The End of Summer

City Scene with Nuns (1947) by Robert W. Addison, in the collection of the Art Institute of Chicago.

City Scene with Nuns (1947) by Robert W. Addison, in the collection of the Art Institute of Chicago.

A long, hot summer is beginning to come to and end here in Chicago, and we have lots of great new images to share with you today. We thank all the original photographers, and our contributors.

We have many recent photo finds of our own, some great new ones thanks to Bill Shapotkin, and another batch that, for one reason or another, we were unable to purchase (but are still worth looking at).

We have been hard at work on our next book, Chicago’s Lost “L”s, and recently turned in all the text and images to our publisher. I am sure there will be additional changes (there always are), but I thought it would be useful to talk a bit about the process of making a book (see below).

We all have our ways of coping with situations. Working on a book has helped me keep focused during this pandemic.

Have a safe Labor Day weekend, everyone.

-David Sadowski

How a Book is Made

Technology may have changed since the 1950s, but you still have to go through your images one at a time.

Technology may have changed since the 1950s, but you still have to go through your images one at a time.

My new book Chicago’s Lost “L”s is the third part of a trilogy, along with Chicago Trolleys and Building Chicago’s Subways. I got the idea for all three books some years ago, and have been collecting images with this in mind for nearly six years.

Without an idea, there is no book. While there have been plenty of books about Chicago’s famed “L”, each one is different. The subject is so large, an author has to put their own unique “spin” on it. I decided my brief would be to showcase those aspects of the “L” that don’t exist any longer.

This, I believe, many people are interested in. Whenever the subject of various “L” lines that no longer exist comes up, I get the feeling people want to know more about this. So there is a need.

You make a proposal to your publisher, and if they like what they here, you enter into a contract that has specifics of what they need, and deadlines for when you give it to them. Books to be don’t come with instruction manuals of how to put them together, though.

There, you’re on your own, and I am sure the creative process is different for every author, and for every book.

I realized the project was doable when I had collected most of the images I would need. The first thing I did was to go through my entire image collection and look at everything. I started setting aside any images that I thought could be relevant, using an image editor. I went through 20,000 images, and I did this three times– at the beginning, middle, and near the end of the project. That was necessary, because each time I was looking for something different.

One of the most important things and author needs to determine is, how will things be organized? Chronologically, geographically, or thematically? Each approach has advantages and disadvantages, and the subject usually needs a combination of all these.

Once I decided on what the chapters in the book would be, I started a folder in my image editor for each one. Then, I started sorting the images in each folder in order, shuffling and reshuffling them until I was happy with the results.

Even after I had selected the proper number of images, I eventually ended up replacing about one-third of them. As time went on, my book’s narrative began to develop. As it did, some images fit, and others did not.

After I was satisfied with my image choices, I began writing the captions to go with them. If I couldn’t figure out a good caption for something, it had to go. Everything that stays in the book needs a good reason for being there. Writing means rewriting, over and over, as many times as necessary to say what you want to say in the most economic and efficient way possible.

Along the way, you find that no matter how much research you have done, the book needs more. You figure out what’s missing, and you do everything you can to find those things that can complete the story you are trying to tell. In general, it’s the oldest things that are hardest to find.

As you learn more while putting things together, the book tells you what it needs to be, and this is always going to be somewhat different than what you thought it was at the start. You always need to dig deeper.

The last thing I wrote was the introduction. That’s the opposite of how I approached my previous two books, but this time I wanted to see what would be included in the book first.

I also spent many, many long hours working over images in Photoshop. This includes the various maps I am using. I want everything to look its best when you open up your copy of Chicago’s Lost “L”s and start reading it.

One thing I noticed, when sorting through my images, is how sometimes, when I had duplicates of an image, they weren’t always identical. It occurs to me that when black-and-white prints were made from medium-format negatives, they were probably made in batches, and the same neg could have been printed multiple times over the years. Each time, the neg would be positioned a bit differently.

Now it is possible to combine those images using a program called Microsoft Image Composite Editor. The result is an image that is closer to the full size of the negative. I was able to do this for five or six images in the book.

More information about Chicago’s Lost “L”s will follow, as available. Once a book is published, it belongs to the readers, and you can decide whether or not it is worthwhile, but whatever the result, I have given this project 110%.

When you challenge yourself to reach a goal, it forces you to do better.  I learn so much every time I work on a new book– new skills, new methods, more efficiency, more organization, more knowledge.  And when someone reads one of my books, and appreciates it (if they do), that’s the icing on the cake.

Howard Terminal looking west in 1959. Ultimately, this picture did not make it into the book.

Howard Terminal looking west in 1959. Ultimately, this picture did not make it into the book.

The same location on June 6, 2020.

The same location on June 6, 2020.

I spent a lot of time cleaning up this image, but decided not to use it. The steam engines Chicago used on the "L" were similar to those in New York, but they weren't identical-- they were more robust. They didn't have the same specs.

I spent a lot of time cleaning up this image, but decided not to use it. The steam engines Chicago used on the “L” were similar to those in New York, but they weren’t identical– they were more robust. They didn’t have the same specs.

I took this picture of the former Linen Avenue station in Wilmette on June 6, 2020, but it didn't make the cut.

I took this picture of the former Linen Avenue station in Wilmette on June 6, 2020, but it didn’t make the cut.

I spent considerable time cleaning up this track map of the Kenwood "L" before I found something else I chose to use.

I spent considerable time cleaning up this track map of the Kenwood “L” before I found something else I chose to use.

The same goes for this map of the Stock Yards branch.

The same goes for this map of the Stock Yards branch.

In this case, after putting the two versions of this image together, only a small amount was missing at the top, not difficult to replace.

In this case, after putting the two versions of this image together, only a small amount was missing at the top, not difficult to replace.

You can see how the same negative was lined up slightly differently both times it was printed. It was not difficult to fill in the missing parts on the two corners and bottom.

You can see how the same negative was lined up slightly differently both times it was printed. It was not difficult to fill in the missing parts on the two corners and bottom.

Recent Finds

El Tracks (1949) by Robert W. Addison. The El looks like New York, but the streetcar seems more like Chicago.

El Tracks (1949) by Robert W. Addison. The El looks like New York, but the streetcar seems more like Chicago.

The Chicago Aurora & Elgin owned everything west of Laramie Avenue, and in June 1953, were storing cars mid-day at Lockwood Yard (5300 W.). Wood cars 28 and 207 are seen, among others. (Ray Mueller Photo)

The Chicago Aurora & Elgin owned everything west of Laramie Avenue, and in June 1953, were storing cars mid-day at Lockwood Yard (5300 W.). Wood cars 28 and 207 are seen, among others. (Ray Mueller Photo)

Mark Jesperson, who now lives in France, has written a Wilmette history article and is using one of our images. In turn, he sent us this nice picture, taken in the early 1950s at Linden Avenue, showing a gate car. Evanston became a shuttle to Howard starting in August 1949 (except for the Evanston Express).

Mark Jesperson, who now lives in France, has written a Wilmette history article and is using one of our images. In turn, he sent us this nice picture, taken in the early 1950s at Linden Avenue, showing a gate car. Evanston became a shuttle to Howard starting in August 1949 (except for the Evanston Express).

An early Loop photo looking north from Tower 12 at Wabash and Van Buren. I think this is pre-1913, meaning it's the left-hand-running bi-directional Loop. The Met car at left is going away from us on the Inner Loop, while that is probably a South Side car coming towards us, heading south.

An early Loop photo looking north from Tower 12 at Wabash and Van Buren. I think this is pre-1913, meaning it’s the left-hand-running bi-directional Loop. The Met car at left is going away from us on the Inner Loop, while that is probably a South Side car coming towards us, heading south.

Another early view of the Loop, again at Wabash and Van Buren, this time looking west.

Another early view of the Loop, again at Wabash and Van Buren, this time looking west.

When the Indiana Railroad interurban shut down in 1941, Lehigh Valley Transit bought high-speed car 55. Here, it's on a Pennsylvania Railroad flatcar. LVT turned it into car 1030, showcase of their fleet on the Liberty Bell Route between Allentown and Philadelphia. It is now at the Seashore Trolley Museum. (H. P. Sell Photo)

When the Indiana Railroad interurban shut down in 1941, Lehigh Valley Transit bought high-speed car 55. Here, it’s on a Pennsylvania Railroad flatcar. LVT turned it into car 1030, showcase of their fleet on the Liberty Bell Route between Allentown and Philadelphia. It is now at the Seashore Trolley Museum. (H. P. Sell Photo)

CTA PCC 7363 at Devon Station (car barn), possibly in 1957. Part of the building here was destroyed by fire years earlier.

CTA PCC 7363 at Devon Station (car barn), possibly in 1957. Part of the building here was destroyed by fire years earlier.

LVT high-speed 1022. Except for 1030, all the modern lightweight high-speed cars on the Liberty Bell Limited were ex-Cincinnati & Lake Erie.

LVT high-speed 1022. Except for 1030, all the modern lightweight high-speed cars on the Liberty Bell Limited were ex-Cincinnati & Lake Erie.

LVT 1008 in Allentown.

LVT 1008 in Allentown.

Cook County #1 was used to transport mental health patients between facilities such as Dunning on Chicago's northwest side. Don's Rail Photos: "1, hospital car, was built by CSL in 1918. It was retired on September 21, 1939."

Cook County #1 was used to transport mental health patients between facilities such as Dunning on Chicago’s northwest side. Don’s Rail Photos: “1, hospital car, was built by CSL in 1918. It was retired on September 21, 1939.”

June 21, 1958 was the day before the new Congress-Douglas-Milwaukee line went into regular service. It was also the last day the Douglas Park trains ran downtown over the Lake Street "L" . Photographer Bob Selle was riding a northbound Douglas train when he took this picture, showing the station at Madison and Paulina, which had not been used in over seven years.

June 21, 1958 was the day before the new Congress-Douglas-Milwaukee line went into regular service. It was also the last day the Douglas Park trains ran downtown over the Lake Street “L” . Photographer Bob Selle was riding a northbound Douglas train when he took this picture, showing the station at Madison and Paulina, which had not been used in over seven years.

CTA wood car 1712 is a Kenwood shuttle train at the Indiana Avenue stub terminal, probably circa 1953. It was built by St. Louis Car Company in 1903 for the Northwestern Elevated Railroad. (Robert Selle Photo)

CTA wood car 1712 is a Kenwood shuttle train at the Indiana Avenue stub terminal, probably circa 1953. It was built by St. Louis Car Company in 1903 for the Northwestern Elevated Railroad. (Robert Selle Photo)

A night shot of CTA 4219 at Laramie Avenue on the Garfield Park "L" on January 4, 1957. (Robert Selle Photo)

A night shot of CTA 4219 at Laramie Avenue on the Garfield Park “L” on January 4, 1957. (Robert Selle Photo)

A night shot of CTA 4434 at Laramie Avenue on the Garfield Park "L" on January 4,1957. (Robert Selle Photo)

A night shot of CTA 4434 at Laramie Avenue on the Garfield Park “L” on January 4,1957. (Robert Selle Photo)

CTA 2840, a Met car, at Laramie Yard on January 4, 1957. (Robert Selle Photo)

CTA 2840, a Met car, at Laramie Yard on January 4, 1957. (Robert Selle Photo)

A night shot of CTA 2810 and 2818 in the Laramie Yards on February 1, 1957. By then, the Congress Expressway was open as far as Laramie and was adjacent to the Garfield Park "L". It was still under construction west of here, and the "L" ran on temporary trackage. (Robert Selle Photo)

A night shot of CTA 2810 and 2818 in the Laramie Yards on February 1, 1957. By then, the Congress Expressway was open as far as Laramie and was adjacent to the Garfield Park “L”. It was still under construction west of here, and the “L” ran on temporary trackage. (Robert Selle Photo)

CTA 2802 at Laramie Yard (Garfield Park "L") on February 1, 1957. (Robert Selle Photo)

CTA 2802 at Laramie Yard (Garfield Park “L”) on February 1, 1957. (Robert Selle Photo)

The CTA temporarily stored many wood cars at Laramie Yard after they were retired and awaiting scrapping. Here, we see 1752, among others, on November 24, 1957. I assume these cars were last used on Evanston and Ravenswood. (Robert Selle Photo)

The CTA temporarily stored many wood cars at Laramie Yard after they were retired and awaiting scrapping. Here, we see 1752, among others, on November 24, 1957. I assume these cars were last used on Evanston and Ravenswood. (Robert Selle Photo)

CTA 1782 and 1785 at Laramie Yard on November 24, 1957. As far as I know, scrapping took place at Skokie Shops. (Robert Selle Photo)

CTA 1782 and 1785 at Laramie Yard on November 24, 1957. As far as I know, scrapping took place at Skokie Shops. (Robert Selle Photo)

CTA 3119, signed as a Lake Street local, is being stored on the third track at Hamlin in August 1948. By then, A/B "skip stop" service had been in effect for some months. It's possible this car was no longer being used on the line. Don's Rail Photos: "3119 was built by St. Louis Car in 1902 as LSERR 119. In 1913 it was renumbered 3119 and became CRT 3119 in 1923."

CTA 3119, signed as a Lake Street local, is being stored on the third track at Hamlin in August 1948. By then, A/B “skip stop” service had been in effect for some months. It’s possible this car was no longer being used on the line. Don’s Rail Photos: “3119 was built by St. Louis Car in 1902 as LSERR 119. In 1913 it was renumbered 3119 and became CRT 3119 in 1923.”

CTA Met car 2113 at Laramie Yard in August 1948. Don's Rail Photos: "2104 thru 2154 were built by Pullman in 1894 as M-WSER 104 thru 154. In 1913 they were renumbered 2104 thru 2154, and in 1923 they became CRT 2104 thru 2154." This would have been one of the original cars used on the Metropolitan West Side Elevated when it opened in 1895.

CTA Met car 2113 at Laramie Yard in August 1948. Don’s Rail Photos: “2104 thru 2154 were built by Pullman in 1894 as M-WSER 104 thru 154. In 1913 they were renumbered 2104 thru 2154, and in 1923 they became CRT 2104 thru 2154.” This would have been one of the original cars used on the Metropolitan West Side Elevated when it opened in 1895.

Chicago Rapid Transit Company medical car 2756 at Laramie Yards on September 19, 1934. It was built by Barney & Smith in 1895 and had been used as a funeral car. It could carry baggage as well as passengers.

Chicago Rapid Transit Company medical car 2756 at Laramie Yards on September 19, 1934. It was built by Barney & Smith in 1895 and had been used as a funeral car. It could carry baggage as well as passengers.

Chicago & West Towns 158 at Brookfield Zoo in the summer of 1939. This is the south entrance. The Zoo opened in 1934 and was just north of the C&WT line to LaGrange, which cut through the Forest Preserves on private right of way.

Chicago & West Towns 158 at Brookfield Zoo in the summer of 1939. This is the south entrance. The Zoo opened in 1934 and was just north of the C&WT line to LaGrange, which cut through the Forest Preserves on private right of way.

The back end of the West Towns car barn in Oak Park. The street sign identifies this as North Boulvard and Cuyler. This is undated but could be 1939. The Chicago & North Western embankment is just to the right out of view. After being used for buses into the 1980s, this building was demolished and replaced by a Dominick's Finer Foods store. After that chain went out of business, that building was remodeled into Pete's Fresh Market. We are looking to the northeast.

The back end of the West Towns car barn in Oak Park. The street sign identifies this as North Boulvard and Cuyler. This is undated but could be 1939. The Chicago & North Western embankment is just to the right out of view. After being used for buses into the 1980s, this building was demolished and replaced by a Dominick’s Finer Foods store. After that chain went out of business, that building was remodeled into Pete’s Fresh Market. We are looking to the northeast.

C&WT line car 15, probably at the car barn at Harlem and 22nd Street (Cermak), in North Riverside. On pictures, this was often mistakenly identified as Berwyn, but that's across Harlem Avenue just to the east.

C&WT line car 15, probably at the car barn at Harlem and 22nd Street (Cermak), in North Riverside. On pictures, this was often mistakenly identified as Berwyn, but that’s across Harlem Avenue just to the east.

Chicago Aurora & Elgin 406 makes a photo stop at State Road on the Batavia branch on August 8, 1954. The occasion was a Central Electric Railfans' Association fantrip. (Robert Selle Photo)

Chicago Aurora & Elgin 406 makes a photo stop at State Road on the Batavia branch on August 8, 1954. The occasion was a Central Electric Railfans’ Association fantrip. (Robert Selle Photo)

A two-car Garfield Park "L" train, just west of Laramie Avenue in August 1948.

A two-car Garfield Park “L” train, just west of Laramie Avenue in August 1948.

Caption: "Chicago El showing curve at Harrison and Wabash, taken from Congress Street station, April 2, 1939." This curve has since been straightened out. The view looks south. (Duncan L. Bryant Photo)

Caption: “Chicago El showing curve at Harrison and Wabash, taken from Congress Street station, April 2, 1939.” This curve has since been straightened out. The view looks south. (Duncan L. Bryant Photo)

A westbound Evanston Express train is on the Lake Street leg of the Loop near Clark.  The view looks east.  I assume this picture is from the 1940s, as the sign mentions Skokie instead of Niles Center.  Miles Beitler: "There appears to be a propane bus in RBK275, visible just below the motorman’s cab on the Evanston Train. If so, it dates the photo to 1950 or later."  If so, why does the sign say Skokie, as the Niles Center route was converted to bus in 1948?

A westbound Evanston Express train is on the Lake Street leg of the Loop near Clark. The view looks east. I assume this picture is from the 1940s, as the sign mentions Skokie instead of Niles Center. Miles Beitler: “There appears to be a propane bus in RBK275, visible just below the motorman’s cab on the Evanston Train. If so, it dates the photo to 1950 or later.” If so, why does the sign say Skokie, as the Niles Center route was converted to bus in 1948?

A Douglas Park "B" train heads west at (I think) Halsted on the Met main line, prior to the removal of two tracks for expressway construction.

A Douglas Park “B” train heads west at (I think) Halsted on the Met main line, prior to the removal of two tracks for expressway construction.

The two CTA freight locos, S-104 and S-105, at Howard Street.

The two CTA freight locos, S-104 and S-105, at Howard Street.

DesPlaines Avenue Yard in the 1960s, with a 2000, 6000s, and a couple of wood cars. The Met car looks like it has been converted to a snow plow, while the car on the right may have been used as an office or for storage.

DesPlaines Avenue Yard in the 1960s, with a 2000, 6000s, and a couple of wood cars. The Met car looks like it has been converted to a snow plow, while the car on the right may have been used as an office or for storage.

Chicago Aurora and Elgin 405, circa 1950, scanned from the original negative. (Railway Negative Exchange) "Railway Negative Exchange (REX), also referred to as RNE was run by Warren Miller who lived in Moraga, CA. Born in Oakland, CA--(1923) Warren was this nation's foremost authority on Western railroads and devoted virtually his entire life to assembling more than a quarter of a million negatives, most in glass plates, as well as over 200,000 photographs. Upon Warren's death (1989), his collection was left to his nephew, Bob Hall. Bob has continued his uncle's devotion to the railroad photographic hobby." (2008)

Chicago Aurora and Elgin 405, circa 1950, scanned from the original negative. (Railway Negative Exchange) “Railway Negative Exchange (REX), also referred to as RNE was run by Warren Miller who lived in Moraga, CA. Born in Oakland, CA–(1923) Warren was this nation’s foremost authority on Western railroads and devoted virtually his entire life to assembling more than a quarter of a million negatives, most in glass plates, as well as over 200,000 photographs. Upon Warren’s death (1989), his collection was left to his nephew, Bob Hall. Bob has continued his uncle’s devotion to the railroad photographic hobby.” (2008)

CA&E 411 at the Wheaton Shops. (Railway Negative Exchange)

CA&E 411 at the Wheaton Shops. (Railway Negative Exchange)

"CA&E Special #310 on the Mt. Carmel line, at the point where it switches off the main line from Chicago to Wheaton, IL (photo stop)." This was a Central Electric Railfans' Association fantrip on August 8, 1954. (Robert Selle Photo)

“CA&E Special #310 on the Mt. Carmel line, at the point where it switches off the main line from Chicago to Wheaton, IL (photo stop).” This was a Central Electric Railfans’ Association fantrip on August 8, 1954. (Robert Selle Photo)

CTA 398, D5, and 6148 at 70th and Ashland on June 28, 1952. (Robert Selle Photo)

CTA 398, D5, and 6148 at 70th and Ashland on June 28, 1952. (Robert Selle Photo)

"CTA car 649 on curve leading into south end of Limits barn (Clark and Schubert streets). 6148 at right (October 10, 1953)." (Robert Selle Photo)

“CTA car 649 on curve leading into south end of Limits barn (Clark and Schubert streets). 6148 at right (October 10, 1953).” (Robert Selle Photo)

CA&E 18 at Wheaton on August 15, 1952. Don's Rail Photos: "18 was built by Niles Car in 1902. It was modernized in March 1941 and retired in 1955."

CA&E 18 at Wheaton on August 15, 1952. Don’s Rail Photos: “18 was built by Niles Car in 1902. It was modernized in March 1941 and retired in 1955.”

"CTA "L" car lineup at DesPlaines Avenue yards, July 6, 1958." (Robert Selle Photo)

“CTA “L” car lineup at DesPlaines Avenue yards, July 6, 1958.” (Robert Selle Photo)

"CTA "L" cars view at DesPlaines Avenue yards, July 6, 1958." (Robert Selle Photo)

“CTA “L” cars view at DesPlaines Avenue yards, July 6, 1958.” (Robert Selle Photo)

"CTA-- one of the entrances to the Racine Avenue station on August 13, 1958." (Robert Selle Photo)

“CTA– one of the entrances to the Racine Avenue station on August 13, 1958.” (Robert Selle Photo)

CTA 4000s at Clark and Lake in January 1970.

CTA 4000s at Clark and Lake in January 1970.

Morning commuters on the Evanston Express in April 1970.

Morning commuters on the Evanston Express in April 1970.

Wood cars at Randolph and Wabash in July 1957. At right, the Kodak Store (133 N. Wabash Avenue) and Blackhawk Restaurant (home of the spinning salad bowl) are visible.

Wood cars at Randolph and Wabash in July 1957. At right, the Kodak Store (133 N. Wabash Avenue) and Blackhawk Restaurant (home of the spinning salad bowl) are visible.

Altman Camera, at 129 N. Wabash, was the Noah's Ark of camera stores from 1964 to 1975. Owner Ralph Altman kept two of everything in stock-- one to show, and one to go. This was literally the finest camera store in the United States. This was close to the location of the old Eastman Kodak Store, which I believe had to close in the mid-1950s due to anti-trust concerns. Here is Altman's in 1967.

Altman Camera, at 129 N. Wabash, was the Noah’s Ark of camera stores from 1964 to 1975. Owner Ralph Altman kept two of everything in stock– one to show, and one to go. This was literally the finest camera store in the United States. This was close to the location of the old Eastman Kodak Store, which I believe had to close in the mid-1950s due to anti-trust concerns. Here is Altman’s in 1967.

CTA 2519, among others, form a three-car train at Van Buren and Ogden. This must be in the early days of the temporary Garfield Park "L" operation, since the old "L" is still standing at left. The portion to Paulina (1700 W.) had to be kept until April 1954, as the Douglas Park "L" was still using it then. We are looking west at about 1800 W. Van Buren, and the "L" west of here was taken down pretty fast to facilitate expressway construction.

CTA 2519, among others, form a three-car train at Van Buren and Ogden. This must be in the early days of the temporary Garfield Park “L” operation, since the old “L” is still standing at left. The portion to Paulina (1700 W.) had to be kept until April 1954, as the Douglas Park “L” was still using it then. We are looking west at about 1800 W. Van Buren, and the “L” west of here was taken down pretty fast to facilitate expressway construction.

The same location today. The Eisenhower Expressway (formerly Congress) is behind those shrubs to the left.

The same location today. The Eisenhower Expressway (formerly Congress) is behind those shrubs to the left.

The Congress median right-of-way on November 9, 1959. I believe we are looking east.

The Congress median right-of-way on November 9, 1959. I believe we are looking east.

An Evanston Express train at Clark and Lake, possibly in the early 1970s.

An Evanston Express train at Clark and Lake, possibly in the early 1970s.

CTA 1706 is signed for Stock Yards, but is obviously a Kenwood train at Indiana Avenue. Not sure if this is before or after Kenwood became a shuttle in 1949. I assume it simply has the wrong sign on it. It's been suggested that in latter years, CTA may have through-routed Stock Yards and Kenwood trains. In actual practice, this wouldn't have been easy, as it would have involved a lot of switching across the main line here.

CTA 1706 is signed for Stock Yards, but is obviously a Kenwood train at Indiana Avenue. Not sure if this is before or after Kenwood became a shuttle in 1949. I assume it simply has the wrong sign on it. It’s been suggested that in latter years, CTA may have through-routed Stock Yards and Kenwood trains. In actual practice, this wouldn’t have been easy, as it would have involved a lot of switching across the main line here.

Miles Beitler writes:

Great photos on your newest post!

Regarding photo RBK 511, on which I left a comment, I have attached information from my 1944 Rand McNally guidebook which describes CRT operations and indicates that, during non-rush periods, Kenwood trains did run from 42nd Place all the way to the Stock Yards. Apparently the CRT had a way to run the trains straight through the Indiana station. (I long ago sent scans of my guidebook to Graham Garfield, who posted them to his website.)

Your “Lost L’s” book sounds interesting and I intend to purchase it when it’s released.

Thanks. This was in the pre-CTA era. Once the Authority took over, there was a real push to reduce the amount of such switching maneuvers, adding and cutting cars in stations, etc. as these things are quite labor intensive.

CRT 2322 on February 12, 1939. It was built for the Met in 1901 by American Car and Foundry. (La Mar M. Kelley Photo)

CRT 2322 on February 12, 1939. It was built for the Met in 1901 by American Car and Foundry. (La Mar M. Kelley Photo)

CSL "Matchbox" 1352 signed for Taylor-Sedgwick-Sheffield. I wonder where this could be? Paul Wallace identifies this as 1044 N. Orleans Street.

CSL “Matchbox” 1352 signed for Taylor-Sedgwick-Sheffield. I wonder where this could be? Paul Wallace identifies this as 1044 N. Orleans Street.

The same location today.

The same location today.

CTA 1674 on Division by the north side "L" on June 25, 1950. This station had been closed on August 1, 1949 as part of the CTA's major revision of north-south service. On the back of the print, it notes that these cars were "replaced by big Pullmans a few weeks later."

CTA 1674 on Division by the north side “L” on June 25, 1950. This station had been closed on August 1, 1949 as part of the CTA’s major revision of north-south service. On the back of the print, it notes that these cars were “replaced by big Pullmans a few weeks later.”

Elevated train tracks on Van Buren Street, looking west from Franklin Street, 1914. That's the Franklin and Van Buren station, used exclusively by the Metropolitan "L".

Elevated train tracks on Van Buren Street, looking west from Franklin Street, 1914. That’s the Franklin and Van Buren station, used exclusively by the Metropolitan “L”.

An early track arrangement, showing the four-track Metropolitan main line on the east side of the Chicago River.

An early track arrangement, showing the four-track Metropolitan main line on the east side of the Chicago River.

Figuring out which Loop tower this is took a bit of doing, but the Sterling Cycle Works was located on Wabash Avenue in 1897, making this Tower 12 at Wabash and Van Buren, looking east.

Figuring out which Loop tower this is took a bit of doing, but the Sterling Cycle Works was located on Wabash Avenue in 1897, making this Tower 12 at Wabash and Van Buren, looking east.

This circa 1897 ad shows Sterling Cycle Works on Wabash. However, this pre-dates the renumbering of Chicago streets, where the city shifted to a grid system, with numbers starting at State and Madison.

This circa 1897 ad shows Sterling Cycle Works on Wabash. However, this pre-dates the renumbering of Chicago streets, where the city shifted to a grid system, with numbers starting at State and Madison.

From the Collections of William Shapotkin

CTA 194 at Halsted and 64th in 1952.

CTA 194 at Halsted and 64th in 1952.

The Lake Street "L" in 1962, looking east at Ridgeland. This must be just before the "L" was relocated to the Chicago & North Western embankment. M&C Motors, at right, was located at 315 South Boulevard.

The Lake Street “L” in 1962, looking east at Ridgeland. This must be just before the “L” was relocated to the Chicago & North Western embankment. M&C Motors, at right, was located at 315 South Boulevard.

Ridgeland and South Boulevard today.

Ridgeland and South Boulevard today.

The Lake Street "L" ramp between Central Avenue and Laramie circa 1961-62. This was after the changeover point between third rail and overhead wire was moved west of here. I think this picture was taken looking north on Latrobe.

The Lake Street “L” ramp between Central Avenue and Laramie circa 1961-62. This was after the changeover point between third rail and overhead wire was moved west of here. I think this picture was taken looking north on Latrobe.

The same location today.

The same location today.

CTA 4227 in the shop (Skokie?) in 1956.

CTA 4227 in the shop (Skokie?) in 1956.

CTA 3073 on route 52 (Kedzie).

CTA 3073 on route 52 (Kedzie).

South Side Rapid Transit car #1 in 1962. It is now at the Chicago History Museum.

South Side Rapid Transit car #1 in 1962. It is now at the Chicago History Museum.

CTA 279.

CTA 279.

CTA 990 at 47th and Lake Park in March 1949. The Kenwood Hotel was located at 47th and Kenwood nearby.

CTA 990 at 47th and Lake Park in March 1949. The Kenwood Hotel was located at 47th and Kenwood nearby.

CTA 940.

CTA 940.

CTA 5315.

CTA 5315.

CTA 460 at 77th and Vincennes in March 1956, when it was part of the CTA Historical Collection. Looks like PCC 4021 is behind it. Both cars are now at the Illinois Railway Museum.

CTA 460 at 77th and Vincennes in March 1956, when it was part of the CTA Historical Collection. Looks like PCC 4021 is behind it. Both cars are now at the Illinois Railway Museum.

CTA 3093.

CTA 3093.

CTA 3095.

CTA 3095.

CTA 4244 on State Street in 1954.

CTA 4244 on State Street in 1954.

CTA 129. M.E.: "This scene has to be at the western end of the main 63rd St. line, at Narragansett and 63rd Place. The tight loop shown in the picture was built when one-ended PCC cars started running on 63rd. This picture had to be taken in 1952 or 1953 after the pre-war PCC cars were removed from 63rd and assigned to Cottage Grove. The last cars to run on 63rd were the old red Pullmans like this one."

CTA 129. M.E.: “This scene has to be at the western end of the main 63rd St. line, at Narragansett and 63rd Place. The tight loop shown in the picture was built when one-ended PCC cars started running on 63rd. This picture had to be taken in 1952 or 1953 after the pre-war PCC cars were removed from 63rd and assigned to Cottage Grove. The last cars to run on 63rd were the old red Pullmans like this one.”

A CTA 4000, most likely at a railway museum.

A CTA 4000, most likely at a railway museum.

CTA 7213. (Robert W. Gibson Photo) M.E.: "You might add to the caption that this car was the last one to run in Chicago. Refer to all the pictures taken at 81st and Halsted and then on the final trip to the 77th and Vincennes barn in June 1958."

CTA 7213. (Robert W. Gibson Photo) M.E.: “You might add to the caption that this car was the last one to run in Chicago. Refer to all the pictures taken at 81st and Halsted and then on the final trip to the 77th and Vincennes barn in June 1958.”

CTA 7263 at Harrison and State in 1954.

CTA 7263 at Harrison and State in 1954.

Experimental forced-air ventilation on a CTA 6000. Not sure if you could open the windows on this car or not.

Experimental forced-air ventilation on a CTA 6000. Not sure if you could open the windows on this car or not.

CTA 7023 at Clark and Van Buren on June 6, 1954.

CTA 7023 at Clark and Van Buren on June 6, 1954.

Scrapped streetcars, including work car AA57, at South Shops. Don's Rail Photos: "AA57, salt car, was built by St Louis Car Co in 1903 as CUTCo 4835. It was renumbered 1306 in 1913 and became CSL 1306 in 1914. It was rebuilt as salt car in January 1934 and renumbered AA57 on April 15, 1948. It was retired on December 14, 1956."

Scrapped streetcars, including work car AA57, at South Shops. Don’s Rail Photos: “AA57, salt car, was built by St Louis Car Co in 1903 as CUTCo 4835. It was renumbered 1306 in 1913 and became CSL 1306 in 1914. It was rebuilt as salt car in January 1934 and renumbered AA57 on April 15, 1948. It was retired on December 14, 1956.”

CTA 6669 with experimental roof-mounted air conditioning, in storage on the middle track at Western Avenue on the Ravenswood. Just about every new feature CTA introduced on the 2000s was first tried out on 6000s.

CTA 6669 with experimental roof-mounted air conditioning, in storage on the middle track at Western Avenue on the Ravenswood. Just about every new feature CTA introduced on the 2000s was first tried out on 6000s.

CTA 6151, 3196, and 554 at 69th and Ashland. M.E.: "Route 45 was the Ashland-Archer-Clark route, similar to route 42, Halsted-Archer-Clark, but different in that route 45 always used old Pullmans whereas (at this time) route 42 used postwar PCCs."

CTA 6151, 3196, and 554 at 69th and Ashland. M.E.: “Route 45 was the Ashland-Archer-Clark route, similar to route 42, Halsted-Archer-Clark, but different in that route 45 always used old Pullmans whereas (at this time) route 42 used postwar PCCs.”

CTA 3179 at Grand and Navy Pier in March 1950.

CTA 3179 at Grand and Navy Pier in March 1950.

CTA 7217 awaiting scrapping on June 30, 1959, at South Shops.

CTA 7217 awaiting scrapping on June 30, 1959, at South Shops.

CTA 3231, 369, 988, and AA103 at 69th and Ashland in May 1949. M.E.: "The Green Hornet PCC in this picture would have been assigned to Western Ave. When the 69th/Ashland barn closed, but Western still operated PCC streetcars, those cars were moved to the 77th and Vincennes barn. To get there, they traveled east on 69th St. to Wentworth, south to 73rd, then southwest on Vincennes to 77th St."

CTA 3231, 369, 988, and AA103 at 69th and Ashland in May 1949. M.E.: “The Green Hornet PCC in this picture would have been assigned to Western Ave. When the 69th/Ashland barn closed, but Western still operated PCC streetcars, those cars were moved to the 77th and Vincennes barn. To get there, they traveled east on 69th St. to Wentworth, south to 73rd, then southwest on Vincennes to 77th St.”

CTA 7113 at State and 62nd Place on November 9, 1955. This was where a PCC derailed and collided with a gasoline truck in 1950, a horrific crash that killed 34 people. M.E. "As I recall, the 1950 accident was not due to derailing, instead due to a misaligned switch on the southbound track which the motorman didn't see but put his streetcar in the path of the northbound gas truck." While that was the cause of the accident, since the PCC was going perhaps 35 mph at the time, it must have left the rails during the crash.

CTA 7113 at State and 62nd Place on November 9, 1955. This was where a PCC derailed and collided with a gasoline truck in 1950, a horrific crash that killed 34 people. M.E. “As I recall, the 1950 accident was not due to derailing, instead due to a misaligned switch on the southbound track which the motorman didn’t see but put his streetcar in the path of the northbound gas truck.” While that was the cause of the accident, since the PCC was going perhaps 35 mph at the time, it must have left the rails during the crash.

CTA 6413 at Skokie Shops on January 26, 1975. (Ronald J. Sullivan Photo)

CTA 6413 at Skokie Shops on January 26, 1975. (Ronald J. Sullivan Photo)

CSL 5177 at Archer and Cicero in March 1935. M.E.: "The building behind the streetcar has a sign for United Airlines. So this scene is at Midway Airport, most likely north of 62nd St., which is where the Cicero car line ended in front of the original Midway terminal building. The sign on the streetcar reads Archer-Cicero, which was likely its northern destination."

CSL 5177 at Archer and Cicero in March 1935. M.E.: “The building behind the streetcar has a sign for United Airlines. So this scene is at Midway Airport, most likely north of 62nd St., which is where the Cicero car line ended in front of the original Midway terminal building. The sign on the streetcar reads Archer-Cicero, which was likely its northern destination.”

CSL 5519 at Archer and Rockwell in May 1943.

CSL 5519 at Archer and Rockwell in May 1943.

CSL 5130.

CSL 5130.

CSL 5083. M.E.: "The sign on the car appears to read Pitney-Archer. I went to Google maps, entered Pitney St. Chicago, and up came a map showing that Pitney starts at Archer and heads southeast from there. (All of this is about a block east of Ashland.) So maybe there was a carbarn at Pitney and Archer, or a stub on Pitney."

CSL 5083. M.E.: “The sign on the car appears to read Pitney-Archer. I went to Google maps, entered Pitney St. Chicago, and up came a map showing that Pitney starts at Archer and heads southeast from there. (All of this is about a block east of Ashland.) So maybe there was a carbarn at Pitney and Archer, or a stub on Pitney.”

CTA 914 in March 1950. The location is given as Archer and 38th Place.

CTA 914 in March 1950. The location is given as Archer and 38th Place.

CSL 775 at 47th and Indiana in May 1945.

CSL 775 at 47th and Indiana in May 1945.

CTA 7218, 4378, and 4399 at South Shops in August 1959, more than a year after the last Chicago streetcar ran.

CTA 7218, 4378, and 4399 at South Shops in August 1959, more than a year after the last Chicago streetcar ran.

More Ones That Got Away

Both Jeff Marinoff and I regret not winning this auction, which sold for $131.32. That's a lot of money, but pictures of the Kinzie Street "L" station are rare indeed, It was located approximately where the Merchandise Mart station is now, and was open from 1900 to 1921, when it was replaced by a new station at Grand Avenue a few blocks north. Behind the "L". to the left, is the Chicago and North Western station, which closed in 1910, so the view looks west.

Both Jeff Marinoff and I regret not winning this auction, which sold for $131.32. That’s a lot of money, but pictures of the Kinzie Street “L” station are rare indeed, It was located approximately where the Merchandise Mart station is now, and was open from 1900 to 1921, when it was replaced by a new station at Grand Avenue a few blocks north. Behind the “L”. to the left, is the Chicago and North Western station, which closed in 1910, so the view looks west.

Chicago & North Western station in 1881.

Chicago & North Western station in 1881.

This, and the photos that follow, were offered as a batch of 11 original slides. I did bid on this but was not the top bidder, and they sold for about $100. That may seem like a lot, until you work out that it’s only about $9 per slide, and some of these are definitely keepers. All were taken between 1959 and 1963. Here are a pair of 6000s on the Congress line in Oak Park.

