Elevation

December 5, 2022January 2, 2023David Sadowski 9 Comments

An eastbound six-car Lake Street “L” A train approaches Oak Park Avenue in suburban Oak Park on March 23, 1955. Trains ran adjacent to South Boulevard until October 28, 1962, when they were relocated to the Chicago and North Western embankment. (Robert A. Selle Photo)

October 28, 2022 was the 60th anniversary of the elevation of the outer 2.5 miles of the Lake Street “L” (now the CTA Green Line). This was an important event in the history of suburban Oak Park and the Austin neighborhood in Chicago.

The steel Lake Street “L” structure, first opened in 1893, was only built as far west as Laramie Avenue (5200 W). Once the main “L” lines were built by the four original private companies, they extended service out to less populated areas at a greatly reduced cost by putting the tracks at ground level. The idea was to establish service, then wait until the surrounding area developed, and then elevate the tracks.

In some cases, this elevation never happened. To this day, portions of the Chicago Transit Authority’s Brown, Pink, Yellow, and Purple lines continue to run at ground level.

The Lake Street “L”‘s ground level extension opened in 1901. The Chicago and North Western’s tracks, which were adjacent to the “L”, were elevated circa 1909-1910, with extremely tight clearances the result. The ground level “L” operated much like a streetcar, using overhead wire instead of third rail, and used high-level platforms.

By the 1930s, the City of Chicago, under the influence of New York City, wanted to build subways to replace the Loop elevated. The subways that eventually were built (State Street, Milwaukee-Dearborn, and West Side) were very ambitious and costly projects which helped alleviate overcrowding on the Loop, but could not replace it outright.

City planners had ideas for putting portions of the Lake line into various subways, so portions of the elevated structure could be torn down. But once the Chicago Transit Authority took over operations in 1947, it was quickly determined that the outer portion of the line, the ground-level section, was the real difficulty.

There were 22 grade crossings in this section, all manually operated by a gateman 24 hours a day. In a similar situation, the City of Berwyn was uncooperative with the CTA’s plans to reduce the number of grade crossings and install automatic gates. As a result, service on the Douglas Park “L” was cut back from Oak Park Avenue (6800 W) to 54th Avenue (5400 W), where it remains today.

Faced with the possible truncation of the Lake Street “L” to Laramie Avenue, the Village of Oak Park took a different approach, working cooperatively with all the interested parties (the City of Chicago, Chicago Transit Authority, and the Chicago and North Western), and a plan came about that benefitted everyone.

The C&NW embankment had enough extra space on it to accommodate the CTA tracks, which permitted the Lake Street “L” to be elevated at last. Removing the tracks from the street eliminated all 22 grade crossings, reducing the CTA’s payroll.

“L” operations were speeded up, offering better service, and the North Western received new revenue from renting out the space. The railroad was allowed to close some lightly used commuter rail stations, ceding these customers to the CTA, which speeded up service for riders farther out.

Removing the ground-level tracks widened the street, reducing traffic congestion and increasing the amount of parking spaces available. It was a win-win for all.

Plans were finalized around 1958, but construction does not seem to have begun until 1961. Service was changed over to the embankment at 6:00pm on October 28, 1962 (see the newspaper article below).

I was seven years old when this transition took place, and rode the ground-level “L” many times. It was always a bit tense, as all 22 cross streets were blind crossings. Cars might come darting out from under a viaduct at the last second, and there were some collisions between “L” cars and autos.

The tight clearances also prevented the use of the CTA’s 6000-series “L” cars in the 1950s, as they had curved sides that stuck out farther than previous equipment. Once the line began running on the embankment, it was possible to use newer equipment, and the CTA assigned many of their new 2000-series rapid transit cars to the Lake line starting in 1964.

Now, the “L” has been running on the embankment for nearly the same length of time as the ground-level operation had. And practically every trace of that surface trackage and stations is long gone.

People who have grown up in the area since 1962 might not have any idea that the “L” ever ran anywhere but on the embankment, but this is an important part of Oak Park’s history, and it deserves to be remembered.

Fortunately, we recently collected various images showing both the construction work, and many taken on the very day of the ground-level operation, October 28, 1962. In addition to this, we have an excellent selection of other classic traction photos from around the country.

We are pleased to report that our latest book The North Shore Line is now 100% complete and has gone to press. The publication date is February 20, 2023, and we are now taking pre-orders. You will find more information about that at the end of this post (and our Online Store).

-David Sadowski

PS- You might also like our Trolley Dodger Facebook auxiliary, a private group that now has 1,016 members.

Our friend Kenneth Gear now has a Facebook group for the Railroad Record Club. If you enjoy listening to audio recordings of classic railroad trains, whether steam, electric, or diesel, you might consider joining.

FYI, the Hoosier Traction Facebook Group celebrates electric transit in Indiana and the Midwest. It also supports the activities of the annual Hoosier Traction Meet in Dayton, OH (although not affiliated with the North American Transit Historical Society, which organizes that event).

The Lake Street “L” in Transition

In this July 16, 1961 view, work has just started on connecting the “L” with the nearby Chicago and North Western embankment. But the changeover point between overhead wire and third rail has already been moved to the Central Avenue ground-level station. This would otherwise have been a complicating factor in the transition process, as both routes would need to be operational for a short time simultaneously.

The view looking west from Laramie Avenue on August 27, 1961. A new temporary track has been built at left, supported by wooden pilings, to allow the ground-level operation to continue while the new “L” connection is being built. Note the Chicago and North Western freight train at right.

This picture, taken on August 27, 1961, shows how the “L” was shored up during construction of the new connection to the nearby railroad embankment.

On August 27, 1961, new steel has been added to the “L” structure at Laramie Avenue. This section of “L” was eventually rebuilt in the 1990s, when the line was shut down for about two years.

On September 10, 1961, new streel is being added to the “L” to support the additional tracks needed for the realignment.

Looking west from the Laramie Avenue “L” station on September 17, 1961. New tracks will be added to create a junction between the old and new alignments.

Third rail (here referred to as “trolley rail”) was installed between Laramie and Parkside Avenues on the Lake Street “L” as of May 8, 1961. This was one of the first actions taken in the project to move the “L” onto the nearby railroad embankment.

Work on the CTA’s new Congress “L” branch was finishing up just as work began on realigning the outer portion of the Lake Street “L”. Once these projects were finished, all the CTA grade crossings in Oak Park and Forest Park were eliminated.

The changeover point from third rail to overhead wire on the Lake Street “L” was moved from Laramie to Central Avenue on May 22, 1961, at the beginning of the relocation project.

Overhead wire was removed from the eastbound Lake Street “L” track between Central and Laramie on May 24, 1961.

Central Avenue and Lake Street on October 28, 1962. This was the only place on the “L” system where trains under wire crossed a trolley bus line. Motor buses replaced trolley buses on Central on January 17, 1970. This portion of Lake Street was renamed Corcoran Place a few years after this picture was taken, to honor a local alderman who had recently died.

We are looking east along what was then Lake Street at Mayfield Avenue on October 28, 1962. We are just east of where the dedication ceremony took place. The new Central Avenue “L” station can be seen in the distance.

We are looking to the northeast along what was then Lake Street (now Corcoran Place) just east of Austin Boulevard on October 28, 1962.

Chicago’s dedication ceremony for the new “L” alignment took place on what was then Lake Street (now Corcoran Place), between Austin Boulevard and Mason Avenue. Mayor Richard J, Daley and CTA chairman Virgil Gunlock presided. A similar ceremony was held in Oak Park.

CTA “L” car 4407 appears to have been decorated for the dedication event near the Austin stop on October 28, 1962.

I believe we are just west of the Austin Boulevard “L” station on October 28, 1962.

Clearances were extremely narrow on the ground level portion of the Lake Street “L”, and therefore, when the line was elevated, temporary entrances were used. Once the old “L” had been cleared away, construction of the permanent entrances continued.

Again, near Austin Boulevard on October 28, 1962. We are looking to the northeast.

An eastbound Lake Street “A” train is just east of Ridgeland Avenue on October 28, 1962.

We are looking west, just east of the Ridgeland Avenue “L” station on October 28, 1962. The building at left with the sign on it advertising a dry cleaner is now occupied by the Tayloe Glass Company.

We are looking west along South Boulevard at Marion Street in suburban Oak Park on October 28, 1962. A two-tone mid-50s Ford heads north on Marion, while an early 1960s Corvair is eastbound on South Boulevard. This is a rare opportunity to see “L” cars on both levels.

We are looking west along South Boulevard at Marion Street on October 28, 1962. The sign at left advertises Blue Cab, and there is a cab waiting there to serve people getting off the “L”.

Looking west along South Boulevard at Marion Street on October 28, 1962. Due to the narrow width of South Boulevard in this area, it was a one-way street going east. This section is now a two-way street, although there is still a section that is one way westbound, between Oak Park Avenue and Home Avenue.

A closer view of the new and old “L” stations. The sign above the entrance advertises the all metal “L” cars the CTA had operated on Lake since the last wood cars were taken off this line in 1954.

At one time, Blue Cab had their headquarters on South Boulevard, but I don’t recall offhand whether they were located here. The Lake Street “L” ground-level trackage extended across Harlem Avenue a short distance west of here. In the distance, you can see construction is already underway on expanding the railroad embankment to create a new yard for Lake Street trains. It opened in 1964.

This slide, taken by the same photographer, has a processing date of May 1963. Lake Street trains are running on the embankment, with their trolley poles removed. The old tracks are still in place but will soon be ripped up. The adjacent street was widened and parking spaces added.

The Congress Expressway is under construction at Homan Avenue on October 9, 1955, and would soon open as far west as Laramie Avenue. Tracks are already being laid for the new CTA Congress “L” line, which opened on June 22, 1958, replacing the old Garfield Park “L”. Note the very flimsy barrier separating the “L” and highway. This soon proved completely inadequate and was eventually replaced by concrete barriers. Mayor Richard J. Daley drove the first spike for the new rails on July 8, 1955 near Pulaski Road. We are looking east. The entire story of the transition from the Garfield Park “L” to the Congress median line is told in my 2018 book Building Chicago’s Subways.

We were fortunately to recently purchase this original early red border Kodachrome slide, taken on September 7, 1941. It shows a fan taking a picture of Connecticut Company car 500, built in 1904 and described as the pride of the fleet, equipped with a kitchen, bathroom, and dining tables. It was acquired by the Shore Line Trolley Museum in 1948.

A view of the Chicago Transit Authority’s Stock Yards branch on September 16, 1956. Service was discontinued the following year, and it has now been 65 years since the last wooden “L” car ran in regular service in Chicago.

Some Milwaukee Electric interurban trains ran past the North Shore Line’s Milwaukee Terminal, although there does not seem to have been a track connection here. This picture dates to the 1940s. A TM interurban car did operate on a North Shore Line fantrip in 1949, so there must have been a track connection somewhere. An Electroliner is berthed at the terminal.

The Logan Square “L” Terminal, right around the end of service in late January 1970. Service was extended on this line via the new Kimball Subway and a median line in the Kennedy Expressway. Service went only to Jefferson Park at first, but now continues all the way to O’Hare Airport.

Another view of the old Logan Square “L” station near the end of service.

On December 6, 1958, CTA salt car AA98 was still on a trailer at the Electric Railway Historical Society (ERHS) location in Downers Grove. It was formerly Chicago Surface Lines car 2846 and was built in 1908 by the South Chicago City Railway. It went to the Illinois Railway Museum in 1973. (Robert A. Selle Photo)

The CTA Congress Expressway median line was not the first of its type, that distinction having been taken by the Pacific Electric in 1940. Here, we see a 600-series “Hollywood” car in Cahuenga Pass at Barham Boulevard. This print was made in 1946 but could have been taken earlier. PE service here ended in 1952 (this was part of the Van Nuys line) and the right-of-way was taken up by additional traffic lanes. (Stuart A. Liebman Photo)

Don’s Rail Photos: “(North Shore Line) 420 was was built by Pullman in 1928 as an observation. It was out of service by 1932. On July 21, 1943, it reentered service as a motorized coach. It was sold to Seashore Trolley Museum in 1963.” Here we see it prior to conversion.

North Shore Line diner 418 at the Milwaukee Terminal, when it was still in service as a diner. This print was made in 1945 but could have been taken earlier. Dining car service on the CNS&M ended in 1947, except for the Electroliners, and car 415, which was used in the “substitute Liner” and for charters.

