456 on a snowy Chicago day. I’m wondering if this is Wells Street Terminal.

A CA&E train headed up by one of the ex-North Shore Line woods that CA&E purchased in 1946. This one could be car 141. The train is heading west, crossing over Union Station.

A six-car CA&E train at the Halsted curve.

CA&E 428 plus one at Pulaski Road on the Garfield Park “L”.

A classic view of the CA&E in Elgin, with a beautiful reflection from the Fox River. A sign advertises the Rialto Theatre, which burned down in 1956. The fiim being advertised, The Big Sky starring Kirk Douglas, was released in August 1952, which is most likely when this picture was taken. George Foelschow adds: “Four cars at the Elgin terminal. This must be a fantrip, as single cars were the rule on the Elgin branch, except for weekday rush hours and Sunday afternoons for visitors to the Elgin State Hospital.”

310 on a fantrip on the Mt. Carmel branch. I believe the date was 1955.

A westbound CA&E train crossing over the C&NW/PRR at Rockwell, shortly before sundown.

CA&E 426 near West Chicago, on its way to the Aurora terminal. (A. C. Kalmbach Photo)

A CA&E train crossing over Route 83 in 1955. (A. C. Kalmbach Photo)

CA&E 403 at the Wheaton station. (Steven P. Hyett Photo)

CA&E 415 at Wheaton Yard, in War Bond livery (probably during the Korean War). (Stephen P. Hyett Photo)

CA&E 20 at Wheaton Yard. This car is now at the Fox River Trolley Museum in South Elgin. (Stephen P. Hyett Photo)

CA&E bus 101 at Wheaton Yard. (Stephen P. Hyett Photo)

CA&E loco 2001 in Maywood. (Stephen P. Hyett Photo)

CA&E 427 at the Aurora Terminal. (Stephen P. Hyett Photo)

CA&E 421 at the Wheaton station. (Stephen P. Hyett Photo)

A CA&E train at the Sacramento curve on the Garfield Park “L”. You can see that construction is already underway at left on a ramp that will connect with the temporary trackage in Van Buren Street, which was used from 1953-58 (but not by the interurban, which cut back service to Forest Park). The area to the right of the ramp is where the new Congress Expressway was to be built. This picture was probably taken circa 1952. George Foelschow: ” The view is looking northeast, presumably from the Sacramento station platform, not southeast.”

This looks to be the same train as in the previous picture, taken a few seconds later. CA&E 460 is at the head of a westbound Aurora-Batavia Limited.

CA&E 414 is at the head of a westbound Aurora-Batavia Limited train at one of the west side Garfield Park “L” stations. This and the next few pictures were all taken at this same location, a station near a curve. The consensus is this is the Kedzie station, which was near a curve. CA&E trains stopped there, which would have given the photographer more time to get a shot of each car. We are looking east, and the Sacramento curve is in the distance about two blocks away.

CA&E wood car 34 heads up this westbound train.

CA&E 318 is at the front of a three-car westbound train.

Two “Roarin’ Elgin” trains pass on the Garfield Park “L”. Cliff W. says we are “looking east from Pulaski with the single crossover just east of the station visible.”

CA&E 457 heads a westbound train at Kilbourn.

CA&E 458 heads westbound at Laramie, along with two other curved-sided cars, all built in 1945 by St. Louis Car Company.

CA&E 459. George Foelschow: “This is the Collingbourne flag stop on a banked curve on the Elgin branch, presumably on a fantrip.”

CA&E 459 at Raymond Street in Elgin, June 9, 1957.

CA&E 451. Mike Schattl: “The location is the bridge over the CNW in Wheaton.”

CA&E 423 (plus one) head east towards Chicago, while a freight is on a nearby spur line. Bill Shaptokin says this and the next two pictures are “at Renwick — interchange with the MILW south of Elgin.”

CA&E 3003 and 3004 hauling freight.

3003 and 3004 again, with a fairly substantial (for the CA&E) freight train.

CA&E 421. Bill Shapotkin says this is “Dunham Rd on the Elgin Branch. The car is E/B.”

The same picture as it looked before color restoration in Photoshop.

A single CA&E car on a single-track right of way, which could mean the Aurora, Batavia, or Elgin branches west of Wheaton.

A single car near the Fox River. Bill Shapotkin: “This pic is in Batavia (NOT Aurora). Shot is between Batavia Station and Glenwood Park.” On the other hand, George Foelschow writes, “This is most assuredly on the south side of Elgin, near the point of changeover between trolley and third rail. Not for nothing is Elgin, my hometown, called “The Bluff City”, also the name of the municipal cemetery, served at one time by Grove Avenue streetcars.”

Nancy Grove Mollenkamp: “This slide was identified by someone in a Wheaton FB group as being taken in 1952 at Jewell Road in Wheaton. Another person in the group said he believed it was looking south. He thinks that is Electric Avenue on the right or west.”

CA&E cars at Lockwood Yard, including 48 and 314. Cliff W.: “In the wide shot there are Met cars in the right background. This is the south storage track with Flournoy in the foreground.”

CA&E 48 at Lockwood Yard.

CA&E 314 at Lockwood Yard.

This picture may possibly have been taken just west of Laramie.

CA&E 459 and 452 are part of an eastbound train somewhere in either Oak Park or Forest Park, where the B&OCT ran parallel to the interurban.

Here, we are looking west along the CA&E right-of-way at possibly Central or Austin. In the rear, you can see a large gas holder in nearby Forest Park. Andre Kristopans: “Photo on ground level with middle track is at Gunderson station. Middle track was so CAE could pass L trains. Abandoned after Westchester L’s were dropped in 1951.” Gunderson is a short distance west of Ridgeland. The street was named after the developer who first built homes in this area. The new (early 1900s) development explains why there was a rapid transit stop on a sidestreet. When the CTA rebuilt this line in the late 1950s, they chose not to put a stop at either Gunderson or Ridgeland. Instead, auxilliary entrances were added to the Oak Park and Austin stops, at East Avenue and Lombard, respectively.

Westbound CA&E car 428 crosses the B&OCT in Forest Park. This was also where the Chicago Great Western, now long abandoned, branched off.

The same location as the previous picture, with the iconic gas holder visible. The crossing was located between Harlem and DesPlaines, at approximately the same location where there is now a flyover eliminating this bottleneck.

I believe this is DesPlaines Avenue, and we are looking west. This picture was taken before the station was reconfigured in 1953. At this time, the station was located on the east side of DesPlaines, behind the photographer. The Acme Feeds towers, located at 7715 W. Van Buren are visible at right. These towers caught fire in 1980 and were demolished.

CA&E 418 is westbound approaching the DesPlaines River, passing by Concordia Cemetery.

CA&E 454 is westbound, about to cross First Avenue in Maywood.

CA&E 429 heads east near Commonwealth Edison just west of the DesPlaines River. Meanwhile, 452 heads west.

One of the St. Louis-built 1945 cars (454?) crosses First Avenue in Maywood, heading east. We are looking north. There was a Refiner’s Pride gas station located between the CA&E and Chicago Great Western tracks, on the west side of First.

Shapotkin: "Yes, this IS Glen Oak. If you look hard enough, you can see the house I grew up in (at right in the distance)."

A westbound six-car train of CA&E woods stops at Glen Oak. Bill
Shapotkin: “Yes, this IS Glen Oak. If you look hard enough, you can see the house I grew up in (at right in the distance).”

CA&E 310 on a fantrip at Glen Oak.

CA&E 422 and 434 at Wheaton station.

Not sure where this curved-sided CA&E car is. Cliff W.: “The single Saint Louis car going over the bridge is passing over Liberty Street in Wheaton directly north of the shops and approaching the bridge over the C&NW on the Elgin branch. If you look very closely at the far right of the picture you can see a CA&E car sitting in the yard.” Bill Shapotkin: “This car is x/o Liberty Drive in Wheaton (on the Elgin Branch): (View looks E/B on Liberty).”

CA&E 454 is westbound at the bridge over Winfield Creek (on the Elgin branch near Lincoln Avenue).

A CA&E train passes a two-car train of CTA Met “L” cars at the Halsted Curve.

The CA&E’s Lockwood Yard, also known as “The Orchard,” was a small storage area just west of Laramie. This view is looking northwest across the main line.

CA&E 52 pilots a three-car train of woods on the old Met main line near Racine. You can see the new (in 1953) ramp at left, heading down to the Van Buren Street temporary trackage, which would shortly be put into use. It connected with the “L” structure at Aberdeen. Expressway construction is underway at right.

Much the same location as the previous picture, but perhaps a year earlier in 1952, as construction of the ramp has just started. This was very late in the afternoon, and it was difficult to correct for the yellowish-reddish late afternoon light. But don’t forget, they called it the “Sunset Lines” for a reason!

Racine station on the old Met main line, with the Throop Street Shops in the background. This picture was taken sometime between 1950 and 1953, as there are some “flat door” 6000s present (along with Met car 2880).

Throop Street Shops in its last days (1953)

CA&E 404 eastbound at Marshfield Junction, where three different Met lines (Douglas, Garfield, Logan Square/Humboldt Park) came together. Note the CA&E-only platform at right.

A train of CA&E woods, headed up by 302, goes up the ramp to cross over the C&NW/PRR right-of-way at Rockwell. The “L” was raised up when the line it crossed was elevated onto an embankment. That explains why there are brick bases for some of the “L” support columns.

The CA&E crossing the C&NW/PRR at Rockwell.

Not sure of this location. Cliff W. says this we are “at Prince Crossing on the Elgin branch looking west.” Bill Shapotkin: “View looks N/W.”

CA&E 454 is eastbound at Jewell Road in Wheaton on the Elgin branch.

A line-up of cars at Wheaton Yard.

Wheaton yard.

From left to right: 430, 315, 425, and 310 at Wheaton Yard.

Some ex-North Shore Line woods are in dead storage at the west end of Wheaton Yard, circa 1954, shortly to be scrapped.

Cars 435 and 436, possibly in dead storage at the same location as the previous picture, circa 1953-57 when the CA&E no longer needed so many cars.

CA&E electric locos 2002, 2001, 3003 and 3004 in Wheaton.

CA&E 310 on the west side of Mannheim Road near Roosevelt. The occasion was a fantrip.

According to what’s written on this slide, CA&E locos 4004 and 4005 are in North Aurora in August 1952. On the other hand, Bill Shapotkin writes: “This pic is Aurora Ave on the Aurora Branch.”

The same picture before color restoration in Photoshop.

CA&E 310 in 1955 on the Mt. Carmel branch on a fantrip.

CA&E 310 on the same fantrip as the previous picture.

The previous picture as it appeared before color restoration.

The 310 running along the west side of Mannheim near Roosevelt Road.

CA&E 406 in fantrip service at State Road on the Batavia branch. Due to the width of the crossing, trains switched from third rail to overhead wire at this location.

CA&E 406 and 418 at the end of the line in Aurora.

Loco 2001.

Locos 2001, 2002 and train.

CA&E 453 is eastbound at Batavia Junction as a Chicago Local.