The old Lake Street Transfer station, closed since 1951. We are looking west. It was removed in 1964, along with that portion of the Paulina "L" north of here (excepting the bridge). I had originally said this was looking east. Graham Garfield: "We are looking west..." I believe we are actually looking east, from Wood St west of the station. The Met platforms began at Lake Street and projected northward (as seen in the attached Sanborn map), and in the photo they go to the left (which would be north, if we were facing east). Also, the building in the left foreground is still there today, located on the north side of Lake St near Wood St -- here is a Google Street View of it from 2009 (I chose an older one because more recently it has been repainted and had its windows changed; you can still tell it's the same building, but the older view makes it more obvious): https://goo.gl/maps/jb27nadEmRdf7BM16 "

The old Lake Street Transfer station, closed since 1951. We are looking west. It was removed in 1964, along with that portion of the Paulina “L” north of here (excepting the bridge). I had originally said this was looking east. Graham Garfield: “We are looking west…” I believe we are actually looking east, from Wood St west of the station. The Met platforms began at Lake Street and projected northward (as seen in the attached Sanborn map), and in the photo they go to the left (which would be north, if we were facing east). Also, the building in the left foreground is still there today, located on the north side of Lake St near Wood St — here is a Google Street View of it from 2009 (I chose an older one because more recently it has been repainted and had its windows changed; you can still tell it’s the same building, but the older view makes it more obvious): https://goo.gl/maps/jb27nadEmRdf7BM16

CTA single-car unit 35 at Forest Park.

CTA single-car unit 35 at Forest Park.

A two-car train of 4000s heads west on the Lake Street "L" when the outer portion still ran on the ground. I think the top of the building we see above the C&NW embankment is the Austin Town Hall, meaning we are between Laramie and Central circa 1961-62. The newspaper box at left is selling Chicago's American, an afternoon newspaper. Tracks here may be using third rail as the conversion point to overhead wire was moved to Central Avenue while work was being done to put the line onto the embankment.

A two-car train of 4000s heads west on the Lake Street “L” when the outer portion still ran on the ground. I think the top of the building we see above the C&NW embankment is the Austin Town Hall, meaning we are between Laramie and Central circa 1961-62. The newspaper box at left is selling Chicago’s American, an afternoon newspaper. Tracks here may be using third rail as the conversion point to overhead wire was moved to Central Avenue while work was being done to put the line onto the embankment.

a westbound Lake Street "L" train in Oak Park. That stairway may be where one of the other pictures in this series was taken from. I assume this was located at the east end of the C&NW's Oak Park station.

a westbound Lake Street “L” train in Oak Park. That stairway may be where one of the other pictures in this series was taken from. I assume this was located at the east end of the C&NW’s Oak Park station.

Looking east from Harlem Avenue in 1963. The Lake "L" is now on the embankment, but the old tracks and the Marion Street station are still in place. A train of CTA's high-speed cars is in the station. The fans called them "circus wagons."

Looking east from Harlem Avenue in 1963. The Lake “L” is now on the embankment, but the old tracks and the Marion Street station are still in place. A train of CTA’s high-speed cars is in the station. The fans called them “circus wagons.”

The ground-level Lake Street "L' in a somewhat underexposed shot. A "B" train heads east from the Marion Street station.

The ground-level Lake Street “L’ in a somewhat underexposed shot. A “B” train heads east from the Marion Street station.

A westbound Lake "A" train at Home Avenue in Oak Park.

A westbound Lake “A” train at Home Avenue in Oak Park.

Looking north towards the Howard "L" station.

Looking north towards the Howard “L” station.

A two-car train of CTA 6000s on the turnaround loop in Forest Park, west end of the Congress-Milwaukee line. That loop-shaped thing on the front of the train was used for route selection, since these trains shared tracks with Douglas-Milwaukee trains further east of here.

A two-car train of CTA 6000s on the turnaround loop in Forest Park, west end of the Congress-Milwaukee line. That loop-shaped thing on the front of the train was used for route selection, since these trains shared tracks with Douglas-Milwaukee trains further east of here.

An eastbound Lake Street "B" train heads east between Central and Laramie, and is about to head up the ramp to the "L" structure. This is just east of another picture in this series.

An eastbound Lake Street “B” train heads east between Central and Laramie, and is about to head up the ramp to the “L” structure. This is just east of another picture in this series.

This is Waterloo, Cedar Falls & Northern car 100, shortly before it was destroyed by fire in 1967. I was surprised when this original slide sold for very little. Don's Rail Photos: "100 was built by McGuire-Cummings in 1914. It was built as a second motor to operate behind the 140s as a two car train. The baggage compartment was a kitchen, and the rear end was an open platform observation. The buffet section was replaced with coach seats in 1918. The car was then rebuilt with a control station and baggage compartment in 1928 and the rear platform was enclosed at that time. It was the last interurban left on the WCF&N when it became diesel freight, and it was donated to the Iowa Chapter of the NRHS in 1956. It was moved to Centerville and operated on the Southern Iowa Ry. When the SI cut back its operation and dieselized, the Iowa Chapter transferred the car to the Iowa Terminal RR in 1966. Shortly after it was repainted and put into charter service, it was destroyed in the carbarn fire early November 24, 1967. It had been the only car saved from the WCF&N roundhouse fire on October 31, 1954, when the other two cars of its class burned."

This is Waterloo, Cedar Falls & Northern car 100, shortly before it was destroyed by fire in 1967. I was surprised when this original slide sold for very little. Don’s Rail Photos: “100 was built by McGuire-Cummings in 1914. It was built as a second motor to operate behind the 140s as a two car train. The baggage compartment was a kitchen, and the rear end was an open platform observation. The buffet section was replaced with coach seats in 1918. The car was then rebuilt with a control station and baggage compartment in 1928 and the rear platform was enclosed at that time. It was the last interurban left on the WCF&N when it became diesel freight, and it was donated to the Iowa Chapter of the NRHS in 1956. It was moved to Centerville and operated on the Southern Iowa Ry. When the SI cut back its operation and dieselized, the Iowa Chapter transferred the car to the Iowa Terminal RR in 1966. Shortly after it was repainted and put into charter service, it was destroyed in the carbarn fire early November 24, 1967. It had been the only car saved from the WCF&N roundhouse fire on October 31, 1954, when the other two cars of its class burned.”

The Liberty Bell Limited in 1951 at Sellersville.

The Liberty Bell Limited in 1951 at Sellersville.

4000s at Linden Avenue in 1967.

4000s at Linden Avenue in 1967.

Looks like a photo stop on the Illinois Terminal in 1956. Perhaps the final day for these lines?

Looks like a photo stop on the Illinois Terminal in 1956. Perhaps the final day for these lines?

2000s on the Lake Street "L" in 1965, looking west-southwest from the Chicago & North Western platform in Oak Park.

2000s on the Lake Street “L” in 1965, looking west-southwest from the Chicago & North Western platform in Oak Park.

6000s cross the Chicago River in 1968. We are looking east.

6000s cross the Chicago River in 1968. We are looking east.

The New York elevated, probably in the 1890s when steam was in use. Not sure which line this is.

The New York elevated, probably in the 1890s when steam was in use. Not sure which line this is.

The interior of Lehigh Valley Transit car 704 in 1951, used on the Liberty Bell interurban line in Philadelphia. The motorman would most likely punch a couple things in on that cash register and it would issue a ticket.

The interior of Lehigh Valley Transit car 704 in 1951, used on the Liberty Bell interurban line in Philadelphia. The motorman would most likely punch a couple things in on that cash register and it would issue a ticket.

Somewhere in Evanston. Graham Garfield: "This is at Madison Street, a block or so south of Main station. Here is a view of the same location today, in a video of the line posted by CTA: https://youtu.be/tag-0WOzn7o?t=6303 (pretty soon after the video starts you'll need to pause it to study the location) -- the building on the right is the back of old Evanston Fire Station #2 (now the Firehouse Grill restaurant), and although the windows have been bricked over, the brickwork along the top of the wall facing the the track and the clay tiled parapet perpendicular to the tracks are identifiable. "

Somewhere in Evanston. Graham Garfield: “This is at Madison Street, a block or so south of Main station. Here is a view of the same location today, in a video of the line posted by CTA: https://youtu.be/tag-0WOzn7o?t=6303 (pretty soon after the video starts you’ll need to pause it to study the location) — the building on the right is the back of old Evanston Fire Station #2 (now the Firehouse Grill restaurant), and although the windows have been bricked over, the brickwork along the top of the wall facing the the track and the clay tiled parapet perpendicular to the tracks are identifiable. “

This is the State Street Subway in August 1965. I would have bid on this one if it had been sharper.

This is the State Street Subway in August 1965. I would have bid on this one if it had been sharper.

The Chicago, Lake Shore and South Bend, predecessor of the South Shore Line, in East Chicago, Indiana prior to 1926.

The Chicago, Lake Shore and South Bend, predecessor of the South Shore Line, in East Chicago, Indiana prior to 1926.

The Chicago, Lake Shore and South Bend, predecessor of the South Shore Line, in East Chicago, Indiana prior to 1926.

The Chicago, Lake Shore and South Bend, predecessor of the South Shore Line, in East Chicago, Indiana prior to 1926.

North Shore Line line car 604, photo by Gordon E. Lloyd at Highwood on June 13, 1959. Another original slide.

North Shore Line line car 604, photo by Gordon E. Lloyd at Highwood on June 13, 1959. Another original slide.

I couldn't believe it when I saw that this original North Shore Line slide had sold for only $17.50. I expected it to go for a lot more and hence didn't bid on it. It was taken by Gordon E. Lloyd on October 17, 1958 at Highwood.

I couldn’t believe it when I saw that this original North Shore Line slide had sold for only $17.50. I expected it to go for a lot more and hence didn’t bid on it. It was taken by Gordon E. Lloyd on October 17, 1958 at Highwood.

A photo stop on the Hagerstown & Frederick interurban in Maryland.

A photo stop on the Hagerstown & Frederick interurban in Maryland.

Bill Shapotkin writes, "Both Andre Kristopans and I believe this is Main St. That said, he believes we are looking north (citing a curve in the distance). I am thinking we are looking south (lights to left are along Chicago Ave)." John McElroy: "I have lived in Evanston 60 years and rode the Evanston line all during this time. I believe the photo in question is taken at Davis Street, looking south, before the newer station was built here. The street visible is Benson Avenue, and the water tower is, I think, on the old building once occupied by Wieboldt’s. As you know, there is a curve south of Davis Street." Graham Garfield adds, "this isn't Main looking north, it's Davis looking south. Both stations have curves to the left right after them in the directions cited, but here are some clues as to why this is Davis: - The wooden "telephone" poles along both sides of the ROW have poles with no crossarms on the left and the ones with crossarms on the right. Photos of this part of the Evanston branch show that the crossarm poles were along the west side of the ROW, and the plain ones were along the east side of the ROW. - The water tank visible in the left background shows up in lots of shots of Davis station looking south. - They say the lights on the left under the platform are Chicago Ave, but if this was Main looking north Chicago Ave would be on the right, not the left. Also, Chicago Ave isn't that close to the ROW at Main St; it's about 60 feet from the ROW there. That's Benson Ave on the left under the platform, which does run right alongside the ROW at Davis station. - In this era, the station name signs varied in length, and were however long (or short) they needed to be to fit the station name on them. There is one visible on the left, right before the canopy, and while it is illegible we can see it is very long. While "Main" and "Davis" are short names, the ones at Main St just said the street name, but the ones at Davis were very long, reading, "Davis St - Downtown Evanston"."

Bill Shapotkin writes, “Both Andre Kristopans and I believe this is Main St. That said, he believes we are looking north (citing a curve in the distance). I am thinking we are looking south (lights to left are along Chicago Ave).” John McElroy: “I have lived in Evanston 60 years and rode the Evanston line all during this time. I believe the photo in question is taken at Davis Street, looking south, before the newer station was built here. The street visible is Benson Avenue, and the water tower is, I think, on the old building once occupied by Wieboldt’s. As you know, there is a curve south of Davis Street.” Graham Garfield adds, “this isn’t Main looking north, it’s Davis looking south. Both stations have curves to the left right after them in the directions cited, but here are some clues as to why this is Davis:
– The wooden “telephone” poles along both sides of the ROW have poles with no crossarms on the left and the ones with crossarms on the right. Photos of this part of the Evanston branch show that the crossarm poles were along the west side of the ROW, and the plain ones were along the east side of the ROW.
– The water tank visible in the left background shows up in lots of shots of Davis station looking south.
– They say the lights on the left under the platform are Chicago Ave, but if this was Main looking north Chicago Ave would be on the right, not the left. Also, Chicago Ave isn’t that close to the ROW at Main St; it’s about 60 feet from the ROW there. That’s Benson Ave on the left under the platform, which does run right alongside the ROW at Davis station.
– In this era, the station name signs varied in length, and were however long (or short) they needed to be to fit the station name on them. There is one visible on the left, right before the canopy, and while it is illegible we can see it is very long. While “Main” and “Davis” are short names, the ones at Main St just said the street name, but the ones at Davis were very long, reading, “Davis St – Downtown Evanston”.”

State and Van Buren in cable car days, between 1897 and 1906.

State and Van Buren in cable car days, between 1897 and 1906.

Congress looking west from Racine in 1967.

Congress looking west from Racine in 1967.

I think this one was undated, but I would guess maybe 1967 as 2000s are running on Douglas Park.

I think this one was undated, but I would guess maybe 1967 as 2000s are running on Douglas Park.

Looking south from Wilson Avenue in 1960.

Looking south from Wilson Avenue in 1960.

Listed as Howard, this looks like Chinatown on the Dan Ryan line, circa 1970.

Listed as Howard, this looks like Chinatown on the Dan Ryan line, circa 1970.

Could this be Isabella looking north?

Could this be Isabella looking north?

Jeff Marinoff: "It shows car #122 of the Chicago Consolidated Traction Company. The roof destination sign reads Halstead & Irving Park Blvd." CCT eventually became part of Chicago Railways Company. The photo dates to between 1900 and 1910.

Jeff Marinoff: “It shows car #122 of the Chicago Consolidated Traction Company. The roof destination sign reads Halstead & Irving Park Blvd.” CCT eventually became part of Chicago Railways Company. The photo dates to between 1900 and 1910.

This and the next picture show the aftermath of an "L" derailment at Wabash and Van Buren, which I assume took place on May 12, 1942. That's Tower 12.

This and the next picture show the aftermath of an “L” derailment at Wabash and Van Buren, which I assume took place on May 12, 1942. That’s Tower 12.

1939 Chicago Surface Lines Training Program

In 2016, we were fortunate to acquire a rare 16″ transcription disc, made in 1939 for the Chicago Surface Lines. This included an audio presentation called “Keeping Pace,” about 20 minutes long, that CSL used for employee training.

We were recently able to find someone who could play such a large disc, and now this program has been digitized and can be heard for the first time in more than 80 years. We have added it as a bonus feature to our Red Arrow Lines 1967 CD, available below and through our Online Store.

Screen Shot 03-16-16 at 06.58 PM.PNGScreen Shot 03-17-16 at 12.44 AM.PNG

RAL
Red Arrow Lines 1967: Straffords and Bullets
# of Discs – 1
Price: $14.99

This disc features rare, long out-of-print audio recordings of two 1967 round trips on the Philadelphia & Western (aka “Red Arrow Lines”) interurban between Philadelphia and Norristown, the famous third rail High-Speed Line.  One trip is by a Strafford car and the other by one of the beloved streamlined Bullets.  The line, about 13 miles long and still in operation today under SEPTA, bears many similarities to another former interurban line, the Chicago Transit Authority‘s Yellow Line (aka the “Skokie Swift”).  We have included two bonus features, audio of an entire ride along that five mile route, which was once part of the North Shore Line, and a 20-minute 1939 Chicago Surface Lines training program (“Keeping Pace”).  This was digitized from a rare original 16″ transcription disc and now can be heard again for the first time in over 80 years.

Total time – 73:32

The Trolley Dodger On the Air
We appeared on WGN radio in Chicago in November 2018, discussing our book Building Chicago’s Subways on the Dave Plier Show. You can hear our 19-minute conversation here.
Chicago, Illinois, December 17, 1938-- Secretary Harold Ickes, left, and Mayor Edward J. Kelly turn the first spadeful of earth to start the new $40,000,000 subway project. Many thousands gathered to celebrate the starting of work on the subway. Chicago, Illinois, December 17, 1938– Secretary Harold Ickes, left, and Mayor Edward J. Kelly turn the first spadeful of earth to start the new $40,000,000 subway project. Many thousands gathered to celebrate the starting of work on the subway.
Order Our New Book Building Chicago’s Subways

There were three subway anniversaries in 2018 in Chicago:
60 years since the West Side Subway opened (June 22, 1958)
75 years since the State Street Subway opened (October 17, 1943)
80 years since subway construction started (December 17, 1938)
To commemorate these anniversaries, we have written a new book, Building Chicago’s Subways.

While the elevated Chicago Loop is justly famous as a symbol of the city, the fascinating history of its subways is less well known. The City of Chicago broke ground on what would become the “Initial System of Subways” during the Great Depression and finished 20 years later. This gigantic construction project, a part of the New Deal, would overcome many obstacles while tunneling through Chicago’s soft blue clay, under congested downtown streets, and even beneath the mighty Chicago River. Chicago’s first rapid transit subway opened in 1943 after decades of wrangling over routes, financing, and logistics. It grew to encompass the State Street, Dearborn-Milwaukee, and West Side Subways, with the latter modernizing the old Garfield Park “L” into the median of Chicago’s first expressway. Take a trip underground and see how Chicago’s “I Will” spirit overcame challenges and persevered to help with the successful building of the subways that move millions. Building Chicago’s subways was national news and a matter of considerable civic pride–making it a “Second City” no more!

Bibliographic information:
Title Building Chicago’s Subways
Images of America
Author David Sadowski
Edition illustrated
Publisher Arcadia Publishing (SC), 2018
ISBN 1467129380, 9781467129381
Length 128 pages
Chapter Titles:
01. The River Tunnels
02. The Freight Tunnels
03. Make No Little Plans
04. The State Street Subway
05. The Dearborn-Milwaukee Subway
06. Displaced
07. Death of an Interurban
08. The Last Street Railway
09. Subways and Superhighways
10. Subways Since 1960
Building Chicago’s Subways is in stock and now available for immediate shipment. Order your copy today! All copies purchased through The Trolley Dodger will be signed by the author.
The price of $23.99 includes shipping within the United States.
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Redone tile at the Monroe and Dearborn CTA Blue Line subway station, showing how an original sign was incorporated into a newer design, May 25, 2018. (David Sadowski Photo) Redone tile at the Monroe and Dearborn CTA Blue Line subway station, showing how an original sign was incorporated into a newer design, May 25, 2018. (David Sadowski Photo)

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Richard Hofer’s Chicago “L” Pictures

It’s July 1969, and the original Tower 18 at Lake and Wells is being demolished to permit a new track connection to be put in on the Loop “L”. This was necessary so the CTA Lake Street “L” could be through-routed with the new Dan Ryan line that opened on September 28 of that year. The new tower is at left and has itself since been replaced. Prior to this, trains ran counter-clockwise in the same direction on both sets of Loop tracks. Henceforth, they became bi-directional. This is a Richard Hofer photo, from the David Stanley collection. The view looks north, and that is a southbound Ravenswood (today’s Brown Line) train at left.

I recently traveled to Milwaukee and visited David Stanley, and while I was there, he generously allowed me to scan some of his extensive collection of traction slides. Today we are featuring a small part of that collection, some classic photos of the Chicago “L” system, taken by the late Richard R. Hofer (1941-2010). Many of you may recall him from railfan meetings in years past. These pictures show he was an excellent photographer.

You can read Mr. Hofer’s obituary here, and you will note he was a proud Navy veteran. There are also some pictures of him on his Find-A-Grave page.

Scanning a photo, negative, or slide is just the starting point in obtaining the best possible version of that image. Each of these images represents my interpretation of the original source material, which often exhibits a lot of fading or color shift. For many of these images, we are also posting the uncorrected versions, just to show the substantial amount of work that goes into “making things look right.”

In addition, we have some recent photo finds of our own, as well as picture from our Milwaukee sojourn. As always, of you can provide any additional information on what you see in these pictures, do not hesitate to drop us a line.

We also have a new CD collection of rare traction audio from a variety of cities. These were recently digitized from original master tapes from the collections of William A. Steventon, of the Railroad Record Club of Hawkins, WI. You will find more information about that towards the end of our post.

Enjoy!

-David Sadowski

Richard R. Hofer Photos From the David Stanley Collection:

On April 20, 1964, CTA and local officials cut the ribbon at Dempster, commencing service on the new five-mile-long Skokie Swift line. This represented but a small portion of the Chicago North Shore and Milwaukee interurban that abandoned service on January 21, 1963. The Chicago Transit Authority had to purchase about half of the Swift route anyway, as their connection to Skokie Shops went over NSL tracks. The CTA decided to offer an express service between Dempster and Howard stations, and put in a large parking lot. Service was put into place using existing equipment at the lowest possible cost. The late George Krambles was put in charge of this project, which received some federal funding as a “demonstration” service, at a time when that was still somewhat unusual. But CTA officials at the time indicated that they would still have started the Swift, even without federal funds. I was nine years old at the time, and rode these trains on the very first day. I can assure you they went 65 miles per hour, as I was watching the speedometer. Needless to say, the experiment was quite successful, and service continues on what is now the Yellow Line today, with the addition of one more stop at Oakton.

The Skokie Swift on April 20, 1964.

The Skokie Swift on April 20, 1964.

The Skokie Swift on April 20, 1964. Note the old tower at right near Dempster, which had been used when “L” service ran on the Niles Center branch here from 1925-48. This tower remained standing for many years.

The Swift on opening day, April 20, 1964.

The Swift on opening day, April 20, 1964.

The Swift strikes a dramatic post on May 10, 1965. The slide identifies this as Main Street.

The Swift strikes a dramatic post on May 10, 1965. The slide identifies this as Main Street.

This car sports an experimental pantograph in October 1966.

This car sports an experimental pantograph in October 1966.

A 5000-series articulated train, renumbered into the 51-54 series, at Dempster in October 1966.

A 5000-series articulated train, renumbered into the 51-54 series, at Dempster in October 1966.

In October 1966, we see one of the four articulated 5000s (this was the original 5000-series, circa 1947-48) at Dempster, after having been retrofitted for Swift service, where they continued to run for another 20 years or so.

In October 1966, we see one of the four articulated 5000s (this was the original 5000-series, circa 1947-48) at Dempster, after having been retrofitted for Swift service, where they continued to run for another 20 years or so.

The Skokie Swift in September 1964.

The Skokie Swift in September 1964.

From 1925 until 1948, the Niles Center line provided local "L" service between Howard and Dempster on tracks owned by the North Shore Line. There were several stations along the way, and here we see one of them, as it appeared in September 1964 before it was removed to improve visibility at this grade crossing. I would have to check to see just which station this was, and whether the third track at left was simply a siding, or went to Skokie Shops. Miles Beitler says this is the "Kostner station looking east. The third track on the left was simply a siding, a remnant of North Shore Line freight service."

From 1925 until 1948, the Niles Center line provided local “L” service between Howard and Dempster on tracks owned by the North Shore Line. There were several stations along the way, and here we see one of them, as it appeared in September 1964 before it was removed to improve visibility at this grade crossing. I would have to check to see just which station this was, and whether the third track at left was simply a siding, or went to Skokie Shops. Miles Beitler says this is the “Kostner station looking east. The third track on the left was simply a siding, a remnant of North Shore Line freight service.”

Here is a nice view of the relatively spartan facilities at Dempster terminal on the Skokie Swift in September 1964. Service had been running for five months. This has since been improved and upgraded.

Here is a nice view of the relatively spartan facilities at Dempster terminal on the Skokie Swift in September 1964. Service had been running for five months. This has since been improved and upgraded.

In October 1966, a southbound Howard train has just left Howard terminal, and a single-car Evanston shuttle train has taken its place. After its riders depart, it will change ends on a siding just south of the station, and then head north after picking up passengers at the opposite platform.

In October 1966, a southbound Howard train has just left Howard terminal, and a single-car Evanston shuttle train has taken its place. After its riders depart, it will change ends on a siding just south of the station, and then head north after picking up passengers at the opposite platform.

A Skokie Swift single-car unit at Howard in December 1968.

A Skokie Swift single-car unit at Howard in December 1968.

An Evanston train of 4000s at Howard in December 1968.

An Evanston train of 4000s at Howard in December 1968.

Two Swift trains at Howard, December 1968.

Two Swift trains at Howard, December 1968.

At left, a northbound Skokie Swift car, and at right, a southbound Howard “A” train at the Howard terminal in October 1966.

Two single car units in October 1966, both equipped for overhead wire, but for different purposes. In the foreground, an Evanston shuttle car has trolley poles, while the Skokie Swift car at rear uses pantographs. Evanston was converted to third rail in 1973, and the Swift about 30 years after that.

Two single car units in October 1966, both equipped for overhead wire, but for different purposes. In the foreground, an Evanston shuttle car has trolley poles, while the Skokie Swift car at rear uses pantographs. Evanston was converted to third rail in 1973, and the Swift about 30 years after that.

Same as the previous picture, this overhead shot from the transfer bridge, taken in October 1966, shows the difference in current collection on two of the CTA's 50 single car units.

Same as the previous picture, this overhead shot from the transfer bridge, taken in October 1966, shows the difference in current collection on two of the CTA’s 50 single car units.

A southbound Evanston shuttle train approaches the Howard terminal. Third rail was banned in Evanston by local ordinance until 1973.

A southbound Evanston shuttle train approaches the Howard terminal. Third rail was banned in Evanston by local ordinance until 1973.

In September 1964, a four-car Evanston Express train approaches (I think) the old station at State and Van Buren. All four cars are single car units equipped with trolley poles, for use in Evanston where local laws did not permit use of third rail for current collection. In the early 1970s, this station was closed and removed, but was eventually put back, to serve the Harold Washington Library. This leg of the Loop "L" had a continuous platform for some time, which is visible here. George Trapp: "The September 1964 photo of four single unit cars 25-28, 39-50 on the Evanston Express are at Madison & Wells not State & Van Buren. Note crossover at Washington where non rush Ravenswood and late AM Evanston Expresses crossed over to the Inner Loop after stopping at Randolph & Wells on the Outer Loop. There was also a long continuous platform from Randolph to Madison."

In September 1964, a four-car Evanston Express train approaches (I think) the old station at State and Van Buren. All four cars are single car units equipped with trolley poles, for use in Evanston where local laws did not permit use of third rail for current collection. In the early 1970s, this station was closed and removed, but was eventually put back, to serve the Harold Washington Library. This leg of the Loop “L” had a continuous platform for some time, which is visible here. George Trapp: “The September 1964 photo of four single unit cars 25-28, 39-50 on the Evanston Express are at Madison & Wells not State & Van Buren. Note crossover at Washington where non rush Ravenswood and late AM Evanston Expresses crossed over to the Inner Loop after stopping at Randolph & Wells on the Outer Loop. There was also a long continuous platform from Randolph to Madison.”

In September 1964, at a time when the Loop "L" had uni-directional service (counter-clockwise), a Ravenswood "A" train approaches Clark and Lake. On the other hand, George Trapp says we are "at Madison & Wells, notice the clocktower for Grand Central Station with B&O in distance. At that time many more cars is series 6001-6130 still had their original headlight arrangement."

In September 1964, at a time when the Loop “L” had uni-directional service (counter-clockwise), a Ravenswood “A” train approaches Clark and Lake. On the other hand, George Trapp says we are “at Madison & Wells, notice the clocktower for Grand Central Station with B&O in distance. At that time many more cars is series 6001-6130 still had their original headlight arrangement.”

Logan Square yard in December 1966.

Logan Square yard in December 1966.

The tail end of a Congress-Milwaukee "A" train at the Logan Square terminal in September 1964. As you can see, space here was at a premium. George Trapp adds, "Tail end of freshly painted 6592-6591 at Logan Square in Sept. 1964. This set was in builder’s photos by St. Louis Car around June 1957. When new were originally assigned to North-South route as were all high 6000’s until mid 1960, although some 6600’s were on Ravenswood in 1959-60. I always though the old Logan Square terminal was neat, certainly had more character than present one."

The tail end of a Congress-Milwaukee “A” train at the Logan Square terminal in September 1964. As you can see, space here was at a premium. George Trapp adds, “Tail end of freshly painted 6592-6591 at Logan Square in Sept. 1964. This set was in builder’s photos by St. Louis Car around June 1957. When new were originally assigned to North-South route as were all high 6000’s until mid 1960, although some 6600’s were on Ravenswood in 1959-60. I always though the old Logan Square terminal was neat, certainly had more character than present one.”

A southbound Howard "A" train is on the center track. and served stations that either had a center platform or (like Wilson) had two sets of platforms. "B" trains (and the Evanston Express) used the outer tracks and served stations with side platforms. This picture was taken in May 1968. Note the southbound outer track has overhead wire in addition to third rail, for use by freight trains that ran at night until 1973. George Trapp: "Southbound Howard to Englewood “A” train has two cars of 6511-6550 series on head end. This series was split between the North-South and West-Northwest in the 1960’s with cars up to 6550 and 6551-6558 from next series being on North-South in winter months. Note that track 4 was being redone at that time and is missing."

A southbound Howard “A” train is on the center track. and served stations that either had a center platform or (like Wilson) had two sets of platforms. “B” trains (and the Evanston Express) used the outer tracks and served stations with side platforms. This picture was taken in May 1968. Note the southbound outer track has overhead wire in addition to third rail, for use by freight trains that ran at night until 1973. George Trapp: “Southbound Howard to Englewood “A” train has two cars of 6511-6550 series on head end. This series was split between the North-South and West-Northwest in the 1960’s with cars up to 6550 and 6551-6558 from next series being on North-South in winter months. Note that track 4 was being redone at that time and is missing.”

In August 1963, a four-car Douglas-Milwaukee “B” train prepares to leave Logan Square terminal. Until 1970, this was as far into the northwest side of the city that “L” service went. By 1984, the “L” had been extended all the way to O’Hare airport. This train sports a fire extinguisher on its front, a practice that did not last, apparently because some of them were stolen. While this elevated station was replaced by a nearby subway, the building underneath the “L” actually still exists, although it has been so heavily modified that you would never know it is the same structure. The Logan Square terminal was always my favorite “L” station when I was a kid.

Workers are removing the old Tower 18 structure in this July 1969 view. When service on the Loop “L” was made bi-directional, due to the through-routing of the Lake Street “L” and the new Dan Ryan line, the old tower was in the way of new tracks that needed to be installed.

The same basic scene as the last photo, from July 1969. We can tell that this picture was taken prior to the opening of the Dan Ryan line (September 28, 1969) because the train making the turn here is simply signed for Lake. Prior to the through-routing, Lake Street trains went around the Loop, and all traffic went counter-clockwise. The new track connection that allowed bi-directional operation had not yet been installed here.

The same basic scene as the last photo, from July 1969. We can tell that this picture was taken prior to the opening of the Dan Ryan line (September 28, 1969) because the train making the turn here is simply signed for Lake. Prior to the through-routing, Lake Street trains went around the Loop, and all traffic went counter-clockwise. The new track connection that allowed bi-directional operation had not yet been installed here.

A Lake-Dan Ryan train in October 1969, and what appears to be left-hand running.

A Lake-Dan Ryan train in October 1969, and what appears to be left-hand running.

It’s October 1969, and this westbound Lake-Dan Ryan train appears to be running on the “wrong” track, perhaps due to weekend track work on the Loop. This train has just left State and Lake and is heading towards Clark and Lake. Through-routing Lake and the new Dan Ryan line, which happened in September 1969, meant the end of unidirectional operations on the Loop.

Track work near Tower 18, July 1969. A work train of 4000-series “L” cars is most likely parked here.

This picture was taken in April 1973 at one of the Howard line stations near the north end of the line. The two outer tracks are used for express trains, and the inner tracks for locals.

This picture was taken in April 1973 at one of the Howard line stations near the north end of the line. The two outer tracks are used for express trains, and the inner tracks for locals.

The southbound express track on the northern portion of the Howard line had overhead wire equipped, for use by freight trains that the CTA was obliged to operate for customers along this line north of Irving Park Road. This was a holdover of service that originally had been offered by the Milwaukee Road, which leased this line to the Chicago Rapid Transit Company. The Chicago Transit Authority purchased it in the early 1950s, and freight service ended right around the time this picture was taken.

The southbound express track on the northern portion of the Howard line had overhead wire equipped, for use by freight trains that the CTA was obliged to operate for customers along this line north of Irving Park Road. This was a holdover of service that originally had been offered by the Milwaukee Road, which leased this line to the Chicago Rapid Transit Company. The Chicago Transit Authority purchased it in the early 1950s, and freight service ended right around the time this picture was taken.

Wilson Avenue, April 1973.

Wilson Avenue, April 1973.

An Englewood-Howard train at Wilson Avenue in April 1973. This station has since been completely redone.

An Englewood-Howard train at Wilson Avenue in April 1973. This station has since been completely redone.

In the late 1950s, a fourth track was added to a small portion of the Howard line that previously only had three tracks. This platform was added at that time, and was used by southbound North Shore Line trains. I was actually on a southbound Howard train one day when it unexpectedly stopped here, so I got off and took a look around, just to see what it was like. This has all been removed now, of course. The overhead wire was used by freight trains that ran at night. This picture was taken in April 1973.

In the late 1950s, a fourth track was added to a small portion of the Howard line that previously only had three tracks. This platform was added at that time, and was used by southbound North Shore Line trains. I was actually on a southbound Howard train one day when it unexpectedly stopped here, so I got off and took a look around, just to see what it was like. This has all been removed now, of course. The overhead wire was used by freight trains that ran at night. This picture was taken in April 1973.

The view looking the other way from the platform at Wilson that opened around 1960 (this picture taken in April 1973).

The view looking the other way from the platform at Wilson that opened around 1960 (this picture taken in April 1973).

CTA's Tower 18 at Lake and Wells in July 1971, looking north.

CTA’s Tower 18 at Lake and Wells in July 1971, looking north.

A work train of 4000s is southbound just north of the Loop in July 1971.

A work train of 4000s is southbound just north of the Loop in July 1971.

Here, we are looking north from the old Randolph and Wells station in May 1971, looking to the junction of Wells and Lake. This station has since been replaced by Washington and Wells.

Here, we are looking north from the old Randolph and Wells station in May 1971, looking to the junction of Wells and Lake. This station has since been replaced by Washington and Wells.

In May 1971, we see the rear of a northbound Evanston Express train of 4000s, just leaving the old Randolph and Wells station.

In May 1971, we see the rear of a northbound Evanston Express train of 4000s, just leaving the old Randolph and Wells station.

If I had to guess the location of this July 1971 picture, taken on Chicago's north side, it would be between Wilson and Sheridan.

If I had to guess the location of this July 1971 picture, taken on Chicago’s north side, it would be between Wilson and Sheridan.

This Howard "A" train is heading southbound in July 1971, under a section that still had overhead wire for use by freight trains that ran at night. The Howard train, of course, used third rail for current collection exclusively. Walton Snowden writes, "I have identified the location of the attached photo from you 5/19 page as Granville. I did so by using Google Maps aerial view. The tall building on the left really stands out in the area."

This Howard “A” train is heading southbound in July 1971, under a section that still had overhead wire for use by freight trains that ran at night. The Howard train, of course, used third rail for current collection exclusively. Walton Snowden writes, “I have identified the location of the attached photo from you 5/19 page as Granville. I did so by using Google Maps aerial view. The tall building on the left really stands out in the area.”

This picture was taken at Granville on the Howard line in May 1971.

This picture was taken at Granville on the Howard line in May 1971.

Again, Granville on the Howard line in May 1971.

Again, Granville on the Howard line in May 1971.

The rest of the work train, in July 1971.

The rest of the work train, in July 1971.

This July 1971 photo shows either the Halsted or Racine station on the Congress line. The train is heading west, away from the photographer. In those days, many stations had these “pay on train” signs, and when illuminated, that meant there was no ticket agent on duty, and the conductor would collect your fare on the train. There are no more conductors now, so this practice ended a long time ago. There were large grassy areas on each side of the tracks along portions of the right-of-way, because plans originally called for four tracks here. There had been four tracks when this was part of the Metrolpolitan “L” main line. In the new arrangement, two tracks would have been used by Lake Street “L” trains, which were at one time intended to be re-routed onto the Congress line.

If this is the same location as the last picture, this is the Racine station, this time looking to the east. Again, this is July 1971. This is a westbound Congress-Milwaukee “A” train.

Finally, here is the uncorrected version of the picture at the top of this post.

Finally, here is the uncorrected version of the picture at the top of this post.

Milwaukee Trip

Here are some photos I took in Milwaukee on May 3rd. They show the new Milwaukee streetcar circulator line, which began service last November, and memorabilia from the Dave Stanley collection. On the way up, I stopped in Kenosha and snapped a few pictures of the tourist PCC line there.

Recent Finds

Two CTA “L” trains pass each other at Wabash and Lake in April 1975. At left, we see a Loop Shuttle made up of 6000s; at right, a Lake-Dan Ryan set of 2000s. The Loop Shuttle was intended to make it easier to get from one downtown station to another, but was not really necessary and was eventually discontinued. It originally came about in the wake of the 1969 changes, whereby the Loop was made bi-directional. At rear we see the old Sun-Times/Daily News building, which stood at 401 N. Wabash from 1958 until 2005. It is now the site of the Trump International Hotel and Tower. Just over two years after this picture was taken, part of an “L” train fell off the structure at this curve.

On March 2, 1980, photographer Arthur H. Peterson snapped this picture of CTA Historic Cars 4271-4272 at the Dempster terminal in Skokie. The occasion was a fantrip.

On March 2, 1980, photographer Arthur H. Peterson snapped this picture of CTA Historic Cars 4271-4272 at the Dempster terminal in Skokie. The occasion was a fantrip.

In February 1977, a two-car CTA Ravenswood train of “flat door” 6000s is about to stop at the old Clark and Lake station in the Loop, on its way towards Kimball and Lawrence on Chicago’s northwest side. This station has since been replaced by a more modern one, with entrances connected to nearby buildings.