A five-car train of Chicago Aurora and Elgin wood cars, including 312, in Wheaton. This print was made in 1945, but the picture was probably taken earlier. (E. Dale Photo)

Chicago Aurora and Elgin wood car 24 in Wheaton. This print was made in 1945, but the picture was probably taken earlier. (E. Dale Photo)

Chicago Aurora and Elgin steel car 431, which was built by Pullman, in Wheaton. This print was made in 1945, but the picture was probably taken earlier. (E. Dale Photo)

A two-car Chicago Aurora and Elgin train, with 414 at the rear, heads west at Laramie Avenue as an Elgin Express. This picture was printed in 1945 but was probably taken earlier. (E. Dale Photo)

Chicago Surface Lines pre-war PCC 7020 heads west on Madison Street at Central Park Avenue. This print was made in 1946 but could have been taken earlier. There is another picture taken at this location in my 2017 book Chicago Trolleys, showing a postwar PCC. (Ken Kidder Photo)

Chicago Aurora and Elgin wood car 140, formerly from the North Shore Line. Don’s Rail Photos: “138 thru 141 were built by American Car in 1910. They were rebuilt for Elevated compatibility in 1919. They were also leased to the CA&E in 1936, returned to the CNS&M in 1945, and sold to the CA&E in 1946.” This print was made in 1945, but could have been taken earlier. (E. Dale Photo)

Chicago Aurora and Elgin steel car 417 heads up a Chicago Express at Laramie Avenue. This print was made in 1945, but could have been taken earlier. (E. Dale Photo)

Don’s Rail Photos: “In 1937, the CA&E needed additional equipment. Much was available, but most of the cars suffered from extended lack of maintenance. Finally, 5 coaches were found on the Washington Baltimore & Annapolis which were just the ticket. 35 thru 39, built by Cincinnati Car in 1913, were purchased and remodeled for service as 600 thru 604. The ends were narrowed for service on the El. They had been motors, but came out as control trailers. Other modifications included drawbars, control, etc. A new paint scheme was devised. Blue and grey with red trim and tan roof was adopted from several selections. They entered service between July and October in 1937. The following year, three more cars were acquired. 80 thru 82 were combines built by Cincinnati in 1913. On the CA&E, they were rebuilt in much the same manner as the 600s. The baggage compartment was fitted with seats and the cars were operated as full coaches numbered 700 thru 702. 700 was built by Cincinnati Car Co in 1913 as WB&A 80. It was sold as CA&E 700 in 1938.” This picture was printed in 1945, but could have been taken earlier. The location is the Wheaton Shops. (E. Dale Photo)

Chicago Aurora and Elgin 435 is westbound at Laramie Avenue on an Aurora Express. This photo was printed in 1945, but could have been taken earlier. (E. Dale Photo)

Chicago Aurora and Elgin 423 is running on the streets of Aurora as an express. The terminal was relocated off the street at the end of 1939, and the license plate on the car at left is from 1934 or 1936 (probably the former). This print was made in 1945. (E. Dale Photo)

Birney car 1501 is in Council Bluffs, Iowa in 1947. (Victor G. Wagner Photo)

This is the West Penn Railway in Greensburgh, Pennsylvania, which is 30 miles southeast of Pittsburgh.

North Shore Line 714 heads up a southbound Chicago Express on the Shore Line Route in North Chicago in 1947. This car was built in 1926 by the Cincinnati Car Company. After the North Shore Line was abandoned in 1963, 714 went to the Illinois Railway Museum, where it is today. (Victor G. Wagner Photo)

A view of the Metropolitan “L” crossing the Chicago River on July 10, 1949. We are looking to the northwest.

Five Mile Beach Electric Railway car 32 in Wildwood, New Jersey in 1940. (G. Pilkington Photo)

CTA 2712 leads a two-car Douglas Park “L” train in the early 1950s. The train is headed towards Marshfield Junction, where Douglas Park, Garfield Park, Logan Square, and Humboldt Park lines converged into the Met “L” main line at Paulina. Construction is underway here for the Congress Expressway. A new north-south connection was built soon after this picture was taken, so that Douglas Park trains could be re-routed downtown via the former Logan Square tracks to a new connection with the Lake Street “L”. This allowed the Met main line to be removed east of here in 1954, where the “L” was in the way of the new highway.

A four-car train of CTA 4000s is (I presume) near Howard in the 1950s. Miles Beitler adds, “Photo aad702a looks like a train of 4000s leaving Howard Street southbound on track 1. If I’m correct that that the overhead wire has been removed and the trolley poles on the 4000s are down, this must be after third rail was installed on track 1, which would date the photo to around 1964 or later.”

Indiana Railroad high-speed car 69 is at Indianapolis on August 11, 1940.

A North Shore Line freight train is at the Rondout weigh station in January 1963.

North Shore Line combine 256 is at the front of a three-car train of “Greenliners” (a fan term) in a slide processed in June 1961.

The Ravinia Park Casino was built in 1904 and demolished in 1985. Ravinia Park was built by the Chicago and Milwaukee electric, which became the North Shore Line in 1916.

Indiana Railroad high-speed car 59 is at Indianapolis on August 11, 1940.

A Chicago Aurora and Elgin electric loco in Wheaton, where the lines diverged to go to either Aurora (shown here) or Elgin.

When I posted this circa 1954-55 Garfield Park “L” image to our Facebook group, it generated a lot of discussion as to whether or not this 4000-series “L” car was still in CRT brown paint. The CTA repainted these cars into green and cream starting around 1952. But after much consideration, my conclusion is that this is just a trick of the light, and the car is actually painted in the later CTA colors. It is in shadow and not in direct sunlight. By this time, all such cars should have been repainted and put into married pairs with various modifications (which are visible on this car). The car behind it, which is presumably its mate, is painted green and cream. We are at the east end of the Van Bure Street temporary trackage, which was used from 1953 to 1958. The photographer was apparently looking out the front end of a westbound train, and there was a ramp behind the photographer leading up to the old “L” structure heading to the Loop. The cross street here is Racine Avenue (1200 W).

I assume this picture of Chicago Surface Lines Peter Witt car 6311 was taken at Devon station. The date given with the negative was January 6, 1941 but this hardly seems likely, given the foliage and the open door. Perhaps month and date were reversed, and a date of June 1, 1941 is correct.

A view of the Indiana Railroad’s Muncie Terminal on August 10, 1940. The photo is by WVK, although I don’t know what those initials stand for.

Indiana Railroad high-speed car 78 in Indianapolis in the late 1930s.

A night shot of the North Shore Line’s Milwaukee Terminal in July 1962.

North Shore Line car 748 is part of a two-car train near North Chicago Junction on September 4, 1961.

This and the next picture shows a Aurora Elgin and Chicago (predecessor to the CA&E) monthly ticket book from June 1922.

The Chicago Aurora and Elgin used uncovered third rail in nearly all areas, including here, in Wheaton, where the Aurora and Elgin branches diverged. A small boy is playing in a nearby field, and people then were not terribly concerned with the danger posed by 600 volts of direct current. If the CA&E had survived, chances are additional protections would be in place.

North Shore Line wood car 132 and train at Ravinia Park in the early 1900s.

Starting in the 1930s, enterprising railfans such as the late Barney Neuberger sold prints of streetcars and interurbans. The smallest such prints were what is now called wallet size, and the going rate was usually 10 cents. Mr. Neuberger had flyers and catalogs printed. There are thousands and thousands of such photos that still circulate, and enrich our knowledge of the past.

CTA 2811 heads up a westbound Garfield Park “L” train of wood cars, circa 1953-54. The ramp connected to the temporary tracks on Van Buren Street/ We are near Sacramento Boulevard. For a time, these tracks crossed over the new Congress Expressway, which was built underneath it. Once the new Congress median line opened in 1958, this structure was removed.

A two-car Garfield Park “L” train, made up of 4000-series cars, heads west on temporary trackage in Van Buren Street on September 2, 1955. A portion of the Congress Expressway, then under construction, opened later that year.

A Philadelphia Suburban Transportation Company Brill Master Unit is on West Chester Pike at Paoli Road in February 1945. (David H. Cope Photo)

The Chicago Aurora and Elgin station in Wheaton, probably in the 1920s.

CTA 6190-6189 is at Adams and Wabash on the Loop “L” in July 1954.

A northbound CTA train of curved-door 6000s is on the South Side “L” just north of 35th Street in 1954. The middle track had been used for express trains until the CTA realigned north-south service in 1949.

This picture was taken from out of the front window of a Lake Street “L” train on July 17, 1954. We are near Garfield Park, and the 4000-series cars parked on the middle track are in mid-day storage. The middle track had been used by express trains prior to 1948, when the CTA inaugurated A/B “skip stop” service.

CTA 6047-6048 are looping via a wooden structure at DesPlaines Avenue on July 14, 1954. This was necessary once Chicago Aurora and Elgin service was cut back to Forest Park, starting in September 1953. The direct connection between the two railroads was severed and this loop took CTA trains over the CA&E tracks. Once CA&E was allowed to discontinue passenger service in July 1957, the ramp was no longer necessary. The entire yard area was revamped in 1959 in conjunction with nearby expressway construction.

Philadelphia Suburban Transportation Company (aka Red Arrow Lines) double-ended car 19 is outbound on West Chester Pike, headed for West Chester, in the early 1950s. Buses replaced trolleys on this line in 1954 so the road could be widened.

Chicago and Illinois Valley (aka the Chicago Ottawa and Peoria, part of the Illinois Traction System) car 56 at Ottawa, Illinois. Don’s Rail Photos: “In 1901, the Illinois Valley Traction was incorporated to build the first part of what later became the CO&P. Various other companies were involved in the construction until the CO&P consolidated them all by 1909. The CO&P became the Valley Division of Illinois Traction Inc. in 1923. In 1929, a new company, the Chicago & Illinois Valley, took over the Valley Division and operated it until abandonment on May 14, 1934. It was always considered a part of the Illinois Traction, and this can be seen in its rolling stock. 55 and 56 were built by St. Louis in 1903. 55 was retired in 1921. 56 was used in Peoria from 1920 thru 1927 when it was returned to the Valley. It was scrapped in 1934.”

The next-to-last North Shore Line fantrip took place on January 12, 1963, and used coaches 150 and 160. Here, the train has made a photo stop at the old Chicago Rapid Transit Company “L” station at Kostner Avenue, which was in use from 1925 to 1948 on the Niles Center branch. The station was designed by Insull staff architect Arthur U. Gerber. North Shore trains never stopped here in regular service. (William C. Hoffman Photo) Scott Greig adds: “By the way, the last charter on the North Shore was the day after the one pictured. It was a CERA charter with four Silverliners on Sunday, January 13, 1963. Illini Railroad Club announced that they would have a charter on the last day, but they finally had to settle for an extra car added to a regular train.”

The two car fantrip train has stopped at the old Clark and Lake “L” station on January 12, 1963. (William C. Hoffman Photo)

North Shore Line coach 772 is southbound at North Chicago Junction on July 4, 1955, operating on the Shore Line Route that would be abandoned later that month. Skokie Valley Route trains went to the other side of the station. (William C. Hoffman Photo)

The North Shore Line Milwaukee Terminal on June 25, 1961.

Electroliner 803-804 is northbound on Fifth Street in Milwaukee at Maple on January 13, 1963. All the buildings on the right are gone now, as this is now the location of an expressway. (Jeffrey L. Wien Photo)

North Shore Line snow plow 605 at Pettibone Yards on August 29, 1964. Built by Russell in 1921, it became the last piece of NSL equipment to be scrapped on the property. David A. Myers Jr. says he found someone who was interested in taking it, but they procrastinated so long that the tracks were taken up around the car, and it was then scrapped in place. (Jeffrey L. Wien Photo)

Chicago Surface Lines prewar PCC 4048 is downtown, signed for the Madison-Fifth route which was a branch of Route 20 – Madison. The 83 cars in this series were built in 1936 and retired in 1956. The sole survivor is 4021, which is now at the Illinois Railway Museum.

Chicago Surface Lines work car H7. Don’s Rail Photos: “H7, mail car, was built by American Car Co in 1891, as a Cicero & Proviso Street Railway passenger car. It was rebuilt as Chicago Union Traction 8 in 1900 as a mail car and as Chicago Railways 8 in 1903. It was renumbered H7 in 1913 and became CSL H7 in 1914. It was retired on May 16, 1949.”

Indiana Railroad car 65. Don’s Rail Photos: “65 was built by Pullman in 1931, #6399. The lounge section was replaced by a baggage section. 65 was sold to the Cedar Rapids & Iowa City as 120 in 1941. In 1954 it was purchased as the first car of the Illinois Railway Museum, which was known as the Illinois Electric Railway Museum at that time. I put in many enjoyable hours working on that car prior to 1960 when I moved to Peoria.”

Our Latest Book, Now Available for Pre-Order:

The North Shore Line

Publication Date: February 20, 2023

FYI, my new Arcadia Publishing book The North Shore Line is now finished and has gone to press. My publisher decided to expand it to 160 pages, instead of the usual 128. That’s a 25% increase, without any change to the $23.99 price. I am quite pleased with how this turned out.