CA&E 458 eastbound at Warrenville.

Recent Correspondence

Hundreds attempt to board the special train at Clark and Lake.

Steve DeRose writes:

You have managed to get me in one of your photographs of the 4000s at Clark and Lake (see above).

Here is the shot I got from that image. I did not get a poster. If I had, I would have folded it flat to fit it in my satchel (which you can glimpse hanging from my left shoulder).

I did not ride the 4000s this day. I did ride the 2400s. Most of my photographs (and videos) were shot on the Inner Loop @ Quincy and Wells.

Also, after having a late lunch at Mr. Beef On Orleans, I was walking to the Chicago Brown Line “L” station and espied the 4000s deadheading back to Skokie Shops.

My images are Creative Commons – Noncommercial – Allow Derivative Works – Share Alike. I’m not a copyright czar.

-Steve De Rose 8=)}

My picture originally ran in our post Chicago’s “L” Turns 125 (June 7, 2017). I guess, by looking at your picture, that you are the guy in gray, kneeling behind the person with the white shirt.

Thanks for sharing these pictures with our readers. FYI, the CTA is still selling those same posters through their gift shop, so you still have a chance to get one.

New CD Releases

We are fortunate this time to have two new traction titles to go along with a new steam release:

DC
DC Transit, 1959
# of Discs – 1
Price: $14.95

DC Transit, 1959
Streetcars have now returned to Washington, D.C., but this vintage 1959 hi-fi recording reminds us of the system we once had. This excellent quality recording documents both PCCs and historic car 766 in action, with both trackside sounds and a night ride over private right-of-way to Cabin John. Capital Transit became DC Transit in 1955.

Total time – 49:47

SN
Sacramento Northern Electrics
Pacific Electric
# of Discs – 1
Price: $14.95

Sacramento Northern Electrics
The Sacramento Northern Railway (reporting mark SN) was a 183-mile (295 km) electric interurban railway that connected Chico in northern California with Oakland via the California capital, Sacramento. It ran directly on the streets of Oakland, Sacramento, Yuba City, Chico, and Woodland and ran passenger service until 1941 and freight service into the 1960s. Electric operation ceased in 1965.

These recordings, which make up the bulk of this CD, were made on the SN in 1962, and feature both trolley freight operations, mainly in city streets, plus fantrips using passenger combine 1005, which had been saved for use as a maintenance-of-way car. A very rare recording!

Pacific Electric
We hear the distinctive sounds of the Big Red Cars in their final days of operation on the 20-mile LA to Long Beach line in 1961. Who could have known that, 30 years later, this same line would be reincarnated as “light rail,” running in almost the same exact right-of-way? Pacific Electric may be long gone, but it is certainly not forgotten!

Total time – 49:11

Sacramento Northern Maintenance of Way car 302 at Mallard, California on November 29, 1953 on a Bay Area Electric Railroad Association fantrip. Don’s Rail Photos says, “1020 was built by Hall-Scott Motor Car Co in 1913, as OA&E 1020. It became SF-S 1020 in 1920 and SN 1020 in 1928. It was renumbered as MW302 in 1941 and went to Western Railway Museum in 1962.” (William R. Smith Photo)

NW
Norfolk & Western
Virginia Blue Ridge
# of Discs – 1
Price: $14.95

Norfolk & Western
The bulk of this record documents the final days of steam power on the Norfolk and Western in 1959, both freight operations and the final fantrip with the famous J-611 that truly signaled the end of an era. Except for the occasional fantrip now with the 611, steam may be long gone from the N&W, but it certainly went out in great style, as you will hear on these classic recordings.

The N&W did not even begin the transition to diesel until 1955, being the most notable proponent of steam in the 1950s.

Virginia Blue Ridge
The Virginia Blue Ridge Railway (reporting mark, VBR) was a small, historic short line system tucked away near the base of the Blue Ridge Mountains. Because of this, as well as the road’s secluded nature, it received little coverage and often went unnoticed by rail enthusiasts. However, the VBR offered all the things which made short lines fascinating; friendly service, a leisurely schedule, and small power. It also gained recognition for utilizing steam locomotives into the early 1960s. When first conceived the VBR was envisioned as a logging/timber operation. However, this traffic was short-lived and after nearly going under the railroad returned to prosperity beginning in the 1930s by hauling other natural resources. As the years passed, the VBR’s customer base dwindled and service was eventually discontinued in 1980. The recordings heard here were made in 1959.

Total time – 54:11

Pre-Order Our New Book Chicago Trolleys

We are pleased to report that our new book Chicago Trolleys will be released on September 25th by Arcadia Publishing. You can pre-order an autographed copy through us today (see below). Chicago Trolleys will also be available wherever Arcadia books are sold.

Overview

Chicago’s extensive transit system first started in 1859, when horsecars ran on rails in city streets. Cable cars and electric streetcars came next. Where new trolley car lines were built, people, businesses, and neighborhoods followed. Chicago quickly became a world-class city. At its peak, Chicago had over 3,000 streetcars and 1,000 miles of track—the largest such system in the world. By the 1930s, there were also streamlined trolleys and trolley buses on rubber tires. Some parts of Chicago’s famous “L” system also used trolley wire instead of a third rail. Trolley cars once took people from the Loop to such faraway places as Aurora, Elgin, Milwaukee, and South Bend. A few still run today.

The book features 226 classic black-and-white images, each with detailed captions, in 10 chapters:

1. Early Traction
2. Consolidation and Growth
3. Trolleys to the Suburbs
4. Trolleys on the “L”
5. Interurbans Under Wire
6. The Streamlined Era
7. The War Years
8. Unification and Change
9. Trolley Buses
10. Preserving History

Product Details

ISBN-13: 9781467126816
Publisher: Arcadia Publishing SC
Publication date: 09/25/2017
Series: Images of Rail
Pages: 128

Meet the Author

David Sadowski has been interested in streetcars ever since his father took him for a ride on one of the last remaining lines in 1958. He grew up riding trolley buses and “L” trains all over Chicago. He coauthored Chicago Streetcar Pictorial: The PCC Car Era, 1936–1958, and runs the online Trolley Dodger blog. Come along for the ride as we travel from one side of the city to the other and see how trolley cars and buses moved Chicago’s millions of hardworking, diverse people.

Images of Rail

The Images of Rail series celebrates the history of rail, trolley, streetcar, and subway transportation across the country. Using archival photographs, each title presents the people, places, and events that helped revolutionize transportation and commerce in 19th- and 20th-century America. Arcadia is proud to play a part in the preservation of local heritage, making history available to all.

The book costs just $21.99 plus shipping. Shipping within the US is included in the price. Shipping to Canada is just $5 additional, or $10 elsewhere.

Please note that Illinois residents must pay 10.00% sales tax on their purchases.

We appreciate your business!

For Shipping to US Addresses:

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For Shipping Elsewhere:

NEW – Chicago Trolleys Postcard Collection

We are pleased to report that selected images from our upcoming book Chicago Trolleys will be available on September 25th in a pack of 15 postcards, all for just $7.99. This is part of a series put out by Arcadia Publishing. Dimensions: 6″ wide x 4.25″ tall

The Postcards of America Series

Here in the 21st century, when everyone who’s anyone seems to do most of their communicating via Facebook and Twitter, it’s only natural to wax a little nostalgic when it comes to days gone by. What happened to more personal means of communication like hand-written letters on nice stationery? Why don’t people still send postcards when they move someplace new or go away on vacation?

If that line of thinking sounds familiar, then Arcadia Publishing’s Postcards of America was launched with you in mind. Each beautiful volume features a different collection of real vintage postcards that you can mail to your friends and family.

Pre-Order your Chicago Trolleys Postcard Pack today!

For Shipping to US Addresses:

For Shipping to Canada:

For Shipping Elsewhere:

Help Support The Trolley Dodger

This is our 192nd post, and we are gradually creating a body of work and an online resource for the benefit of all railfans, everywhere. To date, we have received over 314,000 page views, for which we are very grateful.

You can help us continue our original transit research by checking out the fine products in our Online Store.

As we have said before, “If you buy here, we will be here.”

We thank you for your support.

DONATIONS

Your financial contributions help make this web site better, and are greatly appreciated.

Railroad Record Club Treasure Hunt

July 30, 2017June 5, 2023David Sadowski 11 Comments

Kenneth Gear, author of today’s post, has long been a friend of this blog. Since we began writing about William A. Steventon and the Railroad Record Club of Hawkins, Wisconin (see our previous posts A Railroad Record Club Discography and Revisiting the Railroad Record Club), Ken has been very helpful in obtaining recordings in our quest to reissue the entire RRC oeuvre for the digital age.

Recently, following up on a lead for some RRC material, Ken traveled from New Jersey to the Midwest. The discoveries he is sharing with you today are the result.

This represented a tremendous investment of time and money for Ken who, like myself is of very modest means. Since there is only a very limited market for railroad audio (the whole world, apparently, being transfixed with video), chances are we will never be able to recoup Ken’s costs.

He does not care about that, since his main interest is in preserving these historic recordings for future generations. Ken is doing this for the love of it, not the money.

Thanks to Ken, we will now be able to reach our goal of remastering all 41 issued Railroad Record Club recordings onto compact discs. We will let you know when that work is done. The only ones we don’t have now are some of the samplers.

One unexpected benefit of his quest is the discovery of additional unissued steam and electric RRC recordings, detailed below.

Due to the limits of Ken’s budget, he was unfortunately not yet able to purchase what appear to be the original RRC master tapes. If you are interested in making a contribution to that worthwhile effort, please let us know.

Any donations received will help Ken negotiate for their purchase, and make it possible to preserve these fine recordings for future generations of railfans. They are currently at risk of being lost forever.

It is remarkable that this collection somehow managed to stay intact for 24 years after Steventon’s death.

We thank you in advance for your help.

-David Sadowski

PS- The disc labeled Indiana Railroad is actually Steventon reciting a history of the Hoosier interurban. Since it quit in 1941, that predates the development of audio tape recorders in the early 1950s. A few fans had wire recorders in the late 1940s (these were developed in Germany prior to the war). Prior to that time, the only way to make a “field recording” was with a portable disc cutter. Those were available starting around 1929.

My Railroad Record Club Treasure Hunt

by Kenneth Gear

Some months ago David received a very intriguing email. It came from an estate auctioneer who wrote that he was in possession of a large collection of items from the estate of William Steventon, founder of the Railroad Record Club. He had seen the Trolley Dodger CDs for sale online and figured David would be interested in the collection. The auctioneer had these items in storage, where they had been for many years, and he now wanted to dispose of them. He asked David if he would be interested in buying these items or if he knew of anyone who might.

Knowing my keen interest in all things related to the RRC, David forwarded the email to me.

We were quite excited about the offer. What could this collection consist of? Had we hit the mother lode of RRC material? The possibilities were almost endless- photos, art work, even movies! The most satisfying find for me would be, of course, coming across some unreleased Steventon railroad audio. If there were some, would the 60 plus year old tapes be salvageable? Were they stored properly? As endless as the possibilities for great finds were, it was equally possible that disappointment could lie ahead.