Chicago & North Western steam locomotive 511, a 4-6-2, is northbound at the EJ&E (Elgin Joliet & Eastern Railway) overpass in North Chicago, IL on the afternoon of July 13, 1955. In the foreground, we see the tracks of the Chicago North Shore & Milwaukee, the North Shore Line. North Chicago was also the original home of the Illinois Electric Railway Museum, which relocated to Union in the early 1960s. (Robert Selle Photo)

Chicago & North Western steam locomotive 511, a 4-6-2, is northbound at the EJ&E (Elgin Joliet & Eastern Railway) overpass in North Chicago, IL on the afternoon of July 13, 1955. In the foreground, we see the tracks of the Chicago North Shore & Milwaukee, the North Shore Line. North Chicago was also the original home of the Illinois Electric Railway Museum, which relocated to Union in the early 1960s. (Robert Selle Photo)

Recent Correspondence:

Miles Beitler writes:

This may be of interest to the history buffs — just before the opening day of Skokie Swift revenue service in 1964, the CTA ran free demonstration rides between Dempster and Howard. I was with a group of people on the Chicago Avenue bridge watching the trains coming in and out of Howard. I overheard a conversation among several of them, possibly CTA officials or workers, to the effect that the CRT/North Shore had originally planned for the tracks to run under Chicago Avenue and the C&NW but then to immediately rise and pass through the rest of Evanston on an embankment. However, this would have required the closing of Custer Avenue, which the City of Evanston refused to do. So the open cut was continued past Asbury, and the embankment did not begin until just east of Dodge.

Dave, you know much more about the Lake Street line than I do. How was the transition from 3rd rail to trolley poles done on Lake? Did they raise or lower the poles at Laramie, or was it done on the fly between Laramie and Central?

On Lake, the transition point was originally at Laramie, but some time prior to the 1962 changeover to the embankment, this was moved further west, to a point closer to Central, most likely to facilitate construction. This may have been done in 1961. I believe we have posted pictures in the past showing both changeover points.

Miles Beitler, again (in reference to some of the comments at the end of this post):

I want to clarify an earlier comment regarding when the Evanston Express began using track 1 between Howard and Granville. Andre Kristopans claimed that it wasn’t until the late ’60s, but I’m sure it was before that based on my personal knowledge and information from Graham Garfield. I mentioned that in my earlier comment — see the paragraph below — but let me expand on that.

Graham Garfield states on his website “No gauntlet track was needed for third rail clearance on Track 1 between Howard and Granville because there was no third rail there until November 1964, this section instead being solely powered by overhead wire.” Garfield also states that this is when SB afternoon Evanston Express trains began using track 1 out of Howard, but this may only be an assumption.

Why do I say that this may only be an assumption? Because elsewhere on his website, Garfield says:

“The year 1955 brought a new express service. On November 28th, the Shoppers Special service was reinstated on an experimental basis. The service ran Monday through Friday midday to the Loop using 6000-series cars 6123-6130 (specially equipped with trolley poles) and 5000-series cars 5001-5004. The Shoppers Special made all stops between Linden and South Boulevard, then Fullerton, the Merchandise Mart, and the Loop.”

So according to Garfield, these trains came from Evanston with their poles raised, and they breezed right through Howard without stopping. Were the poles quickly lowered while the train was passing Howard on track 2? It would seem more logical for the train to pass Howard on track 1, keeping its poles raised, and lower the poles at Granville instead. But then Garfield mentions that Howard was added as a stop the following year, and he displays a photo of a Shoppers Special stopped at Howard with its poles down. So I just don’t know which track these trains used, and perhaps Garfield isn’t sure either.

One point I’m absolutely clear on: I vividly recall watching from the Chicago Avenue (Evanston) bridge as North Shore trains approached Howard while the conductors or trainmen stood outside the cars and raised the trolley poles. Andre Kristopans confirmed this as well.

Prewar Chicago PCC 7010 is at the western terminal of Route 63 - 63rd Street, located at 63rd Place and Narragansett Avenue. After streetcars were cut back to this loop in 1948 (double-ended cars had previously gone a half mile west to Oak Park Avenue) this became a transfer point for buses heading west. This bus is heading to Argo, which is not the name of a suburb, but the name of a factory in suburban Summit that produced Argo corn starch. If you could see the front of the PCC, there were "tiger stripes," intended to make the cars more visible to motorists and pedestrians. PCCs ran on 63rd Street from 1948-52. (William Hoffman Photo, Wien-Criss Archive)

Prewar Chicago PCC 7010 is at the western terminal of Route 63 – 63rd Street, located at 63rd Place and Narragansett Avenue. After streetcars were cut back to this loop in 1948 (double-ended cars had previously gone a half mile west to Oak Park Avenue) this became a transfer point for buses heading west. This bus is heading to Argo, which is not the name of a suburb, but the name of a factory in suburban Summit that produced Argo corn starch. If you could see the front of the PCC, there were “tiger stripes,” intended to make the cars more visible to motorists and pedestrians. PCCs ran on 63rd Street from 1948-52. (William Hoffman Photo, Wien-Criss Archive)

Our resident South side expert M. E. writes:

Regarding
https://thetrolleydodger.com/wp-content/uploads/2019/04/img066-1.jpg
I want to discuss the name of the town. Is it Summit or Argo?

I remember using the names interchangeably. There was, and still is, Argo Community High School. But Amtrak and Metra call their station Summit.If you Google “Summit Illinois”, up comes another possibility: Summit-Argo.  If you go to http://www.usps.com/zip4 and enter the address 6400 Archer Av, which is where Corn Products (maker of Argo Starch) is located, up comes “6400 S Archer Rd, Summit Argo IL 60501-1935”. Finally, if you google “Corn Products Illinois”, up comes that same street address, but in Bedford Park.

All of which means the area southwest of 63rd and Archer is sort of in no-man’s-land.

OK, here’s a nit comment about the picture itself. The bus headed for Argo may have said Argo rather than Summit because there is no place to turn around at 63rd and Archer. So the bus probably had to turn left onto Archer and proceed to Corn Products’ parking lot in order to turn around.

There is no town called Argo… the entire area is Summit. The Argo name comes from the factory, which has led locals to nickname it “Summit-Argo.” Here is a map, which shows the area in question is Summit, even though there is an Argo High School:

M. E. replies:

If there is no town called Argo, wherefore cometh the name Summit Argo? Why not just Summit?

The only current pure use of the name Argo is for the high school. But why did that name originate? Might the town have been named Argo when the school began?

Here’s something interesting I just discovered at http://www.usps.com/zip4 . There, you can look up a ZIP code and see which cities have that ZIP code.
For 60501, I see:

Recommended city name
SUMMIT ARGO

Other city names recognized for addresses in this ZIP code
ARGO
BEDFORD PARK
SUMMIT

This tells me some people still use Argo as the town name.

Back to the CTA bus sign 63A ARGO. Why would the CTA do that? They could just as easily have accommodated 63A SUMMIT. I contend they used ARGO because the locals in that area called the town Argo. And I contend the town was called Argo because its largest employer, Corn Products, manufactured Argo Starch.

I have yet another source: A book titled “Train Watcher’s Guide to Chicago”, authored by John Szwajkart, dated 1976. It is accompanied by a map of railroad tracks in the entire Chicago area. The map shows two separate stations: Argo and Summit. The Argo station is south of Summit, around where Corn Products is located.

Finally, I fall back on what I remember calling that area when I was a kid. I called it Argo. Anecdotal, of course.

So it boils down to this: We can agree to disagree.

But isn’t this fun?

M E

The town of Summit was founded in 1890, and the Argo factory was started in 1907 in an unincorporated area to the south of Summit. Summit annexed it in 1911.

The USPS will accept names for areas that are not, strictly speaking, the actual municipal names. I can think of numerous instances of this happening. Sometimes, these are neighborhood nicknames. Such is the case with “Summit Argo.”

Interestingly, there is a film called Argo, which has nothing to do with Summit or Argo in Illinois.

Arrrgh!!!

-David Sadowski

Now Available On Compact Disc

RRC-OMTT
Railroad Record Club Traction Rarities – 1951-58
From the Original Master Tapes
# of Discs- 3
Price: $24.99


Railroad Record Club Traction Rarities – 1951-58
From the Original Master Tapes

Our friend Kenneth Gear recently acquired the original Railroad Record Club master tapes. These have been digitized, and we are now offering over three hours of 1950s traction audio recordings that have not been heard in 60 years.
Properties covered include:

Potomac Edison (Hagerstown & Frederick), Capital Transit, Altoona & Logan Valley, Shaker Heights Rapid Transit, Pennsylvania Railroad, Illinois Terminal, Baltimore Transit, Niagara St. Catharines & Toronto, St. Louis Public Transit, Queensboro Bridge, Third Avenue El, Southern Iowa Railway, IND Subway (NYC), Johnstown Traction, Cincinnati Street Railway, and the Toledo & Eastern

$5 from the sale of each set will go to Kenneth Gear, who has invested thousands of dollars to purchase all the remaining artifacts relating to William A. Steventon’s Railroad Record Club of Hawkins, WI. It is very unlikely that he will ever be able to recoup his investment, but we support his efforts at preserving this important history, and sharing it with railfans everywhere.

Disc One
Potomac Edison (Hagerstown & Frederick):
01. 3:45 Box motor #5
02. 3:32 Box motor #5, May 24, 1953
03. 4:53 Engine whistle signals, loco #12, January 17, 1954
04. 4:13 Loco #12
Capital Transit:
05. 0:56 PCC car 1557, Route 20 – Cabin John line, July 19, 1953
06. 1:43
Altoona & Logan Valley:
07. 4:00 Master Unit car #74, August 8, 1953
Shaker Heights Rapid Transit:
08. 4:17 Car 306 (ex-AE&FRE), September 27, 1953
09. 4:04
10. 1:39
Pennsylvania Railroad GG-1s:
11. 4:35 August 27, 1954
12. 4:51
Illinois Terminal:
13. 5:02 Streamliner #300, northward from Edwardsville, February 14, 1955
14. 12:40 Car #202 (ex-1202), between Springfield and Decatur, February 1955
Baltimore Transit:
15. 4:56 Car 5706, January 16, 1954
16. 4:45 Car 5727, January 16, 1954
Niagara, St. Catharines & Toronto:
17. 4:19 Interurbans #83 and #80, October 1954
18. 5:20 #80, October 1954
Total time: 79:30

Disc Two
St. Louis Public Service:
01. 4:34 PCCs #1708, 1752, 1727, 1739, December 6, 1953
Queensboro Bridge Company (New York City):
02. 5:37 Cars #606, 605, and 601, December 31, 1954
03. 5:17
Third Avenue El (New York City):
04. 5:07 December 31. 1954
05. 4:47 Cars #1797, 1759, and 1784 at 59th Street, December 31, 1954
Southern Iowa Railway:
06. 4:46 Loco #400, August 17, 1955
07. 5:09 Passenger interurban #9
IND Subway (New York City):
08. 8:40 Queens Plaza station, December 31, 1954
Last Run of the Hagerstown & Frederick:
09. 17:34 Car #172, February 20, 1954 – as broadcast on WJEJ, February 21, 1954, with host Carroll James, Sr.
Total time: 61:31

Disc Three
Altoona & Logan Valley/Johnstown Traction:
01. 29:34 (Johnstown Traction recordings were made August 9, 1953)
Cincinnati Street Railway:
02. 17:25 (Car 187, Brighton Car House, December 13, 1951– regular service abandoned April 29, 1951)
Toledo & Eastern:
03. 10:36 (recorded May 3-7, 1958– line abandoned July 1958)
Capital Transit:
04. 16:26 sounds recorded on board a PCC (early 1950s)
Total time: 74:02

Total time (3 discs) – 215:03


The Trolley Dodger On the Air

We appeared on WGN radio in Chicago last November, discussing our book Building Chicago’s Subways on the Dave Plier Show. You can hear our 19-minute conversation here.

Chicago, Illinois, December 17, 1938-- Secretary Harold Ickes, left, and Mayor Edward J. Kelly turn the first spadeful of earth to start the new $40,000,000 subway project. Many thousands gathered to celebrate the starting of work on the subway.

Chicago, Illinois, December 17, 1938– Secretary Harold Ickes, left, and Mayor Edward J. Kelly turn the first spadeful of earth to start the new $40,000,000 subway project. Many thousands gathered to celebrate the starting of work on the subway.

Order Our New Book Building Chicago’s Subways

There were three subway anniversaries in 2018 in Chicago:
60 years since the West Side Subway opened (June 22, 1958)
75 years since the State Street Subway opened (October 17, 1943)
80 years since subway construction started (December 17, 1938)

To commemorate these anniversaries, we have written a new book, Building Chicago’s Subways.

While the elevated Chicago Loop is justly famous as a symbol of the city, the fascinating history of its subways is less well known. The City of Chicago broke ground on what would become the “Initial System of Subways” during the Great Depression and finished 20 years later. This gigantic construction project, a part of the New Deal, would overcome many obstacles while tunneling through Chicago’s soft blue clay, under congested downtown streets, and even beneath the mighty Chicago River. Chicago’s first rapid transit subway opened in 1943 after decades of wrangling over routes, financing, and logistics. It grew to encompass the State Street, Dearborn-Milwaukee, and West Side Subways, with the latter modernizing the old Garfield Park “L” into the median of Chicago’s first expressway. Take a trip underground and see how Chicago’s “I Will” spirit overcame challenges and persevered to help with the successful building of the subways that move millions. Building Chicago’s subways was national news and a matter of considerable civic pride–making it a “Second City” no more!

Bibliographic information:

Title Building Chicago’s Subways
Images of America
Author David Sadowski
Edition illustrated
Publisher Arcadia Publishing (SC), 2018
ISBN 1467129380, 9781467129381
Length 128 pages

Chapter Titles:
01. The River Tunnels
02. The Freight Tunnels
03. Make No Little Plans
04. The State Street Subway
05. The Dearborn-Milwaukee Subway
06. Displaced
07. Death of an Interurban
08. The Last Street Railway
09. Subways and Superhighways
10. Subways Since 1960

Building Chicago’s Subways is in stock and now available for immediate shipment. Order your copy today! All copies purchased through The Trolley Dodger will be signed by the author.

The price of $23.99 includes shipping within the United States.

For Shipping to US Addresses:

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Redone tile at the Monroe and Dearborn CTA Blue Line subway station, showing how an original sign was incorporated into a newer design, May 25, 2018. (David Sadowski Photo)

Redone tile at the Monroe and Dearborn CTA Blue Line subway station, showing how an original sign was incorporated into a newer design, May 25, 2018. (David Sadowski Photo)

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Railroad Record Club Treasure Hunt, Part 2

1 Selection of Steventon tapes mostly unreleased

1 Selection of Steventon tapes mostly unreleased

Following up on our previous posts William A. Steventon’s Railroad Record Club (September 24, 2018), and Railroad Record Club Treasure Hunt (July 30, 2017) guest author Kenneth Gear continues with a detailed rundown on his latest discoveries.

I have been interested in historic preservation for a long time, and it’s not every day that anyone comes across original material such as this. Suddenly, out of nowhere it seems, previously unknown, unissued audio recordings have emerged for some long-vanished steam and electric railroads, along with 16mm motion picture film, and various artifacts related to the Railroad Record Club’s 42 issued LPs, in their various forms. It seems like a miracle that somehow, it all survived to be rescued from oblivion.

Getting this done involved a tremendous financial sacrifice on Ken’s part, as he is of modest means. I hope that he will be able to recoup at least some of his substantial investment in the future. I am sure he will appreciate any contributions you may be able to offer him, towards the cost of transferring some of these reel-to-reel tapes and 16mm movie films to digital.

You can find Part 1 here: Railroad Record Club Treasure Hunt (July 30, 2017)

-David Sadowski

PS- Our new book Building Chicago’s Subways is now available for immediate shipment.  If you already pre-ordered it, your copy is already on its way to you.  We are excited to have had the opportunity to tell the story of this exciting chapter in Chicago history.  Details on how to order are at the end of this post.

Railroad Record Club Treasure Hunt, Part 2

It’s been over a year since I acquired a large portion of the William Steventon estate. The Railroad Record Club items that I purchased last year have enabled David and I to piece together a fairly complete history of the RRC and to more fully appreciate the time and effort Mr. Steventon put into producing these records. The homemade 78rpm records alone proved to be an invaluable resource. Not only did they provide us with some wonderful recordings, most of which hadn’t been heard in over fifty years, they revealed the pre-history of the club and offered a glimpse into the infancy of railroad field recording.

We were able to hear the very first railroad recording Steventon made– B&O trains at Riverdale, Maryland in 1953. We also finally completed our quest to get a copy of every single released RRC record digitized and put on CDs. We are now only in need of two samplers, the 5th and 6th years. More interesting information was garnered from examining original record jacket artwork and paste up boards, as well as the metal print blocks. We were also able to compile a list of records re-issued on 12″ stock and find out what was necessary for it to happen and the cost of doing it.

Photographs from his personal collection were scanned and published in the Trolley Dodger for all to enjoy. I think the effort that went into keeping all this material from ending up in a dumpster was well worth the time and expense and I’m happy to have been involved.

In spite of this, I knew the job was only half finished. There was much more that needed to be saved and time was running out. Those tapes I wrote about under the heading “what I left behind” in the first treasure hunt story needed to be preserved. There were still a big box of photos, reams of correspondence, the metal master discs for the 12″ reissues and lots and lots of sealed records.

The estate dealer was quite adamant that this stuff had to go…and quickly! I purchased all that I could, but I certainly could not afford to buy anything else and asked for some time to raise the money. As I tried to come up with the extra cash needed, months went by and the emails ceased. For a while it seemed that all this great material would be lost. Still, I squirreled away what money I could when I could and slowly, much too slowly, I approached his asking price. With the funds in hand, I emailed the estate dealer putting in the subject line that I HAD the money for the remaining Steventon estate items. Even as I composed that email I couldn’t be sure that the entire lot wasn’t already in some land fill rotting away. He answered me the next day, but it seemed a lot longer then that to me. His first two sentences were a relief:  

Ken, good to hear from you.  Yes, it is all as we left it a year ago.

There was one complication that needed to be addressed. I could not make the trip up to him in Wisconsin this year as I had done before. All the items would have to be shipped to me in New Jersey.

The estate dealer was agreeable to packing up the items and doing the weighing and making the transportation arrangements, but again there was a complication. This was his busy season and he would be working extensively out of town.  He would not be able to devote much time to this effort for the next few weeks. A little progress was made here and there through the rest of June and I purchased boxes and packing material in July. I was a little apprehensive about shipping old open reel tapes and vinyl records during the hottest part of the summer anyway, so I just had to be patient. In early August progress was made and on the 13th I received the long-awaited email:

The last box is packed.  You’ll have a pallet coming that’s right around 400 pounds, perhaps a touch over.  Nine boxes to be delivered to the YRC terminal. 

Several more delays would still be encountered, not the lest of which was the local hardware store’s forklift needing repairs. The hardware store, for a $20 fee, would be used to lift the pallet onto the truck. At last, in early September, with all hurdles cleared, a newly-repaired forklift placed the shipment on to the truck. Finally, the second half of the Steventon estate’s Railroad Record Club items were on their way to me.

A few days later I heading to the local YRC terminal to receive the long-awaited shipment. After some paperwork in the office, I backed a borrowed ¾-ton pick-up truck to the indicated bay. Soon a forklift lowered the last of the Railroad Record Club items from the Steventon estate into the truck bed. I now had a night of treasure hunting to look forward to!

I had sort of “cherry picked” the first half of the estate, so I knew that a great unexpected find was rather doubtful, but I did come across a few surprises.

THE TAPES

2 Tapes appear to be in good condition

2 Tapes appear to be in good condition

3 Tape with hand written track listing

3 Tape with hand written track listing

4 More unreleased Steventon audio

4 More unreleased Steventon audio

5 Lots of interesting material on these tapes

5 Lots of interesting material on these tapes

6 Still more intersting tapes

6 Still more intersting tapes

7 Unreleased audio this is why I bought the whole lot

7 Unreleased audio this is why I bought the whole lot

8 Steventon tapes

8 Steventon tapes

9 More Stevnton tapes

9 More Stevnton tapes

10 Even more tapes

10 Even more tapes

11 Small reels -the master tapes for the 78rpm records

11 Small reels -the master tapes for the 78rpm records

12 Another view of the Small reels -the master tapes for the 78rpm records

12 Another view of the Small reels -the master tapes for the 78rpm records

13 A box full of the Small reels -the master tapes for the 78rpm records

13 A box full of the Small reels -the master tapes for the 78rpm records

14 Close up of the 78rpm record master tapes

14 Close up of the 78rpm record master tapes

15 Another Close up of the 78rpm record master tapes

15 Another Close up of the 78rpm record master tapes

16 78rpm master tapes showing condition of tapes-not too bad

16 78rpm master tapes showing condition of tapes-not too bad

17 close up of 78rpm master tape showing condition

17 close up of 78rpm master tape showing condition

18 BC Electric and Montreal & South Counties tapes with Steventon letter

18 BC Electric and Montreal & South Counties tapes with Steventon letter

19 Montreal & South Counties tape with Steventon letter

19 Montreal & South Counties tape with Steventon letter

20 BC Electric tape with Steventon letter

20 BC Electric tape with Steventon letter

21 Close up of the BC Electric and Montreal & South Counties tapes

21 Close up of the BC Electric and Montreal & South Counties tapes

22 Railroad Record Club Master tapes

22 Railroad Record Club Master tapes

23 Master tape for record 26

23 Master tape for record 26

24 A stack of 22 Railroad Record Club Master tapes

24 A stack of 22 Railroad Record Club Master tapes

25 master tape Railroad Record Club number 16

25 master tape Railroad Record Club number 16

26 master tape Railroad Record Club number 15

26 master tape Railroad Record Club number 15

27 master tape Railroad Record Club with memo

27 master tape Railroad Record Club with memo

28 master tape Railroad Record Club number 17

28 master tape Railroad Record Club number 17

29 master tape Railroad Record Club number 18

29 master tape Railroad Record Club number 18

30 Note on box containing master tape Railroad Record Club number 18

30 Note on box containing master tape Railroad Record Club number 18

31 Two master tapes for record number 3

31 Two master tapes for record number 3

32 Two master tapes for record number 3 showing condition

32 Two master tapes for record number 3 showing condition

33 master tape Railroad Record Club number 7

33 master tape Railroad Record Club number 7

34 master tapes Railroad Record Club number 10

34 master tapes Railroad Record Club number 10

35 master tape Railroad Record Club number 23 with memo

35 master tape Railroad Record Club number 23 with memo

36 master tape Railroad Record Club number 17

36 master tape Railroad Record Club number 17

The reel to reel tapes that I had left behind last year were the real reason I went to all this trouble and expense to acquire the rest of the estate. I’m sure I did not get any of the tapes that were actually in Steventon’s recorder when he was trackside, but they may no longer exist. Perhaps he transferred these “field tapes” to newer tape stock, in an effort to preserve them and some of these duplicates are what I received. There is at least one recording I know he made that is not among my tapes. In the liner notes of Record Number 20, Steventon writes that the cab ride onboard NYC # 1441 with his father at the throttle was edited down from over two hours of tape. I would have been very happy to find 4 or 5 reels of tape marked “cab ride with Dad” but it was not to be. What I did find, however, is some very good and interesting stuff, most of which has never been released on a Railroad Record Club LP.

One tape that was a bit of a surprise was a 4″ reel of tape marked NYS&W. Of all the railroads in the New York area, why the Susquehanna? If he recorded this tape while in New York to ride and record the Queensboro Bridge trolley, which had to be prior to April 1957 when that line shut down, then why not record PRR K-4s on the New York & Long Branch which lasted until October of that year? Or all those electric locomotives on the NYC and NYNH&H? Perhaps he did record some or all these railroads and I just don’t have the tapes. Anything is possible, but I have found no evidence that he ever did. I’ll just have to wait until I have the NYS&W tape put on CD to find out just what the attraction may have been.

Other interesting finds include three 5″ reels of a fan trip operated by the Northern Pacific Railroad on June 20, 1957. 4-8-4 # 2686 pulled the train from St. Paul, MN to Staples. One tape is labeled “NP 2686-LV MPLS,” the second NP 2686 coal dock stop,” and the last, “NP 2686 LV Staples.” There was also a negative of the NP 2686 at Staples found among the photographs. Other steam and/or diesel tapes are labeled “CPR,” “NKP Ft. Wayne,” “N&W,” and “Soo Line.”

The traction fans among us will be happy to know there is plenty for them. The CNS&M has several tapes devoted to it. One tape is marked “CNS&M switching at Rondout and Mundelein”. There is a cut on Record 26 of locomotive # 459 switching at Rondout, but not at Mundelein. Another North Shore tape is marked “Mundelein Run” and another simply ” Mundelein”. One more CNS&M tape has “Electroliner” written on the box.

There is a tape marked “ITS 202”, apparently Steventon preferred Illinois Traction System to Illinois Terminal. On Record 25 Steventon wrote in the liner notes, “We had just arrived (at Harristown, IL) on interurban No. 202 where we had made an “on train” recording east from Springfield. We alighted and watched the 202 fade into the distance. This was the last sight and sound we had of the Illinois Terminal as an interurban. The “on train” recording of 202 and a streamliner is scheduled for release at a later date.” It never was. I don’t know about the streamliner recording, I may or may not have it, but I will consider it a privilege to be involved with releasing the 202 recording for him.

There are also tapes of the Cedar Rapids & Iowa City (CRANDIC), Charles City Western, Toledo & Eastern, and Capital Transit. Canadian traction fans are not overlooked either. There is a 5″ reel of the Niagara, St. Catharines & Toronto Railway. There are also two 5″ reels, one each, of the BC Electric and the Montreal & Southern Counties. These two tapes were recorded by Eugene Van Dusen, and the accompanying letter to Steventon, plus a copy of it sent to Elwin Purington, were found among some RRC papers I have. Another reel of tape not recorded by Steventon is “Cincinnati Street Railway Car 187 12/13/51.” Finding this was a nice surprise. I don’t know who did record it, but Steventon did not start making recordings until 1953.

Here is the entire list of the tape reels, excluding 21/2″ reels which I’ll list separately, and the master tapes for the LPs,

REEL TO REEL TAPES

INFORMATION MARKED ON TAPE BOXES

4″ reels:

1. NYS&W

5″ reels:

1. CPR-J. Van Brocklin
2. Soo Line
3. T&E NKP Diesel-NKP Ft. Wayne
4. N&W
5. N&W from Salem
6. N&W Billy + Larry on end
7. NP 2686 Lv Mpls-6/20/57
8. NP 2686 coal dock stop
9. NP 2686 Lv Staples
10. B. C. Electric
11. Montreal & Southern Counties
12. Potomac Edison #5
13. Potomac Edison H&F last run radio program
14. CNS&M -switching at Rondout and Mundelein
15. Mundelein Run
16. Capital Transit co 1151
17. ITS car 202
18. Cedar Rapids and Iowa City 5/31/53
19. CCW 5/18/54*
20. CCW CC to Colwell
21. Toledo & Eastern
22. PRR GG-1s

7″ reels:

1. Railroading in Spooner Wisconsin
2. CNS&M Electroliner
3. N. St. C & Toronto
4. Johnstown Traction and Altoona & Logan Valley
5. Cincinnati Street Railway car 187 12/13/51

The next bunch of tapes are smaller reels. These 21/2″ reels are in their original manufacture’s boxes and are marked only with a Railroad name and a catalog number. The catalog numbers correspond with the catalog numbers on the 10″ 78rpm acetate records that I acquired with the first half of the estate. As producing these records was a very time-consuming task, Steventon saved time by making a master tape for each record. The master tape would contain his spoken introductions followed by the train sounds. I bought over sixty of these small master tapes, and a large number have never been put on the regular Railroad Record Club releases. They contain sounds of railroads I was completely unaware Steventon ever recorded, such as L&N, Southern, and Virginian. This collection also contains the Queensboro Bridge trolley, the IND subway, and the Third Avenue EL recordings Steventon made in New York City.

21/2″ reels:

1. Potomac Edison, 4 reels
2. Shenandoah Central, 2 reels
3. Capital Transit, 3 reels
4. Altoona & Logan Valley, 2 reels
5. B&O, 9 reels
6. Shaker Heights RT, 3 reels
7. PRR, 5 reels
8. NKP, 1 reel
9. St. Louis PS, 1 reel
10. Illinois Terminal, 2 reels
11. ICRR 3 reels
12. N&W, 1 reel
13. WM Rwy, 1 reel
14. Baltimore Transit, 2 reels
15. Senate Subway, 1 reel
16. Scranton Transit, 1 reel
17. Rochester Subway, 1 reel
18. CB&Q, 2 reels
19. Niagara, St. C & T, 2 reels
20. Virginian, 2 reels
21. Southern, 2 reels
22. Queensboro Bridge, 2 reels
23. Wabash, 1 reel
24. Third Ave. EL, 2 reels
25. Soo Line, 5 reels
26. L&N, 2 reels
27. St. Elizabeth Hospital, 1 reel (used steam switcher to move coal hoppers)
28. Omaha Road, 1 reel
29. NYC IND Subway, 1 reel
30. Unidentified, 4 reels

This is not a complete set of all the master tapes made for the 78rpm records to be sure, but it’s most of them. I consider it a small miracle that any survive at all! I am not an audio expert, but in my opinion, uninformed as it may be, these tapes appear to be in reasonably good condition. I would think that the tapes would be able to withstand a few more plays, enough to be digitized at least. Neither David nor I have the equipment to attempt this and I think it would be ill advised of us to try anyway. The tapes are old and were not stored in archival conditions. I’m sure the prudent course of action is to entrust any work on them to a professional.

The last batch of tapes are the master tapes made for the released Railroad Record Club LPs. There are different size reels, some tapes are only of one side of the LP while others have both sides on the same reel. Some are in good condition and some are not. Some I have multiple copies of and a few of the LPs I have no tapes for, Rather then make a complete list of every reel I will simply list the few LPs I have NO master tapes for.

No master tapes:

RRC 21
RRC 24
RRC 29
RRC 31
RRC SP-2
RRC SP-4
RRC SP-6

Most of these reels are 7″ with only a few smaller or larger. The most interesting master tapes are the reels for RRC 3 EBT/D&RGW. There are two 7″ reels that most likely have the original release version of the record, the one with William Steventon’s narration. There are also two 5″ reels, one marked “sounds only” and the other labeled “Narrative.” Since Steventon removed his voice from the 12″reissue of the record, the “Narrative” tape must contain just the voice of Elwin Purington doing the new narration.

I’m not sure just what to do with these master tapes. Some are in rough shape and all these sounds are on the released Railroad Record Club LPs. It certainly would be a considerable expense to digitize them all and no new sounds would be gained. For now, I’ll store them in the best possible conditions that I can provide and perhaps one day a clear path of action will present itself.

MOVIE FILMS

1 Steventon Film that should be all trains

1 Steventon Film that should be all trains

2 Capital Transit B&W Night Film

2 Capital Transit B&W Night Film

3 Steventon film

3 Steventon film

4 Pennsy and B&O film

4 Pennsy and B&O film

5 Back of Kodachrome box

5 Back of Kodachrome box

6 Front of kodachrome box

6 Front of kodachrome box

I found several rolls of 16mm movie film within the boxes of audio tapes. Fortunately, Steventon was very good at labeling everything. He inserted little slips of paper into the film boxes listing the contents of the films. Unfortunately, the majority are family home movies. Most are of Steventon’s son Seth. His first day of school, Christmases, and birthday parties. There were six 100-foot reels that should be all trains.

16mm movies;

1. 100-foot reel but only about 50 feet of film. Labeled “Pennsy Fan Trip and B&O near Riverdale.”
2. 100-foot reel, full, labeled “Canada Term”. I’m not sure what that is supposed to indicate. I unspooled a few feet of film and the first few frames are without a doubt a steeple cab locomotive.
3. 100-foot reel, full, B&W, labeled “Cap Transit Night Film.”
4. 100-foot reel, full, labeled “EBT Reel 1.”
5. 100-foot reel, full, labeled “EBT Reel 2.”
6. 100-foot reel, full, labeled “Negative 1R Freight” Also written on box “bad footage.”

PRINT BLOCKS

1 Selection of print blocks

1 Selection of print blocks

2 More print blocks

2 More print blocks

3 Still more print blocks

3 Still more print blocks

4. Print block for very early RRC traction logo

4. Print block for very early RRC traction logo

5. Railroad Record Club logo print block

5. Railroad Record Club logo print block

6 Another style Railroad Record Club logo print block

6 Another style Railroad Record Club logo print block

7 Interurban car fron LP Sound Scrapbook-Traction

7 Interurban car fron LP Sound Scrapbook-Traction

8 Interurban car fron LP Sound Scrapbook-Traction in two sizes

8 Interurban car fron LP Sound Scrapbook-Traction in two sizes

9 PRR steamer from 1st edition of RRC 10 in two sizes

9 PRR steamer from 1st edition of RRC 10 in two sizes

10 D&RGW locomotive from the 1st edition of the LP the Siverton Train

10 D&RGW locomotive from the 1st edition of the LP the Siverton Train

11A Print block for NKP LP

11A Print block for NKP LP

12 Ad for RRC 25

12 Ad for RRC 25

13 Ad for RRC 25 reversed

13 Ad for RRC 25 reversed

14 Print block for large ad

14 Print block for large ad

15 Print block for large ad reversed

15 Print block for large ad reversed

16 Ad for traction watch fobs

16 Ad for traction watch fobs

17 Ad for steam LPs

17 Ad for steam LPs

18 Ad for steam LPs reversed

18 Ad for steam LPs reversed

19 Strange RRC ad

19 Strange RRC ad

20 Strange RRC ad printed version

20 Strange RRC ad printed version

I also acquired a good number of print blocks, which are mostly quite small and were used in the RRC advertisements.  I have a bunch of print blocks of the LP covers, all about the size of a postage stamp. They were used in ads and in the catalogs. There are a few complete ads that mostly feature a single record release. One large ad of interest is a very 1960’s, almost psychedelic illustration of a steam locomotive looming over a record player. Smoke is shooting from it’s stack and entwined within the billows of smoke are such things as a whistle blowing, a box cab electric locomotive, and a steam train. LPs are seen flying through the air and the words “steam and electric recordings” in twisted snake-like lettering fills the upper portion. Wild and unexpected. I would certainly like to know if this ad ever appeared anywhere in print.

I did not make a list of these small print blocks, there are just too many. I did photograph a representative selection of them. These photos will give a good idea of what is in the collection.

RECORDS

1 41 copies of RRC 3

1 41 copies of RRC 3

2 18 copies of RRC 5

2 18 copies of RRC 5

3 RCA test pressing for Sound Scrapbook Steam showing notation on upper left of sleeve

3 RCA test pressing for Sound Scrapbook Steam showing notation on upper left of sleeve

4 RCA test pressing for Illinois Terminal one of only 3 good discs

4 RCA test pressing for Illinois Terminal one of only 3 good discs

5 Back of RCA test pressing for Illinois Terminal

5 Back of RCA test pressing for Illinois Terminal

6 Close up of RCA test pressing for Illinois Terminal

6 Close up of RCA test pressing for Illinois Terminal

7 Close up of RCA test pressing for NKP

7 Close up of RCA test pressing for NKP

8 RCA test pressing for CN showing damage

8 RCA test pressing for CN showing damage

9 Metal press stamp

9 Metal press stamp

10 Metal press stamp with cardboard sleeve

10 Metal press stamp with cardboard sleeve

11 RRC Nashville Metal press stamp

11 RRC Nashville Metal press stamp

12 Metal press stamps in cardboard sleeves for RRC4 B&O

12 Metal press stamps in cardboard sleeves for RRC4 B&O

13 3 RRC Nashville Metal press stamps

13 3 RRC Nashville Metal press stamps

14 Metal press stamp for RRC LP

14 Metal press stamp for RRC LP

15 Railroad Record Club SP-4 boxes and sleeves

15 Railroad Record Club SP-4 boxes and sleeves

16 Record jackets for each of the 3 records in the SP-4 set

16 Record jackets for each of the 3 records in the SP-4 set

17 Label for 1st edition of record 1 side 1 of RRC-SP4

17 Label for 1st edition of record 1 side 1 of RRC-SP4

18 Label for 2nd edition of record 1 side 1 of RRC-SP4

18 Label for 2nd edition of record 1 side 1 of RRC-SP4

19 Label for 3rd edition of record 1 side 1 of RRC-SP4

19 Label for 3rd edition of record 1 side 1 of RRC-SP4

Since the estate dealer would only sell me the tapes unless I bought the entire lot, including the remainder of the RRC LP stock, I had no choice but to buy them. I’ll admit I would not have wanted to see all these mint condition, still sealed LPs go in the trash, but what am I going to do with them and where am I going to store them? These questions I’m still contemplating. However, these concerns are secondary to preserving and digitizing the tapes. I have a few options, I can rent a table at a few railroadiania swap meets, contact a few local hobby stores and see if they are willing to sell some, and David and I have been thinking of making them available through the blog.

I’ll have to carefully consider my options. It would be nice to make a little of my money back and put it towards digitizing tapes. For the record, here is a list of the 12″ remasters. They are all still sealed and, for the most part, in mint condition. A few may have a bend or crease in the jackets and a few copies of RRC 20 have brown water stains in the lower right corner.

12″ remaster LPs:

41 copies of RRC 3, EBT/D&RGW
18 copies of RRC 5, D7rgw
36 copies of RRC 8 CN
29 copies of RRC 3 15, CB&Q
34 copies of RRC 16, Westside Lumber
25 copies of RRC 20, NYC/C&IM (6 copies have water damage)
15 copies of RRC 26, CNS&M Freight
22 copies of RRC 29, NKP 779

Included with the unsold record stock were several mint copies of the original 10″ LPs:

10″ LPs:
1 copy RRC 2, WCF&N
1 copy RRC 4, B&O
2 copies of RRC 5, D&RGW
1 copy RRC 7, N&W
1 copy RRC 8, CN
1 copy RRC 10, PRR
1 copy RRC 16, Westside Lumber
1 copy RRC 17, Soo Line
1 copy RRC 19, DM&IR
1 copy RRC 20, NYC/C&IM
8 copies of RRC 28, Charles City Western
1 copy RRC 29, NKP 779
1 copy RRC SP-2 NP 2626

Twenty-four RCA test pressing were included in the sale, ten 12″ pressings and fourteen 10″. All these pressings are stamped on one side only and on the paper sleeve of two of the 12″ pressings there is a hand-written note: “Masters will be 12 inch”. This is the one rather disheartening part of the story. All but three of these test pressings are in very poor condition. The accrete has flaked off in large chips. When I removed the disc from the paper sleeve to determine its condition, a black snowfall often resulted. I’m not sure what to do with these, they are really just trash now. I will photograph the label of each one for my archive but after that, I just don’t know. The three good discs are two 12″ pressings for both sides of RRC 15, CB&Q. It’s lucky that the only undamaged 12″ RCA test pressings are for the two sides of the same record. The one good 10″ disc is for side 2 of RRC 25, Illinois Terminal.