From the back cover:

As late as 1963, it was possible to board high-speed electric trains on Chicago’s famous Loop “L” that ran 90 miles north to Milwaukee. This was the Chicago North Shore & Milwaukee Railroad, commonly known as the North Shore Line. It rose from humble origins in the 1890s as a local streetcar line in Waukegan to eventually become America’s fastest interurban under the visionary management of Midwest utilities tycoon Samuel Insull. The North Shore Line, under Insull, became a worthy competitor to the established steam railroads. Hobbled by the Great Depression, the road fought back in 1941 with two streamlined, air-conditioned, articulated trains called Electroliners, which included dining service. It regained its popularity during World War II, when gasoline and tires were rationed, but eventually, it fell victim to highways and the automobile. The North Shore Line had intercity rail, commuter rail, electric freight, city streetcars, and even buses. It has been gone for nearly 60 years, but it will always remain the Road of Service.

Each copy purchased here will be signed by the author, and you will also receive a bonus North Shore Line map. Books will ship by USPS Media Mail as soon as we receive them, on or before February 20, 2023.

Chapters:
01. Beginnings
02. The Milwaukee Division
03. The Shore Line Route
04. The Skokie Valley Route
05. The Mundelein Branch
06. On the “L”
07. City Streetcars
08. Trolley Freight
09. The Long Goodbye
10. The Legacy

Title The North Shore Line
Images of America
Author David Sadowski
Edition illustrated
Publisher Arcadia Publishing (SC), 2023
ISBN 1467108960, 978-1467108966
Length 160 pages

The price of $23.99 includes shipping within the United States.

For Shipping to US Addresses:

New Compact Disc, Now Available:

CTA-1
The Last Chicago Streetcars 1958
# of Discs – 1
Price: $15.99

Until now, it seemed as though audio recordings of Chicago streetcars were practically non-existent. For whatever reason, the late William A. Steventon does not appear to have made any for his Railroad Record Club, even though he did make other recordings in the Chicago area in 1956.

Now, audio recordings of the last runs of Chicago streetcars have been found, in the collections of the late Jeffrey L. Wien (who was one of the riders on that last car). We do not know who made these recordings, but this must have been done using a portable reel-to-reel machine.

These important recordings will finally fill a gap in transit history. The last Chicago Transit Authority streetcar finished its run in the early hours of June 21, 1958. Now you can experience these events just as Chicagoans did.

As a bonus, we have included Keeping Pace, a 1939 Chicago Surface Lines employee training program. This was digitally transferred from an original 16” transcription disc. These recordings were unheard for 80 years.

Total time – 74:38

Help Support The Trolley Dodger

This is our 294th post, and we are gradually creating a body of work and an online resource for the benefit of all railfans, everywhere. To date, we have received over 934,000 page views, for which we are very grateful.

You can help us continue our original transit research by checking out the fine products in our Online Store.
As we have said before, “If you buy here, we will be here.”

We thank you for your support.

DONATIONS

In order to continue giving you the kinds of historic railroad images that you have come to expect from The Trolley Dodger, we need your help and support. It costs money to maintain this website, and to do the sort of historic research that is our specialty.

Your financial contributions help make this web site better, and are greatly appreciated.

Railroad Record Club Treasure Hunt, Part 2

September 24, 2018June 5, 2023David Sadowski 9 Comments

1 Selection of Steventon tapes mostly unreleased

Following up on our previous posts William A. Steventon’s Railroad Record Club (September 24, 2018), and Railroad Record Club Treasure Hunt (July 30, 2017) guest author Kenneth Gear continues with a detailed rundown on his latest discoveries.

I have been interested in historic preservation for a long time, and it’s not every day that anyone comes across original material such as this. Suddenly, out of nowhere it seems, previously unknown, unissued audio recordings have emerged for some long-vanished steam and electric railroads, along with 16mm motion picture film, and various artifacts related to the Railroad Record Club’s 42 issued LPs, in their various forms. It seems like a miracle that somehow, it all survived to be rescued from oblivion.

Getting this done involved a tremendous financial sacrifice on Ken’s part, as he is of modest means. I hope that he will be able to recoup at least some of his substantial investment in the future. I am sure he will appreciate any contributions you may be able to offer him, towards the cost of transferring some of these reel-to-reel tapes and 16mm movie films to digital.

You can find Part 1 here: Railroad Record Club Treasure Hunt (July 30, 2017)

-David Sadowski

PS- Our new book Building Chicago’s Subways is now available for immediate shipment. If you already pre-ordered it, your copy is already on its way to you. We are excited to have had the opportunity to tell the story of this exciting chapter in Chicago history. Details on how to order are at the end of this post.

Railroad Record Club Treasure Hunt, Part 2

It’s been over a year since I acquired a large portion of the William Steventon estate. The Railroad Record Club items that I purchased last year have enabled David and I to piece together a fairly complete history of the RRC and to more fully appreciate the time and effort Mr. Steventon put into producing these records. The homemade 78rpm records alone proved to be an invaluable resource. Not only did they provide us with some wonderful recordings, most of which hadn’t been heard in over fifty years, they revealed the pre-history of the club and offered a glimpse into the infancy of railroad field recording.

We were able to hear the very first railroad recording Steventon made– B&O trains at Riverdale, Maryland in 1953. We also finally completed our quest to get a copy of every single released RRC record digitized and put on CDs. We are now only in need of two samplers, the 5th and 6th years. More interesting information was garnered from examining original record jacket artwork and paste up boards, as well as the metal print blocks. We were also able to compile a list of records re-issued on 12″ stock and find out what was necessary for it to happen and the cost of doing it.

Photographs from his personal collection were scanned and published in the Trolley Dodger for all to enjoy. I think the effort that went into keeping all this material from ending up in a dumpster was well worth the time and expense and I’m happy to have been involved.

In spite of this, I knew the job was only half finished. There was much more that needed to be saved and time was running out. Those tapes I wrote about under the heading “what I left behind” in the first treasure hunt story needed to be preserved. There were still a big box of photos, reams of correspondence, the metal master discs for the 12″ reissues and lots and lots of sealed records.

The estate dealer was quite adamant that this stuff had to go…and quickly! I purchased all that I could, but I certainly could not afford to buy anything else and asked for some time to raise the money. As I tried to come up with the extra cash needed, months went by and the emails ceased. For a while it seemed that all this great material would be lost. Still, I squirreled away what money I could when I could and slowly, much too slowly, I approached his asking price. With the funds in hand, I emailed the estate dealer putting in the subject line that I HAD the money for the remaining Steventon estate items. Even as I composed that email I couldn’t be sure that the entire lot wasn’t already in some land fill rotting away. He answered me the next day, but it seemed a lot longer then that to me. His first two sentences were a relief:

Ken, good to hear from you. Yes, it is all as we left it a year ago.

There was one complication that needed to be addressed. I could not make the trip up to him in Wisconsin this year as I had done before. All the items would have to be shipped to me in New Jersey.

The estate dealer was agreeable to packing up the items and doing the weighing and making the transportation arrangements, but again there was a complication. This was his busy season and he would be working extensively out of town. He would not be able to devote much time to this effort for the next few weeks. A little progress was made here and there through the rest of June and I purchased boxes and packing material in July. I was a little apprehensive about shipping old open reel tapes and vinyl records during the hottest part of the summer anyway, so I just had to be patient. In early August progress was made and on the 13th I received the long-awaited email:

The last box is packed. You’ll have a pallet coming that’s right around 400 pounds, perhaps a touch over. Nine boxes to be delivered to the YRC terminal.

Several more delays would still be encountered, not the lest of which was the local hardware store’s forklift needing repairs. The hardware store, for a $20 fee, would be used to lift the pallet onto the truck. At last, in early September, with all hurdles cleared, a newly-repaired forklift placed the shipment on to the truck. Finally, the second half of the Steventon estate’s Railroad Record Club items were on their way to me.

A few days later I heading to the local YRC terminal to receive the long-awaited shipment. After some paperwork in the office, I backed a borrowed ¾-ton pick-up truck to the indicated bay. Soon a forklift lowered the last of the Railroad Record Club items from the Steventon estate into the truck bed. I now had a night of treasure hunting to look forward to!

I had sort of “cherry picked” the first half of the estate, so I knew that a great unexpected find was rather doubtful, but I did come across a few surprises.

THE TAPES

2 Tapes appear to be in good condition

3 Tape with hand written track listing

4 More unreleased Steventon audio

5 Lots of interesting material on these tapes

6 Still more intersting tapes

7 Unreleased audio this is why I bought the whole lot

8 Steventon tapes

9 More Stevnton tapes

10 Even more tapes

11 Small reels -the master tapes for the 78rpm records

12 Another view of the Small reels -the master tapes for the 78rpm records

13 A box full of the Small reels -the master tapes for the 78rpm records

14 Close up of the 78rpm record master tapes

15 Another Close up of the 78rpm record master tapes

16 78rpm master tapes showing condition of tapes-not too bad

17 close up of 78rpm master tape showing condition

18 BC Electric and Montreal & South Counties tapes with Steventon letter

19 Montreal & South Counties tape with Steventon letter

20 BC Electric tape with Steventon letter

21 Close up of the BC Electric and Montreal & South Counties tapes

22 Railroad Record Club Master tapes

23 Master tape for record 26

24 A stack of 22 Railroad Record Club Master tapes

25 master tape Railroad Record Club number 16

26 master tape Railroad Record Club number 15

27 master tape Railroad Record Club with memo

28 master tape Railroad Record Club number 17

29 master tape Railroad Record Club number 18

30 Note on box containing master tape Railroad Record Club number 18

31 Two master tapes for record number 3

32 Two master tapes for record number 3 showing condition

33 master tape Railroad Record Club number 7

34 master tapes Railroad Record Club number 10

35 master tape Railroad Record Club number 23 with memo

36 master tape Railroad Record Club number 17

The reel to reel tapes that I had left behind last year were the real reason I went to all this trouble and expense to acquire the rest of the estate. I’m sure I did not get any of the tapes that were actually in Steventon’s recorder when he was trackside, but they may no longer exist. Perhaps he transferred these “field tapes” to newer tape stock, in an effort to preserve them and some of these duplicates are what I received. There is at least one recording I know he made that is not among my tapes. In the liner notes of Record Number 20, Steventon writes that the cab ride onboard NYC # 1441 with his father at the throttle was edited down from over two hours of tape. I would have been very happy to find 4 or 5 reels of tape marked “cab ride with Dad” but it was not to be. What I did find, however, is some very good and interesting stuff, most of which has never been released on a Railroad Record Club LP.

One tape that was a bit of a surprise was a 4″ reel of tape marked NYS&W. Of all the railroads in the New York area, why the Susquehanna? If he recorded this tape while in New York to ride and record the Queensboro Bridge trolley, which had to be prior to April 1957 when that line shut down, then why not record PRR K-4s on the New York & Long Branch which lasted until October of that year? Or all those electric locomotives on the NYC and NYNH&H? Perhaps he did record some or all these railroads and I just don’t have the tapes. Anything is possible, but I have found no evidence that he ever did. I’ll just have to wait until I have the NYS&W tape put on CD to find out just what the attraction may have been.

Other interesting finds include three 5″ reels of a fan trip operated by the Northern Pacific Railroad on June 20, 1957. 4-8-4 # 2686 pulled the train from St. Paul, MN to Staples. One tape is labeled “NP 2686-LV MPLS,” the second NP 2686 coal dock stop,” and the last, “NP 2686 LV Staples.” There was also a negative of the NP 2686 at Staples found among the photographs. Other steam and/or diesel tapes are labeled “CPR,” “NKP Ft. Wayne,” “N&W,” and “Soo Line.”

The traction fans among us will be happy to know there is plenty for them. The CNS&M has several tapes devoted to it. One tape is marked “CNS&M switching at Rondout and Mundelein”. There is a cut on Record 26 of locomotive # 459 switching at Rondout, but not at Mundelein. Another North Shore tape is marked “Mundelein Run” and another simply ” Mundelein”. One more CNS&M tape has “Electroliner” written on the box.

There is a tape marked “ITS 202”, apparently Steventon preferred Illinois Traction System to Illinois Terminal. On Record 25 Steventon wrote in the liner notes, “We had just arrived (at Harristown, IL) on interurban No. 202 where we had made an “on train” recording east from Springfield. We alighted and watched the 202 fade into the distance. This was the last sight and sound we had of the Illinois Terminal as an interurban. The “on train” recording of 202 and a streamliner is scheduled for release at a later date.” It never was. I don’t know about the streamliner recording, I may or may not have it, but I will consider it a privilege to be involved with releasing the 202 recording for him.