At the very least it seemed very likely that we would be able fill the holes in the Trolley Dodger CD reissuing catalog. We were still in need of records 22, 31 & 32 plus the elusive sampler records.

Emails went back and forth between the three of us and eventually concrete plans were hammered out.

My friend and fellow railfan photographer Chris Hughes and I usually make several road trips a year in pursuit of short line railroads to photograph. This year, and as a favor to me, it was decided to find some photographic subjects conveniently close to were the Railroad Record Club items were stored. I wasn’t going to let this opportunity slip by without at least seeing the collection. On July 20th Chris and I set off from New Jersey heading for the Midwest, some short line RRs, and the possibility of a RRC gold mine!

The Day Arrives!

Anticipation was running high as I approached the building that housed the collection. Some of the items were laid out on a table and there were large boxes containing many copies of the same record, all still sealed in plastic and all were the 12″ reissues editions. What immediately caught my attention was that each box had beside it the metal print block for the cover of the LP contained in the box. There were other print blocks on the table as well, not every one had a box of LPs to go with it. This was the real deal for sure. Where else would the original print blocks come from but the Steventon estate.

I wanted the print blocks but was less interested in buying the LPs. I really didn’t want to get saddled with scores of records that I would have to find a place to store and later try to sell. A deal was struck and I got the print blocks but not the LPs. So far so good.

LIST OF PRINT BLOCKS PURCHASED

full covers with titles and other lettering:

#1 Wabash

#4 B&O

#8 CN

#10 PRR

#18 CNS&M

#19 DM&IR

#20 C&IM/NYC

#21 D&NW

#22 BC&G

#23 Pennsy Trolleys

#24 CP

#25 Ill Term

#26 NKP 779

#27 Capital Trans

#28 Iowa Trolleys

#29 CNS&M Freight

#30 Sound Scrapbook-Traction

#31 Sound Scrapbook-Steam

#32 NYC

#33 & 34 CSS&SB freight

#35 Milwaukee Trans

#36 Chicago Trans

#SP-1 Silverton

#SP-2 NP 2626 (both front and back photos)

OTHER PRINT BLOCKS

1st EDITIONS-TRAIN ONLY- NO LETTERING:

Intro SOO

#2 WCF&N

#3 EBT

#4 B&O

#5 D&RGW

#6 H&F

#7 N&W

#8 CN

#9 WSSB

#11 SHRT

#12 DM&IR

#13 NKP

#14 PE

#15 CB&Q

#17 SOO

#18 CNS&M

Not from a RRC record cover: BRILL 27-E truck

Next up was what appeared to be Mr. Steventon’s personal collection of RRC albums (for some unknown reason number 23 was missing). The records were in plain white jackets and did not have any of the liner notes or cover art with them. Just a hand written number in the upper right hand corner of the jacket, corresponding to the record contained therein. The records were a mix of 10 and 12 inch stock. It could be that Steventon upgraded his own collection with the 12″ remasters as they were pressed and that the 10″ records in his collection never got the 12″ treatment. If true, then we can finally know exactly which of the records were reissued and those that were not. It seems likely, but we will need to look a little deeper into this. Interestingly a few of the plain white jackets have a hand written “delete schedule” on them. This I’m sure is some whittling down of the tracks to fit in the allotted time of the record. Photos of two of them follow. Also found was a sampler record. I always thought there were 6 of these records but it turns out that each year only has one side of a disc. Therefore it’s not 6 records, but only 3. 1 down and 2 to go.

Along with these LPs came a large stack of test pressings. I wasn’t sure of just what may be on them, perhaps the deleted audio written of in those delete schedules. They went into the back of the SUV with Steventon’s personal RRC records. Things were getting very interesting!

The stack of test pressings consisted of 44 12″ records from the Nashville Record Productions and 4 10″ pressings from RCA Custom Records.

Also, I saved perhaps 50 10″ empty record jackets that were heading to a dumpster. I’m glad I did because I was able to find the jackets for 22 BC&G, 31 Sound Scrapbook-Steam & 32 NYC. I got those records from Steventon’s personal collection, but they did not, as I said, have any liner notes or jackets with them.

So no more suspense- yes unreleased Steventon railroad audio was indeed found!

It came in the form of “Audiodisc” record blanks that Steventon cut at home. For convenience’s sake, or perhaps to keep his tapes safe, he transferred field recordings on to these “record at home” discs. 25 of these discs were offered to me and I snatched them right up. Later at home, I discovered that 21 have railroad sounds on them. The rest were radio shows and a relative who was apparently proficient at playing the piano.

These discs are 10″ and play at 78rpm. They contain about 6 minutes of audio when fully utilized but not all are. Frustratingly some records, in spite of the label being marked “Western Maryland” or “Pennsylvania RR”, are blank on one side or contain just a fraction of the audio it could hold. There is plenty of good stuff here and the condition of most of the records are surprisingly good in my opinion. Here are some of the highlights:

One of the best finds is a record marked “B&O-1st Recording” It seems I have found a record of William Steventon’s first recordings! From the article he wrote for TRACTION & MODELS we know he accidentally erased his very first recording of a B&O steamer while trying to play it back. So perhaps this is actually his second attempt. The record contains B&O steam & Diesel sounds recorded at the station in Riverdale, MD on March 31, 1953. Trains include number 523 “Marylander” and number 17 “Cleveland Night Express” among others.

He would return to the B&O many times, with recordings being made at both Riverdale and Silver Springs, MD. I have records of B&O trains recorded in July, August, and September 1953. Some of these recordings include the station announcements for trains number 9 “Chicago Express” and Train 5 “Capitol Limited” . There is one great sequence (too short) of an on-train recording behind B&O 5066 powering local train #154. Also there is a very good recording of a 5300 series loco on a heavy drag freight. Even early on he sure knew how to capture the sound of steam.

There are recordings of steam on the Shenandoah Central (loco # 12) IC # 3619 at Christopher, IL, PRR at Mill Creek, PA, C&IM, and on the EBT. Some of this material may have been included on the released albums, but here William Steventon himself provides commentary and the sounds may be edited differently. Steventon gives information about almost every cut in his distinctive, Walter Winchell-like voice. Other interesting sounds are those of PRR GG-1s recorded on August 22, 1954. They were recorded at, as Steventon puts it, a “country crossing”. Plenty of that toneless yet somehow appealing GG-1 horn blowing is included.

Potomac Edison box motor # 5 has several sides of these records devoted to it. Without checking, I’d say there is more of the sounds of the cab ride on these discs than what eventually made it on to Record #6. There is some Shaker Heights RT as well. Plenty of Johnstown Traction and Altoona & Logan Valley too. This may or may not have been released.

There is definitely some unreleased traction sound here. One full record contains the sounds of the Baltimore Transit company. One side is a ride on car # 5727 on the Lorraine Line and the other side is car # 5706 on the Ellicott City Line. Both recorded on January 16, 1954 This recording is in wonderful shape too.

More fine unreleased traction sounds include a nice recording of the St. Louis Public Service. Recorded in December of 1953 it includes both on board and trackside recordings of PCC cars on the University Line.

There is also some Washington DC Capital Transit stuff I don’t think made it to Record 27.

There are some unidentified traction sounds on an unmarked disc. The record starts with William Steventon telling a story about a blanket someone gave his father that had pictures of locomotives on it (his father was an engineer on the NYC). The story abruptly ends without concluding and the sounds of motor hum, gears, and door buzzers start. It sounds to me as if the recording was made at a subway station. We know Steventon made recordings in the IRT subway in New York and this may very well be it. The other side has more unidentified traction sound that may been the Queensboro Bridge recordings that were mentioned in the RRC newsletter David posted in this blog some time ago. Maybe someone knows for sure what all this sound really is. One other record worth noting is titled “Claude Mahoney.” Playing the record reveled that he was a radio commentator in the Washington DC area. This is both parts of a two-part show about riding an NRHS fantrip from Washington DC to Harrisburg, PA by way of Hagerstown on October 4, 1953. No train sounds are included but it is interesting in itself, especially if you enjoy old time radio broadcasts.

All of these records will soon be sent off to David for him to transfer to digital. Hopefully he can clean up and restore some of the sounds that right now, are degraded with surface noise and various clicks, pops, and hisses. I’m sure there is enough good sound to fill out a CD and it sure will make a great Railroad Record Club “bonus tracks” CD.

Another interesting aspect of the Railroad Record Club story is that some years after William Steventon’s death in 1993, his son Seth made an effort to reissue the entire RRC catalog on cassette tapes. David and I made inquiries about this to several people without much success. It’s likely the project was abandoned before much headway was achieved.

Evidence of Seth’s attempts were included in the estate. All of the records were converted to cassette and cover art and liner notes were put on cards for every record. Four completed tapes were in the collection and so are many of the cards.

Next I purchased 10 cover art paste-up boards. These are what was used to make the print blocks. A few actually contain the original art work. It seems Steventon would have the lettering glued to the same canvas board that the artist drew the picture on. They are not all originals, but several are. This was a bit of luck I would have never thought possible. On a few, such as the BC&G drawing for number 22 and the trolley picture for #23, the glued-on lettering has fallen off. This has revealed more of the drawing than we record owners have ever seen.

COVER ART

# 1 WAB (12″remaster cover)

# 3 EBT (12″remaster cover)

# 4 B&O (12″remaster cover) Original Drawing

# 19 DM&IR (12″remaster cover) Original Drawing

# 22 BC&G (12″remaster cover) Original Drawing

# 23 Pennsylvania Trolleys Original Drawing

# 24 CP Original Drawing

# SP-3 Whistle/Bend Original Painting

# SP-4 CSS&SB

# SP-5 Soo (12″remaster cover)

One other original drawing was found hiding among the others. It is of WCF&N interurban car # 100. This drawing did not appear on any RRC record jacket. The car is featured on Record 2. The first edition of the record had a cover that featured a photograph of the car. The second edition had a drawing of it, but it is not the one I have. Both of these editions were on 10″ stock. There is no way of knowing for sure but maybe a 12″ reissue of number 2 was in the works and this was to be the cover illustration. It’s possible. It could also be that this was a gift to Steventon or he commissioned it simply because he liked the car. Who knows?

Several boxes of photos were for sale as well. Both finances and cargo space were starting to reach their limits so I had to choose only a few to buy. As time allows I will scan and email all of the photos to David and he can include them in future Trolley Dodger posts. For now, I’ve scanned a few photos that in some way relate to the Railroad Record Club.

Photo 1. I was looking for a good photo of William Steventon, preferably in a railroad setting or with audio equipment in the field or at home. Nothing was found but this photo of him I think is quite good.

Photo 2 & 3. I found a copy of the photo that was used in the TRACTION & MODELS magazine article, the one that shows him making a recording of a North Shore Line interurban car. It has been posted in this blog before but this is a much better scan. It was made from an actual photograph and not a magazine reproduction as posted before. The shot is somewhat wider too. Because it is a good scan it is possible to crop the photo to a point where you can get a good look at all that recording equipment he needed. Imagine having to cart all that stuff around. Think of this next time you shoot audio AND video on your tiny Smartphone!