The metal stamping plates vary in condition. I was able to inspect these plates while at the dealer’s property last July, so I knew what to expect. I turned them down last year to save my money for what I considered the good stuff, the artwork and 78rpm records. All the original RCA stamp plates were lost in 1973, necessitating the 12″ remaster program. These plates are the Nashville-made stamps made in the late 1970s and throughout the 1980s. As I remember it, all 17 master plates were in the dealer’s warehouse. I only looked at them briefly but the top few were scratched and dented. Now, if I wanted the tapes, I had to buy them. Here I did a little dealing. Since these plates were a bit heavier than the records and I was paying for shipment by the pound, I convinced the dealer to choose a few of the stamps that were in the best condition. Those in poor condition he would not charge me for and he could discard them. The archivist in me wanted to save them all, but compromises must occasionally be made.

In all I got twelve of these stamps, five are 14″ and 7 are 12″.

I ended up with a bunch of returned records as well. Numbering somewhere around fifteen or twenty, these records were returned by buyers dissatisfied with them.  Most of them have a note attached with the buyer’s name and his complaint. Things such as scratches, surface noise, and various clicks and pops were the most often cited reasons for the return.

An interesting find was various copies of the records that comprise the three-record set of SP-4. I was able to put together a set of each of the three pressings this set had. A surprise was a set of these records not in the display box that they came in, but in three separate record jackets. Each jacket had the same drawing of CSS&SB MU #108 that appeared on the box lid. Perhaps this was some sort of test printing or the original idea for the jackets. I may never know but I’m sure it is a unique set.

PHOTOGRAPHS

A Washington and Old Dominion RPO (Railway Post Office) on a mail run outside Rosslyn VA. Here is some additional information, via trainorders.com: "The shot of eastbound car 44 was taken at the grade crossing of North Quinn Street; which was located just outside of Rosslyn,VA near the west end of the bridge that carried the W&OD across Lee Highway and into the Rosslyn yard. 44 had been rebuilt into an RPO, by the railroad from a 1912 Southern Car interurban combine. After passenger service ended (for the first time) in 1941, 44 continued to run under wires by itself twice a day for mail and express duties; until the conversion to diesel power in 1942. After the power was turned off for good; 44 was hauled by a GE 44-tonner."

A Washington and Old Dominion RPO (Railway Post Office) on a mail run outside Rosslyn VA. Here is some additional information, via trainorders.com: “The shot of eastbound car 44 was taken at the grade crossing of North Quinn Street; which was located just outside of Rosslyn,VA near the west end of the bridge that carried the W&OD across Lee Highway and into the Rosslyn yard. 44 had been rebuilt into an RPO, by the railroad from a 1912 Southern Car interurban combine. After passenger service ended (for the first time) in 1941, 44 continued to run under wires by itself twice a day for mail and express duties; until the conversion to diesel power in 1942. After the power was turned off for good; 44 was hauled by a GE 44-tonner.”

NP 4-8-4 2686

NP 4-8-4 2686

CA&E Elgin train on street in Aurora IL 1931

CA&E Elgin train on street in Aurora IL 1931

Capital Transit PCC and bus Catholic University

Capital Transit PCC and bus Catholic University

D&RGW 476 locomotive featured on SP-1

D&RGW 476 locomotive featured on SP-1

D&RGW 481

D&RGW 481

Des Moines & Central Iowa car 1710

Des Moines & Central Iowa car 1710

EBT 15 on a rainy day very likely while record 3 was being recorded

EBT 15 on a rainy day very likely while record 3 was being recorded

Evansville & Ohio Valley car 134

Evansville & Ohio Valley car 134

Ill Terminal car 285

Ill Terminal car 285

Ill Terminal local on Caldwell Hill East Pearia about 1936

Ill Terminal local on Caldwell Hill East Pearia about 1936

Indiana box car 550

Indiana box car 550

Indiana RR 752 waiting for loads at mine scale

Indiana RR 752 waiting for loads at mine scale

Indiana RR car 64

Indiana RR car 64

Indiana RR car 93 at Anderson IN September 4 1938

Indiana RR car 93 at Anderson IN September 4 1938

Indiana RR Vigo with rails ripped out.

Indiana RR Vigo with rails ripped out.

Interstate car 711 ex-IPSC 427 September 3 1939

Interstate car 711 ex-IPSC 427 September 3 1939

Interstate car 711 on shop siding west of Greencastle June 3 1939

Interstate car 711 on shop siding west of Greencastle June 3 1939

Interurban car 44 and REA truck Rosslyn VA

Interurban car 44 and REA truck Rosslyn VA

MC&CL RR car 34

MC&CL RR car 34

MC&CL Steeple cab 52

MC&CL Steeple cab 52

Nice right of way photo but no info other than date March 31 1936

Nice right of way photo but no info other than date March 31 1936

S T F Co RR 54 Farmington MO

S T F Co RR 54 Farmington MO

Unidentified car and person

Unidentified car and person

Unidentified steeple cab locomotive

Unidentified steeple cab locomotive

Unidentified steeple cab locomotive photo 2

Unidentified steeple cab locomotive photo 2

Waterloo Cedar Falls & Northern car 100 this car is featured on RRC 2

Waterloo Cedar Falls & Northern car 100 this car is featured on RRC 2

Here again I had to do a little dealing. I went quickly through the box of Steventon photos last year, choosing about 20 photos to purchase. The box contained a mix of railroad photos and family snap shots. The family photos outnumbered the trains. Again, I did not want to pay for, or have the added weight of photos that were just going to be tossed away. Steventon’s son was the one who sold all this family history in the first place, so I saw no reason to try and get it back to him. The dealer agreed to sort the photos and sell and ship only railroad photos. He would discard the unwanted photos.

In all there are 135 photos of railroad equipment, mostly traction subjects. Some have complete caption information, and some have nothing. There are 23 photos of active traction right-of-ways but no caption information. 24 photos of abandoned traction right-of-ways have no captions. I cannot be sure if it is a “before” and “after” series of 27 photos. I also received 11 steam negatives, the aforementioned NP 4-8-4 # 2686 (two almost identical shots at Staples, MN) and several D&RGW narrow gauge roster photos. There is one EBT negative and a shot of a steam tractor.  I haven’t had time to scan all of these photos yet, but they will appear in the Trolley Dodger as I do. For now, here are a few scans to whet your appetite.

DOCUMENTS

Stack of prints of Soo 2715

Stack of prints of Soo 2715

VHS VIDEO TAPES 

There was one last surprise waiting for me. There are eight VHS video tapes in the estate lot, seven of which were professionally produced programs of traction subjects, several of which Steventon provided audio for. One tape on a store-bought blank was labeled simply “Railroad Programs”. I thought it was most likely a tape of TV shows about trains, but I popped it in the player just to see. It turned out to be a recording of a presentation that Steventon made to a local historical society. The video quality is bad, but you can hear everything he says perfectly.

It’s all really basic stuff, what you would expect him to present to a general audience. Such things as the appeal of a steam locomotive, the nicknames of various railroad job positions like “Hogger” for engineer etc.  He then gets into the “sound portion” of his talk. He has a reel to reel tape player with him, and he explains the use of whistle signals and then plays a cut of a B&O EM-1 from Record number 4, noting the “two longs-a short-and another long” signal for a road crossing. He then goes into how a steam locomotive gains traction. Here he plays the sequence of SOO Line 2718 backing off the wye track from the intro record. He stops the tape at places to note the change in the locomotive’s sound and what that indicates to the engineer. Next, he talks about the use of torpedoes as a signaling device and plays a cut from Record number 8. He never says that these sounds are from his records. In fact, he never mentions that he ever sold records and the Railroad Record Club is not once referenced.

He eventually brings out a chart of steam locomotive wheel arrangements.  He walks out of frame with it, but you can still hear what he is saying. At some point someone thinks to pan the camera around, but the view is only the back of the chart!

By the time he finishes with the chart, the program has gone on for about 40 minutes. Now he introduces “Whistle ‘Round the Bend” and plays the entire record, all 30 minutes. While the camera never moves during this, and Steventon just sits there listening, it’s a bit of a poignant moment. The video quality, as I said, is poor, and he is in the center of a wide shot, but it’s still possible to see that he is moved by the words and sounds he his hearing.

While little information is given about how, where, or when the sounds he played were recorded a little more personal stuff is revealed. He tells of the day in 1936 that his mother died. His father was at work and needed to get home. The NYC put every opposing train on the siding and he had green signals the whole way. He also tells us that he was a sickly child and his father took him onboard the locomotive with him, even against the rules, because he wanted to spend time with him, and make William happy, as the doctors said he may not survive into adulthood.  With this video I was able to “know” William Steventon just a little bit better.

As I have these tapes put on to CD, they will be offered for sale in the online store. I bought these tapes not to just save them from destruction, but to have them made available to everyone who may be interested. I think that is perhaps the best way to ensure these historic sounds are preserved. Not just as a tribute to the people who recorded them who are now gone, but to ensure these sounds will endure to instruct and entertain future railfans long after we are gone too.

-Kenneth Gear

New Steam Audio CD:

FTS
Farewell To Steam
Mister D’s Machine
# of Discs – 1
Price: $14.99

Farewell To Steam
On February 6, 1955 the Santa Fe Railway ran a railfan train from Los Angeles to Barstow and back for the Railway Club of Southern California. This was Santa Fe’s last run powered by a steam locomotive over this route. The engine was a 4-8-4, #3759. We have used the original, rare 1955 mono version of this recording, and not the later 1958 reissue that had a bunch of echo added to create a fake stereo effect.

Mister D’s Machine
When diesel locomotives replaced steam in the 1950s, they offered a multitude of different sounds. This original 1963 stereo recording showcases the many sounds of diesels on the San Joaquin and Los Angeles Divisions of the Southern Pacific, including the Tahachappi Loop, an engineering feat that made modern railroading famous.

As with all of our recordings, this CD comes with the complete, original liner notes.

Total time – 72:56

Order Our New Book Building Chicago’s Subways

There are three subway anniversaries this year in Chicago:
60 years since the West Side Subway opened (June 22, 1958)
75 years since the State Street Subway opened (October 17, 1943)
80 years since subway construction started (December 17, 1938)

To commemorate these anniversaries, we have written a new book, Building Chicago’s Subways.

While the elevated Chicago Loop is justly famous as a symbol of the city, the fascinating history of its subways is less well known. The City of Chicago broke ground on what would become the “Initial System of Subways” during the Great Depression and finished 20 years later. This gigantic construction project, a part of the New Deal, would overcome many obstacles while tunneling through Chicago’s soft blue clay, under congested downtown streets, and even beneath the mighty Chicago River. Chicago’s first rapid transit subway opened in 1943 after decades of wrangling over routes, financing, and logistics. It grew to encompass the State Street, Dearborn-Milwaukee, and West Side Subways, with the latter modernizing the old Garfield Park “L” into the median of Chicago’s first expressway. Take a trip underground and see how Chicago’s “I Will” spirit overcame challenges and persevered to help with the successful building of the subways that move millions. Building Chicago’s subways was national news and a matter of considerable civic pride–making it a “Second City” no more!

Bibliographic information:

Title Building Chicago’s Subways
Images of America
Author David Sadowski
Edition illustrated
Publisher Arcadia Publishing (SC), 2018
ISBN 1467129380, 9781467129381
Length 128 pages

Chapter Titles:
01. The River Tunnels
02. The Freight Tunnels
03. Make No Little Plans
04. The State Street Subway
05. The Dearborn-Milwaukee Subway
06. Displaced
07. Death of an Interurban
08. The Last Street Railway
09. Subways and Superhighways
10. Subways Since 1960

Building Chicago’s Subways is in stock and now available for immediate shipment. Order your copy today!  All copies purchased through The Trolley Dodger will be signed by the author.

The price of $23.99 includes shipping within the United States.

For Shipping to US Addresses:

For Shipping to Canada:

For Shipping Elsewhere:

Redone tile at the Monroe and Dearborn CTA Blue Line subway station, showing how an original sign was incorporated into a newer design, May 25, 2018. (David Sadowski Photo)

Redone tile at the Monroe and Dearborn CTA Blue Line subway station, showing how an original sign was incorporated into a newer design, May 25, 2018. (David Sadowski Photo)

Help Support The Trolley Dodger

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William A. Steventon’s Railroad Record Club

William Steventon

William Steventon

Today’s post is the first of two by Kenneth Gear, long a friend of this blog. We have great news to report– Ken has finally been able to purchase all the remaining Railroad Record Club items from the dealer that purchased them many years ago from the estate of William A. Steventon, who died 25 years ago.

Ken details all that in another post, Railroad Record Club Treasure Hunt, Part 2. These new discoveries have enabled him to offer what is, to my knowledge, the first-ever comprehensive and factual history of William A. Steventon’s Railroad Record Club.

Thanks in great part to Ken’s dedication and persistence, you can find practically all the RRC’s 10″ and 12″ output, now digitized on compact discs for the 21st century, in our Online Store. We thank him for these efforts, and hope you will too.

-David Sadowski

INTRODUCTION

As regular readers of this blog know, David and I have been gathering bits and pieces of information about the Railroad Record Club and its founder, William A. Steventon. We wanted to get a better understanding of what went into making these records, and to put together a history of the club. David started the ball rolling in April 2015 when he wrote the first Trolley Dodger post about it. As soon as I read that post I jumped aboard having been interested in the subject for some time. Together we finally managed to accumulate enough separate fragments of the story so that when we put it all together, it formed an accurate outline of the events leading up to the formation of the club and offered some insight into its operation. We were also able to build a brief biological sketch of Mr. Steventon.

Separately David and I looked for any resource that might reveal some small bit of new information. We read liner notes, club newsletters, and we looked through back issues of magazines in search of RRC ads. We collected order blanks, and I purchased copies of records I already owned because they had club inserts tucked away in the jackets. I researched the meaning of the matrix codes engraved in the lead out grooves of the LPs to more accurately date them. We studied artwork and found some of Steventon’s personal correspondences.  Everything came together when I purchased a large collection of Railroad Record Club items from Steventon’s estate. Combing through this material finally gave us enough information so that David and I could piece together the Railroad Record Club story you are about to read.

There are still unanswered questions to be sure and there are also missing recordings. We haven’t been able to secure copies of the 5th and 6th year sampler records. We also can only speculate on how, to whom, and at what cost these sampler records were distributed.

If any readers have any RRC material, please contact David. We only ask for a scan of any paper work or leads you may be able to offer as to who might be able to help. Thank you.

I have recently been able to purchase the last of the Steventon estate items I left behind last year (more on that in A Railroad Record Club Treasure Hunt, Part 2) and with luck David and I will be able to put together a few more pieces of the Railroad Record Club puzzle.

WILLIAM STEVENTON & THE RAILROAD RECORD CLUB 

William A. Steventon was born in 1921 in Mount Carmel, Illinois, son of a locomotive engineer on the Big Four Railroad (New York Central). As a child he spent much of his time around the red brick passenger station and wooden freight house across from Main Street. The family eventually moved to Cairo, Illinois and there he would often ride in the locomotive cab with his father. In the liner notes to Record number 20- NYC/C&IM while describing an in-cab recording made with his father at the throttle, Steventon reminisces about his boyhood days spent there:

“It is strange that this recording should remind me of something that I had almost forgotten. If I hadn’t heard my father pull a whistle cord in 50 years, and in the distance I should hear a certain whistle, I would know that it was him. This recording also reminds me of the many times I had waited as a youngster for him to whistle near Cherry switch to let us know he was coming home from a north-end run. It reminds me of the many times I have walked down Washington Street in Cairo and heard him whistling in the yards.”

After serving in World War II Steventon married and took a government job. He and his wife settled in the Washington DC area and it is here that the Railroad Record Club story begins.

It all began when Steventon’s wife gave him a record of Railroad sound effects as a Christmas gift, most likely in 1952. While he was interested in the concept of recorded train sounds, he was very dissatisfied with this record. He was convinced that the sounds were not those of actual trains, that they were train “effects” created in a recording studio.  He wanted sound recordings of REAL trains. He purchased one of the new reel to reel tape recorders that had recently become available and in March 1953, set out to make his first railroad sound recordings.

First recording

First recording

The first recording he made was along the Baltimore & Ohio Railroad at the Riverdale, Maryland passenger station (MP 32.4 on the Washington Branch). As best as can be determined, the first train he recorded was # 523 the “MARYLANDER” powered by an EMD diesel (he did not make note of the locomotive number). His second train was powered by steam but in his haste to hear the recording immediately after making it, he accidently partially erased it! He wrote about his frustration in an article for TRACTION & MODELS Magazine:

“When we made our very first recording in 1953 we took the equipment to Riverdale, Maryland and recorded a steamer thundering past the B&O station. When it was gone we stopped the recorder, rewound the tape and played it back. Nothing happened-the tape was silent. we waited thinking that the steamer wasn’t within “hearing distance” as yet, but when it became evident that we should be hearing the sound, we investigated.  In our enthusiasm to “get recording” we had failed to become familiar with our equipment. Instead of pushing the playback key, we had pushed the record key and were erasing the sound we had just recorded.”

That partially erased recording, as well as the others he made that night, were discovered on a 78rpm acetate record in his estate. It is included on the Trolley Dodger Railroad Record Club Rarities Steam & Diesel CD.

During the next few years, Steventon made numerous railroad sound recordings, both in and around Washington DC and on trips to visit family in Illinois. Near Washington DC he recorded the streetcars of the Capital Transit Company, steam & diesels on the B&O, and Pennsy GG-1s. He even recorded the sounds of the Senate Subway. He made trips to Maryland to record the Western Maryland, the Hagerstown & Frederick interurban cars and freight box motors, and he rode and recorded the Baltimore streetcars. In Pennsylvania he recorded mainline steam on the PRR, revenue steam on the East Broad Top, and made extensive recordings of the Johnstown Traction Company and the Altoona & Logan Valley. In Illinois he captured the sounds of the New York Central, Chicago & Illinois Midland, Nickel Plate, Illinois Central, and Chicago Burlington & Quincy among others. He did recordings of the passenger and freight operations of the Midwestern electric railways including the Illinois Terminal, Chicago North Shore & Milwaukee, Chicago Aurora & Elgin and even recorded an entire run of Chicago South Shore & South Bend M.U. car # 108 from Chicago to South Bend. In Iowa he added the Waterloo, Cedar Falls & Northern, Southern Iowa, Cedar Rapids & Iowa City and Charles City Western. In his travels he made recordings of the Pacific Electric, Shaker Heights Rapid Transit, Wabash, Soo Line, Denver & Rio Grande Western narrow gauge, and Norfolk & Western. In a 1958 newspaper interview he stated he had traveled to fifteen states to record train sounds. It is quite an extensive output and not all of it has been pressed into vinyl or released on tape or CD.

All this recording did not come easily. Dragging the equipment from home to car and from car to trackside required the help of at least one other person. Steventon wrote about the difficulty of using this bulky equipment in the field:

“We had a 12-volt auto battery for the primary power source, a 12 v.d.c. to 110 v.a.c. rotary converter, a reel to reel recorder plus a satchel of extra equipment, tapes, and assorted material. Two men could struggle with all this equipment, but it required three men to carry everything with any degree of ease and mobility. In addition, we normally carried a battery charger for use with keeping the battery up to par during the night. This could be left in the auto during the day but was a very necessary part of our total equipment requirement.”

It is a wonder anyone was able to record anything, considering the burden it must have been to get all this stuff trackside. It makes one grateful for the ability to record high quality sound and high definition video with just a tiny cell phone as we can do today.

Steventon eventually took a job as manager of the Cream Valley Telephone Company and he and his wife moved to Hawkins, Wisconsin. There he would continue to make railroad sound recordings, start a family. and create the Railroad Record Club.

Doing all this traveling and making these recordings invariably put him in contact with like-minded people. It is safe to assume that they would want to trade and share the recordings they made with each other. In the mid-1950s this was no easy task. Modern home audio systems, as we think of them now, simply did not exist. The problem was made even worse if recordings were to be shared or sold to someone who did not make recordings themselves and therefore did not own a reel to reel tape player/recorder. While most people at the time did not own a tape player, a phonograph could be found in most homes.

Steventon pre-RRC 78rpm records

Steventon pre-RRC 78rpm records

If Steventon wanted to give or sell his recordings to many other people, they would have to be put onto phonograph records. This too, wouldn’t be easy. The solution was to procure a portable disc cutter. These machines became available for home use starting in about 1929 and were most often used to record things off the radio. The standard record format of the time was a disc ten inches in diameter and made of aluminum covered with acetate. The 78rpm playing speed yielded no more than five minutes of content per side. These records had to be made in real time and the record blanks were quite heavy compared to a modern vinyl record. To distill more and varied content on these homemade records, he spliced together all sorts of bits and pieces and recorded brief introductions to tell listeners what they were about to hear. He conceived a catalog numbering system and had rubber stamps made for the most popular titles, the rest having hand-written labels. Steventon produced an extraordinary amount of records this way. Finding a sizable collection of these acetate records in the Steventon estate reveled just how extensive the output was. Although a complete catalog listing of these records can not presently be made, the following partial list is still very impressive.

01. Potomac Edison (aka Hagerstown & Frederick)
02. Shenandoah Central
03. Capital Transit
04. Johnstown Traction
05. Altoona & Logan Valley
06. Baltimore & Ohio
07. Shaker Heights Rapid Transit
08. Claude Mahoney Radio Program about NRHS fantrip (1953)
09. Pennsylvania Railroad
10. Nickel Plate Road
11. St. Louis Public Service
12. Illinois Terminal
13. Illinois Central
16. Norfolk & Western
17. Western Maryland Railway
18. Baltimore Transit
19. Senate Subway (Washington, DC)
21. Rochester Subway
22. East Broad Top
23. Chicago, Burlington & Quincy
24. Chicago & Illinois Midland
25. Niagara, St. Catharines & Toronto
26. Virginian
28. Queensboro Bridge
29. Wabash
30. 3rd Avenue Elevated
31. Minneapolis, St Paul & Sault Ste Marie
32. Louisville & Nashville
34. St Elizabeth’s Hospital (hospital in Washington DC that used a 0-4-0T to move coal from the B&O.)
37. Independent Subway

It is worth noting that this numbering sequence is totally different from the later one adopted for the 10” records issued later.

Things were apparently going well for Steventon’s railroad record enterprise for a while but things were about to change. Long playing 33 1/3 rpm records made of lighter materials and with improved sound were beginning to gain in popularity. Record blanks and parts for the disc cutter would undoubtedly become harder to get. Steventon needed to have his records made by a professional record pressing company to continue selling them. Steventon would have to make new master tapes for each release because the new records, although still 10”, could hold fifteen minutes of sound on each side-a full half-hour altogether. This would be the equivalent of more then five of the old acetates. He would forgo, for the most part, his spoken introductions and provide printed notes on the cardboard record jackets. These notes could be pretty sparse at first, containing little more than the railroad and locomotive number.

RRC intro record

RRC intro record

RRC INTRO old SP5

RRC INTRO old SP5

Bill Steventon recording compressor noise on CNS&M interurban

Bill Steventon recording compressor noise on CNS&M interurban

Eventually he began to write extensive notes on separate sheets of paper that were inserted into the record jackets. In time, the first completed master tape was sent off to the RCA Custom Record facility in Indianapolis, Indiana and soon afterward the first official Railroad Record Club LP came into being. The record was titled simply INTRODUCTORY RECORD and carried no catalog number. Side one contained the sounds of Soo Line 4-6-2 # 2718 powering an August, 1955 fan trip between Minneapolis, Minnesota and Rice Lake, Wisconsin. Illinois Central 0-8-0 # 3509 switching at Centralia, Illinois was featured on the flip side. A look at the first four characters in the matrix code engraved into the lead-out grooves of a first edition of this record, G8OL, gives the following information: First is the date code-G indicates the record was manufactured in 1956, then the label code-8 showing it was a custom job that was re-recorded from the client’s source material. Next is the category code-O meaning it is a phonograph record, and the fourth character-L denoted the size, speed & groove, 10”, mono, & 331/3 rpm. The final numbers 0479 for side one and 0480 on side two were simply sequence numbers. The Introductory Record was therefore available for sale sometime in 1956 or perhaps 1957.

He made the decision to sell these new records not as a regular mail order business, but as a club. The club membership idea may have been the direct result of the expense associated with this new endeavor. He had to have the records pressed by RCA which required metal master plates to be made. Cardboard record jackets had to be purchased and be printed with photographs or drawings. Tape stock had to be bought for the making of the new master tapes. All in all, this must have been a considerable expense. Selling the records through a club meant that the members were required to purchase a set number of records and paying for them in advance, thereby guaranteeing he would get some return on all this investment. The club worked like this: Four records would be offered per year. Members could buy the records at the discounted price of $4 each providing they maintained membership by purchasing at least three of the selections. Membership expired upon the purchase of one year’s group. There were no membership dues, but records were paid for in advance to provide the necessary money to have the metal masters made.  Special pressings could be purchased at club prices but were not counted toward the three-record minimum. Non-members could buy individual LPs at $5.25 each. $4.00 for a LP record sounds like a bargain but remember those $4 in 1958 had the same buying power as $34.72 in 2018! These Records weren’t cheap. According to a 1958 interview he gave to the Milwaukee Sentinel, the club started off very well. The article stated that there were some 200 club members through out the United States and several foreign countries including New Zealand, Australia, England and Canada. It goes on to state he has already sold 1,000 records.

Steventon continued to sell his records through the yearly club membership plan until October 1965 when the club membership requirement was withdrawn. The records would now be sold separately and at the same price to everyone.

From 1957 with the release of the Introductory record until October 1965 when the last regularly scheduled production of a Railroad Record Club release (Record number 32-New York Central) was offered, Steventon produced thirty-two regular club releases and three special pressings. One more release, SP-4-CSS&SB would be released later that year. Afterwards, Steventon released Records Numbers 33-36 and special pressings numbers SP-5 (a reissue of the introductory record) and the last all new Railroad Record Club record in 1983, number SP-6 Milwaukee Road box cab electrics. Each record was simply numbered in the order it was produced.

RAILROAD RECORD CLUB TITLES
0 Soo Line, Illinois Central (Introductory Record)
1 Wabash Railroad, Chicago, St. Paul, Minneapolis & Omaha
2 Waterloo, Cedar Falls & Northern, Southern Iowa Railway
3 Denver, Rio Grande & Western, East Broad Top
4 Baltimore and Ohio
5 Denver & Rio Grande Western
6 Potomac Edison (Hagerstown & Frederick)
7 Norfolk & Western, Illinois Central (Also includes a bit of Illinois Terminal Railroad)
8 Canadian National (aka Canadian Railroading in the Days of Steam)
9 Winston-Salem Southbound
10 Pennsylvania Railroad
11 Shaker Heights Rapid Transit
12 Duluth Missabe & Iron Range
13 Nickel Plate Road
14 Pacific Electric
15 Chicago, Burlington & Quincy
16 Westside Lumber Company
17 Minneapolis & St Paul, Sault Ste Marie Railway
18 Chicago, North Shore & Milwaukee
19 Duluth, Missabe & Iron Range
20 Chicago & Illinois Midland – New York Central
21 Duluth & Northeastern
22 Buffalo Creek & Gauley
23 Pennsylvania Trolleys
24 Canadian Pacific
25 Illinois Terminal Railroad
26 Chicago, North Shore & Milwaukee (freight)
27 Capital Transit Company
28 Charles City Western – Waterloo, Cedar Falls & Northern
29 Nickel Plate Road
30 Sound Scrapbook, Traction
31 Sound Scrapbook, Steam
32 New York Central
33 Chicago, South Shore & South Bend (freight)
34 Chicago, South Shore & South Bend (freight)
35 Milwaukee & Suburban Transport, Chicago, North Shore & Milwaukee
36 Chicago, Aurora & Elgin, Chicago Transit Authority

Special Pressings
SP1 The Silverton Train
SP2 Northern Pacific 2626 Memorial Album
SP3 Whistle ‘Round the Bend
SP4 Chicago, South Shore & South Bend Railroad (passenger)
SP5 Soo Line, Illinois Central
SP6 The Milwaukee Road (electric freight)

He also produced several “sampler” records which contain short snippets of tracks from the LP records.

THE RAILROAD RECORD CLUB SAMPLERS

1st & 2nd Year Sampler:  (short excerpts from records 1 to 4 on side one & records 5 to 8 on side two)
3rd & 4th Year Sampler: (short excerpts from records 9 to 12 on side one & records 13 to 16 on side two)
5th Year Sampler: (short excerpts from records 17 to 20 recorded on one side only)
6th Year Sampler: (short excerpts from records 21 to 24 recorded on one side only)
7th & 8th Year Sampler: (short excerpts from records 25 to 28 on side one & records 29 to 32 on side two)

Among these forty-two LPs there are some real gems. He certainly started off strong with Record Number one. On side two there is one of his best “sound picture” type recordings. It features Chicago, St. Paul, Minneapolis & Omaha 2-8-0 # 219 switching in the yards at Spooner, Wisconsin on a dark misty night in October of 1955. This was one of his favorite audio sequences and he described it like this in the record’s reissue liner notes:

“Close your eyes and imagine you are in a Pullman berth. Your passenger train has stopped at the station and you are sleepily listening to this nearby switching movement.” And from the notes to the original release: “That night in October of 1955 was very dark, moonless and misting heavily. The sulfuric, yet nostalgic odor of coal smoke drifted sluggishly over the Spooner, Wisconsin yards as the sound of exhausts and squealing brakes seeped through the murky atmosphere. A dim yellow light at the south end of the station platform rocked in the wind, flicking shadows to and fro over the moving cars.” 

If you don’t feel the dampness, smell the coal smoke, or find that you need to shake off a chill while listening to this, you’re just not trying.

There are so many remarkable sound sequences on these LPs that it would be impossible to list them all, Some of the most interesting ones include:  a D&RGW narrow gauge train with a mid-train helper on Cumbres Pass on Record number 3, the B&O EM-1 stopping and starting sequences on Record Number 4, a PRR 4-8-2 on slick rail on Record number 10, the cab rides in CSS&SB freight motors on Record numbers 33 and 34, the list goes on and on.

William Steventon did not exclusively use his own recordings on the Railroad Record Club LPs. In the second year of the club he began to utilize the talents of his friends, and the most notable of the group was Elwin D. Purington. Mr. Purington’s considerable recording talents added greatly to the quality of Steventon’s releases. Three records were entirely comprised of his recordings and they are three of the best. Record number 8-Canadian National (re-released as “Canadian Railroading in The Days Of Steam”) is one of Steventon’s favorites, and SP-2 the Northern Pacific 2626 memorial album Steventon called “a masterpiece.”  He provided the sounds for side one of Record number 12-DM&IR and his recordings of the CMSt.P&P electric freight locomotives are featured on Record SP-6.  He also did the narration on Number 3-East Broad Top and SP-3-Whistle ‘Round the Bend. Thomas A. Hosick recorded the train sounds for Record number 9-Winston-Salem Southbound, and John L. Wise contributed to Record number 10-PRR. Harold O. Lewis did some fine recording work that was used on three LPs, Record number 16-Westside Lumber, number 24-Canadian Pacific, and number 31-Sound Scrapbook-Steam. Eugene Van Dusen made all but the final three cuts for Record Number 32-NYC, and finally A. L. Shade, another top-notch sound recorder of trains, added his talents to Record numbers 13-Nickel Plate, 29-NKP 779 and 22-Buffalo Creek & Gauley.

Excellent HM Pech cover RRC 5

Excellent HM Pech cover RRC 5

Marginal HM Pech cover 1st edition of Record number 8

Marginal HM Pech cover 1st edition of Record number 8

RRC 19

RRC 19

The sounds on these LPs were great right from the start, but it took awhile for the record jackets to evolve into something interesting and appealing. At first the record jackets had little in the way of cover art, nothing more than a small photo or two plus a few paragraphs of text. Eventually sketches of the featured locomotive pulling a train were added, usually draw by an artist who signed his work HM Pech. These drawings could range from excellent (Record number 5) to marginal (1st edition of Record number 8). All mediocrity was removed for good when the cover art for Record number 19 was revealed. The cover of this record is a very nice accomplishment. The drawing of DM&IR 2-8-8-4 # 222 is perfect in every way. This great drawing combined with an appealing layout makes for a wonderful cover. A new visual benchmark for the Railroad Record Club had been reached and there was no going back. The drawing was done by Marshall P. (Pat) McMahon. He worked for the Minneapolis Star Tribune as an illustrator. His drawings of railroad equipment are flawless. The detail is meticulously rendered and drawn with precision and skill. Mr. McMahon would from here on out, be the main artist used by Steventon to illustrate the record jackets. When second editions of previously released records were pressed, McMahon would be called upon to create a new cover drawing. Every one is a vast improvement over what had come before. He also got the call to do new drawings when the records began to be reissued on 12″ discs, and he even did at least one drawing that Steventon sold prints of (Soo Line steamer # 2715). He would go on to do cover illustrations for thirty record jackets for the club! Rounding out the list of artists employed by the Railroad Record Club: Ernie Towler did a fine pencil sketch of a Shay locomotive for the 12″ reissue of Record Number 16-Westside Lumber and he did the cover of the reissue of number 15-CB&Q. Herb Mott did a painting of a boy watching a steam train passing for the cover of SP-3-Whistle ‘Round the Bend. This record has the distinction of being the only one with a full color cover.

RRC 17 Steventon enjoyed being here Hawkins WI Soo station

RRC 17 Steventon enjoyed being here Hawkins WI Soo station

RRC 17 1st edition drawing Hawkins WI Soo station

RRC 17 1st edition drawing Hawkins WI Soo station

RRC 20

RRC 20

Advertising had to be done, and ads were placed in several railroad and modeling magazines including Trains and Model Railroad Craftsman. Such tag lines as “Authentic steam and electric railway recordings,” “Sounds you like to hear steam-traction,” and “Out of the past and into your home” were used. A mailing list was maintained, and announcements and sales information mailed directly to those on it. Records were sold in hobby stores, and Steventon sent LPs  to railroad historical societies that coincided with the group’s interests. He even devised a unique “Audition Set Program”. To audition a set of records a request form had to be filled out. A choice could be made as to which records were wanted but a choice of pre-selected LPs could be made by choosing ” all steam” or “all traction” or both. A “random” selection could be made giving the customer the choice of titles and number of records. A deposit in the following amounts had to be sent: “all steam” consisting of 25 10″ records-$100.00, “all traction” consisting of 15 10″ records-$60.00 and “random” $4.00 each. After listening, the records were to be returned with (hopefully) a purchase order. The money for the purchased records would be deducted from the deposit and the remainder returned with the record order.

Eventually Steventon branched out and began to sell all types of things. His biggest sideline was selling photographs. The photo catalog alone was 40 pages! He sold 16mm, 8mm and super 8 traction movies, books, records from other producers, he even had a line of railroad logo watch fobs! In one sales flyer he was trying to unload his old adding machine, a Sears model No. 871.58251 (he wanted $40 for it postpaid).

After 1965, when The Railroad Record Club stopped functioning as a club, not much else changed. Steventon continued to release records and in fact had plans to release many more. In a 1966 newsletter Steventon makes mention of future planned releases, unfortunately not all of them were produced. He writes: “Future releases will be made on the basis of availability of time and material. At this writing an “on train” recording of the old 1000 series Chicago South Shore & South Bend locomotives is in production. No release date has been set.” (Records number 33 & 34). He continues: “Other material for future work includes many steam and electric lines including the Shenandoah Central (never produced), Baltimore & Ohio (never produced) Chicago Aurora & Elgin (Record Number 36), Chicago Transit Authority (record number 36) Queensboro Bridge (never produced) and others.”

This newsletter also announces the first Railroad Record Club selection ever to be released on 12” discs-Special Pressing number 4.  “On December 21, 1965 a new milestone was established with the release of a set of three 12-inch 33 1/3 rpm recordings of the complete run of interurban No. 108 from Chicago to South Bend. Approximately two hours playing time and conveniently arranged for automatic playing sequence. Prepared and recommended for the devoted traction enthusiast.”

Through the rest of the 1960s and into the 1970s Steventon successfully sold his records. Some of the most popular selections had second and even third editions pressed, and the covers and liner notes continued to evolve, The liner notes were becoming more extensive and contained more information, not just about the equipment recorded, but somewhat personal stuff as well. For example, on record number 17, the entirety of side one contains the sounds of the activities going on inside the Hawkins, Wisconsin Soo Line station. Although Steventon writes in the third person he conveys his pleasure at being there. The sound of the telegraph, talking with the agent, the rumble of trains going past, the whole “atmosphere” he loved. “Plant your feet on the desk” he writes, “lean back in your chair and you’re the agent at this small village station.” He wrote fond boyhood memories in the notes to Record number 20 and revealed in those same notes just how he felt about diesel locomotives. He wrote that while recording a C&IM 0-8-0 switcher going about her chores, he was “dismayed” and “disgusted” when a GM&O RS-1 came onto the scene.  He included the diesel on the record however, noting that the steamer and the diesel sharing the stage made for an interesting recording. As he puts it: “Actually this could be considered as the tug-of-war between two types of motive power as to which will dominate the railroad scene”. At this point, he had to be dismayed to know steam would be the loser. Eventually his negative view of diesels must have softened a bit because in 1988, when he revised the notes to Record number 20, he removed the word “disgusted” although he continued to be “dismayed”. Steventon never released an LP that was entirely diesel sounds. He recorded diesels with some degree of regularity, as his first recording was of one. In his estate there was an open reel tape labeled “Nickel Plate Diesels” and on those acetate records there are plenty of B&O diesels. Perhaps he thought his record buying customers wouldn’t want to spend money to hear those “disgusting” machines. Rarely is the sound of a diesel included on any of the records.

The Railroad Record Club continued steadily along until early in 1973. A situation then developed that could not be easily overcome, in fact, it never would be completely. Early in that year RCA informed Steventon that they would no longer press his records. In club announcements concerning this situation Steventon wrote “In February of 1973 they (RCA) notified us that all of their custom work was being discontinued.” If RCA would not press his records, he would just have to find another company that would. That plan quickly died when another, more devastating difficulty was discovered. RCA had lost or destroyed all the Club’s metal master discs at its Indianapolis plant. Without those master discs new records could not be pressed by anyone. Steventon was stopped cold.  If he wanted to continue selling his previously released records, new master discs would have to be made. By the early 1970s 7” singles and 12” albums were the standards and the old 10” format was on the way out. New master discs would have to be made and they would have to be 12”.  Steventon managed to surmount these obstacles. He found a new company to work with, Nashville Record Productions of Nashville, Tennessee.