There are also tapes of the Cedar Rapids & Iowa City (CRANDIC), Charles City Western, Toledo & Eastern, and Capital Transit. Canadian traction fans are not overlooked either. There is a 5″ reel of the Niagara, St. Catharines & Toronto Railway. There are also two 5″ reels, one each, of the BC Electric and the Montreal & Southern Counties. These two tapes were recorded by Eugene Van Dusen, and the accompanying letter to Steventon, plus a copy of it sent to Elwin Purington, were found among some RRC papers I have. Another reel of tape not recorded by Steventon is “Cincinnati Street Railway Car 187 12/13/51.” Finding this was a nice surprise. I don’t know who did record it, but Steventon did not start making recordings until 1953.

Here is the entire list of the tape reels, excluding 21/2″ reels which I’ll list separately, and the master tapes for the LPs,

REEL TO REEL TAPES

INFORMATION MARKED ON TAPE BOXES

4″ reels:

1. NYS&W

5″ reels:

1. CPR-J. Van Brocklin
2. Soo Line
3. T&E NKP Diesel-NKP Ft. Wayne
4. N&W
5. N&W from Salem
6. N&W Billy + Larry on end
7. NP 2686 Lv Mpls-6/20/57
8. NP 2686 coal dock stop
9. NP 2686 Lv Staples
10. B. C. Electric
11. Montreal & Southern Counties
12. Potomac Edison #5
13. Potomac Edison H&F last run radio program
14. CNS&M -switching at Rondout and Mundelein
15. Mundelein Run
16. Capital Transit co 1151
17. ITS car 202
18. Cedar Rapids and Iowa City 5/31/53
19. CCW 5/18/54*
20. CCW CC to Colwell
21. Toledo & Eastern
22. PRR GG-1s

7″ reels:

1. Railroading in Spooner Wisconsin
2. CNS&M Electroliner
3. N. St. C & Toronto
4. Johnstown Traction and Altoona & Logan Valley
5. Cincinnati Street Railway car 187 12/13/51

The next bunch of tapes are smaller reels. These 21/2″ reels are in their original manufacture’s boxes and are marked only with a Railroad name and a catalog number. The catalog numbers correspond with the catalog numbers on the 10″ 78rpm acetate records that I acquired with the first half of the estate. As producing these records was a very time-consuming task, Steventon saved time by making a master tape for each record. The master tape would contain his spoken introductions followed by the train sounds. I bought over sixty of these small master tapes, and a large number have never been put on the regular Railroad Record Club releases. They contain sounds of railroads I was completely unaware Steventon ever recorded, such as L&N, Southern, and Virginian. This collection also contains the Queensboro Bridge trolley, the IND subway, and the Third Avenue EL recordings Steventon made in New York City.

21/2″ reels:

1. Potomac Edison, 4 reels
2. Shenandoah Central, 2 reels
3. Capital Transit, 3 reels
4. Altoona & Logan Valley, 2 reels
5. B&O, 9 reels
6. Shaker Heights RT, 3 reels
7. PRR, 5 reels
8. NKP, 1 reel
9. St. Louis PS, 1 reel
10. Illinois Terminal, 2 reels
11. ICRR 3 reels
12. N&W, 1 reel
13. WM Rwy, 1 reel
14. Baltimore Transit, 2 reels
15. Senate Subway, 1 reel
16. Scranton Transit, 1 reel
17. Rochester Subway, 1 reel
18. CB&Q, 2 reels
19. Niagara, St. C & T, 2 reels
20. Virginian, 2 reels
21. Southern, 2 reels
22. Queensboro Bridge, 2 reels
23. Wabash, 1 reel
24. Third Ave. EL, 2 reels
25. Soo Line, 5 reels
26. L&N, 2 reels
27. St. Elizabeth Hospital, 1 reel (used steam switcher to move coal hoppers)
28. Omaha Road, 1 reel
29. NYC IND Subway, 1 reel
30. Unidentified, 4 reels

This is not a complete set of all the master tapes made for the 78rpm records to be sure, but it’s most of them. I consider it a small miracle that any survive at all! I am not an audio expert, but in my opinion, uninformed as it may be, these tapes appear to be in reasonably good condition. I would think that the tapes would be able to withstand a few more plays, enough to be digitized at least. Neither David nor I have the equipment to attempt this and I think it would be ill advised of us to try anyway. The tapes are old and were not stored in archival conditions. I’m sure the prudent course of action is to entrust any work on them to a professional.

The last batch of tapes are the master tapes made for the released Railroad Record Club LPs. There are different size reels, some tapes are only of one side of the LP while others have both sides on the same reel. Some are in good condition and some are not. Some I have multiple copies of and a few of the LPs I have no tapes for, Rather then make a complete list of every reel I will simply list the few LPs I have NO master tapes for.

No master tapes:

RRC 21
RRC 24
RRC 29
RRC 31
RRC SP-2
RRC SP-4
RRC SP-6

Most of these reels are 7″ with only a few smaller or larger. The most interesting master tapes are the reels for RRC 3 EBT/D&RGW. There are two 7″ reels that most likely have the original release version of the record, the one with William Steventon’s narration. There are also two 5″ reels, one marked “sounds only” and the other labeled “Narrative.” Since Steventon removed his voice from the 12″reissue of the record, the “Narrative” tape must contain just the voice of Elwin Purington doing the new narration.

I’m not sure just what to do with these master tapes. Some are in rough shape and all these sounds are on the released Railroad Record Club LPs. It certainly would be a considerable expense to digitize them all and no new sounds would be gained. For now, I’ll store them in the best possible conditions that I can provide and perhaps one day a clear path of action will present itself.

MOVIE FILMS

1 Steventon Film that should be all trains

2 Capital Transit B&W Night Film

3 Steventon film

4 Pennsy and B&O film

5 Back of Kodachrome box

6 Front of kodachrome box

I found several rolls of 16mm movie film within the boxes of audio tapes. Fortunately, Steventon was very good at labeling everything. He inserted little slips of paper into the film boxes listing the contents of the films. Unfortunately, the majority are family home movies. Most are of Steventon’s son Seth. His first day of school, Christmases, and birthday parties. There were six 100-foot reels that should be all trains.

16mm movies;

1. 100-foot reel but only about 50 feet of film. Labeled “Pennsy Fan Trip and B&O near Riverdale.”
2. 100-foot reel, full, labeled “Canada Term”. I’m not sure what that is supposed to indicate. I unspooled a few feet of film and the first few frames are without a doubt a steeple cab locomotive.
3. 100-foot reel, full, B&W, labeled “Cap Transit Night Film.”
4. 100-foot reel, full, labeled “EBT Reel 1.”
5. 100-foot reel, full, labeled “EBT Reel 2.”
6. 100-foot reel, full, labeled “Negative 1R Freight” Also written on box “bad footage.”

PRINT BLOCKS

1 Selection of print blocks

2 More print blocks

3 Still more print blocks

4. Print block for very early RRC traction logo

5. Railroad Record Club logo print block

6 Another style Railroad Record Club logo print block

7 Interurban car fron LP Sound Scrapbook-Traction

8 Interurban car fron LP Sound Scrapbook-Traction in two sizes

9 PRR steamer from 1st edition of RRC 10 in two sizes

10 D&RGW locomotive from the 1st edition of the LP the Siverton Train

11A Print block for NKP LP

12 Ad for RRC 25

13 Ad for RRC 25 reversed

14 Print block for large ad

15 Print block for large ad reversed

16 Ad for traction watch fobs

17 Ad for steam LPs

18 Ad for steam LPs reversed

19 Strange RRC ad

20 Strange RRC ad printed version

I also acquired a good number of print blocks, which are mostly quite small and were used in the RRC advertisements. I have a bunch of print blocks of the LP covers, all about the size of a postage stamp. They were used in ads and in the catalogs. There are a few complete ads that mostly feature a single record release. One large ad of interest is a very 1960’s, almost psychedelic illustration of a steam locomotive looming over a record player. Smoke is shooting from it’s stack and entwined within the billows of smoke are such things as a whistle blowing, a box cab electric locomotive, and a steam train. LPs are seen flying through the air and the words “steam and electric recordings” in twisted snake-like lettering fills the upper portion. Wild and unexpected. I would certainly like to know if this ad ever appeared anywhere in print.

I did not make a list of these small print blocks, there are just too many. I did photograph a representative selection of them. These photos will give a good idea of what is in the collection.

RECORDS

1 41 copies of RRC 3

2 18 copies of RRC 5

3 RCA test pressing for Sound Scrapbook Steam showing notation on upper left of sleeve

4 RCA test pressing for Illinois Terminal one of only 3 good discs

5 Back of RCA test pressing for Illinois Terminal

6 Close up of RCA test pressing for Illinois Terminal

7 Close up of RCA test pressing for NKP

8 RCA test pressing for CN showing damage

9 Metal press stamp

10 Metal press stamp with cardboard sleeve

11 RRC Nashville Metal press stamp

12 Metal press stamps in cardboard sleeves for RRC4 B&O

13 3 RRC Nashville Metal press stamps

14 Metal press stamp for RRC LP

15 Railroad Record Club SP-4 boxes and sleeves

16 Record jackets for each of the 3 records in the SP-4 set

17 Label for 1st edition of record 1 side 1 of RRC-SP4

18 Label for 2nd edition of record 1 side 1 of RRC-SP4

19 Label for 3rd edition of record 1 side 1 of RRC-SP4

Since the estate dealer would only sell me the tapes unless I bought the entire lot, including the remainder of the RRC LP stock, I had no choice but to buy them. I’ll admit I would not have wanted to see all these mint condition, still sealed LPs go in the trash, but what am I going to do with them and where am I going to store them? These questions I’m still contemplating. However, these concerns are secondary to preserving and digitizing the tapes. I have a few options, I can rent a table at a few railroadiania swap meets, contact a few local hobby stores and see if they are willing to sell some, and David and I have been thinking of making them available through the blog.

I’ll have to carefully consider my options. It would be nice to make a little of my money back and put it towards digitizing tapes. For the record, here is a list of the 12″ remasters. They are all still sealed and, for the most part, in mint condition. A few may have a bend or crease in the jackets and a few copies of RRC 20 have brown water stains in the lower right corner.

12″ remaster LPs:

41 copies of RRC 3, EBT/D&RGW
18 copies of RRC 5, D7rgw
36 copies of RRC 8 CN
29 copies of RRC 3 15, CB&Q
34 copies of RRC 16, Westside Lumber
25 copies of RRC 20, NYC/C&IM (6 copies have water damage)
15 copies of RRC 26, CNS&M Freight
22 copies of RRC 29, NKP 779

Included with the unsold record stock were several mint copies of the original 10″ LPs:

10″ LPs:
1 copy RRC 2, WCF&N
1 copy RRC 4, B&O
2 copies of RRC 5, D&RGW
1 copy RRC 7, N&W
1 copy RRC 8, CN
1 copy RRC 10, PRR
1 copy RRC 16, Westside Lumber
1 copy RRC 17, Soo Line
1 copy RRC 19, DM&IR
1 copy RRC 20, NYC/C&IM
8 copies of RRC 28, Charles City Western
1 copy RRC 29, NKP 779
1 copy RRC SP-2 NP 2626

Twenty-four RCA test pressing were included in the sale, ten 12″ pressings and fourteen 10″. All these pressings are stamped on one side only and on the paper sleeve of two of the 12″ pressings there is a hand-written note: “Masters will be 12 inch”. This is the one rather disheartening part of the story. All but three of these test pressings are in very poor condition. The accrete has flaked off in large chips. When I removed the disc from the paper sleeve to determine its condition, a black snowfall often resulted. I’m not sure what to do with these, they are really just trash now. I will photograph the label of each one for my archive but after that, I just don’t know. The three good discs are two 12″ pressings for both sides of RRC 15, CB&Q. It’s lucky that the only undamaged 12″ RCA test pressings are for the two sides of the same record. The one good 10″ disc is for side 2 of RRC 25, Illinois Terminal.

The metal stamping plates vary in condition. I was able to inspect these plates while at the dealer’s property last July, so I knew what to expect. I turned them down last year to save my money for what I considered the good stuff, the artwork and 78rpm records. All the original RCA stamp plates were lost in 1973, necessitating the 12″ remaster program. These plates are the Nashville-made stamps made in the late 1970s and throughout the 1980s. As I remember it, all 17 master plates were in the dealer’s warehouse. I only looked at them briefly but the top few were scratched and dented. Now, if I wanted the tapes, I had to buy them. Here I did a little dealing. Since these plates were a bit heavier than the records and I was paying for shipment by the pound, I convinced the dealer to choose a few of the stamps that were in the best condition. Those in poor condition he would not charge me for and he could discard them. The archivist in me wanted to save them all, but compromises must occasionally be made.

In all I got twelve of these stamps, five are 14″ and 7 are 12″.

I ended up with a bunch of returned records as well. Numbering somewhere around fifteen or twenty, these records were returned by buyers dissatisfied with them. Most of them have a note attached with the buyer’s name and his complaint. Things such as scratches, surface noise, and various clicks and pops were the most often cited reasons for the return.