Photo 4. As was stated before, William Steventon’s father Seth was an engineer on the Big 4 (New York Central). This is very likely him in the cab of NYC 6879. Photo is dated 1915.

Photos 5 & 6. These two are good photos to keep in mind while listening to Record # 20 C&IM/NYC. The in cab recording Steventon made while aboard NYC # 1441 with his father as engineer was recorded while switching in this yard. While this photo was not taken at the time the sound recording was made (sound recording made December 9, 1953, these photos were taken on February 12, 1948) and is of a different locomotive (NYC # 1169), the setting is the same- the yard at Cairo, IL. In the liner notes of this record Steventon writes about the sound of the locomotive being “amplified by the huge empty lumber shed we were paralleling at the time.” That huge empty lumber shed is plainly visible in the wider shot of # 1169. Seth was again the engineer at the throttle.

Photo 7. Seth in the cab of Shenandoah Central # 12. This is the locomotive that is on one of the unreleased audiodisc records. It was very likely taken on the same day as that the sound recordings were made.

Photo 8. When I saw this picture in the box with a bunch of others, it stood out to me. Why I wasn’t sure until I took a closer look. It is of Charles City Western car # 50. What made it stand out was that the angle and position of the car is exactly as the car appears on the cover of record 28. Remove the car barn and some of the background, take away the bit of freight car to the left, add a few clouds in the sky and you have the record cover! It would be hard to convince me that the record cover drawing is not based on this photo.

Photo 9. CCW car 50 as it appears on RRC record # 28’s cover. Compare the two.

A few interesting documents were found as well. There was a large box of correspondence to and from the Club. Apparently Mr. Steventon threw very little away. If you ever wrote to him or ordered a record from him, chances are your letter or envelope are in that box! I looked briefly for anything from me but no luck. I would have needed more time to do a good search.

What I left Behind

There were more treasures to be found in that darkened building for sure. Time, storage space, and money, the bane I’m sure of every collector, shook me from my excitation. No more space and no more money meant no more discoveries.

While I’m very happy with what I got, there is still more. All those boxes of records I turned down and all those wonderful photos I couldn’t afford. I would hate to find out they had to be trashed.

The most glaring oversight on my part were the boxes of reel to reel tapes I saw. I did look at them and even took some photos, but it all appeared to be master tapes for the records. All these sound I was positive were safely cut into vinyl.

After getting home and closely looking at those photos I can now see that there was unreleased railroad audio there too. Such titles as L&N, NKP Diesel, IRT Subway, IND Subway, 3rd Avenue El and the Queensboro Bridge Trolley, among others, now jumped out at me. Perhaps there might be a way to save this material as well.

I had a great time making these discoveries, and I’m very happy that David should be able to make CDs of these sounds so they can be shared with all who are interested. After not being heard in decades, it feels great to be a part of the effort to bring these lost Railroad Record Club sounds into the light of day.

Recent Correspondence

Continuing from our last post (regarding Speedrail) Larry Sakar writes:

This was the aftermath of the 8/24/49 collision at Soldiers Home. Car 1143 with motorman Ralph Janus was an all steel car. That was the one that backed up. Car 1119 with motorman LeRoy Equitz was a car that was wood with I think steel sheets surrounding it. That was true of nearly all of the 1100-series TM single cars except 1142-1145. Those 4 were all steel. Equitz was speeding going twice as fast as he should have been given that he had a yellow caution signal. As you came downhill and into the Calvary Cemetery cut, the r.o.w. made a sharp curve beneath the Hawley Rd. overpass and then continued downhill. That and the Mitchell Blvd. overpass at the east end of the cut limited the view ahead. Equitz didn’t spot the 1143 until it was too late.

The newspaper picture I’m attaching looks forward from the front or what was left of the front of 1119 to the back of 1143. Note the telescoping. That’s the floor of 1143 in front of the fireman who is bending over on the right. Had anyone been sitting in the smoking compartment of 1143 they would have been killed. Luckily, no one was.

The Calvary Cemetery cut is the only part of the abandoned r.o.w. that remains relatively unchanged today. Here are some photos of it over the years.

Thanks for sharing!

Larry again:

Here’s more about that accident, Dave as well as a view of the 65 as it looked upon arrival in Milwaukee. Note no front end “LVT” design.

I promised Scott (Greig) that I would look into the Speedrail accident of 9/5/50 to see if the newspaper accounts identified the crew of car 1121. In the July, 2017 comments, Scott thought that the motorman of car 1121 was Ralph Janus who was motorman of car 1143 which backed up for the missed passenger at Soldiers Home station on 8/24/49 and was rammed from behind by car 1119 with motorman LeRoy Equitz. I thought it was someone by the name of Eugene Thompson.

According to the Milwaukee Journal article, “Speedrail Dead Now 10; Line Has New Collision” (MKE Journal 9/5/50 P.1) the motorman of car 1121 was Eugene Thompson. The motorman of car 64 which 1121 ran into was Virgil McCann. There was one passenger aboard car 64, Ewald Rintelmann, age 50 of Hales Corners whom the article says was “shaken and bruised.” I hoped that the other two crew members aboard car 1121 would be identified but they weren’t. It only mentions that there were “2 other men aboard the freight car.” At least not in this article or the following day. As I mentioned previously, I recall the late Speedrail motorman Don Leistikow saying it was a father and son, one of whom was the conductor and the other the brakeman. The article reported that Maeder “initially blamed the accident on ‘slick, moisture covered tracks’.” The accident happened 1000 feet south of the West Jct. station.

The 9-5-50 article is also where we hear of the 8 or 9 year old boy Maeder saw “standing awfully close to the landing at Oklahoma Ave.,” who drew his attention away from the Nachod signal. “Ordinarily, you keep you eye on the light for more than an instant,” Maeder said. “On Saturday, however, I noticed a small boy about 8 or 9, standing awfully close to the tracks at Oklahoma av. landing. When I noticed, in a quick look, that I had the white light, my thoughts turned to the more immediate danger of the small boy and I turned my eyes from the light to the boy.”

I’ll give Maeder credit for coming up with a good story to explain his failure to keep an eye on the signal but that’s all. He makes no mention of the fact that Speedrail supervisor John Heberling was stationed at Oklahoma Ave. and that he had set the switch so that Maeder’s train went into the siding. Nor does he mention that he ordered Heberling to immediately reset the switch and let him out of the siding when the latter wanted to take time to call the dispatcher and see where Equitz was at. Neither John Heberling nor any of the fans gathered around Maeder on the front platform ever reported seeing a small boy playing or standing near the tracks.

When Maeder refers to “the landing,” I am guessing he was referring to the station platform. Oklahoma Ave. station was on the bridge over Oklahoma Ave.

About 3 years ago I had a phone conversation with George Wolter, the assigned motorman on Maeder’s train. I asked if it was true that Maeder took control of the train shortly after leaving the Public Service Building outbound to Hales Corners. He confirmed that Maeder said, “Go and have a seat. I’ll take it from here,” when they got to 6th & Michigan Sts. I asked if Maeder had given him a reason and he said, “Well we got caught in a traffic jam on 6th St.” I said, “OK but what does that have to do with anything?” Maeder taking over operation of the train wasn’t going to change the fact that you were caught in street traffic. I mean he wasn’t Moses. He couldn’t lift up his switch iron and demand that the traffic part and let his train pass in the name of the Lord.”

I know that was a rather sarcastic remark but Wolter’s excuse for Maeder was utterly ridiculous. Wolter said, “I will swear to my dying day that I saw that signal at Oklahoma Ave. and it was white.” That was the end of the conversation. His statement contradicts what he told the DA and testified to at the Coroner’s inquest. His exact statement at that time was that he was just coming up front having “gone back to the rear car for a while.”

This was when he spotted the roof of Equitz’s train coming up over the top of the hill ahead of the northbound train. He said he DID NOT see the signal at Oklahoma Ave.! I think his testimony at the time carries far more weight than the way he remembered events more than 60 years later. I should also point out that had he been so inclined the DA could have charged Wolter with negligence since PSC rules required that a qualified motorman had to be present at all times when someone who was not qualified was operating the train. He had absolutely no business being in the rear car of 39-40.

Don Leistikow said that had he been the motorman he would have stood right next to Maeder whether he liked it or not. He would have been the scheduled motorman and this was officially his train. He was the person responsible for it. As Don pointed out the PSC regulations did not make an exception just because you owned the company. Based on the way the DA went after Maeder and statements made by the DA as early as 9-5 when he said he had concluded that based on the evidence he’d gathered that Maeder went thru a red signal. And it was obvious that he wasn’t buying Maeder’s story about safety concerns. Maeder’s frequent sessions with railfans in his office, seeking their input while ignoring Tennyson the VP of operations, fits the pattern of someone who on 9/2 saw an opportunity to bask in the admiration of his fellow model railroaders and railfans and just couldn’t pass up such a “golden opportunity” to show off by being at the controls of duplex 39-40. Tennyson said as much in my book and reluctantly, I would have to agree with him.

I am sure our readers will appreciate this important bit of history on what was a very serious tragedy.

Finally, Larry asks:

One thing that has puzzled me for a long time is why the CTA was so anti-streetcar. It seems to me that they would have wanted to keep the PCC’s running on at least the 22-Clark-Wentworth, the 36-Broadway-State and the 49-Western Ave. Weren’t those 3 lines some of the busiest crosstown streetcar routes? It’s always seemed to me, not knowing much more than the basics about the CSL and CTA that it appeared to be terribly wasteful to junk all of those mostly new St. Louis Car PCC’s. Yes, I know that a lot of parts went into the 6000 series “L” cars but did they really recoup their investment?

I know there have been books written about the CSL but has anyone ever thought about writing a comprehensive history of it say for CERA? Dave Stanley told me that when CTA acquired CSL it was broke. Was the CRT in any better shape, financially?

In a way it’s too bad the CTA wasn’t selling off the PCC’s in 1949.Both the Waukesha and Hales Corners lines had turning loops so their being single ended would not have been a problem though whether Maeder could have afforded them, I have serious doubts.

TM did not have turning loops on any of the streetcar lines and that is part of the reason S.B. Way was not interested in buying PCC’s for Milwaukee. It would have meant constructing loops at the ends of the car lines or buying double ended PCC’s. I know of only 2 systems that had double ended PCC’s; PE and Dallas. Of course by the time the first PCC’s rolled off the production line for the Brooklyn & Queens, TM had pretty much turned its back on streetcars in favor of trolleybuses.

The Chicago Transit Authority purchased the Surface Lines in 1947 for $75m. However, the CSL had $30m in cash on hand in a renewal account, so the actual amount spent was only $45m.

While the underlying companies behind the CSL facade were bankrupt, this was more of a technical bankruptcy, a situation that the City of Chicago wanted to maintain since they had by the mid-1940s decided that municipal ownership was the only way forward. Otherwise, contemporary accounts indicate that CSL could have emerged from bankruptcy during WWII.