Even as the process of remastering and pressing new records progressed, Steventon was cautious with his expectations. He wrote carefully in a flyer about the remastering: “Due to a shortage of raw material record pressings may become difficult to obtain. Consequently we have no guarantee that our complete line can be produced, but will re-issue each record as conditions permit.”  Interested parties were mailed a “Railroad Record Club Advance Notice Mailing Card.” On this card selections were to be made as to which records the recipient wanted to be notified of when the 12” reissue was being readied. The recipient could then purchase the record at a pre-production discounted price.  Progress was made, albeit very slowly. The RCA masters were lost in the winter of 1973 but by summer 1976, only two records had been reissued. The first two being number 10-PRR and the second Number 8-CN now titled “Canadian Railroading in The Days Of Steam.” Steventon could not simply reissue the records numerically starting at number one and progressing from there. This was a very expensive undertaking and he needed to release the most popular titles first. At first, he considered having all the records remastered at once and getting a press run of each. This idea was dropped when the cost turned out to be more then $30,000! He decided to go back to his original club plan where he required a set amount of those pre-production advance payments to come in. Once there was sufficient interest shown for a certain record, as calculated from the advance mailing cards, he would announce that it was being readied for remastering. He would only send an order to Nashville when enough of the pre-production money came in to justify it.

In a telling reply to an inquiry from a customer wanting to know why a certain record, number 36, was still unavailable, Steventon spelled it out clearly:

“The program of re-mastering was started in ’73 after RCA lost our metal masters. The pre-production offer is used to generate funds to pay for the re-mastering process. As a rule of thumb it takes about 125 pre-payments to cover these costs. Experience has shown that roughly only 50% of those who ask to be notified on a new selection actually follow through with an order. Thus we need 250 requests to start the program. As of this date (March 29, 1989) only 99 have shown an interest in record 36, CA&E. The pressing firm in TN has just notified us of another increase in production costs. Dollar wise we are now talking $1100 to $1200 to re-master and get the first press run. The RR club is not a profit venture – we only ask to break even. In 1987 we operated at a loss of $444.10. 1988 was better with a modest net income of $119.75. We need EVERY bit of interest shown to keep the program rolling – it is a tough job!”

It was a tough job to be certain and it was also a very slow one. An order blank from November 1984 shows only eight remastered records, Number 4-B&O, 7-N&W/IC, 8-CN, 10-PRR, 19-DM&IR, 29-NKP 779 and SP-5-SOO/IC the ex-intro record. Also for sale at that time was a second pressing of SP-4 the CSS&SB three record set. Also listed on this order blank was a brand new record. Even with the remastering difficulties going on the Railroad Record Club managed to release one last all-new record. This last hurrah was special pressing number 6-The Milwaukee Road- Box Cab Electric Locomotives on the Coast Division, recorded by Elwin Purington in stereo. On the jacket SP-6 is touted as the “30th Anniversary Issue 1953-1983.” Another fine McMahon drawing graced the cover.

As each 12” reissue was produced, Steventon would revise and update the liner notes. If the record had an existing McMahon illustration it was transferred to the new jacket in the same size it appeared on the 10” jacket, but with a wide white border. If a reissue did not have a previously drawn McMahon picture, one would be commissioned. These black and white record jackets were distinctive and attractive. On the reissues the audio content was always identical to the 10” version, since the same master tapes were used. There was one exception, however. Although the railroad sounds were exactly the same, on the original release of Record number 3-EBT/D&RGW, Steventon had recorded spoken introductions to each of the EBT tracks, just as he had done for the old 78 acetate records in fact, they are exactly the same.  Steventon wanted these introductions removed to correct a mistake and instead of simply taking them off and writing the information into the liner notes, he had Elwin Purington re-record them.

The long and expensive remastering project continued into 1990. A test pressing for Record number 16-Westside Lumber had a memo attached that read: “Record No. 16, Westside Lumber Co. Record pressing approved if “blips” at approximately 3 min, 36 seconds into side one and continuing for about 6 or 7 seconds were corrected. Card returned 1/10/90.”  Not all of the surviving test pressings have dates on the jackets, but it is obvious that this one had to be among the last. By the early 1990s’ compact discs were already poised to topple vinyl records as the standard audio format. Steventon simply choose not to upgrade to yet another new format. Record number 16 being reissued in 1990, proves that Steventon worked at remastering the records almost to the end of his life. He died in 1993, just three years after the test pressing date for Record number 16. The long, expensive, and difficult remastering program started in 1973 and continued into at least 1990. In all only 17 of the 40 10” records were reissued on 12″ discs.

RAILROAD RECORD CLUB RECORDS REISSUED IN 12″ FORMAT
#1-WABASH (10″ 3rd Edition Cover Art)
#3-D&RGW/EBT (New Cover Art)
#4-B&O (New Cover Art)
#5-D&RGW
#7-N&W/IC (New Cover Art)
#8-CN (New Cover Art) Title changed to “Canadian Railroading In The Days Of Steam”
#10-PRR (10″ 2nd Edition Cover Art)
#15-CB&Q (New Cover Art)
#16-Westside Lumber (New Cover Art) Cover changed from a photograph to a pencil sketch
#17-Soo (New Cover Art)
#18-CNS&M (10″ 2nd Edition Cover Art)
#19-DM&IR
#20-C&IM/NYC
#26-CNS&M (Freight)
#29-NKP 779
#SP-2-NP 2626 (Same photo used on both 10″ & 12″ record covers but reproduced smaller on the reissue)
#SP-4-CSS&SB (passenger) 3 record set was only released on 12″ stock in display box
#SP-5-Soo/IC Formally the introductory record (New Cover Art)
#SP-6-MILW Box Cabs (Only released in 12″ format)
17 records reissued from 10″ to 12″
2 records only released on 12″

The Railroad Record Club didn’t completely die with William Steventon. His son Seth revived the club some years after his father’s death by putting the entire line of records on cassette tapes. By this time, however, CDs were the favored format and the effort was shelved.

Because of William A. Steventon’s commitment to recording the vanishing sounds of a passing era on American railroads, and just as importantly, making those recordings available to all who were interested, we can today hear the sounds of a Hagerstown & Frederick interurban car speeding past a lonely country crossing. We can experience the sonic thunder of a New York Central 4-6-4 blasting out of Mount Carmel, Illinois with a whistle full of water. We can ride along in the cab of a CSS&SB freight motor on its trip out of Michigan city, and we can enjoy the work of the other talented railroad recordists whose work Steventon put on his records. We can even listen to that whining rotary converter in Harristown, Illinois.

-Kenneth Gear

New Steam Audio CD:

FTS
Farewell To Steam
Mister D’s Machine
# of Discs – 1
Price: $14.99

Farewell To Steam
On February 6, 1955 the Santa Fe Railway ran a railfan train from Los Angeles to Barstow and back for the Railway Club of Southern California. This was Santa Fe’s last run powered by a steam locomotive over this route. The engine was a 4-8-4, #3759. We have used the original, rare 1955 mono version of this recording, and not the later 1958 reissue that had a bunch of echo added to create a fake stereo effect.

Mister D’s Machine
When diesel locomotives replaced steam in the 1950s, they offered a multitude of different sounds. This original 1963 stereo recording showcases the many sounds of diesels on the San Joaquin and Los Angeles Divisions of the Southern Pacific, including the Tahachappi Loop, an engineering feat that made modern railroading famous.

As with all of our recordings, this CD comes with the complete, original liner notes.

Total time – 72:56

Pre-Order Our New Book Building Chicago’s Subways

There are three subway anniversaries this year in Chicago:
60 years since the West Side Subway opened (June 22, 1958)
75 years since the State Street Subway opened (October 17, 1943)
80 years since subway construction started (December 17, 1938)

To commemorate these anniversaries, we have written a new book, Building Chicago’s Subways.

While the elevated Chicago Loop is justly famous as a symbol of the city, the fascinating history of its subways is less well known. The City of Chicago broke ground on what would become the “Initial System of Subways” during the Great Depression and finished 20 years later. This gigantic construction project, a part of the New Deal, would overcome many obstacles while tunneling through Chicago’s soft blue clay, under congested downtown streets, and even beneath the mighty Chicago River. Chicago’s first rapid transit subway opened in 1943 after decades of wrangling over routes, financing, and logistics. It grew to encompass the State Street, Dearborn-Milwaukee, and West Side Subways, with the latter modernizing the old Garfield Park “L” into the median of Chicago’s first expressway. Take a trip underground and see how Chicago’s “I Will” spirit overcame challenges and persevered to help with the successful building of the subways that move millions. Building Chicago’s subways was national news and a matter of considerable civic pride–making it a “Second City” no more!

Bibliographic information:

Title Building Chicago’s Subways
Images of America
Author David Sadowski
Edition illustrated
Publisher Arcadia Publishing (SC), 2018
ISBN 1467129380, 9781467129381
Length 128 pages

Chapter Titles:
01. The River Tunnels
02. The Freight Tunnels
03. Make No Little Plans
04. The State Street Subway
05. The Dearborn-Milwaukee Subway
06. Displaced
07. Death of an Interurban
08. The Last Street Railway
09. Subways and Superhighways
10. Subways Since 1960

Building Chicago’s Subways will be published on October 1, 2018. Order your copy today, and it will be shipped on or about that date. All copies purchased through The Trolley Dodger will be signed by the author.

The price of $23.99 includes shipping within the United States.

For Shipping to US Addresses:

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For Shipping Elsewhere:

Redone tile at the Monroe and Dearborn CTA Blue Line subway station, showing how an original sign was incorporated into a newer design, May 25, 2018. (David Sadowski Photo)

Redone tile at the Monroe and Dearborn CTA Blue Line subway station, showing how an original sign was incorporated into a newer design, May 25, 2018. (David Sadowski Photo)

Help Support The Trolley Dodger

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Never Too Late

Former Chicago Surface Lines mail car 6, built in 1891, as it looked on May 25, 1958. This car is now at the Fox River Trolley Museum, where it was recently vandalized. You can see a black-and-white photo of this car, taken at the same time as this one, in our previous post Throwback Thursday (January 7, 2016). To see a picture of West Chicago Street Railway car 4, also taken the same day, there's one in our post Chicago Streetcars In Color (February 22, 2015).

Former Chicago Surface Lines mail car 6, built in 1891, as it looked on May 25, 1958. This car is now at the Fox River Trolley Museum, where it was recently vandalized. You can see a black-and-white photo of this car, taken at the same time as this one, in our previous post Throwback Thursday (January 7, 2016). To see a picture of West Chicago Street Railway car 4, also taken the same day, there’s one in our post Chicago Streetcars In Color (February 22, 2015).

Recent news reports that eight historic railcars at the Fox River Trolley Museum were vandalized to the tune of perhaps as much as $150,000 brought back some memories.

Back in 1961, when I was six years old, my family took a Sunday drive out to the Chicago Aurora & Elgin’s Wheaton Yards to take one last look at their fleet. We had read in the news that efforts to save the CA&E had failed, and that the entire line was being abandoned forever.

I never did get to ride the CA&E, which stopped running passenger service in 1957. But I did at least get to see the railcars on their home turf in Wheaton. I distinctly recall being gratified that they did not appear to be vandalized. I did not see any broken windows.

Not all of these cars were saved, but some did make it off the property and several lived to run again in museum service in various parts of the country. (We ran some pictures of the “hospital train” in our post Trolley Dodger Mailbag, 1-29-2016.)

That anything at all got saved was, in my humble opinion, a miracle. Now it is true that in the waning days of traction, there were fans who “liberated” various bits and pieces of trolleys that were destined for the scrap heap. Their goal was to preserve history, not desecrate it. In some cases, these original parts have since been put back onto historic equipment, or are now in the collections of railroad museums. At least they were saved for future generations.

Railroad museums across the country depend on small groups of dedicated volunteers. Occasionally, entire museum operations have either failed or have been obliged to relocate. The sad situation faced by the Indiana Transportation Museum, which was recently evicted from its home in Noblesville, is but the latest example.

Let’s take a closer look at Aurora, Elgin & Fox River car 304. This fine specimen of a 1920s interurban car, which returned to run on the small surviving portion of its home rails at the Fox River Trolley Museum, was damaged by the two young vandals. It is not just a piece of equipment that was injured. This was a senseless attack on the history of an entire region.

While this blog is not affiliated with the Fox River Trolley Museum, we wholeheartedly support their efforts, and historic preservation. Insurance, unfortunately, will only cover a small portion of the cost of replacing all the broken glass and other damage. The bulk of funds will have to come from private donations.

The museum has begun a fundraising campaign, which must be successful. I realize many of us are angry about this senseless destruction, but let’s turn our anger into something constructive.

We are but the current caretakers of precious artifacts of the past. If we fail to preserve them, it will be a loss to all who come after us. We can all lament that a couple of young kids did a tremendous amount of harm here, but it’s never too late for the rest of us to do the right thing, right now.

-David Sadowski

The Toonerville Trolley That Meets All the Trains

We recently acquired the original artwork for this January 17, 1938 Toonerville Trolley comic panel by the great Fontaine Fox (1884-1964).

We recently acquired the original artwork for this January 17, 1938 Toonerville Trolley comic panel by the great Fontaine Fox (1884-1964).

In a time when trolley lines criss-crossed this country, and were a part of everyday life for Americans, there was even a railfan comic strip. Or, better put, a comic strip by a railfan, Fontaine Fox.

His “Toonerville Trolley” comic ran in newspapers from 1913 until he retired in 1955. Over time, he even grew to resemble the “Skipper,” his own creation. Fox even answered his voluminous fan mail using letterhead he had printed up for the Toonerville Electric Railway Company.

Here is what the Filson (Kentucky) Historical Society has to say about Fontaine Fox:

Fontaine Talbot Fox III, creator of the famous Toonerville Trolley, was born in Louisville, Kentucky in 1884. He started his career as a reporter for the Louisville Herald, but soon abandoned this course to pursue his true passion of drawing cartoons. During a visit to the small town of Pelham, New York, Fox received inspiration for what would become one of the nation’s most beloved comics. While in Pelham, he rode on the local trolley car, where the conductor’s unhurried manner and penchant for gossiping with his passengers gave Fox the idea for his own comic strip. By 1915, the resulting comic series, Toonerville Folks, had come to the attention of the Wheeler Syndicate and was soon published in newspapers across the nation.

The Filson’s collections contain a number of items documenting the life and career of this celebrated cartoonist, including photographs of Fox and his family, as well as some of his correspondence and several scrapbooks with clippings of his cartoons. Notable among Fox’s papers are a collection of twenty-one original pen and ink cartoons from his beloved Toonerville Folks. Set in the fictional town of Toonerville, the single-paneled cartoon featured a rickety trolley car and a glimpse into suburban life in the early twentieth century. Fox created a cast of characters that charmed a nation: the Terrible-Tempered Mr. Bang, the Powerful Katrinka, Mickey (Himself) McGuire (the town bully), Aunt Eppie Hogg (the fattest woman in three counties), and of course the Skipper, who piloted the beloved trolley car. Toonerville Folks ran in hundreds of newspapers nationwide for over forty years, until Fox’s retirement in 1955. His comics would become an inspiration for a future generation of cartoonists.

Actually, it was a single panel cartoon six days a week. On Sunday, it was in color, in multiple panels. The strip had various names, including The Toonerville Trolley That Meets All the Trains and Toonerville Folks. Eventually, the adventures of the “Skipper” and his rickety trolley car only took up a part of the action, as Fox developed a variety of memorable characters for Toonerville.

Blake A. Bell
writes an excellent blog called Historic Pelham, and has written extensively about Fox, the Toonerville Trolley, and its connection to the area.

While the phrase “Toonerville Trolley” eventually became synonymous with any rural streetcar or interurban running on poorly maintained track, Pelham, NY, its inspiration, is actually a suburb, located 14 miles from Midtown Manhattan in Westchester County. It is near the city of New Rochelle, made famous as the home of Rob and Laura Petrie on the Dick Van Dyke Show (1961-1966).

The Toonerville Trolley ran in over 200 daily newspapers in its heyday, and was popular enough to inspire numerous motion pictures. The first series, circa 1920-21, was silent and produced by the Betzwood Studios in Montgomery County, Pennsylvania (more on that in our book review section). You can watch one of those films here.

Next, a young Mickey Rooney (1920-2014) later starred in 78 short films based on the Toonerville character Mickey McGuire, made between 1927 and 1934. This was Mickey Rooney’s first big break in show business. He even attempted, unsuccessfully, to legally change his name to Mickey McGuire.

There were also some Toonerville Trolley animated shorts, made in 1936 by Van Beuren Studios, which can be seen on Youtube. Here is one example:

By the late 1930s, trolley lines were starting to disappear from the American scene. On July 31, 1937 the Pelham Manor “H” trolley line ran its last. Fontaine Fox used the popularity of his comic strip to turn this into a major event.

From Historical Treasures of Westchester County:

On July 31, 1937, the H-Line Trolley that inspired Fontaine Fox was shut down for good – replaced by a bus line. That day the Village of Pelham Manor hosted a celebration attended by about 8,000 people for the last run of the “Toonerville Trolley”.

This “pass,” signed by Fontaine Fox who attended the event, entitled the bearer to ride the trolley car during its last trip. That trip took hours to travel only a couple of miles due to the crowds and the antics of local residents dressed as various characters from the “Toonerville Folks” comic strip.

The Hagerstown & Frederick interurban, which we have featured in a variety of posts, is an example of a country interurban that was frequently called a “Toonerville Trolley.” Its last passenger interurban ran on February 20, 1954.

Perhaps inspired by this, around this time Fontaine Fox bowed to the inevitable, and “retired” the trolley from his strip, replacing it with a bus. But such was the popularity of the old contraption that I believe he brought it back, prior to the strip’s demise in 1955 with Fox’s retirement. He donated some of his original artwork to a trolley museum.

As a tribute to Fontaine Fox, here we present an entire month’s worth of daily Toonerville panels, from June 1927. You will note that only some of the dailies include the trolley and Skipper (who, apparently, was based on real-life Pelham operator James (“Old Jim”) Bailey, who lived in the Bronx). Charles A. Lindbergh (1902-1974) made his historic non-stop flight from New YHork to Paris on May 20-21, 1927 and “Lindbergh mania” is reflected in many of the strips shown here, suggesting that Fox was working on some of these panels not long before they appeared in newspapers.

Fontaine Fox in retirement:

https://filsonhistorical.org/wp-content/uploads/Sketch-of-Fontaine-Fox_A_F791_1_web.jpg

Book Reviews



Montgomery County Trolleys
by Mike Szilagyi, with a Foreword by Andrew W. Maginnis
Arcadia Publishing, 2018

We recently received a copy of Montogomery County Trolleys from the author, as we had provided a couple of images he used in the book. Otherwise, chances are we might not have seen this fine addition to Arcadia’s Images of Rail series, which we are also involved with (see below for information on Building Chicago’s Subways, and our Online Store for copies of Chicago Trolleys).

Author Mike Szilagyi was no stranger to us, as we had corresponded concerning a different book project he was involved with as mapmaker. This was eventually published as Riding the Bell: Lehigh Valley Transit’s Liberty Bell Route by Ron Ruddell, Bulletin 147 of the Central Electric Railfans’ Association (2015).

Naturally, the maps Mr. Szilagyi made for this new book are excellent. But the entire thing is well done, from the scope the author set out to cover, the organization of the chapters, picture selection, text, and captions.

Here is a capsule description:

Montgomery County, Pennsylvania, was once served by 140 miles of trolley lines. In the first half of the 20th century, a wide array of trolley cars rolled over Montgomery County’s rails, from quaint open streetcars rumbling through borough streets to sleek 80-mile-an-hour trolleys sailing across open fields in Upper Gwynedd and Hatfield Townships. The cars had zero emissions, and some lines were powered by renewable hydroelectric power. Taking the trolley was a convenient, affordable option for those travelling and commuting in Montgomery County, nearby Philadelphia, and points beyond. Freight was also carried on board trolleys, with prompt parcel delivery service. Fortunately, many years ago, dedicated trolley fans had the foresight to aim their cameras at these unique vehicles, providing rare glimpses not just of the trolleys but also of Montgomery County’s rapidly changing landscapes.

Mike Szilagyi’s interest in trolleys was sparked at a young age by the sight of big green streamliners gliding down Old York Road near his grandmother’s house in the Logan neighborhood of Philadelphia. Today, Szilagyi lives and works in Montgomery County, where he plans and designs bicycle paths and serves on the North Wales Historic Commission.

This volume’s foreword was written by noted transit historian and longtime Montgomery County resident Andrew W. Maginnis.

In addition to detailed captions for each photograph, the book offers a brief history of transportation in Montgomery County, placing the trolley era in its historical context. The timeline of travel may be very generally summed up as:

dirt roads – canals – railroads – trolleys – motor vehicles

Rather than each mode supplanting the previous, there were varying degrees of overlap between them. That said, the use of animals for motive power was there from the beginning, only fading as motor vehicles gained prominence in the 1910s and 1920s. The bicycle came on the scene in a big way in the 1890s, never really completely disappeared, and is today enjoying widespread resurgence.

By concentrating on Montgomery County, the author is able to provide tremendous variety, as he was therefore able to include the Lehigh Valley Transit’s Liberty Bell interurban, the Philadelphia & Western High-Speed Line to Norristown, numerous small-town trolleys, and even a bit of Philadelphia streetcars (Route 6 went into the county). Although very little of this remains, back in the day I did manage to ride Bullets and Strafford cars on the Norristown line (which still operates, with more modern equipment) as well as PCCs on SEPTA’s Route 6, which was replaced by buses in January 1986, subjects covered in this book.

Montgomery County Trolleys is dedicated to the memory of the late Harry Foesig (1897-2003) whose long life spanned parts of three centuries. He was co-author, along with Dr. Harold E. Cox, of Trolleys of Montgomery County, Pennsylvania (1968). This was an obvious inspiration for this new volume, which can be thought of as a kind of “spiritual descendant” of that earlier tome. That book also included some excellent maps, rendered by Foesig.

Anyone who has an interest in the subject, and the rich heritage of Keystone-state traction, would do well to pick up copies of each. While the earlier book is long out of print, you should have little difficulty in finding a used copy at a reasonable price. Mine only cost about $10, which is perhaps about half what you should expect to pay for Montgomery County Trolleys.

Interestingly, longtime railfan Andrew W. Maginnis contributed to both books, 50 years apart. Perhaps the 50-year anniversary was also a factor that motivated the author to put this new collection together, just as I was inspired by some anniversaries to do my new book (see below).

-David Sadowski

Pre-Order Our New Book Building Chicago’s Subways

There are three subway anniversaries this year in Chicago:
60 years since the West Side Subway opened (June 22, 1958)
75 years since the State Street Subway opened (October 17, 1943)
80 years since subway construction started (December 17, 1938)

To commemorate these anniversaries, we have written a new book, Building Chicago’s Subways.

While the elevated Chicago Loop is justly famous as a symbol of the city, the fascinating history of its subways is less well known. The City of Chicago broke ground on what would become the “Initial System of Subways” during the Great Depression and finished 20 years later. This gigantic construction project, a part of the New Deal, would overcome many obstacles while tunneling through Chicago’s soft blue clay, under congested downtown streets, and even beneath the mighty Chicago River. Chicago’s first rapid transit subway opened in 1943 after decades of wrangling over routes, financing, and logistics. It grew to encompass the State Street, Dearborn-Milwaukee, and West Side Subways, with the latter modernizing the old Garfield Park “L” into the median of Chicago’s first expressway. Take a trip underground and see how Chicago’s “I Will” spirit overcame challenges and persevered to help with the successful building of the subways that move millions. Building Chicago’s subways was national news and a matter of considerable civic pride–making it a “Second City” no more!

Bibliographic information:

Title Building Chicago’s Subways
Images of America
Author David Sadowski
Edition illustrated
Publisher Arcadia Publishing (SC), 2018
ISBN 1467129380, 9781467129381
Length 128 pages

Chapter Titles:
01. The River Tunnels
02. The Freight Tunnels
03. Make No Little Plans
04. The State Street Subway
05. The Dearborn-Milwaukee Subway
06. Displaced
07. Death of an Interurban
08. The Last Street Railway
09. Subways and Superhighways
10. Subways Since 1960

Building Chicago’s Subways will be published on October 1, 2018. Order your copy today, and it will be shipped on or about that date. All copies purchased through The Trolley Dodger will be signed by the author.

The price of $23.99 includes shipping within the United States.

For Shipping to US Addresses:

For Shipping to Canada:

For Shipping Elsewhere:

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Railroad Record Club Treasure Hunt

Kenneth Gear, author of today’s post, has long been a friend of this blog. Since we began writing about William A. Steventon and the Railroad Record Club of Hawkins, Wisconin (see our previous posts A Railroad Record Club Discography and Revisiting the Railroad Record Club), Ken has been very helpful in obtaining recordings in our quest to reissue the entire RRC oeuvre for the digital age.

Recently, following up on a lead for some RRC material, Ken traveled from New Jersey to the Midwest. The discoveries he is sharing with you today are the result.

This represented a tremendous investment of time and money for Ken who, like myself is of very modest means. Since there is only a very limited market for railroad audio (the whole world, apparently, being transfixed with video), chances are we will never be able to recoup Ken’s costs.

He does not care about that, since his main interest is in preserving these historic recordings for future generations.  Ken is doing this for the love of it, not the money.

Thanks to Ken, we will now be able to reach our goal of remastering all 41 issued Railroad Record Club recordings onto compact discs. We will let you know when that work is done. The only ones we don’t have now are some of the samplers.

One unexpected benefit of his quest is the discovery of additional unissued steam and electric RRC recordings, detailed below.

Due to the limits of Ken’s budget, he was unfortunately not yet able to purchase what appear to be the original RRC master tapes. If you are interested in making a contribution to that worthwhile effort, please let us know.

Any donations received will help Ken negotiate for their purchase, and make it possible to preserve these fine recordings for future generations of railfans. They are currently at risk of being lost forever.

It is remarkable that this collection somehow managed to stay intact for 24 years after Steventon’s death.

We thank you in advance for your help.

-David Sadowski

PS- The disc labeled Indiana Railroad is actually Steventon reciting a history of the Hoosier interurban. Since it quit in 1941, that predates the development of audio tape recorders in the early 1950s. A few fans had wire recorders in the late 1940s (these were developed in Germany prior to the war). Prior to that time, the only way to make a “field recording” was with a portable disc cutter. Those were available starting around 1929.

My Railroad Record Club Treasure Hunt

by Kenneth Gear

Some months ago David received a very intriguing email. It came from an estate auctioneer who wrote that he was in possession of a large collection of items from the estate of William Steventon, founder of the Railroad Record Club. He had seen the Trolley Dodger CDs for sale online and figured David would be interested in the collection. The auctioneer had these items in storage, where they had been for many years, and he now wanted to dispose of them. He asked David if he would be interested in buying these items or if he knew of anyone who might.

Knowing my keen interest in all things related to the RRC, David forwarded the email to me.

We were quite excited about the offer. What could this collection consist of? Had we hit the mother lode of RRC material? The possibilities were almost endless- photos, art work, even movies! The most satisfying find for me would be, of course, coming across some unreleased Steventon railroad audio. If there were some, would the 60 plus year old tapes be salvageable? Were they stored properly? As endless as the possibilities for great finds were, it was equally possible that disappointment could lie ahead.

At the very least it seemed very likely that we would be able fill the holes in the Trolley Dodger CD reissuing catalog. We were still in need of records 22, 31 & 32 plus the elusive sampler records.

Emails went back and forth between the three of us and eventually concrete plans were hammered out.

My friend and fellow railfan photographer Chris Hughes and I usually make several road trips a year in pursuit of short line railroads to photograph. This year, and as a favor to me, it was decided to find some photographic subjects conveniently close to were the Railroad Record Club items were stored. I wasn’t going to let this opportunity slip by without at least seeing the collection. On July 20th Chris and I set off from New Jersey heading for the Midwest, some short line RRs, and the possibility of a RRC gold mine!

The Day Arrives!

Anticipation was running high as I approached the building that housed the collection. Some of the items were laid out on a table and there were large boxes containing many copies of the same record, all still sealed in plastic and all were the 12″ reissues editions. What immediately caught my attention was that each box had beside it the metal print block for the cover of the LP contained in the box. There were other print blocks on the table as well, not every one had a box of LPs to go with it. This was the real deal for sure. Where else would the original print blocks come from but the Steventon estate.

I wanted the print blocks but was less interested in buying the LPs. I really didn’t want to get saddled with scores of records that I would have to find a place to store and later try to sell. A deal was struck and I got the print blocks but not the LPs. So far so good.

LIST OF PRINT BLOCKS PURCHASED
 full covers with titles and other lettering:
#1 Wabash
#4 B&O
#8 CN
#10 PRR
#18 CNS&M
#19 DM&IR
#20 C&IM/NYC
#21 D&NW
#22 BC&G
#23 Pennsy Trolleys
#24 CP
#25 Ill Term
#26 NKP 779
#27 Capital Trans
#28 Iowa Trolleys
#29 CNS&M Freight
#30 Sound Scrapbook-Traction
#31 Sound Scrapbook-Steam
#32 NYC
#33 & 34 CSS&SB freight
#35 Milwaukee Trans
#36 Chicago Trans
#SP-1 Silverton
#SP-2 NP 2626 (both front and back photos) 
OTHER PRINT BLOCKS
1st EDITIONS-TRAIN ONLY- NO LETTERING:
Intro SOO
#2 WCF&N
#3 EBT
#4 B&O
#5 D&RGW
#6 H&F
#7 N&W
#8 CN
#9 WSSB
#11 SHRT
#12 DM&IR
#13 NKP
#14 PE
#15 CB&Q
#17 SOO
#18 CNS&M
Not from a RRC record cover: BRILL 27-E truck

Next up was what appeared to be Mr. Steventon’s personal collection of RRC albums (for some unknown reason number 23 was missing). The records were in plain white jackets and did not have any of the liner notes or cover art with them. Just a hand written number in the upper right hand corner of the jacket, corresponding to the record contained therein. The records were a mix of 10 and 12 inch stock. It could be that Steventon upgraded his own collection with the 12″ remasters as they were pressed and that the 10″ records in his collection never got the 12″ treatment. If true, then we can finally know exactly which of the records were reissued and those that were not. It seems likely, but we will need to look a little deeper into this. Interestingly a few of the plain white jackets have a hand written “delete schedule” on them. This I’m sure is some whittling down of the tracks to fit in the allotted time of the record. Photos of two of them follow. Also found was a sampler record. I always thought there were 6 of these records but it turns out that each year only has one side of a disc. Therefore it’s not 6 records, but only 3. 1 down and 2 to go.

Along with these LPs came a large stack of test pressings. I wasn’t sure of just what may be on them, perhaps the deleted audio written of in those delete schedules. They went into the back of the SUV with Steventon’s personal RRC records. Things were getting very interesting!

The stack of test pressings consisted of 44 12″ records from the Nashville Record Productions and 4 10″ pressings from RCA Custom Records.

Also, I saved perhaps 50 10″ empty record jackets that were heading to a dumpster. I’m glad I did because I was able to find the jackets for 22 BC&G, 31 Sound Scrapbook-Steam & 32 NYC. I got those records from Steventon’s personal collection, but they did not, as I said, have any liner notes or jackets with them.

So no more suspense- yes unreleased Steventon railroad audio was indeed found!

It came in the form of “Audiodisc” record blanks that Steventon cut at home. For convenience’s sake, or perhaps to keep his tapes safe, he transferred field recordings on to these “record at home” discs. 25 of these discs were offered to me and I snatched them right up. Later at home, I discovered that 21 have railroad sounds on them. The rest were radio shows and a relative who was apparently proficient at playing the piano.

These discs are 10″ and play at 78rpm. They contain about 6 minutes of audio when fully utilized but not all are. Frustratingly some records, in spite of the label being marked “Western Maryland” or “Pennsylvania RR”, are blank on one side or contain just a fraction of the audio it could hold. There is plenty of good stuff here and the condition of most of the records are surprisingly good in my opinion. Here are some of the highlights:

One of the best finds is a record marked “B&O-1st Recording” It seems I have found a record of William Steventon’s first recordings! From the article he wrote for TRACTION & MODELS we know he accidentally erased his very first recording of a B&O steamer while trying to play it back. So perhaps this is actually his second attempt. The record contains B&O steam & Diesel sounds recorded at the station in Riverdale, MD on March 31, 1953. Trains include number 523 “Marylander” and number 17 “Cleveland Night Express” among others.

He would return to the B&O many times, with recordings being made at both Riverdale and Silver Springs, MD. I have records of B&O trains recorded in July, August, and September 1953. Some of these recordings include the station announcements for trains number 9 “Chicago Express” and Train 5 “Capitol Limited” . There is one great sequence (too short) of an on-train recording behind B&O 5066 powering local train #154. Also there is a very good recording of a 5300 series loco on a heavy drag freight. Even early on he sure knew how to capture the sound of steam.

There are recordings of steam on the Shenandoah Central (loco # 12) IC # 3619 at Christopher, IL, PRR at Mill Creek, PA, C&IM, and on the EBT. Some of this material may have been included on the released albums, but here William Steventon himself provides commentary and the sounds may be edited differently. Steventon gives information about almost every cut in his distinctive, Walter Winchell-like voice. Other interesting sounds are those of PRR GG-1s recorded on August 22, 1954. They were recorded at, as Steventon puts it, a “country crossing”. Plenty of that toneless yet somehow appealing GG-1 horn blowing is included.

Potomac Edison box motor # 5 has several sides of these records devoted to it. Without checking, I’d say there is more of the sounds of the cab ride on these discs than what eventually made it on to Record #6. There is some Shaker Heights RT as well. Plenty of Johnstown Traction and Altoona & Logan Valley too. This may or may not have been released.

There is definitely some unreleased traction sound here. One full record contains the sounds of the Baltimore Transit company. One side is a ride on car # 5727 on the Lorraine Line and the other side is car # 5706 on the Ellicott City Line. Both recorded on January 16, 1954 This recording is in wonderful shape too.

More fine unreleased traction sounds include a nice recording of the St. Louis Public Service. Recorded in December of 1953 it includes both on board and trackside recordings of PCC cars on the University Line.

There is also some Washington DC Capital Transit stuff I don’t think made it to Record 27.

There are some unidentified traction sounds on an unmarked disc. The record starts with William Steventon telling a story about a blanket someone gave his father that had pictures of locomotives on it (his father was an engineer on the NYC). The story abruptly ends without concluding and the sounds of motor hum, gears, and door buzzers start. It sounds to me as if the recording was made at a subway station. We know Steventon made recordings in the IRT subway in New York and this may very well be it. The other side has more unidentified traction sound that may been the Queensboro Bridge recordings that were mentioned in the RRC newsletter David posted in this blog some time ago. Maybe someone knows for sure what all this sound really is. One other record worth noting is titled “Claude Mahoney.” Playing the record reveled that he was a radio commentator in the Washington DC area. This is both parts of a two-part show about riding an NRHS fantrip from Washington DC to Harrisburg, PA by way of Hagerstown on October 4, 1953. No train sounds are included but it is interesting in itself, especially if you enjoy old time radio broadcasts.

All of these records will soon be sent off to David for him to transfer to digital. Hopefully he can clean up and restore some of the sounds that right now, are degraded with surface noise and various clicks, pops, and hisses. I’m sure there is enough good sound to fill out a CD and it sure will make a great Railroad Record Club “bonus tracks” CD.

Another interesting aspect of the Railroad Record Club story is that some years after William Steventon’s death in 1993, his son Seth made an effort to reissue the entire RRC catalog on cassette tapes. David and I made inquiries about this to several people without much success. It’s likely the project was abandoned before much headway was achieved.

Evidence of Seth’s attempts were included in the estate. All of the records were converted to cassette and cover art and liner notes were put on cards for every record. Four completed tapes were in the collection and so are many of the cards.

Next I purchased 10 cover art paste-up boards. These are what was used to make the print blocks. A few actually contain the original art work. It seems Steventon would have the lettering glued to the same canvas board that the artist drew the picture on. They are not all originals, but several are. This was a bit of luck I would have never thought possible. On a few, such as the BC&G drawing for number 22 and the trolley picture for #23, the glued-on lettering has fallen off. This has revealed more of the drawing than we record owners have ever seen.



COVER ART 

# 1 WAB (12″remaster cover)

# 3 EBT (12″remaster cover)

# 4 B&O (12″remaster cover) Original Drawing

# 19 DM&IR (12″remaster cover) Original Drawing

# 22 BC&G (12″remaster cover) Original Drawing

# 23 Pennsylvania Trolleys Original Drawing

# 24 CP Original Drawing

# SP-3 Whistle/Bend Original Painting

# SP-4 CSS&SB

# SP-5 Soo (12″remaster cover) 

 

One other original drawing was found hiding among the others. It is of WCF&N interurban car # 100. This drawing did not appear on any RRC record jacket. The car is featured on Record 2. The first edition of the record had a cover that featured a photograph of the car. The second edition had a drawing of it, but it is not the one I have. Both of these editions were on 10″ stock. There is no way of knowing for sure but maybe a 12″ reissue of number 2 was in the works and this was to be the cover illustration. It’s possible. It could also be that this was a gift to Steventon or he commissioned it simply because he liked the car. Who knows?

Several boxes of photos were for sale as well. Both finances and cargo space were starting to reach their limits so I had to choose only a few to buy. As time allows I will scan and email all of the photos to David and he can include them in future Trolley Dodger posts. For now, I’ve scanned a few photos that in some way relate to the Railroad Record Club.

Photo 1. I was looking for a good photo of William Steventon, preferably in a railroad setting or with audio equipment in the field or at home. Nothing was found but this photo of him I think is quite good.

Photo 2 & 3. I found a copy of the photo that was used in the TRACTION & MODELS magazine article, the one that shows him making a recording of a North Shore Line interurban car. It has been posted in this blog before but this is a much better scan. It was made from an actual photograph and not a magazine reproduction as posted before. The shot is somewhat wider too. Because it is a good scan it is possible to crop the photo to a point where you can get a good look at all that recording equipment he needed. Imagine having to cart all that stuff around. Think of this next time you shoot audio AND video on your tiny Smartphone!

Photo 4. As was stated before, William Steventon’s father Seth was an engineer on the Big 4 (New York Central). This is very likely him in the cab of NYC 6879. Photo is dated 1915.

Photos 5 & 6. These two are good photos to keep in mind while listening to Record # 20 C&IM/NYC. The in cab recording Steventon made while aboard NYC # 1441 with his father as engineer was recorded while switching in this yard. While this photo was not taken at the time the sound recording was made (sound recording made December 9, 1953, these photos were taken on February 12, 1948) and is of a different locomotive (NYC # 1169), the setting is the same- the yard at Cairo, IL. In the liner notes of this record Steventon writes about the sound of the locomotive being “amplified by the huge empty lumber shed we were paralleling at the time.” That huge empty lumber shed is plainly visible in the wider shot of # 1169. Seth was again the engineer at the throttle.

Photo 7. Seth in the cab of Shenandoah Central # 12. This is the locomotive that is on one of the unreleased audiodisc records. It was very likely taken on the same day as that the sound recordings were made.