An interesting find was various copies of the records that comprise the three-record set of SP-4. I was able to put together a set of each of the three pressings this set had. A surprise was a set of these records not in the display box that they came in, but in three separate record jackets. Each jacket had the same drawing of CSS&SB MU #108 that appeared on the box lid. Perhaps this was some sort of test printing or the original idea for the jackets. I may never know but I’m sure it is a unique set.

PHOTOGRAPHS

A Washington and Old Dominion RPO (Railway Post Office) on a mail run outside Rosslyn VA. Here is some additional information, via trainorders.com: “The shot of eastbound car 44 was taken at the grade crossing of North Quinn Street; which was located just outside of Rosslyn,VA near the west end of the bridge that carried the W&OD across Lee Highway and into the Rosslyn yard. 44 had been rebuilt into an RPO, by the railroad from a 1912 Southern Car interurban combine. After passenger service ended (for the first time) in 1941, 44 continued to run under wires by itself twice a day for mail and express duties; until the conversion to diesel power in 1942. After the power was turned off for good; 44 was hauled by a GE 44-tonner.”

NP 4-8-4 2686

CA&E Elgin train on street in Aurora IL 1931

Capital Transit PCC and bus Catholic University

D&RGW 476 locomotive featured on SP-1

D&RGW 481

Des Moines & Central Iowa car 1710

EBT 15 on a rainy day very likely while record 3 was being recorded

Evansville & Ohio Valley car 134

Ill Terminal car 285

Ill Terminal local on Caldwell Hill East Pearia about 1936

Indiana box car 550

Indiana RR 752 waiting for loads at mine scale

Indiana RR car 64

Indiana RR car 93 at Anderson IN September 4 1938

Indiana RR Vigo with rails ripped out.

Interstate car 711 ex-IPSC 427 September 3 1939

Interstate car 711 on shop siding west of Greencastle June 3 1939

Interurban car 44 and REA truck Rosslyn VA

MC&CL RR car 34

MC&CL Steeple cab 52

Nice right of way photo but no info other than date March 31 1936

S T F Co RR 54 Farmington MO

Unidentified car and person

Unidentified steeple cab locomotive

Unidentified steeple cab locomotive photo 2

Waterloo Cedar Falls & Northern car 100 this car is featured on RRC 2

Here again I had to do a little dealing. I went quickly through the box of Steventon photos last year, choosing about 20 photos to purchase. The box contained a mix of railroad photos and family snap shots. The family photos outnumbered the trains. Again, I did not want to pay for, or have the added weight of photos that were just going to be tossed away. Steventon’s son was the one who sold all this family history in the first place, so I saw no reason to try and get it back to him. The dealer agreed to sort the photos and sell and ship only railroad photos. He would discard the unwanted photos.

In all there are 135 photos of railroad equipment, mostly traction subjects. Some have complete caption information, and some have nothing. There are 23 photos of active traction right-of-ways but no caption information. 24 photos of abandoned traction right-of-ways have no captions. I cannot be sure if it is a “before” and “after” series of 27 photos. I also received 11 steam negatives, the aforementioned NP 4-8-4 # 2686 (two almost identical shots at Staples, MN) and several D&RGW narrow gauge roster photos. There is one EBT negative and a shot of a steam tractor. I haven’t had time to scan all of these photos yet, but they will appear in the Trolley Dodger as I do. For now, here are a few scans to whet your appetite.

DOCUMENTS

Stack of prints of Soo 2715

VHS VIDEO TAPES

There was one last surprise waiting for me. There are eight VHS video tapes in the estate lot, seven of which were professionally produced programs of traction subjects, several of which Steventon provided audio for. One tape on a store-bought blank was labeled simply “Railroad Programs”. I thought it was most likely a tape of TV shows about trains, but I popped it in the player just to see. It turned out to be a recording of a presentation that Steventon made to a local historical society. The video quality is bad, but you can hear everything he says perfectly.

It’s all really basic stuff, what you would expect him to present to a general audience. Such things as the appeal of a steam locomotive, the nicknames of various railroad job positions like “Hogger” for engineer etc. He then gets into the “sound portion” of his talk. He has a reel to reel tape player with him, and he explains the use of whistle signals and then plays a cut of a B&O EM-1 from Record number 4, noting the “two longs-a short-and another long” signal for a road crossing. He then goes into how a steam locomotive gains traction. Here he plays the sequence of SOO Line 2718 backing off the wye track from the intro record. He stops the tape at places to note the change in the locomotive’s sound and what that indicates to the engineer. Next, he talks about the use of torpedoes as a signaling device and plays a cut from Record number 8. He never says that these sounds are from his records. In fact, he never mentions that he ever sold records and the Railroad Record Club is not once referenced.

He eventually brings out a chart of steam locomotive wheel arrangements. He walks out of frame with it, but you can still hear what he is saying. At some point someone thinks to pan the camera around, but the view is only the back of the chart!

By the time he finishes with the chart, the program has gone on for about 40 minutes. Now he introduces “Whistle ‘Round the Bend” and plays the entire record, all 30 minutes. While the camera never moves during this, and Steventon just sits there listening, it’s a bit of a poignant moment. The video quality, as I said, is poor, and he is in the center of a wide shot, but it’s still possible to see that he is moved by the words and sounds he his hearing.

While little information is given about how, where, or when the sounds he played were recorded a little more personal stuff is revealed. He tells of the day in 1936 that his mother died. His father was at work and needed to get home. The NYC put every opposing train on the siding and he had green signals the whole way. He also tells us that he was a sickly child and his father took him onboard the locomotive with him, even against the rules, because he wanted to spend time with him, and make William happy, as the doctors said he may not survive into adulthood. With this video I was able to “know” William Steventon just a little bit better.

As I have these tapes put on to CD, they will be offered for sale in the online store. I bought these tapes not to just save them from destruction, but to have them made available to everyone who may be interested. I think that is perhaps the best way to ensure these historic sounds are preserved. Not just as a tribute to the people who recorded them who are now gone, but to ensure these sounds will endure to instruct and entertain future railfans long after we are gone too.

-Kenneth Gear

New Steam Audio CD:

FTS
Farewell To Steam
Mister D’s Machine
# of Discs – 1
Price: $14.99

Farewell To Steam
On February 6, 1955 the Santa Fe Railway ran a railfan train from Los Angeles to Barstow and back for the Railway Club of Southern California. This was Santa Fe’s last run powered by a steam locomotive over this route. The engine was a 4-8-4, #3759. We have used the original, rare 1955 mono version of this recording, and not the later 1958 reissue that had a bunch of echo added to create a fake stereo effect.

Mister D’s Machine
When diesel locomotives replaced steam in the 1950s, they offered a multitude of different sounds. This original 1963 stereo recording showcases the many sounds of diesels on the San Joaquin and Los Angeles Divisions of the Southern Pacific, including the Tahachappi Loop, an engineering feat that made modern railroading famous.

As with all of our recordings, this CD comes with the complete, original liner notes.

Total time – 72:56

Order Our New Book Building Chicago’s Subways

There are three subway anniversaries this year in Chicago:
60 years since the West Side Subway opened (June 22, 1958)
75 years since the State Street Subway opened (October 17, 1943)
80 years since subway construction started (December 17, 1938)

To commemorate these anniversaries, we have written a new book, Building Chicago’s Subways.

While the elevated Chicago Loop is justly famous as a symbol of the city, the fascinating history of its subways is less well known. The City of Chicago broke ground on what would become the “Initial System of Subways” during the Great Depression and finished 20 years later. This gigantic construction project, a part of the New Deal, would overcome many obstacles while tunneling through Chicago’s soft blue clay, under congested downtown streets, and even beneath the mighty Chicago River. Chicago’s first rapid transit subway opened in 1943 after decades of wrangling over routes, financing, and logistics. It grew to encompass the State Street, Dearborn-Milwaukee, and West Side Subways, with the latter modernizing the old Garfield Park “L” into the median of Chicago’s first expressway. Take a trip underground and see how Chicago’s “I Will” spirit overcame challenges and persevered to help with the successful building of the subways that move millions. Building Chicago’s subways was national news and a matter of considerable civic pride–making it a “Second City” no more!

Bibliographic information:

Title Building Chicago’s Subways
Images of America
Author David Sadowski
Edition illustrated
Publisher Arcadia Publishing (SC), 2018
ISBN 1467129380, 9781467129381
Length 128 pages

Chapter Titles:
01. The River Tunnels
02. The Freight Tunnels
03. Make No Little Plans
04. The State Street Subway
05. The Dearborn-Milwaukee Subway
06. Displaced
07. Death of an Interurban
08. The Last Street Railway
09. Subways and Superhighways
10. Subways Since 1960

Building Chicago’s Subways is in stock and now available for immediate shipment. Order your copy today! All copies purchased through The Trolley Dodger will be signed by the author.

The price of $23.99 includes shipping within the United States.

For Shipping to US Addresses:

For Shipping to Canada:

For Shipping Elsewhere:

Redone tile at the Monroe and Dearborn CTA Blue Line subway station, showing how an original sign was incorporated into a newer design, May 25, 2018. (David Sadowski Photo)

Help Support The Trolley Dodger

This is our 221st post, and we are gradually creating a body of work and an online resource for the benefit of all railfans, everywhere. To date, we have received over 446,000 page views, for which we are very grateful.

You can help us continue our original transit research by checking out the fine products in our Online Store.

As we have said before, “If you buy here, we will be here.”

We thank you for your support.

DONATIONS

Your financial contributions help make this web site better, and are greatly appreciated.

William A. Steventon’s Railroad Record Club

September 24, 2018September 24, 2018David Sadowski 11 Comments

William Steventon

Today’s post is the first of two by Kenneth Gear, long a friend of this blog. We have great news to report– Ken has finally been able to purchase all the remaining Railroad Record Club items from the dealer that purchased them many years ago from the estate of William A. Steventon, who died 25 years ago.

Ken details all that in another post, Railroad Record Club Treasure Hunt, Part 2. These new discoveries have enabled him to offer what is, to my knowledge, the first-ever comprehensive and factual history of William A. Steventon’s Railroad Record Club.

Thanks in great part to Ken’s dedication and persistence, you can find practically all the RRC’s 10″ and 12″ output, now digitized on compact discs for the 21st century, in our Online Store. We thank him for these efforts, and hope you will too.

-David Sadowski

INTRODUCTION

As regular readers of this blog know, David and I have been gathering bits and pieces of information about the Railroad Record Club and its founder, William A. Steventon. We wanted to get a better understanding of what went into making these records, and to put together a history of the club. David started the ball rolling in April 2015 when he wrote the first Trolley Dodger post about it. As soon as I read that post I jumped aboard having been interested in the subject for some time. Together we finally managed to accumulate enough separate fragments of the story so that when we put it all together, it formed an accurate outline of the events leading up to the formation of the club and offered some insight into its operation. We were also able to build a brief biological sketch of Mr. Steventon.

Separately David and I looked for any resource that might reveal some small bit of new information. We read liner notes, club newsletters, and we looked through back issues of magazines in search of RRC ads. We collected order blanks, and I purchased copies of records I already owned because they had club inserts tucked away in the jackets. I researched the meaning of the matrix codes engraved in the lead out grooves of the LPs to more accurately date them. We studied artwork and found some of Steventon’s personal correspondences. Everything came together when I purchased a large collection of Railroad Record Club items from Steventon’s estate. Combing through this material finally gave us enough information so that David and I could piece together the Railroad Record Club story you are about to read.

There are still unanswered questions to be sure and there are also missing recordings. We haven’t been able to secure copies of the 5th and 6th year sampler records. We also can only speculate on how, to whom, and at what cost these sampler records were distributed.

If any readers have any RRC material, please contact David. We only ask for a scan of any paper work or leads you may be able to offer as to who might be able to help. Thank you.

I have recently been able to purchase the last of the Steventon estate items I left behind last year (more on that in A Railroad Record Club Treasure Hunt, Part 2) and with luck David and I will be able to put together a few more pieces of the Railroad Record Club puzzle.

WILLIAM STEVENTON & THE RAILROAD RECORD CLUB

William A. Steventon was born in 1921 in Mount Carmel, Illinois, son of a locomotive engineer on the Big Four Railroad (New York Central). As a child he spent much of his time around the red brick passenger station and wooden freight house across from Main Street. The family eventually moved to Cairo, Illinois and there he would often ride in the locomotive cab with his father. In the liner notes to Record number 20- NYC/C&IM while describing an in-cab recording made with his father at the throttle, Steventon reminisces about his boyhood days spent there:

“It is strange that this recording should remind me of something that I had almost forgotten. If I hadn’t heard my father pull a whistle cord in 50 years, and in the distance I should hear a certain whistle, I would know that it was him. This recording also reminds me of the many times I had waited as a youngster for him to whistle near Cherry switch to let us know he was coming home from a north-end run. It reminds me of the many times I have walked down Washington Street in Cairo and heard him whistling in the yards.”