CSL could have done better, except that its fares were being kept artificially low by the Illinois Commerce Commission. When the CTA took over, there were numerous fare increases in its first decade of operation since the agency had the power to set its own rates.

By contrast, the Chicago Rapid Transit Company was a financial basket case that could barely pay its bills. During the transition to CTA ownership between 1945 and 1947, the most that CRT could spend for new railcars was $100k, while the Surface Lines had millions on hand for such purchases. CRT ordered four articulated sets while CSL ordered the 600 postwar PCCs plus other buses.

CSL was very much a pro-streetcar operator, but in the years prior to 1947, had been expanding service using motor buses and trolley buses, including some initial conversions of lightly-used streetcar routes to bus.

The City of Chicago commissioned a transportation study in 1937 that suggested replacing half the trolleys with buses. This still would have meant purchasing 1500 new streetcars.

As the years went on, this amount kept being decreased in the plans, from 1500 to 1000 to 800, and ultimately it became 600.

While the CTA still planned to order an additional 200 PCCs in their 10-Year Plan, published in 1947, this did not come to pass, and the first general manager of CTA, Walter J. McCarter, was hired in part because of his success in “rubberizing” the Cleveland streetcar system.

So, while CSL was pro-streetcar, increasingly the City of Chicago was pro-bus, and when municipal ownership came to be, the new CTA reflected the attitudes of the City.

The war had put off some bus substitutions and equipment purchases, so there was a backlog of conversions in the pipeline by that time. This led to a more rapid switch from streetcar to bus than might have been the case otherwise.

The difficulty in abandoning lightly-used lines also worked against CSL, and to some extent CSL and CRT competed with each other. Once CTA took over, they could rationalize both systems to work better together.

Still, even as late as 1949, CTA was at least considering purchasing 200 more PCCs, and retaining service on as many as 11 streetcar lines. The 600 PCCs were brand new, and the 83 prewar cars plus the 100 Sedans could have provided good service for many years to come.

Around that time, however, a number of factors were already at work against the surface system in general.

First, along with increased car ownership and frequent fare increases, there was a serious drop-off in surface system ridership, to the point where it was eventually decided that buses could do the job.

Second, the CTA changed its method of accounting, allocating a portion of surface system revenue to the rapid transit. This meant that some service that were once considered profitable were suddenly seen as unprofitable.

One thing that CTA did almost immediately was work to reduce their labor costs by eliminating as many employees as possible. This became even more important in the inflationary postwar period as unionized workers demanded better pay and benefits. CTA had a chronic manpower shortage and was thus in a weak position to hold the line.

Since most streetcars were two-man, they were easy targets for substitution by one-man buses.

A 1951 consultant’s report proposed that CTA retain the PCCs, convert them to one-man, and stop purchasing electric vehicles for the surface system due to the supposedly high cost of electric power purchased from Commonwealth Edison.

By the 1950s, CTA had become convinced that maintaining ridership was a matter of providing faster service. Faster service could not easily be provided on city streets, with increasing competition from cars and trucks, but there were ways to speed up service on the rapid transit system.

The so-called PCC Conversion Program was mainly public relations. The CTA had decided it no longer wanted to operate streetcars, yet had 600 that were just a few years old, with an expected 20-year life and attendant depreciation. The main purpose of the program was to take these cars off the books in a way that would not show a loss on paper.

While frequent claims were made that supposedly the program was yielding $20,000 or more per streetcar, CTA actually received $11,000 for each of the 570 cars sold to St. Louis Car Company. In addition, there were thousands of dollars in additional costs involved with adapting and reconditioning parts. Over the five years or so of the program, the amount of costs increased, to the point where, by 1958, CTA admitted it was receiving no more than scrap value for each PCC sold.

But since these were non-standard cars, there was no market for reselling them to another city.

The Conversion Program only made sense if you believed that PCC streetcars, which were state-of-the-art and just a few years old, had absolutely no future value as transit vehicles, even though the 1951 consultant report indicated that the tracks and wire were in good shape and were worth keeping. The consultant thought that the cost of replacing the service with bus was more than the cost of keeping what they had.

CRT was in such bad shape that within a few short years, CTA decided to devote 70% of its investments in upgrading it, even though in 1947 it only had a market share of less than 20% of local ridership. As a consequence, some might argue that the surface system got the “short end of the stick,” especially after October 1, 1952 when CTA purchased the assets of the competing Chicago Motor Coach Company.

Perhaps not coincidentally, this was also the date when the CTA, having eliminated its last remaining competitor, announced the Conversion Program that spelled the end of streetcars in Chicago. It was no longer necessary to offer a “premium service” that could compete with CMC for riders.

As for a history of CSL, it would be hard for anyone to better the Chicago Surface Lines book by Alan R. Lind, especially the third edition published in 1979.

The subject is of sufficient complexity to demand a series of books, of which Chicago Streetcar Pictorial: The PCC Car Era, 1936-1958 (published as Bulletin 146 of the Central Electric Railfans’ Association in 2015), at 448 pages, including several hundred photos in color, forms an important part. I am proud to have been a co-author of that book.

My upcoming book Chicago Trolleys, although a much more modest 128 pages, will be another addition to that field.

-David Sadowski

Bonus Pictures

FYI, I found this brochure in one of the issues of Surface Service (the Chicago Surface Lines employee publication) I recently scanned:

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Night Beat

June 21, 2016June 13, 2024David Sadowski 24 Comments

In this classic July 1963 shot, South Shore Line car 25 is parked at the east end of the line in downtown South Bend, across from the Hotel LaSalle. Service was cut back to Bendix at the outskirts of town in 1970, and later extended to the local airport. Don’s Rail Photos adds, “25 was built by Pullman in 1927. It was lengthened and air conditioned, and got picture windows in 1947.”

Chicagoans of a certain age might recall Night Beat, a WGN-TV late night news show that aired after the Late Movie between 1958 and 1983. For much of that time, baritone Carl Greyson was the announcer.*

We begin today’s post with our very own Night Beat of sorts, an exhibit of some fine night photography from the early 1960s. We rightly celebrate 3/4 views of streetcars taken on days with bright sunshine and cloudless skies, but there is also something to be said for those few railfan shutterbugs who experimented and documented what some cities call “Owl Service.”

Back in the days of film and manually set cameras, many photographers operated using the “sunny f/16” rule, or some variation thereof, where your shutter speed corresponds to the film speed, and your lens opening is f/16 on a bright sunny day. So, with ISO 64 film, this gives a setting of 1/60th of a second at f/16, and you can extrapolate from there (i.e., this is equivalent to 1/125th at f/11, 1/250th at f/8, etc.).

But this relationship begins to fail when you are talking about longer exposures. It is an effect called “reciprocity failure.” Now, your general idea of reciprocity might be that if I scratch your back, you’ll scratch mine. But for our purposes, this means that photographic materials may not behave in a predictable manner when used outside of the norm.

So, long exposure times of several seconds may not give predictable results. There are other problems with night shots, including the different colors of mixed light sources (incandescent plus fluorescent), and problems with determining the proper exposure when light sources have such a wide range of brightness.

This means you really can’t follow any special rule for available light photography at night; it’s really a matter of trial and error. The best method is to steady your camera on a tripod and experiment with different exposures, in hopes that perhaps one image out of the lot might turn out really well.

What we have here are some excellent shots, taken by an unknown photographer who was good at this sort of thing and was willing to travel the country. Chances are, for every acceptable photo, there were several that ended up in the circular file.

Here’s to those unnamed Night Owls who prowled around in the 1960s and covered the traction Night Beat.

-David Sadowski

*You can hear the classic 1970s Night Beat theme here. A fuller version of the theme, which many associate with Chicago night life, can be heard in a 1977 special that featured actor Bill Bixby. Supposedly, the music was composed by Dave Grusin, although nobody seems to know for sure what the piece was called, or where it originated.**

**It’s been identified! The piece is called “Gadabout,” composed by William Loose and Emil Cadkin. It was part of the CPM (Carlin Production Music) Library of music licensed to television broadcasters and producers who needed themes and incidental music. In turn, it may previously have been part of the Capitol Hi-“Q” Library that preceded it. The details, and some alternate versions, are in this Facebook video.

A two-car train of 6000s prepares to head east from the DesPlaines Avenue terminal on the CTA Congress branch in April 1964. This was the station arrangement from 1959 until the early 1980s. As I recall, the entrance at right in front of the train led to a narrow sidewalk where you had to cross the tracks in order to access the platform, hardly an ideal setup. At right there was a parking lot, and a few streaks of light show you where I-290 is located. The tracks today are in pretty much the same exact location, however.

I believe this July 1963 picture shows the South Shore Line station at Roosevelt Road. Frank Hicks writes, “Chicago South Shore & South Bend 504. This interurban freight trailer has a more unusual history than most. It was built for ISC as an interurban combine, and ran on that system’s lines in Indiana for five years until ISC became part of the great Indiana Railroad system. IR rebuilt the three cars of the 375-377 series into railway post office cars and put them to use in this unusual capacity. The three RPO’s survived on IR until the end of interurban service in 1941, at which time all three were sold to the only other interurban line then operating in Indiana: the South Shore. The South Shore converted 376 into a line car while 375 and 377 became express package trailers. These cars were designed to run in passenger trains and had control lines so that they could be run mid-train; they were often used to transport newspapers. Car 504 was retired in 1975 and acquired by IRM, which has repainted it and put it on display.” (Editor’s Note: car 377 became 504.)

This slide showing one of the North Shore Line Electroliners is dated January 1963, and who knows, it may have been taken on that last frigid night. Jerry Wiatrowski writes, “The unidentified picture of the Electroliner was taken at North Chicago Junction. The train is Southbound coming off of the Waukegan bypass to Edison Court and Milwaukee.”

When this April 1964 picture was taken at the 69th Street Terminal in Upper Darby, Pennsylvania, the Red Arrow Lines were still privately held, and the Ardmore trolley was still running. Two and a half years later, it would be replaced by bus service. 1941-era Brilliner #1, a Sharon Hill car, is in the station.

It’s August 1963 in Boston, and MTA PCC 3243 stands ready for another trip on the Green Line. Phil Bergen writes, “The night view of the Boston PCC that appears in today’s posting was taken at Riverside terminal. Although picture window PCCs were originally used on this line, other PCCs were added to meet the demand. The side roll sign, once enlarged, indicates this is a Riverside car, and the terminal itself is the only place where there were multiple tracks.” The Riverside line started running on July 4, 1959 and occupies a right-of-way once used by a steam commuter railroad. It is considered a pioneer in what we today call “light rail.”

From 1949 until 1963, the North Shore Line had the CTA’s Roosevelt Road station all to itself, as this July 1962 picture of car 752 shows. Don’s Rail Photos: “752 was built by Standard Steel Car in 1930. It was modernized in 1940.”

The North Shore Line terminal in Milwaukee in January 1963.

A North Shore Line train stops at Edison Court in January 1963.

A Toronto subway train in August 1963.