Photo 8. When I saw this picture in the box with a bunch of others, it stood out to me. Why I wasn’t sure until I took a closer look. It is of Charles City Western car # 50. What made it stand out was that the angle and position of the car is exactly as the car appears on the cover of record 28. Remove the car barn and some of the background, take away the bit of freight car to the left, add a few clouds in the sky and you have the record cover! It would be hard to convince me that the record cover drawing is not based on this photo.

Photo 9. CCW car 50 as it appears on RRC record # 28’s cover. Compare the two.

A few interesting documents were found as well. There was a large box of correspondence to and from the Club. Apparently Mr. Steventon threw very little away. If you ever wrote to him or ordered a record from him, chances are your letter or envelope are in that box! I looked briefly for anything from me but no luck. I would have needed more time to do a good search.

What I left Behind

There were more treasures to be found in that darkened building for sure. Time, storage space, and money, the bane I’m sure of every collector, shook me from my excitation. No more space and no more money meant no more discoveries.

While I’m very happy with what I got, there is still more. All those boxes of records I turned down and all those wonderful photos I couldn’t afford. I would hate to find out they had to be trashed.

The most glaring oversight on my part were the boxes of reel to reel tapes I saw. I did look at them and even took some photos, but it all appeared to be master tapes for the records. All these sound I was positive were safely cut into vinyl.

After getting home and closely looking at those photos I can now see that there was unreleased railroad audio there too. Such titles as L&N, NKP Diesel, IRT Subway, IND Subway, 3rd Avenue El and the Queensboro Bridge Trolley, among others, now jumped out at me. Perhaps there might be a way to save this material as well.

I had a great time making these discoveries, and I’m very happy that David should be able to make CDs of these sounds so they can be shared with all who are interested. After not being heard in decades, it feels great to be a part of the effort to bring these lost Railroad Record Club sounds into the light of day.

Recent Correspondence

Continuing from our last post (regarding Speedrail) Larry Sakar writes:

This was the aftermath of the 8/24/49 collision at Soldiers Home. Car 1143 with motorman Ralph Janus was an all steel car. That was the one that backed up. Car 1119 with motorman LeRoy Equitz was a car that was wood with I think steel sheets surrounding it. That was true of nearly all of the 1100-series TM single cars except 1142-1145. Those 4 were all steel. Equitz was speeding going twice as fast as he should have been given that he had a yellow caution signal. As you came downhill and into the Calvary Cemetery cut, the r.o.w. made a sharp curve beneath the Hawley Rd. overpass and then continued downhill. That and the Mitchell Blvd. overpass at the east end of the cut limited the view ahead. Equitz didn’t spot the 1143 until it was too late.

The newspaper picture I’m attaching looks forward from the front or what was left of the front of 1119 to the back of 1143. Note the telescoping. That’s the floor of 1143 in front of the fireman who is bending over on the right. Had anyone been sitting in the smoking compartment of 1143 they would have been killed. Luckily, no one was.

The Calvary Cemetery cut is the only part of the abandoned r.o.w. that remains relatively unchanged today. Here are some photos of it over the years.

Thanks for sharing!

Larry again:

Here’s more about that accident, Dave as well as a view of the 65 as it looked upon arrival in Milwaukee. Note no front end “LVT” design.

I promised Scott (Greig) that I would look into the Speedrail accident of 9/5/50 to see if the newspaper accounts identified the crew of car 1121. In the July, 2017 comments, Scott thought that the motorman of car 1121 was Ralph Janus who was motorman of car 1143 which backed up for the missed passenger at Soldiers Home station on 8/24/49 and was rammed from behind by car 1119 with motorman LeRoy Equitz. I thought it was someone by the name of Eugene Thompson.

According to the Milwaukee Journal article, “Speedrail Dead Now 10; Line Has New Collision” (MKE Journal 9/5/50 P.1) the motorman of car 1121 was Eugene Thompson. The motorman of car 64 which 1121 ran into was Virgil McCann. There was one passenger aboard car 64, Ewald Rintelmann, age 50 of Hales Corners whom the article says was “shaken and bruised.” I hoped that the other two crew members aboard car 1121 would be identified but they weren’t. It only mentions that there were “2 other men aboard the freight car.” At least not in this article or the following day. As I mentioned previously, I recall the late Speedrail motorman Don Leistikow saying it was a father and son, one of whom was the conductor and the other the brakeman. The article reported that Maeder “initially blamed the accident on ‘slick, moisture covered tracks’.” The accident happened 1000 feet south of the West Jct. station.

The 9-5-50 article is also where we hear of the 8 or 9 year old boy Maeder saw “standing awfully close to the landing at Oklahoma Ave.,” who drew his attention away from the Nachod signal. “Ordinarily, you keep you eye on the light for more than an instant,” Maeder said. “On Saturday, however, I noticed a small boy about 8 or 9, standing awfully close to the tracks at Oklahoma av. landing. When I noticed, in a quick look, that I had the white light, my thoughts turned to the more immediate danger of the small boy and I turned my eyes from the light to the boy.”

I’ll give Maeder credit for coming up with a good story to explain his failure to keep an eye on the signal but that’s all. He makes no mention of the fact that Speedrail supervisor John Heberling was stationed at Oklahoma Ave. and that he had set the switch so that Maeder’s train went into the siding. Nor does he mention that he ordered Heberling to immediately reset the switch and let him out of the siding when the latter wanted to take time to call the dispatcher and see where Equitz was at. Neither John Heberling nor any of the fans gathered around Maeder on the front platform ever reported seeing a small boy playing or standing near the tracks.

When Maeder refers to “the landing,” I am guessing he was referring to the station platform. Oklahoma Ave. station was on the bridge over Oklahoma Ave.

About 3 years ago I had a phone conversation with George Wolter, the assigned motorman on Maeder’s train. I asked if it was true that Maeder took control of the train shortly after leaving the Public Service Building outbound to Hales Corners. He confirmed that Maeder said, “Go and have a seat. I’ll take it from here,” when they got to 6th & Michigan Sts. I asked if Maeder had given him a reason and he said, “Well we got caught in a traffic jam on 6th St.” I said, “OK but what does that have to do with anything?” Maeder taking over operation of the train wasn’t going to change the fact that you were caught in street traffic. I mean he wasn’t Moses. He couldn’t lift up his switch iron and demand that the traffic part and let his train pass in the name of the Lord.”

I know that was a rather sarcastic remark but Wolter’s excuse for Maeder was utterly ridiculous. Wolter said, “I will swear to my dying day that I saw that signal at Oklahoma Ave. and it was white.” That was the end of the conversation. His statement contradicts what he told the DA and testified to at the Coroner’s inquest. His exact statement at that time was that he was just coming up front having “gone back to the rear car for a while.”

This was when he spotted the roof of Equitz’s train coming up over the top of the hill ahead of the northbound train. He said he DID NOT see the signal at Oklahoma Ave.! I think his testimony at the time carries far more weight than the way he remembered events more than 60 years later. I should also point out that had he been so inclined the DA could have charged Wolter with negligence since PSC rules required that a qualified motorman had to be present at all times when someone who was not qualified was operating the train. He had absolutely no business being in the rear car of 39-40.

Don Leistikow said that had he been the motorman he would have stood right next to Maeder whether he liked it or not. He would have been the scheduled motorman and this was officially his train. He was the person responsible for it. As Don pointed out the PSC regulations did not make an exception just because you owned the company. Based on the way the DA went after Maeder and statements made by the DA as early as 9-5 when he said he had concluded that based on the evidence he’d gathered that Maeder went thru a red signal. And it was obvious that he wasn’t buying Maeder’s story about safety concerns. Maeder’s frequent sessions with railfans in his office, seeking their input while ignoring Tennyson the VP of operations, fits the pattern of someone who on 9/2 saw an opportunity to bask in the admiration of his fellow model railroaders and railfans and just couldn’t pass up such a “golden opportunity” to show off by being at the controls of duplex 39-40. Tennyson said as much in my book and reluctantly, I would have to agree with him.

I am sure our readers will appreciate this important bit of history on what was a very serious tragedy.

Finally, Larry asks:

One thing that has puzzled me for a long time is why the CTA was so anti-streetcar. It seems to me that they would have wanted to keep the PCC’s running on at least the 22-Clark-Wentworth, the 36-Broadway-State and the 49-Western Ave. Weren’t those 3 lines some of the busiest crosstown streetcar routes? It’s always seemed to me, not knowing much more than the basics about the CSL and CTA that it appeared to be terribly wasteful to junk all of those mostly new St. Louis Car PCC’s. Yes, I know that a lot of parts went into the 6000 series “L” cars but did they really recoup their investment?

I know there have been books written about the CSL but has anyone ever thought about writing a comprehensive history of it say for CERA? Dave Stanley told me that when CTA acquired CSL it was broke. Was the CRT in any better shape, financially?

In a way it’s too bad the CTA wasn’t selling off the PCC’s in 1949.Both the Waukesha and Hales Corners lines had turning loops so their being single ended would not have been a problem though whether Maeder could have afforded them, I have serious doubts.

TM did not have turning loops on any of the streetcar lines and that is part of the reason S.B. Way was not interested in buying PCC’s for Milwaukee. It would have meant constructing loops at the ends of the car lines or buying double ended PCC’s. I know of only 2 systems that had double ended PCC’s; PE and Dallas. Of course by the time the first PCC’s rolled off the production line for the Brooklyn & Queens, TM had pretty much turned its back on streetcars in favor of trolleybuses.

The Chicago Transit Authority purchased the Surface Lines in 1947 for $75m. However, the CSL had $30m in cash on hand in a renewal account, so the actual amount spent was only $45m.

While the underlying companies behind the CSL facade were bankrupt, this was more of a technical bankruptcy, a situation that the City of Chicago wanted to maintain since they had by the mid-1940s decided that municipal ownership was the only way forward. Otherwise, contemporary accounts indicate that CSL could have emerged from bankruptcy during WWII.

CSL could have done better, except that its fares were being kept artificially low by the Illinois Commerce Commission. When the CTA took over, there were numerous fare increases in its first decade of operation since the agency had the power to set its own rates.

By contrast, the Chicago Rapid Transit Company was a financial basket case that could barely pay its bills. During the transition to CTA ownership between 1945 and 1947, the most that CRT could spend for new railcars was $100k, while the Surface Lines had millions on hand for such purchases. CRT ordered four articulated sets while CSL ordered the 600 postwar PCCs plus other buses.

CSL was very much a pro-streetcar operator, but in the years prior to 1947, had been expanding service using motor buses and trolley buses, including some initial conversions of lightly-used streetcar routes to bus.

The City of Chicago commissioned a transportation study in 1937 that suggested replacing half the trolleys with buses. This still would have meant purchasing 1500 new streetcars.

As the years went on, this amount kept being decreased in the plans, from 1500 to 1000 to 800, and ultimately it became 600.

While the CTA still planned to order an additional 200 PCCs in their 10-Year Plan, published in 1947, this did not come to pass, and the first general manager of CTA, Walter J. McCarter, was hired in part because of his success in “rubberizing” the Cleveland streetcar system.

So, while CSL was pro-streetcar, increasingly the City of Chicago was pro-bus, and when municipal ownership came to be, the new CTA reflected the attitudes of the City.

The war had put off some bus substitutions and equipment purchases, so there was a backlog of conversions in the pipeline by that time. This led to a more rapid switch from streetcar to bus than might have been the case otherwise.

The difficulty in abandoning lightly-used lines also worked against CSL, and to some extent CSL and CRT competed with each other. Once CTA took over, they could rationalize both systems to work better together.

Still, even as late as 1949, CTA was at least considering purchasing 200 more PCCs, and retaining service on as many as 11 streetcar lines. The 600 PCCs were brand new, and the 83 prewar cars plus the 100 Sedans could have provided good service for many years to come.

Around that time, however, a number of factors were already at work against the surface system in general.

First, along with increased car ownership and frequent fare increases, there was a serious drop-off in surface system ridership, to the point where it was eventually decided that buses could do the job.

Second, the CTA changed its method of accounting, allocating a portion of surface system revenue to the rapid transit. This meant that some service that were once considered profitable were suddenly seen as unprofitable.

One thing that CTA did almost immediately was work to reduce their labor costs by eliminating as many employees as possible. This became even more important in the inflationary postwar period as unionized workers demanded better pay and benefits. CTA had a chronic manpower shortage and was thus in a weak position to hold the line.

Since most streetcars were two-man, they were easy targets for substitution by one-man buses.

A 1951 consultant’s report proposed that CTA retain the PCCs, convert them to one-man, and stop purchasing electric vehicles for the surface system due to the supposedly high cost of electric power purchased from Commonwealth Edison.

By the 1950s, CTA had become convinced that maintaining ridership was a matter of providing faster service. Faster service could not easily be provided on city streets, with increasing competition from cars and trucks, but there were ways to speed up service on the rapid transit system.

The so-called PCC Conversion Program was mainly public relations. The CTA had decided it no longer wanted to operate streetcars, yet had 600 that were just a few years old, with an expected 20-year life and attendant depreciation. The main purpose of the program was to take these cars off the books in a way that would not show a loss on paper.

While frequent claims were made that supposedly the program was yielding $20,000 or more per streetcar, CTA actually received $11,000 for each of the 570 cars sold to St. Louis Car Company. In addition, there were thousands of dollars in additional costs involved with adapting and reconditioning parts. Over the five years or so of the program, the amount of costs increased, to the point where, by 1958, CTA admitted it was receiving no more than scrap value for each PCC sold.

But since these were non-standard cars, there was no market for reselling them to another city.

The Conversion Program only made sense if you believed that PCC streetcars, which were state-of-the-art and just a few years old, had absolutely no future value as transit vehicles, even though the 1951 consultant report indicated that the tracks and wire were in good shape and were worth keeping. The consultant thought that the cost of replacing the service with bus was more than the cost of keeping what they had.

CRT was in such bad shape that within a few short years, CTA decided to devote 70% of its investments in upgrading it, even though in 1947 it only had a market share of less than 20% of local ridership. As a consequence, some might argue that the surface system got the “short end of the stick,” especially after October 1, 1952 when CTA purchased the assets of the competing Chicago Motor Coach Company.

Perhaps not coincidentally, this was also the date when the CTA, having eliminated its last remaining competitor, announced the Conversion Program that spelled the end of streetcars in Chicago. It was no longer necessary to offer a “premium service” that could compete with CMC for riders.

As for a history of CSL, it would be hard for anyone to better the Chicago Surface Lines book by Alan R. Lind, especially the third edition published in 1979.

The subject is of sufficient complexity to demand a series of books, of which Chicago Streetcar Pictorial: The PCC Car Era, 1936-1958 (published as Bulletin 146 of the Central Electric Railfans’ Association in 2015), at 448 pages, including several hundred photos in color, forms an important part. I am proud to have been a co-author of that book.

My upcoming book Chicago Trolleys, although a much more modest 128 pages, will be another addition to that field.

-David Sadowski

Bonus Pictures

FYI, I found this brochure in one of the issues of Surface Service (the Chicago Surface Lines employee publication) I recently scanned:

Pre-Order Our New Book Chicago Trolleys

On the Cover: Car 1747 was built between 1885 and 1893 by the Chicago City Railway, which operated lines on the South Side starting in April 1859. This is a single-truck (one set of wheels) open electric car; most likely a cable car, retrofitted with a trolley and traction motor. The man at right is conductor William Stevely Atchison (1861-1921), and this image came from his granddaughter. (Courtesy of Debbie Becker.)

On the Cover: Car 1747 was built between 1885 and 1893 by the Chicago City Railway, which operated lines on the South Side starting in April 1859. This is a single-truck (one set of wheels) open electric car; most likely a cable car, retrofitted with a trolley and traction motor. The man at right is conductor William Stevely Atchison (1861-1921), and this image came from his granddaughter. (Courtesy of Debbie Becker.)

We are pleased to report that our new book Chicago Trolleys will be released on September 25th by Arcadia Publishing. You can pre-order an autographed copy through us today (see below). Chicago Trolleys will also be available wherever Arcadia books are sold.

Overview

Chicago’s extensive transit system first started in 1859, when horsecars ran on rails in city streets. Cable cars and electric streetcars came next. Where new trolley car lines were built, people, businesses, and neighborhoods followed. Chicago quickly became a world-class city. At its peak, Chicago had over 3,000 streetcars and 1,000 miles of track—the largest such system in the world. By the 1930s, there were also streamlined trolleys and trolley buses on rubber tires. Some parts of Chicago’s famous “L” system also used trolley wire instead of a third rail. Trolley cars once took people from the Loop to such faraway places as Aurora, Elgin, Milwaukee, and South Bend. A few still run today.

The book features 226 classic black-and-white images, each with detailed captions, in 10 chapters:

1. Early Traction
2. Consolidation and Growth
3. Trolleys to the Suburbs
4. Trolleys on the “L”
5. Interurbans Under Wire
6. The Streamlined Era
7. The War Years
8. Unification and Change
9. Trolley Buses
10. Preserving History

Product Details

ISBN-13: 9781467126816
Publisher: Arcadia Publishing SC
Publication date: 09/25/2017
Series: Images of Rail
Pages: 128

Meet the Author

David Sadowski has been interested in streetcars ever since his father took him for a ride on one of the last remaining lines in 1958. He grew up riding trolley buses and “L” trains all over Chicago. He coauthored Chicago Streetcar Pictorial: The PCC Car Era, 1936–1958, and runs the online Trolley Dodger blog. Come along for the ride as we travel from one side of the city to the other and see how trolley cars and buses moved Chicago’s millions of hardworking, diverse people.

Images of Rail

The Images of Rail series celebrates the history of rail, trolley, streetcar, and subway transportation across the country. Using archival photographs, each title presents the people, places, and events that helped revolutionize transportation and commerce in 19th- and 20th-century America. Arcadia is proud to play a part in the preservation of local heritage, making history available to all.

The book costs just $21.99 plus shipping. Shipping within the US is included in the price. Shipping to Canada is just $5 additional, or $10 elsewhere.

Please note that Illinois residents must pay 10.00% sales tax on their purchases.

We appreciate your business!

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NEW – Chicago Trolleys Postcard Collection

We are pleased to report that selected images from our upcoming book Chicago Trolleys will be available on September 25th in a pack of 15 postcards, all for just $7.99. This is part of a series put out by Arcadia Publishing. Dimensions: 6″ wide x 4.25″ tall

The Postcards of America Series

Here in the 21st century, when everyone who’s anyone seems to do most of their communicating via Facebook and Twitter, it’s only natural to wax a little nostalgic when it comes to days gone by. What happened to more personal means of communication like hand-written letters on nice stationery? Why don’t people still send postcards when they move someplace new or go away on vacation?

If that line of thinking sounds familiar, then Arcadia Publishing’s Postcards of America was launched with you in mind. Each beautiful volume features a different collection of real vintage postcards that you can mail to your friends and family.

Pre-Order your Chicago Trolleys Postcard Pack today!

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Reader Mailbag, 6-25-2017

Outbound Chicago, Aurora & Elgin 460 in Aurora on May 19, 1957. Near the terminal, overhead wire was used instead of third rail. Passenger service only lasted another six weeks before abandonment.

Outbound Chicago, Aurora & Elgin 460 in Aurora on May 19, 1957. Near the terminal, overhead wire was used instead of third rail. Passenger service only lasted another six weeks before abandonment.

A close-up of the previous picture.

A close-up of the previous picture.

The Trolley Dodger mailbag is overflowing this month. We also have some new photographic finds to share with you.

Along with our upcoming book Chicago Trolleys, we are pleased to report there will also be a related item– a pack of 15 postcards, showing selected classic images from the book. This is part of Arcadia Publishing’s Postcards of America series. More information below.

Enjoy!

-David Sadowski

Recent Finds

CA&E 427 (right) at the Wheaton Shops.

CA&E 427 (right) at the Wheaton Shops.

CA&E 428, an outbound Elgin Limited, passes over Union Station on the Met "L". Looks like this picture was taken from a passing car heading east.

CA&E 428, an outbound Elgin Limited, passes over Union Station on the Met “L”. Looks like this picture was taken from a passing car heading east.

Here, we see CA&E 425 at Glen Ellyn, a photo stop during an early Central Electric Railfans' Association fantrip. Notice how everyone is dressed up for the occasion.

Here, we see CA&E 425 at Glen Ellyn, a photo stop during an early Central Electric Railfans’ Association fantrip. Notice how everyone is dressed up for the occasion.

CA&E 459 is at the tail end of a three-car outbound train at Oak Park Avenue on the Garfield "L". The building at right is still there, now fronting the Eisenhower Expressway.

CA&E 459 is at the tail end of a three-car outbound train at Oak Park Avenue on the Garfield “L”. The building at right is still there, now fronting the Eisenhower Expressway.

CA&E 424 at Harlem Avenue on the Garfield "L". Since this station was located on the west side of Harlem, it follows that this car is heading east. Fare control was on the inbound platform only. It, and Harlem Avenue, would be behind the photographer in this view. This area is now taken up by the Eisenhower Expressway.

CA&E 424 at Harlem Avenue on the Garfield “L”. Since this station was located on the west side of Harlem, it follows that this car is heading east. Fare control was on the inbound platform only. It, and Harlem Avenue, would be behind the photographer in this view. This area is now taken up by the Eisenhower Expressway.

Here is a different angle than we are usually used to seeing of the CA&E Wheaton Yards. Cars 315 and 415, among others, are present. On the other hand, Jack Bejna writes: "The photo that you labled a different view of the Wheaton Yards is probably a view of the Laramie Yards taken from a different angle (looking northeast). The crossing is probably Lockwood Avenue and the view is generally toward the tower. Zoom in the image and under the short part of the gate you can see the top half of the tower. In addition, the dark building has 6 short windows and two long windows. The photo I've attached was labled Lockwood Yard and shows the same building as well as the top of a radio tower and a water tower in the background (you can see both in your recent photo)."

Here is a different angle than we are usually used to seeing of the CA&E Wheaton Yards. Cars 315 and 415, among others, are present. On the other hand, Jack Bejna writes: “The photo that you labled a different view of the Wheaton Yards is probably a view of the Laramie Yards taken from a different angle (looking northeast). The crossing is probably Lockwood Avenue and the view is generally toward the tower. Zoom in the image and under the short part of the gate you can see the top half of the tower. In addition, the dark building has 6 short windows and two long windows. The photo I’ve attached was labled Lockwood Yard and shows the same building as well as the top of a radio tower and a water tower in the background (you can see both in your recent photo).”

Here is the photo that Jack Bejna sent us:

Here is Lackawanna & Wyoming Valley (better known as the Laurel Line) car 34 at the Scranton (PA) station on September 21, 1941. Don's Rail Photos says, "34 was built by Osgood-Bradley Car Co in 1924. It was sold to John C Bauman in 1953 and scrapped in 1956." The question has been raised in the past, as to whether the Laurel Line fleet, retired in the early 1950s, could have been any use to the Chicago, Aurora & Elgin, which needed to replace their wood cars with steel. It would appear that these cars were too long for the CA&E and would have needed modification. However, such changes had been made in 1937-38 to eight ex-Washington, Baltimore & Annapolis cars, which were renumbered into the 600 and 700-series. What was lacking in 1953, unfortunately, was the will to keep operating and investing money in a railroad that management thought was worth more dead than alive.

Here is Lackawanna & Wyoming Valley (better known as the Laurel Line) car 34 at the Scranton (PA) station on September 21, 1941. Don’s Rail Photos says, “34 was built by Osgood-Bradley Car Co in 1924. It was sold to John C Bauman in 1953 and scrapped in 1956.” The question has been raised in the past, as to whether the Laurel Line fleet, retired in the early 1950s, could have been any use to the Chicago, Aurora & Elgin, which needed to replace their wood cars with steel. It would appear that these cars were too long for the CA&E and would have needed modification. However, such changes had been made in 1937-38 to eight ex-Washington, Baltimore & Annapolis cars, which were renumbered into the 600 and 700-series. What was lacking in 1953, unfortunately, was the will to keep operating and investing money in a railroad that management thought was worth more dead than alive.

South Shore Line freight loco 702 in Michigan City on September 5, 1966. It was originally built in 1930 by Alco-General Electric for the New York Central, and came to the South Shore Line in 1955. The 700-series locos were scrapped in 1976. (Photo by Leander)

South Shore Line freight loco 702 in Michigan City on September 5, 1966. It was originally built in 1930 by Alco-General Electric for the New York Central, and came to the South Shore Line in 1955. The 700-series locos were scrapped in 1976. (Photo by Leander)

We posted a New Orleans Public Service photo recently (see Points East, West, and South, May 17, 2017), and here is another. This 1940s shot shows car 438 on Canal Street, when it still had four tracks.

We posted a New Orleans Public Service photo recently (see Points East, West, and South, May 17, 2017), and here is another. This 1940s shot shows car 438 on Canal Street, when it still had four tracks.

Here, we see Lehigh Valley Transit car 1023 at Norristown on May 9, 1950. LVT interurban service to Philadelphia on the Liberty Bell route had been cut back to this point the previous year, and even this truncated version would only last about another year before abandonment. Riders would have changed trains to ride the Philadelphia & Western the rest of the way to the 69th Street Terminal. Through a great coincidence, the man at right has been identified as Ara Mesrobian, who is mentioned elsewhere in this post!

Here, we see Lehigh Valley Transit car 1023 at Norristown on May 9, 1950. LVT interurban service to Philadelphia on the Liberty Bell route had been cut back to this point the previous year, and even this truncated version would only last about another year before abandonment. Riders would have changed trains to ride the Philadelphia & Western the rest of the way to the 69th Street Terminal. Through a great coincidence, the man at right has been identified as Ara Mesrobian, who is mentioned elsewhere in this post!

North Shore Line car 300, during its days as the official club car of Central Electric Railfans' Association, in August 1941. At left is diner 414, which was out of service at the time. It was motorized and returned to service as a coach in 1942.

North Shore Line car 300, during its days as the official club car of Central Electric Railfans’ Association, in August 1941. At left is diner 414, which was out of service at the time. It was motorized and returned to service as a coach in 1942.

North Shore Line city streetcar 359 at Great Lakes. Don's Rail Photos: "359 was built by St Louis Car Co in January 1928, #1453. It was retired in 1949 and scrapped in 1950."

North Shore Line city streetcar 359 at Great Lakes. Don’s Rail Photos: “359 was built by St Louis Car Co in January 1928, #1453. It was retired in 1949 and scrapped in 1950.”

Recent Correspondence

Hagerstown & Frederick car 48 on June 24, 1939. Don's Rail Photos: "48 was built by Brill in 1926. It came from the CG&W (Chambersburg Greencastle & Waynesboro Street Ry.), since they were owned by Potomac Edison, too. It was retired in 1949 and disposition is unknown." (Al Seibel Photo)

Hagerstown & Frederick car 48 on June 24, 1939. Don’s Rail Photos: “48 was built by Brill in 1926. It came from the CG&W (Chambersburg Greencastle & Waynesboro Street Ry.), since they were owned by Potomac Edison, too. It was retired in 1949 and disposition is unknown.” (Al Seibel Photo)

Hagerstown & Frederick combine 172 on September 24, 1939. Don's Rail Photos: "172 was built by Brill in 1921. It was retired in 1954. The disposition is unknown." (Al Seibel Photo)

Hagerstown & Frederick combine 172 on September 24, 1939. Don’s Rail Photos: “172 was built by Brill in 1921. It was retired in 1954. The disposition is unknown.” (Al Seibel Photo)

Kenneth Gear writes:

In that Railroad Record Club paper I scanned and sent to you last week there is a list of books Steventon was selling. One of them, “BLUE RIDGE TROLLEY The Hagerstown & Frederick Railway” By Herbert H. Harwood interested me. I searched online and found a copy for sale and purchased it (at a much higher price than the $10 Steventon was asking).

Many of the photos in the book were taken by Ara Mesrobian. This is the same photographer who took the photos of William Steventon along the H&F in January of 1954. These photos, as you know, were used in the article Steventon wrote for TRACTION & MODELS magazine. Since it is a certainty that Mesrobian and Steventon were together (with several others) while some of the recordings were being made that were included on RRC LP #6, the possibility exists that some of the photographs Ara Mesrobian made at the time may have been used in this book.

Using some clues from the RRC liner notes, the T&M article, and the photo captions in the book, I found a few photos that may very well have been taken at the same time as the sound recordings. I’ve scanned and attached two of them.

The first one shows car # 172 near Lewiston, MD. We know sound recordings were made here because of the T&M photo of Steventon at this location. The photo shows a snowless winter landscape that matches the T&M photo. The date of the photo is not given in the book, but this could be the visual of one of the cuts on side one.

The second photo’s caption does not give the car number but it appears to be car # 172 again. The date is not given but again the winter landscape and weather conditions are not unlike the photos in T&M.

There are a few more photos by Mesrobian in the book that could have been taken during the recording sessions but to me, these two are the most likely. Cars 171 & 172 were the only two H&F cars in operation at the time so all passenger car photos taken in this time frame would be of them.

Pinning down dates would be difficult too. The RRC #6 record label has the years 1953 -55 printed on it so we have this to work from. Steventon was in Washington DC in July of 1953 according to the liner notes of RRC 27. He was recording cars of the Capital Transit, and being that close to the H&F (and that far from Wisconsin) it’s possible he made H&F recordings on that trip. I could not find any photos in the book taken by Mesrobian that look like they may have been taken in midsummer.

Perhaps he did not accompany Steventon on that H&F trip, if indeed Steventon made one. We know he made H&F recordings on January 3, 1954 because the photos in T&M are dated. All passenger service on the H&F ended on February 20, 1954 (Steventon made his recordings just six weeks earlier) so anything recorded in 1955 had to be of the freight motors. Steventon wrote in the liner notes of RRC 6 that the in cab recordings of locomotive #12 were “made on a very cold day in January, with drifts of snow across the rails”. The T&M photos show no snow on the ground and the coat Steventon is wearing does not seem to be very heavy. Additionally he is hatless and not wearing gloves or a scarf. This indicates to me that in all likelihood it was not extremely cold that day. However, there may have been snow at higher elevations. Electric freight operations lasted, according to the book, until “early 1955”. So my guess would be the cab ride in # 12 took place in January of 1955, one year and a month after the end of passenger service.

All of this is just conjecture on my part but it seems reasonable and was a fun exercise.

Another interesting photo in the book is an interior shot of H&F car 172. This is one of the Railroad Record Club photos that you got on eBay! The photo was taken by Steventon himself and it’s a safe bet that he took it at the same time he made the on train recording, where he placed the microphone under the car’s floor, that is band 4 on side 1. Of note, Steventon’s name is spelled incorrectly in the photo credit. He is credited as William A. Stevenson! I’ve scanned and attached the page.

Anyway if you have an interest in the H&F I would recommend this book. There are many used copies available online.

Well that’s how I spent my afternoon today, it sure beat cutting the grass.

This is great detective work on your part.  I will run this in my next post.

Of course, there may have been charters using the passenger cars even after the end of passenger service.

I know someone, now close to 87 years old, who rode one of those late H&F trips.*

The book didn’t have any photos or make any mention of fan trips after the end of regular passenger service, but It can’t be ruled out. It must be remembered that the wires came down in early 1955 so that only left a window of about 12-14 months for any fan trips to have run. Also in the book’s equipment roster it lists both 171 & 172 as having been retired in 1954 but does not give any disposition info. I look for fan trip photos online.

 

As long as the cars were still on the property, they could have been used for fantrip service. As the last operating interurban on the east coast, chances are there would have been a demand for such trips.

I will see what I can find out.

One other fairly interesting thing I thought of today. I watched a documentary about the H&F on Youtube  (I can send the link if you wish), and in the closing credits there was a list of people whose photographs were used for the still frames in the film. One of the photographers listed was Steventon’s friend Bob Crockett. He may have been along on one or more of these recording trips. He also my be one of the people in the T&E photos too. There aren’t any of Crockett’s photos in the book however, and I can’t find any H&F photos of his online.
Also in the acknowledgments of the book Ara Mesrobian is listed and said to live in Washington. He being so close to the H&F I’m sure he made many trips to the property without Steventon.

 

I believe that in 1953 Steventon was working for the Federal government in Washington, D. C., so he wasn’t living in Wisconsin yet. I think he grew up in Illinois, actually.

Good point, I hadn’t thought of that. I just always associate him with being in Wisconsin. You are right about him growing up in Illinois. RRC LP #20 liner notes he says he was born and raised in Mt. Carmel. I didn’t know of his government work, at least I don’t recall having read about it.

 

Pretty sure it is mentioned in that newspaper article about Steventon that I posted some time ago.

I re-read the newspaper article and you are correct, it states he was working in Washington DC in 1953. I overlooked this fact and it may put a little different spin on some of my assumptions as to the dates of the recordings. He could have made the trip easily to the H&F on many occasions during the time he worked for the government, and we don’t know the years he worked in DC.
He was in Wisconsin, and apparently for some years, by the time of the newspaper piece was written in 1958. At any rate, we can be sure of the January 3, 1954 date because we have the T&M photos which are dated. As I said, it was just a fun way to fill a free afternoon and avoid doing yard chores.

 

Thanks!

Tracing the Hagerstown & Frederick:

Howard Sell Films of Hershey Transit and the Hagerstown & Frederick:

C&WT 127 and 104 in Maywood. The grade crossing at rear may be a clue as to the exact location. Don's Rail Photos notes: "104 was built by McGuire-Cummings in 1917. It was scrapped in 1948." The 127 looks to be the older of the pair, built by McGuire-Cummings in 1914. (Joe L. Diaz Photo) Joe writes: "The photo of C&WT cars 127 and 104 is in Maywood at 19th and Railroad Avenue looking north."

C&WT 127 and 104 in Maywood. The grade crossing at rear may be a clue as to the exact location. Don’s Rail Photos notes: “104 was built by McGuire-Cummings in 1917. It was scrapped in 1948.” The 127 looks to be the older of the pair, built by McGuire-Cummings in 1914. (Joe L. Diaz Photo) Joe writes: “The photo of C&WT cars 127 and 104 is in Maywood at 19th and Railroad Avenue looking north.”

Bill Shapotkin writes:

In your most recent post (which covers your Chicago Streetcar book), there is this photo (above). Indeed, the pic is in Maywood (just barely). We are looking N/B on 19th Ave from a point just north of St Charles Rd. The Grd Xing is the C&NW (its Melrose Park station is out-of-view to right). Busses of PACE RT #303 continue to operate in 19th, passing this location.

Thanks!

Lou Astrella writes:

I was wondering if you had a picture of the trolley barn/garage that used to be at Division & Oakley in Chicago IL many years ago. Thank you.

I don’t have such a picture at present, but will keep an eye out for one in the future. Probably the best place to look for pictures of the car barn would be in the CSL employee magazine (Surface Service), from around May 1947 when it closed. Unfortunately, I do not have either the May or June 1947 issue in my collection at present. Perhaps the CTA might, however.

Here’s a partial view of it:

Hopefully, our readers may have other pictures to share.

Jack Bejna writes:

I have enjoyed your recent posts as always, and I find myself checking often, hoping to find another of your posts waiting for me. Good work! Here are some images of the second order of CA&E cars, built by Niles in 1905. Car 205 had its motors removed in the late years. Car 209 was rebuilt in 1924 by the company shops from parlor-buffet car Carolyn. The original photo of car 207 was an in-train image that I decide to modify to show the end details better. I spent way too much time on this one but I think the end result looks much better than the original image.

Thanks, Jack, once again for all your incredible work in making these cars look better than ever. I am sure our readers appreciate it as well.

CA&E 201 at Laramie Yard.

CA&E 201 at Laramie Yard.

CA&E 203.

CA&E 203.

CA&E 205.

CA&E 205.

CA&E 207.

CA&E 207.

CA&E 209 at Wheaton Shops in 1924.

CA&E 209 at Wheaton Shops in 1924.

CTA PCC 4384 at Archer and Wentworth.

CTA PCC 4384 at Archer and Wentworth.

Warren Kostelny writes:

I would like to express my satisfaction with your book Chicago Streetcar Pictorial: The PCC Car Era.**  It is really a great book to enjoy.

Thanks!

Are you planning to publish other books for the other cities that had PCC streetcars?

They say you should write what you know, and while I have learned a lot about Chicago’s PCCs over the years, this doesn’t necessarily carry over to other cities.  I will leave that to people who know those subject much better than I could.  I will always be a Chicagoan at heart.

Meanwhile, I have a new book coming out this September called Chicago Trolleys, via Arcadia Publishing (see below).  Chicago’s PCCs, and the experimental models that preceded them, are an important part of this tome.

I did find some discrepancies.  On page 15 PCC cars #7035-7114 is listed as 90 cars built and delivered.  If you add up the postwar PCCs it comes to 610 built.  It should be only 600 cars.

That is a typo and should say 80 cars.

On page 428, cars #7035-7114 is listed as 80 cars built and delivered.  When you add up postwar PCC cars built and delivered it is 600 cars.  Which is the correct number built?

600 cars– 310 by Pullman, and 290 from St. Louis Car Company.  No doubt the order was too much for either company to build in a timely fashion, so it was split.

Also on page 15, the 4 car lines were to get 182, 150, 171, and 75 PCC cars.  This only adds up to 578.   Where did the other 22 go so it totals 600 cars?

I would expect 22 cars were to be held in reserve to account for down time caused by accidents and mechanical issues. Having a total of 600 cars does not mean you have 600 cars available at all times.

On page 321, the picture is identified as July 1955.  The car is a 1956 Pontiac.  Next year’s new models usually came out in October, November, December.

Your point is well taken.  1955 and 1956 Pontiacs have the same basic body, but slightly different bumpers.  You are correct in noting that the picture shows a 1956 model.

I recall, as a kid, that new car models were introduced during September. So, in some cases, you could have a photo with a 1956 model car that was taken in 1955. This tradition began to fray when Ford introduced the Mustang in April 1964, as a “1964 1/2” model.

1956 license plates have white background and black numerals, which this car has.

You are correct.  Chances are this picture was taken shortly before the end of streetcar service on Western Avenue (June 1956).  In some cases, the information that comes with a photo turns out not to be completely accurate.  We do our best to catch such errors.  Good eye!

I used a similar strategy to help date the photo of the Third Avenue El in our recent post Badgered (June 12, 2017). There, New York used the same plate in 1955 and 1956, but in the latter year, there was a sticker in the upper right hand corner. That helped date the picture to 1955. The type of slide mount on this “red border Kodachrome” also indicated a date no earlier than 1955.

Other 1956 photos which show this are pages 355 bottom, 322 bottom, 319 top and bottom, 309 top and bottom, 195 bottom, and 351 top.

Yes, and in those cases, the photos are correctly identified as 1956.

1955 car plates had black backgrounds and light-colored numerals.  Pages 360 top, 334 top, 337 bottom, and 351 bottom.

And those photos are accurately listed as 1955.

It is a great book and hope there are more books to come on the PCC streetcars.