After serving in World War II Steventon married and took a government job. He and his wife settled in the Washington DC area and it is here that the Railroad Record Club story begins.

It all began when Steventon’s wife gave him a record of Railroad sound effects as a Christmas gift, most likely in 1952. While he was interested in the concept of recorded train sounds, he was very dissatisfied with this record. He was convinced that the sounds were not those of actual trains, that they were train “effects” created in a recording studio. He wanted sound recordings of REAL trains. He purchased one of the new reel to reel tape recorders that had recently become available and in March 1953, set out to make his first railroad sound recordings.

First recording

The first recording he made was along the Baltimore & Ohio Railroad at the Riverdale, Maryland passenger station (MP 32.4 on the Washington Branch). As best as can be determined, the first train he recorded was # 523 the “MARYLANDER” powered by an EMD diesel (he did not make note of the locomotive number). His second train was powered by steam but in his haste to hear the recording immediately after making it, he accidently partially erased it! He wrote about his frustration in an article for TRACTION & MODELS Magazine:

“When we made our very first recording in 1953 we took the equipment to Riverdale, Maryland and recorded a steamer thundering past the B&O station. When it was gone we stopped the recorder, rewound the tape and played it back. Nothing happened-the tape was silent. we waited thinking that the steamer wasn’t within “hearing distance” as yet, but when it became evident that we should be hearing the sound, we investigated. In our enthusiasm to “get recording” we had failed to become familiar with our equipment. Instead of pushing the playback key, we had pushed the record key and were erasing the sound we had just recorded.”

That partially erased recording, as well as the others he made that night, were discovered on a 78rpm acetate record in his estate. It is included on the Trolley Dodger Railroad Record Club Rarities Steam & Diesel CD.

During the next few years, Steventon made numerous railroad sound recordings, both in and around Washington DC and on trips to visit family in Illinois. Near Washington DC he recorded the streetcars of the Capital Transit Company, steam & diesels on the B&O, and Pennsy GG-1s. He even recorded the sounds of the Senate Subway. He made trips to Maryland to record the Western Maryland, the Hagerstown & Frederick interurban cars and freight box motors, and he rode and recorded the Baltimore streetcars. In Pennsylvania he recorded mainline steam on the PRR, revenue steam on the East Broad Top, and made extensive recordings of the Johnstown Traction Company and the Altoona & Logan Valley. In Illinois he captured the sounds of the New York Central, Chicago & Illinois Midland, Nickel Plate, Illinois Central, and Chicago Burlington & Quincy among others. He did recordings of the passenger and freight operations of the Midwestern electric railways including the Illinois Terminal, Chicago North Shore & Milwaukee, Chicago Aurora & Elgin and even recorded an entire run of Chicago South Shore & South Bend M.U. car # 108 from Chicago to South Bend. In Iowa he added the Waterloo, Cedar Falls & Northern, Southern Iowa, Cedar Rapids & Iowa City and Charles City Western. In his travels he made recordings of the Pacific Electric, Shaker Heights Rapid Transit, Wabash, Soo Line, Denver & Rio Grande Western narrow gauge, and Norfolk & Western. In a 1958 newspaper interview he stated he had traveled to fifteen states to record train sounds. It is quite an extensive output and not all of it has been pressed into vinyl or released on tape or CD.

All this recording did not come easily. Dragging the equipment from home to car and from car to trackside required the help of at least one other person. Steventon wrote about the difficulty of using this bulky equipment in the field:

“We had a 12-volt auto battery for the primary power source, a 12 v.d.c. to 110 v.a.c. rotary converter, a reel to reel recorder plus a satchel of extra equipment, tapes, and assorted material. Two men could struggle with all this equipment, but it required three men to carry everything with any degree of ease and mobility. In addition, we normally carried a battery charger for use with keeping the battery up to par during the night. This could be left in the auto during the day but was a very necessary part of our total equipment requirement.”

It is a wonder anyone was able to record anything, considering the burden it must have been to get all this stuff trackside. It makes one grateful for the ability to record high quality sound and high definition video with just a tiny cell phone as we can do today.

Steventon eventually took a job as manager of the Cream Valley Telephone Company and he and his wife moved to Hawkins, Wisconsin. There he would continue to make railroad sound recordings, start a family. and create the Railroad Record Club.

Doing all this traveling and making these recordings invariably put him in contact with like-minded people. It is safe to assume that they would want to trade and share the recordings they made with each other. In the mid-1950s this was no easy task. Modern home audio systems, as we think of them now, simply did not exist. The problem was made even worse if recordings were to be shared or sold to someone who did not make recordings themselves and therefore did not own a reel to reel tape player/recorder. While most people at the time did not own a tape player, a phonograph could be found in most homes.

Steventon pre-RRC 78rpm records

If Steventon wanted to give or sell his recordings to many other people, they would have to be put onto phonograph records. This too, wouldn’t be easy. The solution was to procure a portable disc cutter. These machines became available for home use starting in about 1929 and were most often used to record things off the radio. The standard record format of the time was a disc ten inches in diameter and made of aluminum covered with acetate. The 78rpm playing speed yielded no more than five minutes of content per side. These records had to be made in real time and the record blanks were quite heavy compared to a modern vinyl record. To distill more and varied content on these homemade records, he spliced together all sorts of bits and pieces and recorded brief introductions to tell listeners what they were about to hear. He conceived a catalog numbering system and had rubber stamps made for the most popular titles, the rest having hand-written labels. Steventon produced an extraordinary amount of records this way. Finding a sizable collection of these acetate records in the Steventon estate reveled just how extensive the output was. Although a complete catalog listing of these records can not presently be made, the following partial list is still very impressive.

01. Potomac Edison (aka Hagerstown & Frederick)
02. Shenandoah Central
03. Capital Transit
04. Johnstown Traction
05. Altoona & Logan Valley
06. Baltimore & Ohio
07. Shaker Heights Rapid Transit
08. Claude Mahoney Radio Program about NRHS fantrip (1953)
09. Pennsylvania Railroad
10. Nickel Plate Road
11. St. Louis Public Service
12. Illinois Terminal
13. Illinois Central
16. Norfolk & Western
17. Western Maryland Railway
18. Baltimore Transit
19. Senate Subway (Washington, DC)
21. Rochester Subway
22. East Broad Top
23. Chicago, Burlington & Quincy
24. Chicago & Illinois Midland
25. Niagara, St. Catharines & Toronto
26. Virginian
28. Queensboro Bridge
29. Wabash
30. 3rd Avenue Elevated
31. Minneapolis, St Paul & Sault Ste Marie
32. Louisville & Nashville
34. St Elizabeth’s Hospital (hospital in Washington DC that used a 0-4-0T to move coal from the B&O.)
37. Independent Subway

It is worth noting that this numbering sequence is totally different from the later one adopted for the 10” records issued later.

Things were apparently going well for Steventon’s railroad record enterprise for a while but things were about to change. Long playing 33 1/3 rpm records made of lighter materials and with improved sound were beginning to gain in popularity. Record blanks and parts for the disc cutter would undoubtedly become harder to get. Steventon needed to have his records made by a professional record pressing company to continue selling them. Steventon would have to make new master tapes for each release because the new records, although still 10”, could hold fifteen minutes of sound on each side-a full half-hour altogether. This would be the equivalent of more then five of the old acetates. He would forgo, for the most part, his spoken introductions and provide printed notes on the cardboard record jackets. These notes could be pretty sparse at first, containing little more than the railroad and locomotive number.

RRC intro record

RRC INTRO old SP5

Bill Steventon recording compressor noise on CNS&M interurban

Eventually he began to write extensive notes on separate sheets of paper that were inserted into the record jackets. In time, the first completed master tape was sent off to the RCA Custom Record facility in Indianapolis, Indiana and soon afterward the first official Railroad Record Club LP came into being. The record was titled simply INTRODUCTORY RECORD and carried no catalog number. Side one contained the sounds of Soo Line 4-6-2 # 2718 powering an August, 1955 fan trip between Minneapolis, Minnesota and Rice Lake, Wisconsin. Illinois Central 0-8-0 # 3509 switching at Centralia, Illinois was featured on the flip side. A look at the first four characters in the matrix code engraved into the lead-out grooves of a first edition of this record, G8OL, gives the following information: First is the date code-G indicates the record was manufactured in 1956, then the label code-8 showing it was a custom job that was re-recorded from the client’s source material. Next is the category code-O meaning it is a phonograph record, and the fourth character-L denoted the size, speed & groove, 10”, mono, & 331/3 rpm. The final numbers 0479 for side one and 0480 on side two were simply sequence numbers. The Introductory Record was therefore available for sale sometime in 1956 or perhaps 1957.

He made the decision to sell these new records not as a regular mail order business, but as a club. The club membership idea may have been the direct result of the expense associated with this new endeavor. He had to have the records pressed by RCA which required metal master plates to be made. Cardboard record jackets had to be purchased and be printed with photographs or drawings. Tape stock had to be bought for the making of the new master tapes. All in all, this must have been a considerable expense. Selling the records through a club meant that the members were required to purchase a set number of records and paying for them in advance, thereby guaranteeing he would get some return on all this investment. The club worked like this: Four records would be offered per year. Members could buy the records at the discounted price of $4 each providing they maintained membership by purchasing at least three of the selections. Membership expired upon the purchase of one year’s group. There were no membership dues, but records were paid for in advance to provide the necessary money to have the metal masters made. Special pressings could be purchased at club prices but were not counted toward the three-record minimum. Non-members could buy individual LPs at $5.25 each. $4.00 for a LP record sounds like a bargain but remember those $4 in 1958 had the same buying power as $34.72 in 2018! These Records weren’t cheap. According to a 1958 interview he gave to the Milwaukee Sentinel, the club started off very well. The article stated that there were some 200 club members through out the United States and several foreign countries including New Zealand, Australia, England and Canada. It goes on to state he has already sold 1,000 records.

Steventon continued to sell his records through the yearly club membership plan until October 1965 when the club membership requirement was withdrawn. The records would now be sold separately and at the same price to everyone.

From 1957 with the release of the Introductory record until October 1965 when the last regularly scheduled production of a Railroad Record Club release (Record number 32-New York Central) was offered, Steventon produced thirty-two regular club releases and three special pressings. One more release, SP-4-CSS&SB would be released later that year. Afterwards, Steventon released Records Numbers 33-36 and special pressings numbers SP-5 (a reissue of the introductory record) and the last all new Railroad Record Club record in 1983, number SP-6 Milwaukee Road box cab electrics. Each record was simply numbered in the order it was produced.

RAILROAD RECORD CLUB TITLES
0 Soo Line, Illinois Central (Introductory Record)
1 Wabash Railroad, Chicago, St. Paul, Minneapolis & Omaha
2 Waterloo, Cedar Falls & Northern, Southern Iowa Railway
3 Denver, Rio Grande & Western, East Broad Top
4 Baltimore and Ohio
5 Denver & Rio Grande Western
6 Potomac Edison (Hagerstown & Frederick)
7 Norfolk & Western, Illinois Central (Also includes a bit of Illinois Terminal Railroad)
8 Canadian National (aka Canadian Railroading in the Days of Steam)
9 Winston-Salem Southbound
10 Pennsylvania Railroad
11 Shaker Heights Rapid Transit
12 Duluth Missabe & Iron Range
13 Nickel Plate Road
14 Pacific Electric
15 Chicago, Burlington & Quincy
16 Westside Lumber Company
17 Minneapolis & St Paul, Sault Ste Marie Railway
18 Chicago, North Shore & Milwaukee
19 Duluth, Missabe & Iron Range
20 Chicago & Illinois Midland – New York Central
21 Duluth & Northeastern
22 Buffalo Creek & Gauley
23 Pennsylvania Trolleys
24 Canadian Pacific
25 Illinois Terminal Railroad
26 Chicago, North Shore & Milwaukee (freight)
27 Capital Transit Company
28 Charles City Western – Waterloo, Cedar Falls & Northern
29 Nickel Plate Road
30 Sound Scrapbook, Traction
31 Sound Scrapbook, Steam
32 New York Central
33 Chicago, South Shore & South Bend (freight)
34 Chicago, South Shore & South Bend (freight)
35 Milwaukee & Suburban Transport, Chicago, North Shore & Milwaukee
36 Chicago, Aurora & Elgin, Chicago Transit Authority

Special Pressings
SP1 The Silverton Train
SP2 Northern Pacific 2626 Memorial Album
SP3 Whistle ‘Round the Bend
SP4 Chicago, South Shore & South Bend Railroad (passenger)
SP5 Soo Line, Illinois Central
SP6 The Milwaukee Road (electric freight)

He also produced several “sampler” records which contain short snippets of tracks from the LP records.