Toronto Peter Witt 2766 at Vincent Loop in November 1964. (R. McMann Photo)

TTC crane C-2 at work at Queen Street and Eastern Avenue in October 1966. (R. McMann Photo)

A postcard view of C-2 at work in 1967.

Originally, I thought this was early 1960s night shot showed a CTA single-car unit in the 1-50 series, and those cars were used on the Congress-Douglas-Milwaukee line. But as Andre Kristopans has pointed out, the doors on those cars were closer to the ends than this one, which he identifies as being part of the 6511-6720 series. It just looks like there’s one car, since the other “married pair” behind it is not illuminated. This picture was most likely taken at the end of the line at DesPlaines Avenue.

From left to right, we see New Orleans Public Service cars 930, 934, and 900 in the barn. All were built by Perley-Thomas Car Co in 1924, and are signed for the St. Charles line. New Orleans is practically unique in North America, in that it never modernized its fleet with PCCs, yet has maintained uninterrupted service with vintage equipment. (Even the newer cars New Orleans has now are “retro” styled.) The date of this photo is not known.

A South Shore Line train at the old Gary station in August 1970.

South Shore Line car 110 laying over at South Bend, Indiana in July 1963. This was the east end of the line until 1970, when service was cut back to the outskirts of town, and South Bend street running was eliminated. In 1992, service was extended to the South Bend International Airport, 3 miles northwest of downtown South Bend.

This remarkable picture was taken at the North Shore Line’s Milwaukee terminal in January 1963. For all we know, this may be the last night of operation. If so, the temperature was below zero.

A Dayton (Ohio) trolley bus at night in September 1972.

This is another remarkable photograph, showing Monongahela West Penn car 320 at night in June 1946. Such night shots were very difficult to achieve back then, due to the slow film speed of the time (this is Kodachrome 10, as in ASA/ISO 10). About the only way to take such a picture would have been with a very long exposure, with the camera resting on a tripod. (Dr. H. Blackbunn Photo)

Another great night shot, this time it’s Illinois Terminal 473 on the line that ran from St. Louis to Granite City in the 1950s. This was IT’s final passenger line and was abandoned in June 1958, on the same weekend that the last Chicago streetcar ran.

BTC Baltimore Streetcar Trolley #3738
Location: Baltimore, Maryland (Route 8 – Gilmore Street)
Date: May 19, 1961
Photographer: Jeffrey L. Wien
Here, we see a classic night shot of an ancient Baltimore streetcar, most likely built around 1900. It does not appear to have survived to the present day.

The next three photos have been added to our previous post Love For Selle (June 8, 2016):

Caption: “3 cars on North Shore Line northbound at Kenilworth (714 on rear of train), July 13, 1955. This was shortly before the end of service on the Shore Line Route. (Bob Selle Photo) Don’s Rail Photos: “714 was built by Cincinnati Car Co in 1926, #2890. It is modernized in 1939 and preserved in 1963 by the Illinois Railway Museum.”

This looks like a 1952 Chevrolet 4-door Fleetline fastback to me, which would be a somewhat rare model with only a few thousand produced. The fastback, which had enjoyed a brief vogue starting around 1941, was dropped for the 1953 model year.

It’s May 30, 1958 and Chicago Surface Lines car 1467 (former CTA salt car AA72) is at the Electric Railway Historical Society site on Plainfield Road in Downer’s Grove. Don’s Rail Photos says this “Bowling Alley” car “was built by CUTCo in 1900 as CUT 4516. It was rebuilt as 1467 in 1911 and became CSL 1467 in 1914. It was rebuilt as salt car and renumbered AA72 on April 15, 1948. It was retired on February 28, 1958. It was sold to Electric Railway Historical Society in 1959 and went to Illinois Railway Museum in 1973.” Actually it must have been sold earlier, as the negative envelope has written on it “owned now by ERHS!” (Bob Selle Photo)

North Shore Line cars 411 and 715 at an unidentified location. Don’s Rail Photos says, “411 was built as a trailer observation car by Cincinnati Car in June 1923 #2640. It was out of service in 1932. 411 got the same treatment on February 25, 1943, and sold to Trolley Museum of New York in 1963. It was sold to Wisconsin Electric Railway & Historical Society in 1973 and sold to Escanaba & Lake Superior in 1989.” As for the other car, Don says, “715 was built by Cincinnati Car Co in 1926, #2890. It is modernized in 1939 and purchased by Mid-Continent Railroad Museum in 1963. It was sold to Wisconsin Electric Railway Museum in 1967 and then sold to Fox River Trolley in 1988.”

North Shore Line car 255 is laying over on middle storage track at the Roosevelt Road station on the Chicago “L”. Don’s Rail Photos”: “255 was built by Jewett in 1917. It had all of the seats removed in the 1920s to provide a full length baggage car which ran in passenger trains. It was used for the Chicago Symphony Orchestra to move equipment to Ravinia. On July 2, 1942, the 40 seats were replaced. Then on December 1, 1946, the seats were again removed. In addition to the Symphony, the car was used for sailors’ baggage from Great Lakes.” (C. Edward Hedstrom, Jr. Photo)

CSL “Little” Pullman 985 at Wabash and Roosevelt in September 1936. It was built in 1910. It appears to be on through route 3 – Lincoln-Indiana, which operated from 1912 to 1951.

CSL “Big” Pullman 144 on Cermak Road, September 19, 1934. Don’s Rail Photos: “144 was built by Pullman in 1908. It was acquired by Illinois Railway Museum in 1959.” It is rare to find pictures of the 144 in actual service as opposed to some 1950s fantrip.

A close-up of the car in the last photo. It closely resembles two very similar, low-production front wheel drive cars on the market circa 1930, the Cord L-29 and the even rarer Ruxton. However, Dan Cluley seems to have correctly identified this as a 1930 Checker Model M. The auto on the other side of the streetcar looks like an early 1930s Auburn, which was also built by Auburn-Cord-Duesenberg, headquartered in Auburn, Indiana.

The 1930 Checker Model M.

This is a 1929 Ruxton Model A Baker-Raulang Roadster.

And this is a 1930 Cord L-29 Convertible.

An early 1930s Auburn with fancy hood ornament.

Chicago Surface Lines 5241 on 111th Street near Vincennes on August 3, 1947. The sign on the front of the car indicates this was on through route 8. According to http://www.chicagrailfan.com, “Various Through Route combinations existed throughout the early history of this route. Original Through Route operated between Grace/Halsted and 63rd/Stony Island via Halsted and 63rd St. Beginning in 1912, some Halsted service, mainly route 42 Halsted-Downtown service, began operating south of 79th St. via Vincennes and 111th St. to Sacramento, over what now is the 112 route. While for most of through service continuing north on Halsted, the south terminal remained 79th St. Effective 5/24/31, the through Halsted service generally turned around at 111th/Sacramento, with the downtown service generally turning at 79th St. Through service south of 79th St. discontinued 12/4/49, when segment south of 79th St. was converted to buses.” (John F. Bromley Collection) Our resident South Side expert M. E. adds, “The caption begins: “Chicago Surface Lines 5241 on 111th Street near Vincennes on August 3, 1947.” Not quite. 111th St. approaches Vincennes Ave. only from the east. The car line on 111th St. was not route 8. Instead, route 8 was on Vincennes. Vincennes Ave. continued south of 111th one block to Monterey Ave., whereupon route 8 cars turned right onto Monterey, then about three blocks later, onto 111th St. heading west. (To see all this on a map, use maps.google.com and plug in ‘60643 post office’.) As for the photo, I’d say this car is on Vincennes, heading south, anywhere between 109th and Monterey. I say 109th because route 8 left its private right-of-way (which started at 89th St.) at 107th St. and ran south from 107th on the street.”

This July 1963 view shows the Wabash leg of Chicago’s Loop “L” between Van Buren and Jackson. We are looking north, so the buildings behind the train of CTA 4000s are on the west side of the street. As you can see by the sign advertising Baldwin pianos and organs, this was once Chicago’s “Music Row.” The flagship Rose Records location was near here, as were Carl Fischer, the Guitar Gallery, American Music World and many others. The Chicago Symphony is still nearby, but nearly all the other music-related retailers are now gone from this area. You can just catch a glimpse of the iconic Kodak sign that still graces Central Camera under the “L”. The old North Shore Line station, which closed about six months before this picture was taken, would have been up the street on the right just out of view. Until 1969 trains operated counterclockwise around the Loop on both tracks, so we are looking at the back end of this Lake Street “B” train. Adams and Wabash station is at the far right of the picture.

Enlarging a small section of the slide shows the Kodak sign in front of Central Camera at 230 S. Wabash.

Central Camera today. The Kodak sign is still there.

The corner of Wabash and Jackson today.

Two of the buildings in the 1963 photograph were torn down to make a parking lot, while the building to their right is still there.

If you are curious about just what a Birney car is, you can read the definitive account by Dr. Harold E. Cox here.

Fort Collins Municipal Railway Birney car 20 in Colorado. There were three lines, and all three cars met in the town center once an hour so riders could transfer. Service ended in 1951, but a portion of one line was restored to service in the 1980s. Don’s Rail Photos says, “20 was built by American Car Co. in April 1919, #1184. It was sold in 1951 and moved to the Stuhr Museum of the Prairie Pioneer in Minden, NE. and has been on static display there ever since.” (Joseph P. Saitta Photo)

Feel the Birn(ey)! After service in Fort Collins ended in 1951, car 26 was sold to the Henry Ford Museum in Dearborn, Michigan. But prior to being put on static display, it operated in a Detroit parade of street railway equipment in August 1953. Don’s Rail Photos: “26 was built by American Car Co. in November 1922, #1324 as CERy 7. It was sold as FCM 26 it in 1924. It was sold to Henry Ford Museum and moved to Michigan in 1953 where it is on static display. It was operated several times on the trackage of the Department of Street Railways.” (C. Edward Hedstrom Photo) To read more about 26’s Michigan sojourn, click here.

Laurel Line (Lackawanna and Wyoming Valley Railroad) car 37 at the G.E. plant on the Minooka branch on May 9, 1948. The occasion was an ERA (Electric Railroader’s Association) fantrip. Nearly all this Scranton, Pennsylvania interurban was third-rail operated on private right-of-way, something it had in common with the Chicago, Aurora & Elgin. Some have wondered if the Laurel Line’s fleet of steel cars, which ended service at the end of 1952, could have been used on the CA&E. They appear to have been too long to operate on the Chicago “L” system, but I do not know if such clearance issues would have kept them from running west of Forest Park. As it was, all these cars were scrapped, and ironically, some thought was given later to restoring a CA&E curved-side car as an ersatz Laurel Line replica. Wisely, it was decided against this.

The next three photos have been added to our earlier post Chicago’s Pre-PCCs (May 5, 2015):

Scranton Transit 508, an “Electromobile,” was built by Osgood-Bradley Co in 1929. It was another attempt at a modern standardized streetcar in the pre-PCC era.