I’ll settle for partial credit regarding my new book, and hope it meets with your approval.  Meanwhile, I am working hard to ensure that minor errors do not creep into Chicago Trolleys.  Books such as this are full of complexities.  Since humans are not perfect, it shouldn’t be too surprising that the books they create aren’t perfect either.  But we do strive for perfection, naturally. To err is human; to forgive, divine!

A 1956 Pontiac.

A 1956 Pontiac.

The last #36 streetcar, February 16, 1957.

The last #36 streetcar, February 16, 1957.

Meanwhile, shortly after the PCC book was published, I received the following message from our resident South Side expert M. E.:

Yesterday I received B-146 and have been poring over it since then. B-146 is one heck of an achievement. I can only imagine how deteriorated the photos must have been. Your photo editor did a Herculean job restoring the photos.

The late Bradley Criss was an absolute master with Photoshop, a true magician. But instead of waving a magic wand, it took him endless hours of hard work, dedication, and attention to detail to make these pictures look as good as they do. My new book is dedicated to him.

I found a few booboos to tell you about:

(1) On page 38, the map you contend is from 1950. I knew the south side Surface Lines routes pretty well. Most of them are represented accurately in the map. But:

— Your own text, corroborated by Alan Lind’s book, says that streetcar service on Halsted south of 79th St. was eliminated in 1949. Therefore the route to 111th and Sacramento would have disappeared by 1950.

The map in question is correct as of early December 1949, and not 1950. We regret this error.

— Also, Lind’s book says the Halsted-Downtown route was the one that first ran to 111th and Sacramento. But by the late 1940s it was route 8. Lind’s book has a picture of a red streetcar on 111th St. with a destination sign showing route 8. From my personal experience, hanging around 63rd and Halsted as often as I did, I can state it really was route 8. Incidentally, I think the route 8 number itself was a rather late development. I remember destination signs on red streetcars that had no route numbers.

Route numbers were first used internally by CSL for accounting purposes, but gradually became public due to their use with the various Through Routes. So, for example, Lake-State was Through Route 16, and eventually the Lake route itself became 16.

— Also, that map shows route 8 between 79th and 81st Sts. The CTA may have retained trolley wire between 81st and 79th to connect routes 22 and 8/42, but there was no streetcar service south of 79th after 1949.

This map, produced by Dennis McClendon and Chicago Cartographics, is basically a color-coded version of one in a contemporary CTA Annual Report. Presumably their map showed wire between 79th and 81st since it was still there and available for car movements if needed, although not actually used as part of routes 8, 22, or 42.

(2) On page 211, the upper caption has the date October 1958.

That is, of course, a typo since the last car ran in June 1958. Possibly the correct date should be October 1957, based on the automobiles present.

(3) On page 381, the caption says the location is 63rd and Lowe. Not so. The view is facing west, and you can see the spire of the Southtown Theatre. The Southtown Theatre was at 63rd and Lowe, west of the railroad tracks. The true site of this photo is 63rd and Normal Parkway, which was 500 West. How do I know? In the photo is a sign for the 505 Grill. 505 is an address just west of Normal.

I wrote the caption for that photo, and mistakenly put down the cross street for the Southtown (Lowe) instead of the one for the photographer’s location (Normal).

The photo atop page 111 shows the 63rd Place short turn adjacent to the Halsted L station. For your information, the green and white bus belonged to the Suburban Transit System, based in Oak Lawn. Its route, starting at the L station, was north on Halsted to 63rd, west to Morgan St. (1000 west), south to 87th St., east to Vincennes (which at that point was about 900 west), south on Vincennes to 95th St., then west to any of several terminals along 95th St.

Also, there is a glimpse of a red and white bus in the distance. That one belonged to South Suburban Safeway Lines, which ran two routes into Englewood. One was the Harvey bus (currently route 349), which ran north on Halsted to 63rd, west to Western Ave., then south to Blue Island and Harvey. The other was the Chicago Heights/Crete bus (currently route 352), which turned south on Halsted and ran straight to the suburbs.

Thanks for all the great information!

The only other minor errors that I know about in B-146 involve some photos taken in the vicinity of Wrigley Field. These were mistakenly attributed to the late Charles Tauscher instead of Robert Heinlein. We regret this error, and thank Mr. Heinlein for taking such wonderful photographs.

It would be difficult to name a railfan book published within the last 50 years that did not have a few minor errors in it. This would include the legendary Lind book, which is rightfully considered the “gold standard” by which all other Chicago streetcar books should be judged.

I have seen the late Joe Saitta‘s personal copy of the CSL book, which included his own copious handwritten notes, for better or for worse, detailing what he regarded as corrections.  The handwriting was very difficult to read, but there were notations on nearly every page.

-David Sadowski

*Ray DeGroote writes:

Yes, I visited the H&F for a day at Thanksgiving time, 1952. I borrowed a camera from Tom Desnoyers since I did not have my own yet. I rode the line from Frederick, MD to Thurmond, about 20 miles, where the interurban connected with the Western Maryland RR. By that time they were down to just a few trips each day, and the rest of the system had been abandoned.

If there were any fan trips around that time, I did not hear about then. But it is possible either the Baltimore or Washington groups may have arranged something.

**Published in 2015 by Central Electric Railfans’ Association.  The Trolley Dodger blog is not affiliated with CERA.

Pre-Order Our New Book Chicago Trolleys

On the Cover: Car 1747 was built between 1885 and 1893 by the Chicago City Railway, which operated lines on the South Side starting in April 1859. This is a single-truck (one set of wheels) open electric car; most likely a cable car, retrofitted with a trolley and traction motor. The man at right is conductor William Stevely Atchison (1861-1921), and this image came from his granddaughter. (Courtesy of Debbie Becker.)

On the Cover: Car 1747 was built between 1885 and 1893 by the Chicago City Railway, which operated lines on the South Side starting in April 1859. This is a single-truck (one set of wheels) open electric car; most likely a cable car, retrofitted with a trolley and traction motor. The man at right is conductor William Stevely Atchison (1861-1921), and this image came from his granddaughter. (Courtesy of Debbie Becker.)

We are pleased to report that our new book Chicago Trolleys will be released on September 25th by Arcadia Publishing. You can pre-order an autographed copy through us today (see below). Chicago Trolleys will also be available wherever Arcadia books are sold.

Overview

Chicago’s extensive transit system first started in 1859, when horsecars ran on rails in city streets. Cable cars and electric streetcars came next. Where new trolley car lines were built, people, businesses, and neighborhoods followed. Chicago quickly became a world-class city. At its peak, Chicago had over 3,000 streetcars and 1,000 miles of track—the largest such system in the world. By the 1930s, there were also streamlined trolleys and trolley buses on rubber tires. Some parts of Chicago’s famous “L” system also used trolley wire instead of a third rail. Trolley cars once took people from the Loop to such faraway places as Aurora, Elgin, Milwaukee, and South Bend. A few still run today.

The book features 221 classic black-and-white images, each with detailed captions, in 10 chapters:

1. Early Traction
2. Consolidation and Growth
3. Trolleys to the Suburbs
4. Trolleys on the “L”
5. Interurbans under Wire
6. The Streamlined Era
7. The War Years
8. Unification and Change
9. Trolley Buses
10. Preserving History

Product Details

ISBN-13: 9781467126816
Publisher: Arcadia Publishing SC
Publication date: 09/25/2017
Series: Images of Rail
Pages: 128

Meet the Author

David Sadowski has been interested in streetcars ever since his father took him for a ride on one of the last remaining lines in 1958. He grew up riding trolley buses and “L” trains all over Chicago. He coauthored Chicago Streetcar Pictorial: The PCC Car Era, 1936–1958, and runs the online Trolley Dodger blog. Come along for the ride as we travel from one side of the city to the other and see how trolley cars and buses moved Chicago’s millions of hardworking, diverse people.

Images of Rail

The Images of Rail series celebrates the history of rail, trolley, streetcar, and subway transportation across the country. Using archival photographs, each title presents the people, places, and events that helped revolutionize transportation and commerce in 19th- and 20th-century America. Arcadia is proud to play a part in the preservation of local heritage, making history available to all.

The book costs just $21.99 plus shipping. Shipping within the US is included in the price. Shipping to Canada is just $5 additional, or $10 elsewhere.

Please note that Illinois residents must pay 10.00% sales tax on their purchases.

We appreciate your business!

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NEW – Chicago Trolleys Postcard Collection

We are pleased to report that selected images from our upcoming book Chicago Trolleys will be available in a pack of 15 postcards, all for just $7.99. This is part of a series put out by Arcadia Publishing. Dimensions: 6″ wide x 4.25″ tall

The Postcards of America Series

Here in the 21st century, when everyone who’s anyone seems to do most of their communicating via Facebook and Twitter, it’s only natural to wax a little nostalgic when it comes to days gone by. What happened to more personal means of communication like hand-written letters on nice stationery? Why don’t people still send postcards when they move someplace new or go away on vacation?

If that line of thinking sounds familiar, then Arcadia Publishing’s Postcards of America was launched with you in mind. Each beautiful volume features a different collection of real vintage postcards that you can mail to your friends and family.

Pre-Order your Chicago Trolleys Postcard Pack today!

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Odds and Ends

CTA Prewar PCC 4041 is northbound on Western Avenue near Fulton Street on July 7, 1955. (Chuck Wlodarczyk Photo)

CTA Prewar PCC 4041 is northbound on Western Avenue near Fulton Street on July 7, 1955. (Chuck Wlodarczyk Photo)

Here in Chicago, April showers (and there were many) have finally given way to May flowers. What better time to do some late Spring cleaning, and sort out a bunch of recently acquired material to share with you, our readers.

In spite of the lack of an overall theme, somehow this post grew like Topsy, to the point where it now has more images in it (100+) than any of our previous installments.

Enjoy!

-David Sadowski

In the 1950s, CTA PCC 7125 is heading southbound at State and Kinzie while track work is underway nearby.

In the 1950s, CTA PCC 7125 is heading southbound at State and Kinzie while track work is underway nearby.

We've run a couple pictures from this, the first Omnibus Society of America fantrip, in previous posts (Tip of the Iceberg, March 10, 2017 and Chicago Surface Lines Photos, Part Six, February 22, 2016), but this one actually provides the date, March 2, 1958. CTA trolley bus 9193 is heading south on Kedzie at the Congress (now Eisenhower) Expressway. As you can see, the entrance to the Kedzie rapid transit station is not quite finished. The line would open on June 22, 1958, replacing the old Garfield Park "L".

We’ve run a couple pictures from this, the first Omnibus Society of America fantrip, in previous posts (Tip of the Iceberg, March 10, 2017 and Chicago Surface Lines Photos, Part Six, February 22, 2016), but this one actually provides the date, March 2, 1958. CTA trolley bus 9193 is heading south on Kedzie at the Congress (now Eisenhower) Expressway. As you can see, the entrance to the Kedzie rapid transit station is not quite finished. The line would open on June 22, 1958, replacing the old Garfield Park “L”.

On May 16, 1954, two weeks before the end of Red Car service, the Central Electric Railfans' Association held a fantrip on several lines. Here, we see fantrip car 479 at right and regular service car 1758 on the left. The location is Lake and Laramie, as you can see the ramp that brought the Lake Street "L" down to street level for the last 2.5 miles of its route. Car 473 also took part in the excursion.

On May 16, 1954, two weeks before the end of Red Car service, the Central Electric Railfans’ Association held a fantrip on several lines. Here, we see fantrip car 479 at right and regular service car 1758 on the left. The location is Lake and Laramie, as you can see the ramp that brought the Lake Street “L” down to street level for the last 2.5 miles of its route. Car 473 also took part in the excursion.

The same location today. The Lake Street "L" (today's CTA Green Line) was relocated onto the nearby Chicago & North Western embankment in 1962, and a new structure replaced the former ramp. Steel support columns were relocated to the curb. We are facing west.

The same location today. The Lake Street “L” (today’s CTA Green Line) was relocated onto the nearby Chicago & North Western embankment in 1962, and a new structure replaced the former ramp. Steel support columns were relocated to the curb. We are facing west.

This picture of CTA 473 was also taken on the May 16, 1954 fantrip, during a photo stop at 79th Place and Emerald.

This picture of CTA 473 was also taken on the May 16, 1954 fantrip, during a photo stop at 79th Place and Emerald.

Westbound CTA 1758 is turning from Lake onto Pine. This picture may also have been taken on May 16, 1954, as the same car shows up in some of the fantrip pictures. That looks like a 1953 Kaiser at left. Kaiser was an upstart automaker that got started after WWII and ceased American car production in 1955 to concentrate on making Jeeps. Kaisers had nice styling and interiors, but were underpowered compared to the Buicks and Oldsmobiles they competed against, lacking a V-8 engine.

Westbound CTA 1758 is turning from Lake onto Pine. This picture may also have been taken on May 16, 1954, as the same car shows up in some of the fantrip pictures. That looks like a 1953 Kaiser at left. Kaiser was an upstart automaker that got started after WWII and ceased American car production in 1955 to concentrate on making Jeeps. Kaisers had nice styling and interiors, but were underpowered compared to the Buicks and Oldsmobiles they competed against, lacking a V-8 engine.

CTA PCC 7170 is heading southbound at Clark and Granville in this wintry 1950s scene. The Kroger grocery store was located at 6157 N. Clark, in a building now occupied by the Raven Theatre Company.

CTA PCC 7170 is heading southbound at Clark and Granville in this wintry 1950s scene. The Kroger grocery store was located at 6157 N. Clark, in a building now occupied by the Raven Theatre Company.

Photo caption: "Chicago, North Shore & Milwaukee RR 352 passenger interurban (Built Cincinnati). Only car on Mundelein branch." Don's Rail Photos: "352 was built by St Louis Car Co in January 1928, #1453. It was retired and scrapped in 1951."

Photo caption: “Chicago, North Shore & Milwaukee RR 352 passenger interurban (Built Cincinnati). Only car on Mundelein branch.” Don’s Rail Photos: “352 was built by St Louis Car Co in January 1928, #1453. It was retired and scrapped in 1951.”

A Dayton (Ohio) trolley bus at night in September 1972.

A Dayton (Ohio) trolley bus at night in September 1972.

A Lehigh Valley Transit Liberty Bell Limited interurban car in Lansdale (note the nearby Reading catenary). While the interurban quit in 1951, electric commuter rail service to Lansdale continues under the auspices of SEPTA. Between 1949 and 1951, LVT considered terminating the interurban here instead of continuing to Norristown. This would have involved building a loop to turn the single-ended cars. Ultimately, this was not done.

A Lehigh Valley Transit Liberty Bell Limited interurban car in Lansdale (note the nearby Reading catenary). While the interurban quit in 1951, electric commuter rail service to Lansdale continues under the auspices of SEPTA. Between 1949 and 1951, LVT considered terminating the interurban here instead of continuing to Norristown. This would have involved building a loop to turn the single-ended cars. Ultimately, this was not done.

Lehigh Valley Transit 1100 on a New York Central flat car at Riverside Yard in Allentown PA. Don's Rail Photos: "1100 was built by Cincinnati Car in August 1929, #3025, as Dayton & Troy Ry 201. It was returned to Cincinnati Car in 1932, and in 1938 it was sold to LVT as 1100. In 1949 it was sold to Milwaukee Rapid Transit & Speedrail. It was in such bad condition that it was not rehabilitated and was scrapped in 1952." It seems likely that the 1100 was sold to Speedrail for use as a parts car. The photo date is given as February 14, 1948, but this may be wrong, as this was more than a year prior to the abandonment of the Easton Limited interurban line, where this car ran. However, it may have been out of service for some time.

Lehigh Valley Transit 1100 on a New York Central flat car at Riverside Yard in Allentown PA. Don’s Rail Photos: “1100 was built by Cincinnati Car in August 1929, #3025, as Dayton & Troy Ry 201. It was returned to Cincinnati Car in 1932, and in 1938 it was sold to LVT as 1100. In 1949 it was sold to Milwaukee Rapid Transit & Speedrail. It was in such bad condition that it was not rehabilitated and was scrapped in 1952.” It seems likely that the 1100 was sold to Speedrail for use as a parts car. The photo date is given as February 14, 1948, but this may be wrong, as this was more than a year prior to the abandonment of the Easton Limited interurban line, where this car ran. However, it may have been out of service for some time.

Lehigh Valley Transit 1102 loaded on an Lehigh Valley RR flat car in Allentown, PA (November 1949). Don's Rail Photos: "1102 was built by Cincinnati Car in August 1929, #3025, as D&TRy 203. It was returned to Cincinnati Car in 1932, and in 1938 it was sold to LVT as 1102. In 1949 it was sold to Speedrail, but was not rehabilitated until March 1951. But it only ran for 3 months as 66 before the line was abandoned and then scrapped in 1952."

Lehigh Valley Transit 1102 loaded on an Lehigh Valley RR flat car in Allentown, PA (November 1949). Don’s Rail Photos: “1102 was built by Cincinnati Car in August 1929, #3025, as D&TRy 203. It was returned to Cincinnati Car in 1932, and in 1938 it was sold to LVT as 1102. In 1949 it was sold to Speedrail, but was not rehabilitated until March 1951. But it only ran for 3 months as 66 before the line was abandoned and then scrapped in 1952.”

"LVT 1102 loaded on an NYC flat car at Riverside to be shipped to Milwaukee, Wisconsin."

“LVT 1102 loaded on an NYC flat car at Riverside to be shipped to Milwaukee, Wisconsin.”

Chicago Streetcar R.P.O. (Railway Post Office)

We recently acquired this envelope, and enclosures, that were cancelled in 1946 on an old Chicago streetcar. Streetcars had last been used to sort and transport mail in 1915. The event was a stamp collector’s convention.

Don's Rail Photos: "H7, mail car, was built by American Car Co in 1891, as a C&PS (Cicero & Proviso Street Ry) passenger car. It was rebuilt as CUT 8 in 1900 as a mail car and as CRys 8 in 1903. It was renumbered H7 in 1913 and became CSL H7 in 1914. It was retired on May 16, 1949."

Don’s Rail Photos: “H7, mail car, was built by American Car Co in 1891, as a C&PS (Cicero & Proviso Street Ry) passenger car. It was rebuilt as CUT 8 in 1900 as a mail car and as CRys 8 in 1903. It was renumbered H7 in 1913 and became CSL H7 in 1914. It was retired on May 16, 1949.”

Hagerstown & Frederick (Potomac Edison)

We recently purchased a number of rare photos showing the Hagerstown & Frederick, a Maryland interurban. This was a real-lie “Toonerville Trolley,” which, despite not having a lot of ridership, somehow managed to survive into the 1950s.

Here is what Don’s Rail Photos says about the H&F:

It’s hard to describe the H&F since it seems to be more of a country trolley than an interurban line. Yet they did operate freight service and covered some 76 miles of line in western Maryland. It was the last passenger interurban east of Chicago. The H&F was a consolidation of several lines dating back to 1902. They joined together in 1913. Abandonments began in 1932. In 1938 the main line was cut so that there were two separate sections, one at Hagerstown, and the other at Frederick. The Hagerstown line finally quit in 1947, but the Frederick to Thurmont passenger service lasted until February 20, 1954. Freight service was later dieselized but lasted only until 1958. I was fortunate enough to visit Frederick the year after passenger service ended, but some of the freight equipment was still around.

Interestingly, some of these pictures were part of a set produced by the Railroad Record Club. I had no idea that the RRC sold sets of photos, but apparently they did. This is only part of one such set, #12. That would imply there are more RRC photo sets out there waiting to be rediscovered.

There is a Railroad Record Club discs featuring the H&F, but it is disc #6 and not 12. RRC #6 is one of the ones we have already digitized.

H&F car 48 on May 18, 1941. "Wood steel sheathed city car. Green and cream." Don's Rail Photos adds, "48 was built by Brill in 1926. It came from the CG&W, also, since they were owned by Potomac Edison, too. It was retired in 1949 and disposition is unknown."

H&F car 48 on May 18, 1941. “Wood steel sheathed city car. Green and cream.” Don’s Rail Photos adds, “48 was built by Brill in 1926. It came from the CG&W, also, since they were owned by Potomac Edison, too. It was retired in 1949 and disposition is unknown.”

H&F 151.

H&F 151.

The last passenger trolley (1947) on the Hagerstown-Williamsport line.

The last passenger trolley (1947) on the Hagerstown-Williamsport line.

The last passenger trolley (1947) on the Hagerstown-Williamsport line.

The last passenger trolley (1947) on the Hagerstown-Williamsport line.

H&F 169 in Hagerstown. Don's Rail Photos: "169 was built by Brill in 1917 and was sold for other uses in 1947."

H&F 169 in Hagerstown. Don’s Rail Photos: “169 was built by Brill in 1917 and was sold for other uses in 1947.”

H&F 172 in Braddock Heights, Maryland. Don's Rail Photos: "172 was built by Brill in 1921. It was retired in 1954. The disposition is unknown."

H&F 172 in Braddock Heights, Maryland. Don’s Rail Photos: “172 was built by Brill in 1921. It was retired in 1954. The disposition is unknown.”

H&F 49 at Hagerstown on May 29, 1938. On the back of the photo, it says this car was built by Brill in 1924.

H&F 49 at Hagerstown on May 29, 1938. On the back of the photo, it says this car was built by Brill in 1924.

The Union Street Substation in Cumberland, MD, installed prior to 1900.

The Union Street Substation in Cumberland, MD, installed prior to 1900.

H&F in downtown Hagerstown.

H&F in downtown Hagerstown.

Williamsport, Maryland about 1944. That looks like a 1934 Ford at left.

Williamsport, Maryland about 1944. That looks like a 1934 Ford at left.

H&F 31.

H&F 31.

H&F freight loco 12 in Frederick about 1947. Don's Rail Photos adds, "12 was built by General Electric, December, 1917, #6238, as Chicago North Shore & Milwaukee 452, but was diverted to the government for use as Watervliet Arsenal E-2. It came to the H&F in 1947. Disposition is unknown."

H&F freight loco 12 in Frederick about 1947. Don’s Rail Photos adds, “12 was built by General Electric, December, 1917, #6238, as Chicago North Shore & Milwaukee 452, but was diverted to the government for use as Watervliet Arsenal E-2. It came to the H&F in 1947. Disposition is unknown.”

"Potomac Edison Co. Car #48 at Cumberland in 1926, on Greene Street at the Dingle intersection with Fayette Street. (Note: House on the left, at 903 Fayette Street, still existed in 1997.) Don's Rail Photos: "48 was built by Brill in 1926. It came from the CG&W, also, since they were owned by Potomac Edison, too. It was retired in 1949 and disposition is unknown."

“Potomac Edison Co. Car #48 at Cumberland in 1926, on Greene Street at the Dingle intersection with Fayette Street. (Note: House on the left, at 903 Fayette Street, still existed in 1997.) Don’s Rail Photos: “48 was built by Brill in 1926. It came from the CG&W, also, since they were owned by Potomac Edison, too. It was retired in 1949 and disposition is unknown.”

H&F #9. Don's Rail Photos: "9 was built by the Washington & Old Dominion in 1918 as their 25. It came to the H&F in 1944. It was retired in 1955 and the disposition is unknown."

H&F #9. Don’s Rail Photos: “9 was built by the Washington & Old Dominion in 1918 as their 25. It came to the H&F in 1944. It was retired in 1955 and the disposition is unknown.”

H&F 171. Don's Rail Photos adds, "171 was built by Brill in 1919. It was retired in 1954 and became a private residence. It is now a fishing cabin." The car body has been preserved in Mountaindale, Maryland.

H&F 171. Don’s Rail Photos adds, “171 was built by Brill in 1919. It was retired in 1954 and became a private residence. It is now a fishing cabin.” The car body has been preserved in Mountaindale, Maryland.

H&F #3 (left) and 15 (right). Don's Rail Photos: "3 was built by H&F in 1914. It was retired in 1945. 15 was built by the Chambersburg Greencastle & Waynesboro Street Ry. in 1917 as their 15. It came to the H&F from this line which was a connection at Shady Grove, Pa. in 1932. Disposition is unknown."(Railroad Record Club photo #12-107)

H&F #3 (left) and 15 (right). Don’s Rail Photos: “3 was built by H&F in 1914. It was retired in 1945. 15 was built by the Chambersburg Greencastle & Waynesboro Street Ry. in 1917 as their 15. It came to the H&F from this line which was a connection at Shady Grove, Pa. in 1932. Disposition is unknown.”(Railroad Record Club photo #12-107)

H&F 178 on a fantrip, probably circa 1954. (Railroad Record Club photo #12-129)

H&F 178 on a fantrip, probably circa 1954. (Railroad Record Club photo #12-129)

(Railroad Record Club photo #12-138)

(Railroad Record Club photo #12-138)

H&F 164. Don's Rail Photos: "164 was built by Brill in 1910 as Frederick RR 32 and scrapped in 1945." (Railroad Record Club photo #12-101)

H&F 164. Don’s Rail Photos: “164 was built by Brill in 1910 as Frederick RR 32 and scrapped in 1945.” (Railroad Record Club photo #12-101)

H&F #12. Don's Rail Photos: "12 was built by General Electric, December, 1917, #6238, as Chicago North Shore & Milwaukee 452, but was diverted to the government for use as Watervliet Arsenal E-2. It came to the H&F in 1947. Disposition is unknown." (Railroad Record Club photo #12-120)

H&F #12. Don’s Rail Photos: “12 was built by General Electric, December, 1917, #6238, as Chicago North Shore & Milwaukee 452, but was diverted to the government for use as Watervliet Arsenal E-2. It came to the H&F in 1947. Disposition is unknown.” (Railroad Record Club photo #12-120)

(Railroad Record Club photo #12-162)

(Railroad Record Club photo #12-162)

H&F #160. Don's Rail Photos: "160 was built by Cincinnati in 1909 as Hagerstown Ry. 45. Disposition is unknown." (Railroad Record Club photo #12-100)

H&F #160. Don’s Rail Photos: “160 was built by Cincinnati in 1909 as Hagerstown Ry. 45. Disposition is unknown.” (Railroad Record Club photo #12-100)

H&F 178 (Railroad Record Club photo #12-112)

H&F 178 (Railroad Record Club photo #12-112)

Looks like fantrip time in Thurmont, possibly in 1954, with H&F 171 at the head of the line. (Railroad Record Club photo #12-127)

Looks like fantrip time in Thurmont, possibly in 1954, with H&F 171 at the head of the line. (Railroad Record Club photo #12-127)

H&F work car #7 at Frederick, Maryland, on April 11, 1954. It was built in the H&F shops in 1927 and had four Westinghouse 101B2 motors. On the other hand, Don's Rail Photos says, "7 was acquired in 1918 from an unknown source. Other information showed it as being built in the company shop in 1927. It served double duty in the winter as a plow. The disposition is unknown." (Gene Connelly Photo)

H&F work car #7 at Frederick, Maryland, on April 11, 1954. It was built in the H&F shops in 1927 and had four Westinghouse 101B2 motors. On the other hand, Don’s Rail Photos says, “7 was acquired in 1918 from an unknown source. Other information showed it as being built in the company shop in 1927. It served double duty in the winter as a plow. The disposition is unknown.” (Gene Connelly Photo)

H&F 167 at Frederick Yard in June, 1945. Don's Rail Photos: "167 was built by Brill in 1914. It was wrecked in 1946." (Walter Hulseweder Photo)

H&F 167 at Frederick Yard in June, 1945. Don’s Rail Photos: “167 was built by Brill in 1914. It was wrecked in 1946.” (Walter Hulseweder Photo)

Upstate New York

We received these pictures recently as a gift. They are all from upstate New York. Otherwise, we don’t profess to know much about these properties. Perhaps some of our knowledgeable readers can help us fill in the blanks.

Photo caption: "Franklin Sqaure is one block south of (the )railroad crossing on River Street. Troy (NY)."

Photo caption: “Franklin Sqaure is one block south of (the )railroad crossing on River Street. Troy (NY).”

United Traction Co. - Franklin Square, Troy, NY.

United Traction Co. – Franklin Square, Troy, NY.

United Traction Co. - Franklin Square, Troy, NY.

United Traction Co. – Franklin Square, Troy, NY.

United Traction Co. - Franklin Square, Troy, NY. Don's Rail Photos: "The company was formed in 1899 as a consolidated of various street railway properties in Albany NY and surrounding cities. The last car operated in Albany in 1946."

United Traction Co. – Franklin Square, Troy, NY. Don’s Rail Photos: “The company was formed in 1899 as a consolidated of various street railway properties in Albany NY and surrounding cities. The last car operated in Albany in 1946.”

Schenectady Railway - State Street from Park.

Schenectady Railway – State Street from Park.

"650 type entering Saratoga terminal. Taken during last days of operation- H. V. (Hudson Valley?) tracks removed in 1929- was once 4-track far out at this point."

“650 type entering Saratoga terminal. Taken during last days of operation- H. V. (Hudson Valley?) tracks removed in 1929- was once 4-track far out at this point.”

Schenectady Railway #53. "Wood suburban car, built by St. Louis Car Co. in 1901 as part of the 50-55 series. Renumbered 550-555, Albany car." According to Dr. Harold E. Cox, the renumbering took place in 1902 and the series was converted to PAYE (pay as you enter) in 1915.

Schenectady Railway #53. “Wood suburban car, built by St. Louis Car Co. in 1901 as part of the 50-55 series. Renumbered 550-555, Albany car.” According to Dr. Harold E. Cox, the renumbering took place in 1902 and the series was converted to PAYE (pay as you enter) in 1915.

Surface Service

We recently acquired 14 more copies of Surface Service, the Chicago Surface Lines employee magazine, with the following dates:

1942 – May, June, August
1943 – December
1944 – January, March, May, June
1945 – January, February, March
1946 – February, August, September

Surface Service was published from the early 1920s until CSL became part of the Chicago Transit Authority on October 1, 1947, a period of about 25 years. These magazines are full of interesting tidbits of information that are invaluable for historical research.

In particular, most of these issues cover the World War II era, and show the various way the CSL helped support the war effort. For example, unless you read one of these magazines, you would have no way of knowing that the War Bond car, shown on the August, 1942 cover, was used on 17 different routes throughout the city, one week at a time. The routes and dates are listed, and this information can be used to date photographs showing the car, a “rolling billboard,” in service.

These 14 issues are each 16 pages, meaning we have added 224 additional pages of information to our E-Book, Chicago’s PCC Streetcars: The Rest of the Story, which is available through our Online Store.

The June 1942 cover is quite interesting, as it features a rare “bird’s eye view” of the loop at Madison and Austin, with no less than five pre-war PCCs on hand. The radio tower was a recent addition. Radio communications back then did not involve streetcar or bus operators, but were used by supervisors.

The radio tower is still there in the middle of the loop, which has since been shortened by lopping off the portion to the west. Now, buses turn north on Austin Boulevard before entering the loop, which is no longer “U” shaped, but more like an “L”.

Adventures in Restoration

We recently purchased an original Ektachrome slide shot in December, 1960 by Earl W. Clark, which has faded badly to red. It turned out that some of the dye layers on early Ektachrome films were very unstable. (A similar problem, interestingly, also happened to some pre-1940 Kodachrome slides.)

The dye layers on today’s slide films have excellent longevity.

The late Bradley Criss was an expert at restoring these types of images. He once gave me some advice on how to best approach this.

Most people would probably scan the slide, then try to color correct it. But since there is such an extreme amount of correction involved, he recommended color correcting in the scanning stage as a first step.

Here are some pictures showing the various steps along the way towards restoring this slide to something like its original appearance. I’m not saying that the results are perfect by any means, but they are a vast improvement.

Before tools like scanners and Photoshop were available, about the best you could do with an image like this was to convert it to black-and-white.

Often, a photographer’s slides don’t come up on the open market until they have passed from the scene. I was hoping this was not the case for Earl W. Clark. I made some inquiries, and it appears that Mr. Clark, the dean of Cincinnati railfans, is still very much on the scene, as this report from last Fall would indicate.

I would imagine Mr. Clark is overjoyed that streetcars have returned to Cincinnati.

-David Sadowski

This is an early Ektachrome slide that has faded badly over the years due to having unstable dyes. They longevity of such dyes has been greatly improved since. The green and blue layers have badly faded, leaving very little but the red. This is how the slide scanned without any color correction.

This is an early Ektachrome slide that has faded badly over the years due to having unstable dyes. They longevity of such dyes has been greatly improved since. The green and blue layers have badly faded, leaving very little but the red. This is how the slide scanned without any color correction.

Before scanning the slide again, this time I manipulated the colors using adjustments in the scanning software. This gave me a "leg up" when starting work in Photoshop, which was the next step.

Before scanning the slide again, this time I manipulated the colors using adjustments in the scanning software. This gave me a “leg up” when starting work in Photoshop, which was the next step.

Here is what the slide looked like after using Photoshop's Auto Color feature. The color is still not right, having a rather magenta (red-blue) cast. Green is the opposite of magenta. You can either reduce the amount of magenta or increase the amount of green-- it all amounts to the same thing.

Here is what the slide looked like after using Photoshop’s Auto Color feature. The color is still not right, having a rather magenta (red-blue) cast. Green is the opposite of magenta. You can either reduce the amount of magenta or increase the amount of green– it all amounts to the same thing.

Here, in Photoshop, I am adjusting the color by using the sliders until the overall color looks right. Notice there are three sets of color opposites.

Here, in Photoshop, I am adjusting the color by using the sliders until the overall color looks right. Notice there are three sets of color opposites.

Here, I am increasing the color saturation in Photoshop to make up for dye fading.

Here, I am increasing the color saturation in Photoshop to make up for dye fading.

Since 2/3rds of the dye layers on this slide have faded badly, the overall level of color saturation has to be increased in order to restore the proper amount of contrast.

Since 2/3rds of the dye layers on this slide have faded badly, the overall level of color saturation has to be increased in order to restore the proper amount of contrast.

The slide has bee brightened up somewhat and I have removed some of the crud that has accumulated on it over the decades. However, ultimately I decided this was slightly too light.

The slide has bee brightened up somewhat and I have removed some of the crud that has accumulated on it over the decades. However, ultimately I decided this was slightly too light.

The end result. This photo of Chicago, Aurora & Elgin wood car 315 was taken by Earl W. Clark in December 1960. Don's Rail Photos: "315 was built by Kuhlman Car Co in 1909, #404. It was modernized at an unknown date and sold to Rockhill Trolley Museum in 1962."

The end result. This photo of Chicago, Aurora & Elgin wood car 315 was taken by Earl W. Clark in December 1960. Don’s Rail Photos: “315 was built by Kuhlman Car Co in 1909, #404. It was modernized at an unknown date and sold to Rockhill Trolley Museum in 1962.”

Charles L. Tauscher in Memoriam

FYI, sad news to report. Charles L. Tauscher‘s niece Jennifer Fulbrook wrote on Facebook that he passed away on April 21st:

Hello. I am sorry for this somewhat off topic post. I know some of you were friends with my uncle (Chuck Tauscher) I wanted to let you know he passed away today after suffering a massive stroke last week.

We do not have any public memorials planned as of yet. Please share this post as you see fit.

Tauscher had a keen interest in history. He was one of the founders of the Omnibus Society of America and was also an excellent photographer. We used several of his pictures in CERA Bulletin 146.

My upcoming book Chicago Trolleys will also have a number of his pictures in it.

I believe he was about 76 years old.

Recent Correspondence

Greg Ross writes:

I’m a student at the University of Chicago, and I am currently working on a story for our student paper, the Chicago Maroon. The story is about the history of the former Garfield Green Line station, the oldest standing L station in the city. I’m writing to ask if you have any information about either the station of the Green Line (the Alley “L”) that I could use in my story. I’ve browsed your blog and would love to see any pictures you may have of the station as well. Please let me know if you would be available to talk.

Thank you for your time, and I hope to hear back!

I posted a picture of the Garfield station to the blog I did before this one (see CTA Red Line Reroute, July 13, 2013), but that is a picture anybody could take today. I am assuming you have already read the station history on Graham Garfield’s excellent web site www.chicago-l.org?

Perhaps some of our readers might have additional information that can help you.

Bill Downes writes:

This is way off the topic, but anyone have a link to an authoritative source regarding the issue dates of some West Towns transfers I have?? There are rather large numerals “22” and “23” superimposed on the body of transfer which shows direction of travel, month, route etc but no date or day of week!! If I had day of week and date could look at calendar and approximate year. Thanks.

An interesting question. Unfortunately, I do not know the answer. Perhaps one of our readers might be able to help, thanks.

Kenneth Muellner writes:

Just wanted to say how much I am enjoying your website. I’ve always had a soft spot for streetcars, interurbans, trolley buses and the like, and really enjoy your site. You mentioned that you grew up near Grand and Harlem, and I grew up not too far away at Addison and Oak Park. We had lots of family that lived over on Mont Clare Ave., just south of Diversey, and we were in the area a lot. I still remember being with my grandfather, waiting for my mother shopping in High Low on Harlem Avenue, and going over with him over to Caputo’s, which was just a garage at that time, with my grandfather telling him how to run his business!

My dumb question is about streetcars. I have a lot of books about them, but one thing I am unclear on is how did the streetcars turn at switches? Did the motorman have to go out of the car and manually move the switch, or was there some sort of remote control where they could switch the track, and then back again for cars following? I never have really understood how that worked.

Thanks again.

There are no dumb questions in my book. Thanks for asking.

Track switches can be hand thrown by the conductor or operator, who would have to stop, get off the streetcar in traffic, and use a long metal rod called a “switch iron.”  Eventually, motorized switches were developed for use in places where route changes were frequent.

Here’s an excellent explanation of such switches, written about the Brooklyn system, but I would imagine applicable elsewhere:

ELECTRIC TRACK SWITCHES

To avoid delaying service, electric track switches were installed at busy intersections. These switches were set by the Motorman while the car was in motion. The current in a contactor located on the trolley wire controlled the track switch. A car coasting under the contactor set the switch for the straight route. If the car’s controller was set on the first point when it passed under the contactor, the switch was set for the diverging route. Because the PCCs had high acceleration, their high starting current would have burned up the contactor. To correct this condition, a switch and a resistor was installed on a separate circuit. Therefore, all PCCs coasted when they approached an electric track switch. For the diverging route, the Motorman actuated this special switch on his desk.

-From the ERA Bulletin (Electric Railroader’s Association) , February 2009.

Max Hoffman writes:

Is Iowa Traction 727 serviceable at Mason City? Is it running in 2017? I would love to photograph it. We have a sister car at Illinois Railway Museum.

That’s an excellent question. Hopefully one of our readers may have an answer.

The Iowa Traction Railway, as it is now called, is a subsidiary of Progressive Rail. You might try contacting them directly.  To the best of my knowledge, ITR owns North Shore 727, but I do not know who maintains it or handles its use on charters.