THE RAILROAD RECORD CLUB SAMPLERS

1st & 2nd Year Sampler: (short excerpts from records 1 to 4 on side one & records 5 to 8 on side two)
3rd & 4th Year Sampler: (short excerpts from records 9 to 12 on side one & records 13 to 16 on side two)
5th Year Sampler: (short excerpts from records 17 to 20 recorded on one side only)
6th Year Sampler: (short excerpts from records 21 to 24 recorded on one side only)
7th & 8th Year Sampler: (short excerpts from records 25 to 28 on side one & records 29 to 32 on side two)

Among these forty-two LPs there are some real gems. He certainly started off strong with Record Number one. On side two there is one of his best “sound picture” type recordings. It features Chicago, St. Paul, Minneapolis & Omaha 2-8-0 # 219 switching in the yards at Spooner, Wisconsin on a dark misty night in October of 1955. This was one of his favorite audio sequences and he described it like this in the record’s reissue liner notes:

“Close your eyes and imagine you are in a Pullman berth. Your passenger train has stopped at the station and you are sleepily listening to this nearby switching movement.” And from the notes to the original release: “That night in October of 1955 was very dark, moonless and misting heavily. The sulfuric, yet nostalgic odor of coal smoke drifted sluggishly over the Spooner, Wisconsin yards as the sound of exhausts and squealing brakes seeped through the murky atmosphere. A dim yellow light at the south end of the station platform rocked in the wind, flicking shadows to and fro over the moving cars.”

If you don’t feel the dampness, smell the coal smoke, or find that you need to shake off a chill while listening to this, you’re just not trying.

There are so many remarkable sound sequences on these LPs that it would be impossible to list them all, Some of the most interesting ones include: a D&RGW narrow gauge train with a mid-train helper on Cumbres Pass on Record number 3, the B&O EM-1 stopping and starting sequences on Record Number 4, a PRR 4-8-2 on slick rail on Record number 10, the cab rides in CSS&SB freight motors on Record numbers 33 and 34, the list goes on and on.

William Steventon did not exclusively use his own recordings on the Railroad Record Club LPs. In the second year of the club he began to utilize the talents of his friends, and the most notable of the group was Elwin D. Purington. Mr. Purington’s considerable recording talents added greatly to the quality of Steventon’s releases. Three records were entirely comprised of his recordings and they are three of the best. Record number 8-Canadian National (re-released as “Canadian Railroading in The Days Of Steam”) is one of Steventon’s favorites, and SP-2 the Northern Pacific 2626 memorial album Steventon called “a masterpiece.” He provided the sounds for side one of Record number 12-DM&IR and his recordings of the CMSt.P&P electric freight locomotives are featured on Record SP-6. He also did the narration on Number 3-East Broad Top and SP-3-Whistle ‘Round the Bend. Thomas A. Hosick recorded the train sounds for Record number 9-Winston-Salem Southbound, and John L. Wise contributed to Record number 10-PRR. Harold O. Lewis did some fine recording work that was used on three LPs, Record number 16-Westside Lumber, number 24-Canadian Pacific, and number 31-Sound Scrapbook-Steam. Eugene Van Dusen made all but the final three cuts for Record Number 32-NYC, and finally A. L. Shade, another top-notch sound recorder of trains, added his talents to Record numbers 13-Nickel Plate, 29-NKP 779 and 22-Buffalo Creek & Gauley.

Excellent HM Pech cover RRC 5

Marginal HM Pech cover 1st edition of Record number 8

RRC 19

The sounds on these LPs were great right from the start, but it took awhile for the record jackets to evolve into something interesting and appealing. At first the record jackets had little in the way of cover art, nothing more than a small photo or two plus a few paragraphs of text. Eventually sketches of the featured locomotive pulling a train were added, usually draw by an artist who signed his work HM Pech. These drawings could range from excellent (Record number 5) to marginal (1st edition of Record number 8). All mediocrity was removed for good when the cover art for Record number 19 was revealed. The cover of this record is a very nice accomplishment. The drawing of DM&IR 2-8-8-4 # 222 is perfect in every way. This great drawing combined with an appealing layout makes for a wonderful cover. A new visual benchmark for the Railroad Record Club had been reached and there was no going back. The drawing was done by Marshall P. (Pat) McMahon. He worked for the Minneapolis Star Tribune as an illustrator. His drawings of railroad equipment are flawless. The detail is meticulously rendered and drawn with precision and skill. Mr. McMahon would from here on out, be the main artist used by Steventon to illustrate the record jackets. When second editions of previously released records were pressed, McMahon would be called upon to create a new cover drawing. Every one is a vast improvement over what had come before. He also got the call to do new drawings when the records began to be reissued on 12″ discs, and he even did at least one drawing that Steventon sold prints of (Soo Line steamer # 2715). He would go on to do cover illustrations for thirty record jackets for the club! Rounding out the list of artists employed by the Railroad Record Club: Ernie Towler did a fine pencil sketch of a Shay locomotive for the 12″ reissue of Record Number 16-Westside Lumber and he did the cover of the reissue of number 15-CB&Q. Herb Mott did a painting of a boy watching a steam train passing for the cover of SP-3-Whistle ‘Round the Bend. This record has the distinction of being the only one with a full color cover.

RRC 17 Steventon enjoyed being here Hawkins WI Soo station

RRC 17 1st edition drawing Hawkins WI Soo station

RRC 20

Advertising had to be done, and ads were placed in several railroad and modeling magazines including Trains and Model Railroad Craftsman. Such tag lines as “Authentic steam and electric railway recordings,” “Sounds you like to hear steam-traction,” and “Out of the past and into your home” were used. A mailing list was maintained, and announcements and sales information mailed directly to those on it. Records were sold in hobby stores, and Steventon sent LPs to railroad historical societies that coincided with the group’s interests. He even devised a unique “Audition Set Program”. To audition a set of records a request form had to be filled out. A choice could be made as to which records were wanted but a choice of pre-selected LPs could be made by choosing ” all steam” or “all traction” or both. A “random” selection could be made giving the customer the choice of titles and number of records. A deposit in the following amounts had to be sent: “all steam” consisting of 25 10″ records-$100.00, “all traction” consisting of 15 10″ records-$60.00 and “random” $4.00 each. After listening, the records were to be returned with (hopefully) a purchase order. The money for the purchased records would be deducted from the deposit and the remainder returned with the record order.

Eventually Steventon branched out and began to sell all types of things. His biggest sideline was selling photographs. The photo catalog alone was 40 pages! He sold 16mm, 8mm and super 8 traction movies, books, records from other producers, he even had a line of railroad logo watch fobs! In one sales flyer he was trying to unload his old adding machine, a Sears model No. 871.58251 (he wanted $40 for it postpaid).

After 1965, when The Railroad Record Club stopped functioning as a club, not much else changed. Steventon continued to release records and in fact had plans to release many more. In a 1966 newsletter Steventon makes mention of future planned releases, unfortunately not all of them were produced. He writes: “Future releases will be made on the basis of availability of time and material. At this writing an “on train” recording of the old 1000 series Chicago South Shore & South Bend locomotives is in production. No release date has been set.” (Records number 33 & 34). He continues: “Other material for future work includes many steam and electric lines including the Shenandoah Central (never produced), Baltimore & Ohio (never produced) Chicago Aurora & Elgin (Record Number 36), Chicago Transit Authority (record number 36) Queensboro Bridge (never produced) and others.”

This newsletter also announces the first Railroad Record Club selection ever to be released on 12” discs-Special Pressing number 4. “On December 21, 1965 a new milestone was established with the release of a set of three 12-inch 33 1/3 rpm recordings of the complete run of interurban No. 108 from Chicago to South Bend. Approximately two hours playing time and conveniently arranged for automatic playing sequence. Prepared and recommended for the devoted traction enthusiast.”

Through the rest of the 1960s and into the 1970s Steventon successfully sold his records. Some of the most popular selections had second and even third editions pressed, and the covers and liner notes continued to evolve, The liner notes were becoming more extensive and contained more information, not just about the equipment recorded, but somewhat personal stuff as well. For example, on record number 17, the entirety of side one contains the sounds of the activities going on inside the Hawkins, Wisconsin Soo Line station. Although Steventon writes in the third person he conveys his pleasure at being there. The sound of the telegraph, talking with the agent, the rumble of trains going past, the whole “atmosphere” he loved. “Plant your feet on the desk” he writes, “lean back in your chair and you’re the agent at this small village station.” He wrote fond boyhood memories in the notes to Record number 20 and revealed in those same notes just how he felt about diesel locomotives. He wrote that while recording a C&IM 0-8-0 switcher going about her chores, he was “dismayed” and “disgusted” when a GM&O RS-1 came onto the scene. He included the diesel on the record however, noting that the steamer and the diesel sharing the stage made for an interesting recording. As he puts it: “Actually this could be considered as the tug-of-war between two types of motive power as to which will dominate the railroad scene”. At this point, he had to be dismayed to know steam would be the loser. Eventually his negative view of diesels must have softened a bit because in 1988, when he revised the notes to Record number 20, he removed the word “disgusted” although he continued to be “dismayed”. Steventon never released an LP that was entirely diesel sounds. He recorded diesels with some degree of regularity, as his first recording was of one. In his estate there was an open reel tape labeled “Nickel Plate Diesels” and on those acetate records there are plenty of B&O diesels. Perhaps he thought his record buying customers wouldn’t want to spend money to hear those “disgusting” machines. Rarely is the sound of a diesel included on any of the records.

The Railroad Record Club continued steadily along until early in 1973. A situation then developed that could not be easily overcome, in fact, it never would be completely. Early in that year RCA informed Steventon that they would no longer press his records. In club announcements concerning this situation Steventon wrote “In February of 1973 they (RCA) notified us that all of their custom work was being discontinued.” If RCA would not press his records, he would just have to find another company that would. That plan quickly died when another, more devastating difficulty was discovered. RCA had lost or destroyed all the Club’s metal master discs at its Indianapolis plant. Without those master discs new records could not be pressed by anyone. Steventon was stopped cold. If he wanted to continue selling his previously released records, new master discs would have to be made. By the early 1970s 7” singles and 12” albums were the standards and the old 10” format was on the way out. New master discs would have to be made and they would have to be 12”. Steventon managed to surmount these obstacles. He found a new company to work with, Nashville Record Productions of Nashville, Tennessee.

Even as the process of remastering and pressing new records progressed, Steventon was cautious with his expectations. He wrote carefully in a flyer about the remastering: “Due to a shortage of raw material record pressings may become difficult to obtain. Consequently we have no guarantee that our complete line can be produced, but will re-issue each record as conditions permit.” Interested parties were mailed a “Railroad Record Club Advance Notice Mailing Card.” On this card selections were to be made as to which records the recipient wanted to be notified of when the 12” reissue was being readied. The recipient could then purchase the record at a pre-production discounted price. Progress was made, albeit very slowly. The RCA masters were lost in the winter of 1973 but by summer 1976, only two records had been reissued. The first two being number 10-PRR and the second Number 8-CN now titled “Canadian Railroading in The Days Of Steam.” Steventon could not simply reissue the records numerically starting at number one and progressing from there. This was a very expensive undertaking and he needed to release the most popular titles first. At first, he considered having all the records remastered at once and getting a press run of each. This idea was dropped when the cost turned out to be more then $30,000! He decided to go back to his original club plan where he required a set amount of those pre-production advance payments to come in. Once there was sufficient interest shown for a certain record, as calculated from the advance mailing cards, he would announce that it was being readied for remastering. He would only send an order to Nashville when enough of the pre-production money came in to justify it.

In a telling reply to an inquiry from a customer wanting to know why a certain record, number 36, was still unavailable, Steventon spelled it out clearly:

“The program of re-mastering was started in ’73 after RCA lost our metal masters. The pre-production offer is used to generate funds to pay for the re-mastering process. As a rule of thumb it takes about 125 pre-payments to cover these costs. Experience has shown that roughly only 50% of those who ask to be notified on a new selection actually follow through with an order. Thus we need 250 requests to start the program. As of this date (March 29, 1989) only 99 have shown an interest in record 36, CA&E. The pressing firm in TN has just notified us of another increase in production costs. Dollar wise we are now talking $1100 to $1200 to re-master and get the first press run. The RR club is not a profit venture – we only ask to break even. In 1987 we operated at a loss of $444.10. 1988 was better with a modest net income of $119.75. We need EVERY bit of interest shown to keep the program rolling – it is a tough job!”

It was a tough job to be certain and it was also a very slow one. An order blank from November 1984 shows only eight remastered records, Number 4-B&O, 7-N&W/IC, 8-CN, 10-PRR, 19-DM&IR, 29-NKP 779 and SP-5-SOO/IC the ex-intro record. Also for sale at that time was a second pressing of SP-4 the CSS&SB three record set. Also listed on this order blank was a brand new record. Even with the remastering difficulties going on the Railroad Record Club managed to release one last all-new record. This last hurrah was special pressing number 6-The Milwaukee Road- Box Cab Electric Locomotives on the Coast Division, recorded by Elwin Purington in stereo. On the jacket SP-6 is touted as the “30th Anniversary Issue 1953-1983.” Another fine McMahon drawing graced the cover.