Baltimore Peter Witt 6146. Don’s Rail Photos says it was “built by Brill in 1930 and retired in 1955.” Sister car 6119 is at the Baltimore Streetcar Museum, while 6144 is at Seashore. These were some of the most modern cars around, prior to the PCCs.

Indianapolis Railways 146, shown here on a special run in 1949, was a Brill “Master Unit” but appears very similar to the Baltimore Peter Witts. This car was built in 1933, one of the last streetcars built before the PCC era. Brill tried to sell street railways on standardized cars (hence the name “Master Units”) but as you might expect, no two orders were identical.

We’ve added this next picture to our post Ringing the Bell (December 7, 2015):

Lehigh Valley Transit’s Liberty Bell Limited lightweight high-speed car 1001 (ex-Cincinnati & Lake Erie 128) at the 69th Street Terminal on the Philadelphia & Western, September 21, 1949. Soon after this picture was taken, LVT passenger service was cut back to Norristown.

PE double-end PCCs 5006 and 5012 at West Hollywood car house on September 8, 1946. These were used on the Glendale-Burbank line, which was “light rail” before the term ever existed. Service was abandoned in 1955 and I’ll bet Angelinos wish they had it back today. (Norman Rolfe Photo)

Pacific Electric double-end PCC 502x is boarded up for a trip to Buenos Aires, Argentina. Don’s Rail Photos says this car was “built by Pullman-Standard in October 1940, #W6642. It was retired in 1956 and was sold as FGU M.1523 and made modifications in 1959. It was retired in short time.” You can see some additional pictures of these cars as they appeared in 1959 after being damaged by dripping lime deposits in the damp PE Subway here.

Brilliner 9 on the Red Arrow’s Ardmore line in May 1965. About 18 months later, this line was converted to bus.

A Septa Bullet car at the Norristown (Pennsylvania) terminal in August 1986.

Not all Bullets were double-ended, or built for the Philadelphia & Western. Here we see Bamberger Railroad car 125 in Salt Lake City on September 4, 1950. A single-end Bullet car, it originally came from the Fonda Johnstown & Gloversville. Don’s Rail Photos says, “125 was built by Brill in 1932, #22961. It was sold as Bamberger RR 125 in 1939 and retired in 1952. The body was sold to Utah Pickle Co.” We ran a picture of sister car 129 in our previous post Trolley Dodgers (January 15, 2016).

Here is another photo of Chicago, Aurora & Elgin wood car 315. Don’s Rail Photos says, “315 was built by Kuhlman Car Co in 1909, #404. It was modernized at an unknown date and sold to Rockhill Trolley Museum in 1962.”

D. C. Transit 1484 on route 30. Streetcar service in Washington ended in 1962, but recently started up again.

Capital Transit Company PCC 1101 in Washington, D. C., with the U. S. Capitol in the background. From the looks of the car in the background, this picture was probably taken in the mid1950s. Don’t ask me why there are two different spellings of capitol/capital.

WGN’s Late Movie “open,” seen above, used a simple title image and not the sophisticated graphics of today. If you heard Dave Brubeck‘s “Take Five” coming out of your TV set in the 1960s or 70s, that most likely meant you were about to watch the Late Movie. (The afternoon “Early Show” movie on our local CBS station WBBM-TV used Leroy Anderson‘s “The Syncopated Clock” as their theme.) To see a clip of what the Late Movie open looked and sounded like, click here. Take Five was written by Paul Desmond, alto sax player in Brubeck’s combo. If you are wondering who the man in the kaleidoscope image is, that’s British actor/comedian Terry-Thomas.

In the days before 24 hour a day television, most stations went off the air late at night. Some went completely off the air, leaving nothing but static and white noise, while others broadcast test patterns. This was perhaps the most popular type used and should be familiar to anyone of a certain age.

Recent Correspondence

Barry Shanoff writes:

I was born and raised in Chicago, and left in 1975, at age 32, for the Washington, DC area where I have lived ever since. I recently discovered your website, and I enjoy what you have posted.

I have an extensive collection of Chicago transit memorabilia, including vintage CSL, CA&E and CNS&M items, that I am interested in selling. In particular, I have a CTA Rapid Transit sign roll as pictured and described in the attachments to this message.

Rather than posting the items on eBay or consigning them to an auction firm, I’d like to first offer them to Chicago area enthusiasts.

The price sign roll is $325 plus shipping. My guess is that it weighs about four pounds with the mailing tube. Shipping costs will depend on the destination. Best if a would-be buyer contacts me and we complete the arrangements via e-mail or phone.

As for my CTA and interurban material, I don’t have photos of the timetables and brochures, but I can put together a list with prices. Discounts for multi-item purchases. Anyone interested in this or that item can contact me and I will provide a cover photo.

You can contact Barry at: barry_5678@yahoo.com

Phil Bergen writes:

Big fan of your site, though I’ve only been to Chicago once (1973) and am fascinated by the multiplicity of transit historically and today in Chicago.

Long-time subscriber to First & Fastest. several years ago I wrote to then-editor Roy Benedict suggesting an article for a fictional one-day fan trip around Chicago in a past year of his choice, for an out-of-towner, one that would show a variety of neighborhoods, equipment, and could be done in a day. I created one myself for Boston that ran in Roll Sign.

Mr. Benedict replied with interest in my proposal, but I never heard more about it. With your knowledge and wealth of photos, it might be something to try.

Thanks for your work. I belong to CERA and have enjoyed your PCC book very much. So full of material that it is sometime hard to hold such a tome!!

Glad you like the site and the PCC book. I’ll give your article proposal some thought.

Sometimes these things come together in unusual ways. There are times when I don’t really know what a post is about until it’s finished. Take this one, for example. On the one hand, it’s mainly about night photography, but the additional pictures, oddly enough seem to include quite a lot of preserved equipment, more so than you would expect. You could make quite a list of them. Then again, there are many things in this post that are “paired.” There is a picture of a North Shore car at Roosevelt Road at night, but also one in the day, and so on.

My general idea is to use pictures to tell a story. Often times, the individual pictures are like pieces of a mosaic or jigsaw puzzle. I fiddle around with them and rearrange them until they seem to fit together, and hopefully have some deeper meaning.

My understanding is that Roy Benedict does not have any current involvement with First & Fastest and has not for some years, although naturally I don’t speak for him. The current person to talk to regarding article ideas for that magazine would be Norm Carlson, who does excellent work. It’s a fine publication and sets a high standard for others to follow.

The Chicago PCC book was a labor of love for everyone who collaborated on it. At first, the idea was just for a standard-length picture book, but after we had collected a lot of material, we realized that quite a lot would have to be left out. So, the book grew in length, and at the same time we gradually decided there were other things that needed to go into the book, in order to tell the whole story.

So, the final product is twice standard length, and includes a lot of the history and background material that helps the reader put Chicago’s PCC era into context. It’s somewhere in between a picture book and a more scholarly text, and it seems a very worthwhile addition to the slim shelf of Chicago streetcar books. In the year since its release, it appears to have found an audience.

-David Sadowski

PS- Keep those cards and letters coming in, folks. You can either leave a Comment directly on this post, or contact us at:

thetrolleydodger@gmail.com

Help Support The Trolley Dodger

This is our 142nd post, and we are gradually creating a body of work and an online resource for the benefit of all railfans, everywhere. To date, we have received over 171,000 page views, for which we are very grateful.

You can help us continue our original transit research by checking out the fine products in our Online Store.

As we have said before, “If you buy here, we will be here.”

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Alphabet Soup

March 15, 2016May 16, 2016David Sadowski 7 Comments

LVT 1030 at Acorn Siding on August 19, 1951, less than a month before the Liberty Bell Limited interurban was abandoned.

Today, we take a bit of a spring break from our usual Chicago-area posts to head for other parts. In fact, we have a veritable alphabet soup of other properties to offer, with the most notable letters being LVT, DCT, and CO&P.

LVT

LVT stands for Lehigh Valley Transit, a Pennsylvania streetcar and interurban operator based out of Allentown. We have featured LVT photos on a couple of other occasions, and there are many great ones, LVT being one of the most well-documented transit networks of its time, the first half of the 20th century.

I would say that anyone who is a fan of the Chicago, North Shore & Milwaukee, the fabled North Shore Line, might very well like LVT’s Liberty Bell Limited too. They both operated at high speeds over long distances, but there were significant differences too. While the North Shore Line ran largely on flat Midwest plains, LVT had to contend with various hills and mountains, which presented numerous challenges.

LVT pulled off a very successful modernization between 1938 and 1941, which served them well during the difficult war years that followed. It’s a shame that they were only able to buy one of the Indiana Railroad lightweight high-speeds to go along with a dozen or so ex-Cincinnati & Lake Erie “Red Devils.” The IR cars could be coupled together and sometimes ran as many as three in a train, which LVT could not do with the C&LE cars.

The C&LE interurban had no use for multiple unit operation, as they barely had enough power supply to run the cars one at a time. But LVT would have benefited from them, as during World War II it often had to run multiple cars closely following each other in order to meet demand. Since the Liberty Bell Limited was mainly single track with numerous passing sidings, this was an accident literally waiting to happen. Some bad accidents did take place, which signaled the beginning of the end for the storied interurban, which ceased running in September 1951.

In our post Ringing “The Bell” (December 7, 2015) we offered a glowing review of Central Electric Railfans’ Association bulletin 147, which is about the Liberty Bell interurban. If you have had any difficulty in obtaining a copy of this fine book, we are pleased to note that it is now back in stock and readily available from CERA. (Trolley Dodger Press is not affiliated with Central Electric Railfans’ Association.)

If you like these LVT photos, we posted more here back on December 14. Railfan and Railroad magazine also gave B-147 an excellent review in their March 2016 issue.

While few LVT cars were saved, 1030 is lovingly preserved at the Seashore Trolley Museum in Maine.

DCT

Streetcars have finally returned to the streets of Washington, D. C. after an absence of 54 years. While this has surely been controversial, mainly because of some very protracted delays and testing that ran on for years, they are back and that is a good thing, since people in general like streetcars. They are increasingly seen as an urban development tool, and more often than not, new systems soon lead to line extensions.

However, it’s also good to remember the fine system that the District of Columbia once had. If we could only have kept much of what there was, we would probably be better off today. And this is a lesson that must be learned in order to avoid repeating the mistakes of the past.

So, we offer some fine photos of both DC Transit and its predecessor, Capital Transit. DC Transit wanted to keep running streetcars but was forced to abandon by Act of Congress.

Here also are some rare films of Capital Transit from the 1950s:

C&OP

Our last bit of “alphabet soup” is the Chicago, Ottawa & Peoria, which never actually made it to Chicago, except via a connecting interurban. Once it lost this connection, it could not survive the Great Depression, and service went out in 1934.

Therefore, it should be no surprise that photos of the CO&P are extremely scarce and many of the pictures we do have are post-abandonment. The railfan movement was in its infancy in 1934.