Miles Beitler writes:

I attached three photos (originally color slides) of CTA trains. The 1972 Halsted photo shows a 2200 series train at the UIC-Halsted station. Note the Sears Tower under construction in the background. The 1972 Morgan photo shows a 6000 series train eastbound at Morgan siding. The last photo shows a 2000 series train in its original paint scheme at Wabash near Randolph. I took all of these photos so feel free to post them to your blog and you may use my name as well.

Thanks for sharing these with our readers.

One of our readers, who prefers to remain anonymous, writes:

I noticed that you recently posted about the CA&E and the North Shore Line, so I attached some old photos which might interest you.

The first three attached photos are from an old North Shore Line calendar. The first photo (CER-NSL Church St) was taken by Fred Borchert probably in the early 1920s and shows the NSL Evanston terminal with the Evanston L station in the background. The other two photos have self-explanatory captions.

I have no copyright information about these photos, but you know that Fred Borchert died long ago. The calendar was “produced by Joe L. Diaz, editor and publisher of The Street Railway Review, 1414 Elmdale, Chicago 60660”.

The fourth photo is of the Wells Street Bridge and the last photo is a CA&E train running on the old Garfield Park line. I’m not sure of the location but it could be the St Louis Avenue curve. These are from Model Transport magazine, June 1982. I did not find any copyright notice in this railfan publication.

Wells St Bridge — from the Chicago Dept of Public Works archives (so this should be public domain)

CA&E on Garfield Pk elevated circa 1940 — photographer unknown

Unfortunately, Joe L. Diaz is also no longer with us. Thanks for sharing!

Jack Bejna writes:

Hi David, Here are a few images of the CA&E ex WB&A trailers, except for 600 and 702 (I can’t find any images so far). I’ve always wondered why CA&E didn’t use them as motors instead of rebuilding them as trailers. Also, I’ve also sent an image of a CA&E caboose with part of the original dispatcher’s office in the background….still looking for s good shot! Thanks for the excellent Easter post; most enjoyable; another winner!

Many of our readers will recognize Mr. Bejna’s fantastic work from previous posts. We all appreciate seeing these great images that he has made look as if they were shot yesterday, through his hard work and talent.

Kenneth Gear writes:

Hi David,

The post office did a good job today and delivered the package containing the April 1982 issue of Traction & Models. That is two days earlier than expected. This is the issue with William Steventon’s article about recording railroad sounds. I’m sending it to you quickly so you can use it in the next Trolley Dodger post, if that was your intention.

The article does, as I had hoped, contain a photo of him trackside making a recording, three actually. It has a lot of very interesting information in it, some of which is about the Railroad Record Club specifically . Steventon tells of a few things that happened to him out in the field while recording sounds that were used on RRC LPs, how he recorded certain sounds, and why he chose the locations he recorded at. He talks about sounds recorded for records numbers 7, 4, and 18, and a few others.

He also talks about recording the sounds of CSS&SB locomotive number 1013. I think the recording should be on one of the LPs that you were just given.

Two of the photos show him and his group trackside getting ready to record the H&F at Lewistown, MD on January 3, 1954, could you have recently purchased the photos taken this day?

He also writes about recording sounds of the New York City subway, another recording that never made it to vinyl.

It is interesting to read that he felt that sound recordings were a valuable historic record, he was so right. Without his work, I would never had been able to hear the sounds of most of the railroad equipment he captured on tape.

Here is a PDF of the Steventon article mentioned above. Traction and Models magazine is long defunct (I could not find any record of issues after 1984.) As always, we are very grateful to Ken for tracking this down and making it available to our readers.

William A Steventon recording the compressor operation on North Shore car number 724 at Mundelein Station.

William A Steventon recording the compressor operation on North Shore car number 724 at Mundelein Station.

William Steventon and friends waiting to record the passing of a car on the Hagerstown & Frederick (Potomac Edison) near Bethel, MD Jan. 3 1954.

William Steventon and friends waiting to record the passing of a car on the Hagerstown & Frederick (Potomac Edison) near Bethel, MD Jan. 3 1954.

Kenneth Gear also writes:

I was thinking it might help our RRC info collecting efforts if you were to ask the readers of the blog to contribute any Railroad Record Club materials they may have. Ask if they would scan any newsletters, catalogs, advertisements, or correspondence and Email it to you or as comments to the post. You might also mention that we still need 3 of the records (#22 Buffalo Creek & Gauley, #31 Sound Scrapbook, Steam & #32 New York Central) and all of the samplers. With luck, this may bare some fruit.

As some of you may know, Kenneth Gear, a great friend of this blog, has been very helpful in tracking down many of the Railroad Record Club LPs and ephemera in our joint quest to document, as completely as possible, the RRC’s output and activities. Of the 42 or so different recordings issued by the RRC, we need only the three titles mentioned above to complete our efforts at digitally remastering them for a whole new generation of railfans.

We recently acquired three RRC titles (#19, 33 and 34), fully half the ones we were missing, and two of the three are traction recordings, which are far less numerous than steam. More details on these new CDs appear in the section below.

PS- We are also looking for the Sacramento Northern Electrics LP, and any other important out-of-print, “orphan works” traction recordings that we don’t already have.

Sacramento Northern Maintenance of Way car 302 at Mallard, California on November 29, 1953 on a Bay Area Electric Railroad Association fantrip. Don's Rail Photos says, "1020 was built by Hall-Scott Motor Car Co in 1913, as OA&E 1020. It became SF-S 1020 in 1920 and SN 1020 in 1928. It was renumbered as MW302 in 1941 and went to Western Railway Museum in 1962." (William R. Smith Photo)

Sacramento Northern Maintenance of Way car 302 at Mallard, California on November 29, 1953 on a Bay Area Electric Railroad Association fantrip. Don’s Rail Photos says, “1020 was built by Hall-Scott Motor Car Co in 1913, as OA&E 1020. It became SF-S 1020 in 1920 and SN 1020 in 1928. It was renumbered as MW302 in 1941 and went to Western Railway Museum in 1962.” (William R. Smith Photo)

Three New CD Collections

FYI, we have three new CD collections available:


RRC #19
Duluth, Missabe and Iron Range
# of Discs – 1
Price: $12.95

In steam days, the DM&IR was controlled by the U.S. Steel Co., and its main activity was the haulage of iron ore from the Missabe iron mines to the docks at Two Harbors and Duluth, Minnesota. The Iron Range 2-8-8-4 locomotives, simple articulated “Yellowstone” types, were among the largest U.S. locomotive designs. As with the Nickel Plate, the Iron Range used steam power long into the diesel era. The last revenue steam run took place in 1961, and these recordings were made between 1958 and 1960. Includes a very interesting sequence in a dispatcher’s office. Besides RRC #19, this disc includes the EP Sounds of Steam on the Iron Range.

Total time – 49:48


RRC #33 and 34
Chicago, South Shore & South Bend
(South Shore Line) Electric Freight
# of Discs – 1
Price: $14.95

Railroad Record Club #33 and 34
On September 14, 1962, William A. Steventon recorded South Shore Line electric freight locomotives 1012 and 1013 on a run between Michigan City and South Bend, Indiana. Originally, this was planned as a single LP disc with a switching scene on one side, and a road run on the other. As it turned out, the two locos, although similar, made substantially different sounds, so it was decided to issue two discs instead. Both are now included on a single compact disc, along with the original liner notes for each. Since Diesel replaced electric freight on the South Shore Line in 1981, these are sounds that are impossible to duplicate today.

Total time – 62:04


HC-FFNP
Steam in the High Country
Fast Freight on the Nickel Plate
# of Discs – 1
Price: $14.95

Steam in the High Country:
The land of mile high prairies and shining snow-capped mountains formed a dramatic backdrop for the sight and sound of the steam locomotive in action. Here is a tremendous contrast in power, from the giant Union Pacific #4-8-8-4, to the Denver and Rio Grande Western miniature Mikado, in a symphony of steam, steel and cinders. Featuring steam locomotives of the Union Pacific, Colorado & Southern, Great Western, Denver & Rio Grande Western, and the Burlington, recorded between 1957 and 1962.

Fast Freight on the Nickel Plate:
The New York, Chicago and St. Louis Railroad is perhaps better known by its official nickname, “The Nickel Plate Road.” The road’s main line ran from Buffalo to Chicago, with numerous branches into southern Ohio coal fields and a line to St. Louis. The main line closely paralleled the route of the New York Central, so the Nickel Plate had to offer superior service to attract business from the lines of the neighboring giant. The road lived up to its motto “Nickel Plate for high speed service.” Until early 1958 this line was serviced by a fleet of modern 2-8-4 Berkshire steam locomotives, being one of the last important main line jobs for steam power in the U.S. Anyone who has watched these fine engines in action, as they moved 100 plus cars of freight at a mile a minute or better speed, can attest to the fine job they did. It was only after many refinements and improvements that diesel locomotives became worthy replacements of the famous Berkshires heard here in recordings made in the early part of 1958.

Total time – 75:34

Chicago Trolleys

Work continues on our upcoming book Chicago Trolleys, which is now in the layout and proofreading stage. The expected publication date is September 25th of this year. We will keep you advised as things progress.

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Recent Finds, Part 2

CTA pre-war PCCs 4016 and 4050 at Western and 79th, southern terminal of route 49. This picture was taken seconds after a similar one on page 363 of CERA Bulletin 146. That picture is dated May 1956 and is attributed to William C. Janssen.

CTA pre-war PCCs 4016 and 4050 at Western and 79th, southern terminal of route 49. This picture was taken seconds after a similar one on page 363 of CERA Bulletin 146. That picture is dated May 1956 and is attributed to William C. Janssen.

The CTA terminal at Western and 79th today.

The CTA terminal at Western and 79th today.

Here are more classic traction photos we recently acquired. While many are from Chicago, our trip this time takes us all around the country, and even across our northern border.

As always, if you have interesting tidbits of information to add, you can either post a Comment here, or drop us a line directly aat:

thetrolleydodger@gmail.com

Don’t forget, if you click on each picture with your mouse, you can bring up a larger version in your browser, and zoom in on that one too for closer inspection.

Thanks.

-David Sadowski


Chicago Area

When I got this slide, it was identified as being a station on the Garfield Park "L". However, I did some further research, and it is actually the old Austin Boulevard stop on the Douglas Park line. The house and apartment buildings in the background are still there. The Douglas branch was cut back to 54th Avenue in 1952 and the former right-of-way is now used for parking. Locals still call it the "L" Strip.

When I got this slide, it was identified as being a station on the Garfield Park “L”. However, I did some further research, and it is actually the old Austin Boulevard stop on the Douglas Park line. The house and apartment buildings in the background are still there. The Douglas branch was cut back to 54th Avenue in 1952 and the former right-of-way is now used for parking. Locals still call it the “L” Strip.

The same view today.

The same view today.

CTA 2163-2164, then brand new, in the 54th Avenue Yard, west end of the Douglas Park "L" (now the Pink Line) in 1964. The roadway at left is where the line continued before it was cut back in 1952. (Walter Broschart Photo)

CTA 2163-2164, then brand new, in the 54th Avenue Yard, west end of the Douglas Park “L” (now the Pink Line) in 1964. The roadway at left is where the line continued before it was cut back in 1952. (Walter Broschart Photo)

CTA 4002 is shown heading north on route 49 - Western on July 14, 1953. The photographer was up on the Logan Square "L" platform. The people at right are waiting for a southbound car at a safety island. In the distance, we see what was then the Bloomingdale freight spur of the Milwaukee Road, but is now part of the 606 Trail. Jim Huffman adds, "Photo #525. “CTA 4002 is shown heading north on route 49 – Western on July 14, 1953”, I feel is incorrect. 1. There is a 1955 Chevrolet on the left, precludes 1953. 2. 1-Man, Pre-War PCC were assigned in June 1955 (as well as 1-Man Post-Wars), prior to that Western used 2-Man Post-War PCCs only. Went Bus in June 1956. 3. People standing on the safety island are waiting at the end for the front door boarding of an 1-man car. Prior to 1-Man cars, they waited at the other end for the rear doors. 4. Although there is no proof, the 55 Chev looks somewhat used, I would say this is a 1956 photo."

CTA 4002 is shown heading north on route 49 – Western on July 14, 1953. The photographer was up on the Logan Square “L” platform. The people at right are waiting for a southbound car at a safety island. In the distance, we see what was then the Bloomingdale freight spur of the Milwaukee Road, but is now part of the 606 Trail. Jim Huffman adds, “Photo #525. “CTA 4002 is shown heading north on route 49 – Western on July 14, 1953”, I feel is incorrect.
1. There is a 1955 Chevrolet on the left, precludes 1953.
2. 1-Man, Pre-War PCC were assigned in June 1955 (as well as 1-Man Post-Wars), prior to that Western used 2-Man Post-War PCCs only. Went Bus in June 1956.
3. People standing on the safety island are waiting at the end for the front door boarding of an 1-man car. Prior to 1-Man cars, they waited at the other end for the rear doors.
4. Although there is no proof, the 55 Chev looks somewhat used, I would say this is a 1956 photo.”

CSL single-truck mail car H2, apparently still operational, is shown years after streetcar RPO (Railway Post Office) service ended in 1915. It was scrapped on October 2, 1942. From the looks of the autos in the background, this picture may date to the 1920s.

CSL single-truck mail car H2, apparently still operational, is shown years after streetcar RPO (Railway Post Office) service ended in 1915. It was scrapped on October 2, 1942. From the looks of the autos in the background, this picture may date to the 1920s.

CTA red Pullman 225 is shown here on a mid-1950s fantrip at the 77th Street Shops. The big man at front is Maurice Klebolt (1930-1988), who organized many such trips for the Illini Railroad Club. He later moved to San Francisco and helped start the historic trolley festival there. Car 225 is preserved at the Seashore Trolley Museum in Maine. (Chuck Wlodarczyk Photo)

CTA red Pullman 225 is shown here on a mid-1950s fantrip at the 77th Street Shops. The big man at front is Maurice Klebolt (1930-1988), who organized many such trips for the Illini Railroad Club. He later moved to San Francisco and helped start the historic trolley festival there. Car 225 is preserved at the Seashore Trolley Museum in Maine. (Chuck Wlodarczyk Photo)

On this fantrip, Maury is calling the shots. Looks like he's wearing a tie with various railroad insignias.

On this fantrip, Maury is calling the shots. Looks like he’s wearing a tie with various railroad insignias.

Car 225 under makeshift cover at Seashore (Kennebunkport, Maine) in the late 1950s. (Walter Broschart Photo)

Car 225 under makeshift cover at Seashore (Kennebunkport, Maine) in the late 1950s. (Walter Broschart Photo)

CSL 2601 is shown running on the last day of streetcar service on route 111 (111th Street), September 22, 1945. As for the exact location, Andre Kristopans says this is "probably just west of Indiana Av., looks like the school campus in background that is between King and Indiana to this day."

CSL 2601 is shown running on the last day of streetcar service on route 111 (111th Street), September 22, 1945. As for the exact location, Andre Kristopans says this is “probably just west of Indiana Av., looks like the school campus in background that is between King and Indiana to this day.”

CSL 4033 passes the Garfield Park field house on Madison in 1938.

CSL 4033 passes the Garfield Park field house on Madison in 1938.

CSL Pullman 318 is heading west on Fullerton in the mid-1930s picture. At right, you can just make out the marquee of the old Liberty Theatre, which opened in 1911 and closed in 1951. The building is now a banquet hall. Will Rogers' name is on the marquee. The photo date is given as September 8, 1937 and I guess that is possible although Rogers died in August 1935.

CSL Pullman 318 is heading west on Fullerton in the mid-1930s picture. At right, you can just make out the marquee of the old Liberty Theatre, which opened in 1911 and closed in 1951. The building is now a banquet hall. Will Rogers’ name is on the marquee. The photo date is given as September 8, 1937 and I guess that is possible although Rogers died in August 1935.

The same area today.

The same area today.

The former Liberty Theatre at 3705 W. Fullerton.

The former Liberty Theatre at 3705 W. Fullerton.

CSL 7024 is westbound on Madison just west of the Chicago River in this September 8, 1937 view. The photo caption describes this as a "noiseless streetcar," with magnetic air brakes and rubber cushioned wheels.

CSL 7024 is westbound on Madison just west of the Chicago River in this September 8, 1937 view. The photo caption describes this as a “noiseless streetcar,” with magnetic air brakes and rubber cushioned wheels.

The view from 400 W. Madison today. We are looking to the southeast.

The view from 400 W. Madison today. We are looking to the southeast.

CTA 7093 is southbound on State Street near Lake, as a route 36 Broadway-State car. The film Scaramouche, playing at the State-Lake, was released on June 27, 1952, so that is the approximate date of this picture. Note a Chicago Motor Coach Company bus at left. The State-Lake opened in 1919 and closed in 1985. It was taken over by WLS-TV for use as a studio. (Walter Hulseweder Photo)

CTA 7093 is southbound on State Street near Lake, as a route 36 Broadway-State car. The film Scaramouche, playing at the State-Lake, was released on June 27, 1952, so that is the approximate date of this picture. Note a Chicago Motor Coach Company bus at left. The State-Lake opened in 1919 and closed in 1985. It was taken over by WLS-TV for use as a studio. (Walter Hulseweder Photo)

State and Lake today.

State and Lake today.

CTA 7051 is northbound at State and Delaware as a route 36 Broadway-State car in the early 1950s. (Walter Hulseweder Photo)

CTA 7051 is northbound at State and Delaware as a route 36 Broadway-State car in the early 1950s. (Walter Hulseweder Photo)

State and Delaware today, looking south.

State and Delaware today, looking south.

CTA 1784, on route 16, has just turned from eastbound Lake Street south on Dearborn, and is passing the Selwyn Theater. A poster advertises Joan Bennett and Zachary Scott in the play Bell, Book and Candle. They took over those parts on May 9, 1952, which is the approximate date of this picture. Bell, Book and Candle was later made into a movie in 1958, starring James Stewart and Kim Novak. Michael Todd eventually bought the Harris and Selwyn later in the 1950s and they were converted into movie theaters. The facades of those two buildings have been saved and are now part of the Goodman Theater complex. (Walter Hulsweder Photo)

CTA 1784, on route 16, has just turned from eastbound Lake Street south on Dearborn, and is passing the Selwyn Theater. A poster advertises Joan Bennett and Zachary Scott in the play Bell, Book and Candle. They took over those parts on May 9, 1952, which is the approximate date of this picture. Bell, Book and Candle was later made into a movie in 1958, starring James Stewart and Kim Novak. Michael Todd eventually bought the Harris and Selwyn later in the 1950s and they were converted into movie theaters. The facades of those two buildings have been saved and are now part of the Goodman Theater complex. (Walter Hulsweder Photo)

Dearborn and Lake today.

Dearborn and Lake today.

Joan Bennett and Zachary Scott in the 1952 off-Broadway version of Bell, Book and Candle.

Joan Bennett and Zachary Scott in the 1952 off-Broadway version of Bell, Book and Candle.

Bell, Book and Candle helped inspire the later TV series Bewitched.

Bell, Book and Candle helped inspire the later TV series Bewitched.

This undated photo shows the station (car house) at Cottage Grove and 38th. It is undated, but the newest car shown here was built in 1912. So a good guess would be sometime between 1912 and the early 1920s, when streetcars were painted red to make them more visible to motorists. Several cars can be identified in this picture. From left to right, I see 5368, 5357, 5364, 5378, 5707, 5802, 5782, 5743, 5759, 5736, 5386, 5706, and 5348. All are either Brill-American-Kuhlman cars, or Nearsides. Streetcars last ran out of Cottage Grove in 1955, after which the building was demolished.

This undated photo shows the station (car house) at Cottage Grove and 38th. It is undated, but the newest car shown here was built in 1912. So a good guess would be sometime between 1912 and the early 1920s, when streetcars were painted red to make them more visible to motorists. Several cars can be identified in this picture. From left to right, I see 5368, 5357, 5364, 5378, 5707, 5802, 5782, 5743, 5759, 5736, 5386, 5706, and 5348. All are either Brill-American-Kuhlman cars, or Nearsides. Streetcars last ran out of Cottage Grove in 1955, after which the building was demolished.

A close-up of four unidentified men in the photo. Presumably, all worked out of the Cottage Grove station.

A close-up of four unidentified men in the photo. Presumably, all worked out of the Cottage Grove station.

It's April 23, 1939, and Chicago & West Towns cars 140 and 141 are operating on an early Central Electric Railfans' Association fantrip. Car 141, the lone survivor of the fleet, is now restored to operable condition at the Illinois Railway Museum.

It’s April 23, 1939, and Chicago & West Towns cars 140 and 141 are operating on an early Central Electric Railfans’ Association fantrip. Car 141, the lone survivor of the fleet, is now restored to operable condition at the Illinois Railway Museum.


New Site Additions

FYI, these Birney car pictures have been added to Our 150th Post (August 6, 2016):

Fort Collins Municipal Railway "Birney" car 21, at the intersection of Johnson and Mountain Avenues. (Ward Photo)

Fort Collins Municipal Railway “Birney” car 21, at the intersection of Johnson and Mountain Avenues. (Ward Photo)

Restored FCMR 21 as it appeared on May 14, 1995. (Mark D. Meyer Photo)

Restored FCMR 21 as it appeared on May 14, 1995. (Mark D. Meyer Photo)

FCMR 22 on October 26, 1949. Its paint scheme is described as green, red, and aluminum.

FCMR 22 on October 26, 1949. Its paint scheme is described as green, red, and aluminum.

FCMR 25 at the car barn. (Ward Photo)

FCMR 25 at the car barn. (Ward Photo)

Many other cities had Birneys, of course. Here, we see Brantford (Ontario) Municipal Railway car 137 on July 1, 1935. This was ex-Lock Haven, Pa. Electric Railway car #2. (George Slyford Photo)

Many other cities had Birneys, of course. Here, we see Brantford (Ontario) Municipal Railway car 137 on July 1, 1935. This was ex-Lock Haven, Pa. Electric Railway car #2. (George Slyford Photo)

This picture has been added to our post Badger Traction, 2016 (June 14, 2016):

In this mid-1950s view, Village of East Troy Railway freight motor M-15 is shown here in East Troy, Wisconsin, near the power station which now serves as the waiting room for the East Troy Electric Railroad museum operation. It was built by TMER&L in 1920 and is now preserved at the Illinois Railway Museum. (Walter Broschart Photo)

In this mid-1950s view, Village of East Troy Railway freight motor M-15 is shown here in East Troy, Wisconsin, near the power station which now serves as the waiting room for the East Troy Electric Railroad museum operation. It was built by TMER&L in 1920 and is now preserved at the Illinois Railway Museum. (Walter Broschart Photo)

We have added this one to The “Other” Penn Central (May 29, 2016):

Montreal Tramways had four of these unique observation cars in their fleet, which were used for sightseeing tours. Here, car #3 is at St. Joseph's Shrine on August 14, 1948. All four cars have been preserved, and car 3 is now at Exporail, the Canadian Railway Museum. A few years ago, I rode the very similar car #2 at the Seashore Trolley Museum.

Montreal Tramways had four of these unique observation cars in their fleet, which were used for sightseeing tours. Here, car #3 is at St. Joseph’s Shrine on August 14, 1948. All four cars have been preserved, and car 3 is now at Exporail, the Canadian Railway Museum. A few years ago, I rode the very similar car #2 at the Seashore Trolley Museum.

These pictures have been added to Red Arrow in West Chester (September 13, 2016):

This picture shows Red Arrow Brilliner 8 and an older car at the end of the Ardmore branch on May 15, 1949. It looks like the older car is in fantrip service, while the Brilliner is the regular service car ahead of it. The Ardmore branch was replaced by buses in 1966.

This picture shows Red Arrow Brilliner 8 and an older car at the end of the Ardmore branch on May 15, 1949. It looks like the older car is in fantrip service, while the Brilliner is the regular service car ahead of it. The Ardmore branch was replaced by buses in 1966.

Here, Red Arrow Brill Master Unit 86 is the regular service car at the end of the line in West Chester, with the older fantrip car behind it. Again, the date is May 15, 1949.

Here, Red Arrow Brill Master Unit 86 is the regular service car at the end of the line in West Chester, with the older fantrip car behind it. Again, the date is May 15, 1949.

The photo caption reads, "Two car streamline train arriving at Norristown, looking up from R. R. tracks." The date is May 12, 1935, meaning these "Bullet" cars were just a few years old.

The photo caption reads, “Two car streamline train arriving at Norristown, looking up from R. R. tracks.” The date is May 12, 1935, meaning these “Bullet” cars were just a few years old.

This picture was added to Chicago’s Pre-PCCs (May 5, 2015):

Baltimore Transit Company car 6105, shown here on route 15 - Ostend St., is one of the last modern streetcars built before PCCs took over the market. The sign on front says that September 7 will be the last day for 6 hour local rides. Perhaps that can help date the picture.

Baltimore Transit Company car 6105, shown here on route 15 – Ostend St., is one of the last modern streetcars built before PCCs took over the market. The sign on front says that September 7 will be the last day for 6 hour local rides. Perhaps that can help date the picture.


Bonus Pictures

The Lackawanna & Wyoming Valley (aka the Laurel Line) was a Scranton-area interurban powered by third rail, much as the Chicago, Aurora & Elgin was. Here, we see coach #37 in Scranton on September 9, 1950. The line quit at the end of 1952. There were no takers for these cars and all were scrapped. It has been suggested that perhaps CA&E might have benefited from buying some of these cars, although it does seem they were too long for tight turns on the Chicago "L". However, I do not know if this would have prevented them from running on the CA&E after the system was cut back to Forest Park. In any case, CA&E had previously reduced the length of other cars purchased from the Baltimore & Annapolis in 1938. What was missing in 1953, apparently, was a willingness to continue trying to operate.

The Lackawanna & Wyoming Valley (aka the Laurel Line) was a Scranton-area interurban powered by third rail, much as the Chicago, Aurora & Elgin was. Here, we see coach #37 in Scranton on September 9, 1950. The line quit at the end of 1952. There were no takers for these cars and all were scrapped. It has been suggested that perhaps CA&E might have benefited from buying some of these cars, although it does seem they were too long for tight turns on the Chicago “L”. However, I do not know if this would have prevented them from running on the CA&E after the system was cut back to Forest Park. In any case, CA&E had previously reduced the length of other cars purchased from the Baltimore & Annapolis in 1938. What was missing in 1953, apparently, was a willingness to continue trying to operate.

The Hagerstown & Frederick was a Maryland interurban in sparsely populated rural areas, a veritable real-life "Toonerville Trolley." Despite having practically no ridership, it subsisted on freight and somehow managed to survive into the mid-1950s. Here, we see freight motor #5 in Frederick, Maryland on April 11, 1954. (Gene Connelly Photo)

The Hagerstown & Frederick was a Maryland interurban in sparsely populated rural areas, a veritable real-life “Toonerville Trolley.” Despite having practically no ridership, it subsisted on freight and somehow managed to survive into the mid-1950s. Here, we see freight motor #5 in Frederick, Maryland on April 11, 1954. (Gene Connelly Photo)

In some sense, the Charles City Western in Iowa was comparable to the Hagerstown & Frederick, in that it had sparse ridership, yet managed to survive into the 1950s with freight. Here we see combine 50 in March 1937. Don's Rail Photos notes, "50 was built by McGuire-Cummings in 1915. It became Iowa Terminal 101 in December 1964. It was sent to Mount Pleasant and restored as CCW 50. It was then sent to Boone & Scenic Valley RR." Vintage audio of the Charles City Western in operation can be heard on Railroad Record Club disc #28, which is available on compact disc via our Online Store.

In some sense, the Charles City Western in Iowa was comparable to the Hagerstown & Frederick, in that it had sparse ridership, yet managed to survive into the 1950s with freight. Here we see combine 50 in March 1937. Don’s Rail Photos notes, “50 was built by McGuire-Cummings in 1915. It became Iowa Terminal 101 in December 1964. It was sent to Mount Pleasant and restored as CCW 50. It was then sent to Boone & Scenic Valley RR.” Vintage audio of the Charles City Western in operation can be heard on Railroad Record Club disc #28, which is available on compact disc via our Online Store.

The Omaha & Council Bluffs Street Railway operated between Nebraska and Iowa. Here, car 814 is shown in Council Bluffs in September 1936, unloading passengers next to a natty-looking 1935 V8 Ford Sedan Delivery, advertising Old gold cigarettes. I assume this car was built by O&CB in 1908 and was rebuilt in 1932, possibly to convert it to one-man service. If so, riders would board at the rear and pay as they left through the front. Note the "people catcher" device at front.

The Omaha & Council Bluffs Street Railway operated between Nebraska and Iowa. Here, car 814 is shown in Council Bluffs in September 1936, unloading passengers next to a natty-looking 1935 V8 Ford Sedan Delivery, advertising Old gold cigarettes. I assume this car was built by O&CB in 1908 and was rebuilt in 1932, possibly to convert it to one-man service. If so, riders would board at the rear and pay as they left through the front. Note the “people catcher” device at front.


Recent Correspondence

Virginia Sammis writes:

I wrote you once before, and I was hoping you might be able to help me again. I am still trying to find CSL employee photos. I had a researcher in Chicago spend some hours looking at the CHM archives of the CSL newsletter and she did find Gustav Johnson’s brief obituary in there for 1946. But very few photos. Do you know of any other place I might find photos of employees of CSL?

(She had written some months ago, looking for information on Gustav Johnson, who emigrated to America around 1880, worked for the Chicago Surface Lines, and died in 1946.)

The employee newsletter would have been the best bet. However, I do know a genealogist, and I can ask her to see what she can find out.

In the CTA era, which started in October 1947, the newsletter ran more pictures of retirees, of which there were many. However, we are talking about several thousands of people working there at any one given time, so the odds of finding one person are not good.

If you know which routes, or which car houses (aka “stations”) he might have worked at, that would help.

I just got a picture (see elsewhere in this post) showing four guys standing outside the car barn at Cottage Grove and 38th, taken in the early 20th century, but have no way of knowing who the people in the picture are.

I will run your request in my blog, and see what other people might suggest.

Ms. Sammis replied:

This is what his obituary said:
“Gustave Johnsen, 84, motorman from Devon, died 11-22-46, after along illness. He had been with the company for 35 years.”

It was actually spelled Gustav Johnson. Does that mean that he would have reported to work every day at the Devon Station at 6454 N. Clark St/Devon St.? Also, can you confirm that a “motorman” was the engineer on the trolley and the “conductor” collected the fares?

Thank you for your help David. I am determined to find a photograph of Gustav SOMEWHERE!

Yes, that means he worked out of the Devon station, or car house. And yes, the motorman operated the streetcar, while the conductor collected the fares. We have run lots of pictures in previous posts showing streetcars at or near Devon station. You can find those by typing Devon into the search window at the top of this page.

Thanks.

-David Sadowski


Our resident South Side expert M. E. writes:

Your latest post, Recent Finds Part 2, includes a photo of the carbarn at 38th and Cottage Grove. This photo obviates my wild guess that perhaps the photo ostensibly of the 69th and Ashland carbarn instead might have been the 38th & Cottage barn. (See our previous post Recent Finds, December 2, 2016.)

In the new photo, https://thetrolleydodger.com/wp-content/uploads/2016/12/dave511.jpg , the bay numbers under the Chicago City Railway logo are 7 and 6. In the previous photo, https://thetrolleydodger.com/wp-content/uploads/2016/12/dave4891.jpg , the bay number under the logo is 4.

This observation, together with the Campbell barn label (Campbell is nowhere near Cottage Grove), cements my opinion that you are correct saying the previous photo is of the 69th and Ashland carbarn.

None of which solves the mysteries of why there are so many 4 Cottage Grove cars at the 69th and Ashland barn, and how they got there from Cottage Grove.

It’s a mystery, alright… hopefully one we will eventually clear up, thanks!


Kenneth Gear writes:

Hi David. I’ve been falling behind on my reading lately and just today read the latest Trolley Dodger “Recent Finds 2”.

I was very interested in the photo of Hagerstown & Frederick Railway freight motor # 5.

Back in 2008 while chasing and photographing the Maryland Midland RR train UBHF from Union Bridge to Highfield, I was surprised to find H&F freight motor #5 displayed at the former site of the H&F Thurmont Station along Main Street.

It was apparently under going restoration at the time. The building in the background is a former H&F electric sub station. I’m not sure how this restoration has progressed in the ensuing years, but here is the photo I took back on March 9, 2008:

hagerstown-and-frederrick-rr-freight-motor-at-power-sub-station-thurmont-md-3-9-08

Thanks! Good to know this car was saved. Here’s what Don’s Rail Photos says: “5 was built by H&F in 1920. It was retired in 1955 and went to Shade Gap Electric Ry. It then was returned to home by H&F Ry Historical Society.”

About the line in general, Don Ross adds:

“It’s hard to describe the H&F since it seems to be more of a country trolley than an interurban line. Yet they did operate freight service and covered some 76 miles of line in western Maryland. It was the last passenger interurban east of Chicago. The H&F was a consolidation of several lines dating back to 1902. They joined together in 1913. Abandonments began in 1932. In 1938 the main line was cut so that there were two separate sections, one at Hagerstown, and the other at Frederick. The Hagerstown line finally quit in 1947, but the Frederick to Thurmont passenger service lasted until February 20, 1954. Freight service was later dieselized but lasted only until 1958.”

I checked and it looks like the car went from the Rockhill Trolley Museum to Thurmont in 2006. The car is now owned by the City and there are trucks under the body.

As for the Shade Gap name, here is how the Wikipedia explains it:

The museum operates what has been historically referred to as the Shade Gap Electric Railway to demonstrate the operable pieces in its collection. “Shade Gap” refers to the name of a branch of the East Broad Top Railroad, from whom the museum leases it property.

-David Sadowski


Charles Turek writes:

re: Recent Finds, Part 2 – image dave513.jpg

Having grown up at 27th & Harvey in Berwyn, IL, effective walking distance from Austin/Cermak in the 1950s, I can confirm the station is, indeed, Austin on the Douglas Park line. The distinctive chain gate, which was atypical for the line, was my first clue. I used to find this gate fascinating to watch and enjoyed hearing the pulleys (in the towers on each side of Austin) crank it up and down. This was a very busy area in those days and the chain gate was effective in stopping traffic in both lanes that would otherwise attempt to get past standard gates to make the signals at Cermak Road. Nonetheless, the gateman who holed up in the little house in front of the station was still necessary.

Love your web pages and visit them often.


Stained Glass from New York’s Third Avenue El

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p1070342

FYI, to raise money to help fund the original research we do on this site, we are selling two unique artifacts— decorative stained glass, circa 1878, from stations on the old IRT Third Avenue El in New York, which was torn down in 1955. We purchased these several years ago from a noted New York collector.

You can check out our eBay auction here. This may be your only opportunity to own a true piece of history from that fabled line, which has yet to be replaced more than 60 years after it was abandoned.

Thanks.


New Book Project

We are now working on a new paperback book Chicago Trolleys, that we expect will be published in 2017. Original research does cost money, so please consider making a donation to cover our costs. We will keep you updated as we progress, and thank you in advance for your help.


Help Support The Trolley Dodger

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This is our 170th post, and we are gradually creating a body of work and an online resource for the benefit of all railfans, everywhere. To date, we have received over 228,000 page views, for which we are very grateful.

You can help us continue our original transit research by checking out the fine products in our Online Store. You can make a contribution there as well.

As we have said before, “If you buy here, we will be here.”

We thank you for your support.

Revisiting the Railroad Record Club

An RRC insert, found inside a vintage 1965 LP.

An RRC insert, found inside a vintage 1965 LP.

Following up on our earlier post about the Railroad Record Club (April 12), we found some interesting documents inside one of the many steam and traction LPs they issued in the 1950s and 60s. These date to late 1965.

The RRC Newsletter shows that record #32 came out late in 1965, and the five “special” pressings were also out by then. There is a mention that the company that pressed their records (RCA) was getting out of the business soon, but this may simply mean that they no longer wanted to make 10″ records, which were going out of favor.

The remaining four RRC tiles #33-36 most likely came out in 1966, since the club had been putting out four records per year. Those were also issued on 10″ LPs, but after that, the Railroad Record Club only put out reissues on 12″ vinyl.

There is also a description of a pressing error, where RCA apparently mismatched some of the two Nickel Plate Road LPs. RRC sold these to the public but unfortunately did not mark them as such.

Some recordings that were never issued are mentioned, including one of the Queensboro Bridge trolley, which last ran on April 7, 1957. Perhaps there is still rare traction audio out there waiting to be rediscovered.

Here is a video of that trolley*:

In response to your requests for more RRC titles on CD, we have added eight more steam titles to our Online Store. Nearly all of these have two RRC titles together on single compact disc.

To give you an idea of the relative value of cost, fifty years ago versus today, we made a comparison using one of those online inflation calculators. Each 10″ LP cost $4.00 in 1965, which is the equivalent of $30.30 now.

By comparison, we are offering two RRC discs in most cases for just $14.95.

The special South Shore Line 3-disc box set cost $12.49 when first issued, which would be nearly $100 in today’s money. We have the same title on two discs for only $19.95.

In addition to the Railroad Record Club recordings, we have also transferred a few other public domain recordings to compact disc.

We are still looking for a copy of RRC #23, which features Pennsylvania traction. There are vintage 1950s recordings of both the Johnstown Traction and the Altoona & Logan Valley streetcars on that disc. If you have a copy of this rare title that you would be willing to share with us, we would be glad to transfer it to compact disc and send you back your original along with a copy.

Thanks.

-Ye Olde Editor

*The narration is by prolific author Vincent F. Seyfried (1918-2012). He does get one thing wrong, however. The trolleys used on the Queensboro Bridge operation in its last days were built in 1930, not 1948.

Car 601, an “Electromobile” built by Osgood-Bradley, survived until 2009. It had been allowed to deteriorate for many years in storage, but at least parts from this car will help restore others.

The RRC Newsletter from late 1965.

The RRC Newsletter from late 1965.

The RRC Order Form from late 1965. LPs cost $4.00, which is the equivalent of $30.30 today. The $12.49 cost of the 3-disc South Shore Line recording would equate to $94.62 now.

The RRC Order Form from late 1965. LPs cost $4.00, which is the equivalent of $30.30 today. The $12.49 cost of the 3-disc South Shore Line recording would equate to $94.62 now.

RRC sold more than just records.

RRC sold more than just records.

There was a pressing error in 1965, and some of the two Nickel Plate LPs got mixed up. RRC sold these errors to the public and left it up to the purchaser to take note of the mistake.

There was a pressing error in 1965, and some of the two Nickel Plate LPs got mixed up. RRC sold these errors to the public and left it up to the purchaser to take note of the mistake.

Several new RRC steam titles are now available in our Online Store.

Several new RRC steam titles are now available in our Online Store.