The CO&P had another alphabet connection, and that is to the IT, or Illinois Terminal. It was a part of the Illinois Traction System, later reorganized as the Illinois Terminal Railroad, although its interurbans did not connect with the others owned by its parent. Some of its equipment did find later use on IT, however, including IT city streetcar 415, now at the Illinois Railway Museum.

Here are four rare CO&P photos for your enjoyment.

-David Sadowski

PS- We have three new audio CD collections available for your listening pleasure. See more details at the end of this post.

The former Indiana Railroad car 55, newly transformed into LVT 1030, at 8th and St. John streets on September 17, 1941. This is the rear of the car. Presumably, it’s making a backup move. The success of LVT’s 1938-39 modernization program encouraged management to buy one more car, which became the jewel of the fleet. Note the rounded rear end as opposed to the squared-off ends of the similar ex-Cincinnati & Lake Erie cars. The difference is that the IR lightweights could operate in multiple units, and hence needed more clearance for turning.

LVT 1002 picks up some passengers on Washington Street on April 1, 1951. Note the dent on the front of the car.

Don’s Rail Photos says, “1102 was built by Cincinnati Car in August 1929, #3025, as D&TRy 203. It was returned to Cincinnati Car in 1932, and in 1938 it was sold to LVT as 1102. In 1949 it was sold to Speedrail, but was not rehabilitated until March 1951. But it only ran for 3 months as 66 before the line was abandoned and then scrapped in 1952.” Here, LVT 1102 is shown on a flatcar at Riverside in late 1949 for its trip to Speedrail. This was a Cincinnati curved-side car, and had been used on LVT’s “other” interurban, the Easton Limited, where these cars proved to be underpowered for the hilly terrain and had difficulty maintaining schedules kept by the cars they replaced.

LVT 702 is “at speed” southbound at West Point in this wintry February 11, 1951 view.

Either this April 1, 1951 picture of LVT 1020 was taken with a fisheye lens, or it demonstrates the kind of hilly terrain that LVT had to navigate through, unlike the Midwest interurbans. This broadside was taken at Jordan and Washington streets.

It’s April 21, 1952, seven months after abandonment of the Liberty Bell interurban, and work cars #1 and 548 are in the scrap line at Bethlehem Steel on Daly Avenue. By this point, anything not needed for the city streetcars, which continued to run for another year, was being gotten rid of.

LVT 702 passes one of the ex-C&LE lightweights in the 1000-series at Seller’s Siding on February 11, 1951.

LVT 812 at Allentown in August, 1947. (C. Edward Hedstrom Photo)

An interior view of newly renovated LVT 812, as it looked on November 11, 1939. It is a shame that this car was not saved.

Most of the Liberty Bell route was single track with numerous passing sidings, such as this one, where 1020, on a fantrip, has to telephone in to the dispatcher and wait for instructions before proceeding. This type of operation, once so common among early interurbans, resulted in some terrible collisions over the years.

LVT 912, dressed in bunting at Fairview car barn for the last run of an Allentown streetcar, on June 7 1953.

LVT express freight motor C-16 near 69th Street terminal in January 1951. Even though LVT stopped running passenger service over the Red Arrow in 1949, freight service continued over the line as it helped pay the bills.

LVT freight motor C-17 approaches Norristown terminal on the Philadelphia and Western in January 1951. Although the Liberty Bell Limited cars stopped running on the P&W in 1949, freight operations continued right up to the time of the September 1951 abandonment.

LVT 1006 heads from Norristown to Philadelphia over the P&W in June 1949.

DC Transit 1101 in front of the Capitol Building on January 21, 1962, shortly before the end of streetcar service, for 54 years, anyway. Sderailway adds: “car 1101 (St. Louis Car 1937) heads west on Pennsylvania Ave. NW from the Navy Yard at 8th and M sts SE. The car has just passed the Peace Monument seen between the back of the car and the US Capitol Building.”

DC Transit 1122 on Pennsylvania Avenue at 14th St. NW on March 2, 1956. Sderailway writes: “car 1122 is completing its turn from south on 14th to south east on Pennsylvania Ave. NW on its way to the rt. 54 terminal at the Navy Yard carbarn. The ornate beaux-arts Willard hotel (1901) looms in the background.”

Capitol Transit 1051, a 1935 pre-PCC car, stops for photos on a 1950s fantrip. Looks like the young man in front of the car has just taken a picture of the passing PCC. That odd line on the front of 1051’s front window appears to be some sort of windshield wiper. Sderailway adds: “car 1051 and 1587, St. Louis Car 1935 and 1945 respectively are operating on overhead most likely somewhere on the Maryland lines, Rts 80-82. Note the automatic trolley pole retriever device mounted on car 1578. Only a few cars in the system were fitted with this device. This device would be activated when the car was spotted over the plow-pit on an outbound trip and the pit-man would remove the conduit current-collecting plow* and the trolley pole would automatically be raised until the trolley-shoe nested onto the underside of a flat tapered pan that would self engage the shoe onto the overhead as the car moved forward. On the inbound trip a plow would be attached from the plow-pit and the trolley pole lowered by the retriever. * when operating under overhead the cars carried no conduit plow.”

Before Marvel Comics had a “silver Surfer,” DC Transit had their own superhero, the “Silver Sightseer,” the first air-conditioned streetcar. While 1512 managed to survive the 1962 shutdown, it was later damaged in a fire at the National Capital Trolley Museum and scrapped.

The Silver Sightseer began running in 1957. Washington, D. C. can get very hot in the summer, and I am sure this car was a welcome relief.

CO&P city car 112 at the La Salle car barns.

CO&P express freight motor 1050 at the La Salle car barns in 1934. According to Don’s Rail Photos, “1050 was built by St. Louis in 1905 for the Illinois Traction. On September 11, 1928, it went to Ottawa, It appears that it was not relettered before retirement in 1934.”

CO&P freight motor 1523 at the Ottawa shops in 1934. This was a so-called “pull car” that was used as a locomotive.

CO&P car 57, the “Western Special,” at the Ottawa Shops in 1934.

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New From Trolley Dodger Records

Red Arrow Lines 1967: Straffords and Bullets
# of Discs – 1
Price: $14.95

This disc features rare, long out-of-print audio recordings of two 1967 round trips on the Philadelphia & Western (aka “Red Arrow Lines”) interurban between Philadelphia and Norristown, the famous third rail High-Speed Line. One trip is by a Strafford car and the other by one of the beloved streamlined Bullets. The line, about 13 miles long and still in operation today under SEPTA, bears many similarities to another former interurban line, the Chicago Transit Authority‘s Yellow Line (aka the “Skokie Swift”). As a bonus feature, we have included audio of an entire ride along that five mile route, which was once part of the North Shore Line.

Total time – 53:08

AFR
Steam Sounds of America’s First Railroad
(Baltimore & Ohio)
# of Discs – 1
Price: $14.95

This set represents the only professionally produced audio recordings of a large assortment of Baltimore and Ohio steam locomotives. Every type of steam power operated by the B&O in the 1950s is included. This release is for the serious railfan and railroad historian who want to accurately hear regular revenue steam motive power operations. No excursion or railfan trips have been included. All recordings are from 1952-1955.

Total time – 66:54

RRC #21 and SIC
Duluth and Northeastern
Steam in Colorado
# of Discs – 1
Price: $14.95

Railroad Record Club #21:
The Duluth and Northeastern Railroad, as of 1961 when this recording was made, was an all steam short line operating from Cloquet to Saginaw, Minnesota, a distance of approximately 11.5 miles. Its primary industry was the Northwest Paper Company mill at Cloquet where it handled loads to and from the interchange at Saginaw with the Duluth, Missabe and Iron Range. It also connected with the N. P., G. N. and C. M. ST. P & P., at Cloquet. We hear from locomotives No. 27 (2-8-0) and 29 (0-8-0).

Record #SIC:
Steam in Colorado (1958) presents five great railroads, depicting the passing of an era. Roads represented are the Union Pacific, Burlington, Colorado & Southern, Rio Grande and Great Western. Steam in Colorado portrays the daily tasks of the “Iron Horse” in high country and each track has been carefully selected for the listener’s enjoyment. All aboard!

Total time – 61:55

Revisiting the Railroad Record Club

July 20, 2015July 21, 2015David Sadowski 2 Comments

An RRC insert, found inside a vintage 1965 LP.

Following up on our earlier post about the Railroad Record Club (April 12), we found some interesting documents inside one of the many steam and traction LPs they issued in the 1950s and 60s. These date to late 1965.

The RRC Newsletter shows that record #32 came out late in 1965, and the five “special” pressings were also out by then. There is a mention that the company that pressed their records (RCA) was getting out of the business soon, but this may simply mean that they no longer wanted to make 10″ records, which were going out of favor.

The remaining four RRC tiles #33-36 most likely came out in 1966, since the club had been putting out four records per year. Those were also issued on 10″ LPs, but after that, the Railroad Record Club only put out reissues on 12″ vinyl.

There is also a description of a pressing error, where RCA apparently mismatched some of the two Nickel Plate Road LPs. RRC sold these to the public but unfortunately did not mark them as such.

Some recordings that were never issued are mentioned, including one of the Queensboro Bridge trolley, which last ran on April 7, 1957. Perhaps there is still rare traction audio out there waiting to be rediscovered.

Here is a video of that trolley*:

https://www.youtube.com/watch?v=FDRhmfAdzkI

In response to your requests for more RRC titles on CD, we have added eight more steam titles to our Online Store. Nearly all of these have two RRC titles together on single compact disc.

To give you an idea of the relative value of cost, fifty years ago versus today, we made a comparison using one of those online inflation calculators. Each 10″ LP cost $4.00 in 1965, which is the equivalent of $30.30 now.

By comparison, we are offering two RRC discs in most cases for just $14.95.

The special South Shore Line 3-disc box set cost $12.49 when first issued, which would be nearly $100 in today’s money. We have the same title on two discs for only $19.95.

In addition to the Railroad Record Club recordings, we have also transferred a few other public domain recordings to compact disc.

We are still looking for a copy of RRC #23, which features Pennsylvania traction. There are vintage 1950s recordings of both the Johnstown Traction and the Altoona & Logan Valley streetcars on that disc. If you have a copy of this rare title that you would be willing to share with us, we would be glad to transfer it to compact disc and send you back your original along with a copy.

Thanks.

-Ye Olde Editor

*The narration is by prolific author Vincent F. Seyfried (1918-2012). He does get one thing wrong, however. The trolleys used on the Queensboro Bridge operation in its last days were built in 1930, not 1948.

Car 601, an “Electromobile” built by Osgood-Bradley, survived until 2009. It had been allowed to deteriorate for many years in storage, but at least parts from this car will help restore others.

The RRC Newsletter from late 1965.

The RRC Order Form from late 1965. LPs cost $4.00, which is the equivalent of $30.30 today. The $12.49 cost of the 3-disc South Shore Line recording would equate to $94.62 now.

RRC sold more than just records.

There was a pressing error in 1965, and some of the two Nickel Plate LPs got mixed up. RRC sold these errors to the public and left it up to the purchaser to take note of the mistake.

Several new RRC steam titles are now available in our Online Store.