As each 12” reissue was produced, Steventon would revise and update the liner notes. If the record had an existing McMahon illustration it was transferred to the new jacket in the same size it appeared on the 10” jacket, but with a wide white border. If a reissue did not have a previously drawn McMahon picture, one would be commissioned. These black and white record jackets were distinctive and attractive. On the reissues the audio content was always identical to the 10” version, since the same master tapes were used. There was one exception, however. Although the railroad sounds were exactly the same, on the original release of Record number 3-EBT/D&RGW, Steventon had recorded spoken introductions to each of the EBT tracks, just as he had done for the old 78 acetate records in fact, they are exactly the same. Steventon wanted these introductions removed to correct a mistake and instead of simply taking them off and writing the information into the liner notes, he had Elwin Purington re-record them.

The long and expensive remastering project continued into 1990. A test pressing for Record number 16-Westside Lumber had a memo attached that read: “Record No. 16, Westside Lumber Co. Record pressing approved if “blips” at approximately 3 min, 36 seconds into side one and continuing for about 6 or 7 seconds were corrected. Card returned 1/10/90.” Not all of the surviving test pressings have dates on the jackets, but it is obvious that this one had to be among the last. By the early 1990s’ compact discs were already poised to topple vinyl records as the standard audio format. Steventon simply choose not to upgrade to yet another new format. Record number 16 being reissued in 1990, proves that Steventon worked at remastering the records almost to the end of his life. He died in 1993, just three years after the test pressing date for Record number 16. The long, expensive, and difficult remastering program started in 1973 and continued into at least 1990. In all only 17 of the 40 10” records were reissued on 12″ discs.

RAILROAD RECORD CLUB RECORDS REISSUED IN 12″ FORMAT
#1-WABASH (10″ 3rd Edition Cover Art)
#3-D&RGW/EBT (New Cover Art)
#4-B&O (New Cover Art)
#5-D&RGW
#7-N&W/IC (New Cover Art)
#8-CN (New Cover Art) Title changed to “Canadian Railroading In The Days Of Steam”
#10-PRR (10″ 2nd Edition Cover Art)
#15-CB&Q (New Cover Art)
#16-Westside Lumber (New Cover Art) Cover changed from a photograph to a pencil sketch
#17-Soo (New Cover Art)
#18-CNS&M (10″ 2nd Edition Cover Art)
#19-DM&IR
#20-C&IM/NYC
#26-CNS&M (Freight)
#29-NKP 779
#SP-2-NP 2626 (Same photo used on both 10″ & 12″ record covers but reproduced smaller on the reissue)
#SP-4-CSS&SB (passenger) 3 record set was only released on 12″ stock in display box
#SP-5-Soo/IC Formally the introductory record (New Cover Art)
#SP-6-MILW Box Cabs (Only released in 12″ format)
17 records reissued from 10″ to 12″
2 records only released on 12″

The Railroad Record Club didn’t completely die with William Steventon. His son Seth revived the club some years after his father’s death by putting the entire line of records on cassette tapes. By this time, however, CDs were the favored format and the effort was shelved.

Because of William A. Steventon’s commitment to recording the vanishing sounds of a passing era on American railroads, and just as importantly, making those recordings available to all who were interested, we can today hear the sounds of a Hagerstown & Frederick interurban car speeding past a lonely country crossing. We can experience the sonic thunder of a New York Central 4-6-4 blasting out of Mount Carmel, Illinois with a whistle full of water. We can ride along in the cab of a CSS&SB freight motor on its trip out of Michigan city, and we can enjoy the work of the other talented railroad recordists whose work Steventon put on his records. We can even listen to that whining rotary converter in Harristown, Illinois.

-Kenneth Gear

New Steam Audio CD:

FTS
Farewell To Steam
Mister D’s Machine
# of Discs – 1
Price: $14.99

As with all of our recordings, this CD comes with the complete, original liner notes.

Total time – 72:56

Pre-Order Our New Book Building Chicago’s Subways

To commemorate these anniversaries, we have written a new book, Building Chicago’s Subways.

While the elevated Chicago Loop is justly famous as a symbol of the city, the fascinating history of its subways is less well known. The City of Chicago broke ground on what would become the “Initial System of Subways” during the Great Depression and finished 20 years later. This gigantic construction project, a part of the New Deal, would overcome many obstacles while tunneling through Chicago’s soft blue clay, under congested downtown streets, and even beneath the mighty Chicago River. Chicago’s first rapid transit subway opened in 1943 after decades of wrangling over routes, financing, and logistics. It grew to encompass the State Street, Dearborn-Milwaukee, and West Side Subways, with the latter modernizing the old Garfield Park “L” into the median of Chicago’s first expressway. Take a trip underground and see how Chicago’s “I Will” spirit overcame challenges and persevered to help with the successful building of the subways that move millions. Building Chicago’s subways was national news and a matter of considerable civic pride–making it a “Second City” no more!

Bibliographic information:

Building Chicago’s Subways will be published on October 1, 2018. Order your copy today, and it will be shipped on or about that date. All copies purchased through The Trolley Dodger will be signed by the author.

The price of $23.99 includes shipping within the United States.

For Shipping to US Addresses:

For Shipping to Canada:

For Shipping Elsewhere:

Redone tile at the Monroe and Dearborn CTA Blue Line subway station, showing how an original sign was incorporated into a newer design, May 25, 2018. (David Sadowski Photo)

Help Support The Trolley Dodger

This is our 220th post, and we are gradually creating a body of work and an online resource for the benefit of all railfans, everywhere. To date, we have received over 446,000 page views, for which we are very grateful.

You can help us continue our original transit research by checking out the fine products in our Online Store.

As we have said before, “If you buy here, we will be here.”

We thank you for your support.

DONATIONS

Your financial contributions help make this web site better, and are greatly appreciated.

Our Third Anniversary

January 21, 2018January 29, 2018David Sadowski 16 Comments

One of the two brand-new North Shore Line Electroliners at the Milwaukee terminal in June 1941.

For the longest time, January 21 has been a dark day in the railfan hobby as this was when the Chicago, North Shore & Milwaukee ceased operations in 1963. That was 55 years ago today.

We run North Shore Line pictures all the time, all through the year. Every day is a day to celebrate that storied interurban.

But January 21st is also the anniversary of when we started this blog. We have been here now for three whole years, with 206 posts and 362,000 page views to date. We hope to be here for a long time to come. That is another reason to celebrate.

Here are some more great traction photos for your enjoyment. We thank our readers for sharing them.

-David Sadowski

Annual Fundraiser

In about 10 day’s time, our annual bill to fund this site and its web domain comes due. That comes to $400, or just over $1 per day for the entire year. So far, we have collected $370 of the required amount. If you have already contributed, we are particularly grateful.

Any additional funds collected over this amount will be used to pay for research materials for our next book, which we are currently hard at work on. We currently have a unique opportunity to purchase some rare images that would be wonderful additions to the book. This opportunity is fleeting, however.

If you make a donation towards research, we will make note of this in the book itself as our way of saying “thank you.” We expect the book will be published later this year.

If you enjoy reading this blog, and want to see it continue, we hope you will consider supporting it via a donation. You can also purchase items from our Online Store. With your help, we cannot fail.

Recent Finds

“Former North Shore derrick car 607 and car 237, both now owned by Chicago Hardware Foundry Co., at North Chicago, Illinois, November 14, 1953.” Don’s Rail Photos adds: “237 was built by Cincinnati in May 1924, #2720, as a merchandise dispatch car. It was rebuilt with 2 motors and later as a sleet cutter,” and “607 was built by Cincinnati in November 1924, #2730. It was retired in 1949 and sold to Chicago Hardware Foundry in 1950 and renumbered 239.” North Chicago was also the original home of the Illinois Electric Railway Museum. (Photo by Robert Selle)

“Views of North Shore Line #189 and 150 at Highwood Shops, Saturday noon, August 7, 1955.” (Robert Selle Photo)

Chicago Aurora & Elgin car 403 “coming into Aurora from Wheaton (stopped to let off passengers).” This picture was taken on Wednesday afternoon, July 14, 1954. (Robert Selle Photo)

“CA&E freight train headed by loco 2001, to Wheaton from Aurora (taken at Batavia Junction), Saturday noon, April 25, 1953.” Notice all the platform extensions here have been turned up to provide the train with enough clearance to pass. They were flipped down for use by passenger trains. (Robert Selle Photo)

“CTA 1-man arched roof 3162 (in green and cream) on Lake Street, just west of Kostner (4400W), Saturday noon, November 28, 1953.” This was one of a handful of older streetcars that were repainted into a dark green by the CTA circa 195-54. (Robert Selle Photo)

Chicago Transit Authority PCCs 7229 and 7090 at 77th and Vincennes, along with salt spreader AA46. The date was May 16, 1954, when Central Electric Railfans’ Association held a red car fantrip. Don’s Rail Photos: “AA46, salt car, was built by St Louis Car Co in 1903 as CUTCo 4779. It was renumbered 1250 in 1913 and became CSL 1250 in 1914. It was rebuilt as salt car in 1931 and renumbered AA46 on April 15, 1948. It was retired on December 27, 1955.” (James C. Barrick Photo)

CTA 3093 encounters a flock of pigs at the Stock Yards on March 13, 1948. The streetcar is southbound on Throop at Hilleck Street on the Morgan-Racine line, which was abandoned on July 24 of that year. (Malcolm D. McCarter Collection)

“3 CTA Big Pullmans: #400, 295 and 374, in the yards at the end of the Kedzie barn (5th and Kedzie), August 9, 1953.” (Robert Selle Photo)

“8:05 am, Thursday morning, March 31, 1955: Chicago & North Western loco 654 (4-6-2), with commuter train, coming east toward camera at high speed at Oak Park Avenue, Oak Park, Il.” (Robert Selle Photo)

“Saturday afternoon, May 24, 1958: eastbound South Shore Line passenger train #109 at head end; has a silver roof. Michigan City, Ind.” The occasion was a Central Electric Railfans’ Association fantrip, using Illinois Central Electric cars on the South Shore Line. The IC train is just visible behind some poles in the center of the picture. (Robert Selle Photo)

These photos have been added to our previous post The Fairmount Park Trolley (November 7, 2017), which also featured several images from the Five Mile Beach Electric Railway:

The Five Mile Beach Electric Railway line truck on May 30, 1945, at the Wildwood car house around the time of abandonment. (Walter Hulseweder Photo)

A former Five Mile Beach Electric Railway streetcar at Wildwood, New Jersey in the late 1940s. The sign at left says, “Barbecued chicken our specialty.” (Walter Hulseweder Photo)

Here are some classic photos from the collections of William Shapotkin. We thank Bill for sharing these:

Chicago Transit Authority bus 9085 on Route 9 – Ashland on August 24, 1979. (Ron Sullivan Photo)

CTA car 6186, working a southbound trip on Route 9 – Ashland, has just arrived at the south end of the line at 95th Street in May 1951. The view looks northeast.

South Suburban Safeway Lines bus 458 in May 1971. (Richard R. Kunz Photo)

CTA 6213 at 95th and State Streets in 1949.

Chicago Surface Lines 6212 on 93rd near Blackstone on August 13, 1947.

CTA 745 at 4544 W. 26th Street in March 1950. The cross-street, described as Kenton, is not quite accurate as Kenton does not run in this area, which is the border between Chicago and Cicero.

CSL 5250 at 79th and Brandon.

CTA 3219 changing ends at 87th and Commercial.

CTA trolley bus 9584 at “Six Corners” (Cicero, Milwaukee and Irving Park) in April 1969, heading south on Route 54 – Cicero Avenue. Who would have thought when this picture was taken that this would someday become the very last Sears store in Chicago?

CTA 214 at Belmont and Western on December 31, 1948. At right is the famous Riverview amusement park, which closed abruptly after the 1967 season. The tall structure is the parachute jump, which I once rode on as a kid. It was a terrifying and exhilarating ride, especially since the harness was not especially tight.

CSL 2598 at 138th and Leyden in April 1934.

CSL 881 at Lawrence and Austin on Route 81 in March 1939. As you can see, this northwest side area was not very built up yet.

CTA 357 at California and Roscoe in March 1951 on Route 52.

The old Chicago and North Western station in July 1966. (Joe Piersen Photo)

Milwaukee Road loco 93A shoves an eastbound “Scout” under Lake Street. The view looks east-southeast.

CTA 4013is at the east end of Route 63 at Stony Island and 63rd on November 29, 1951. This was also the terminus of the Jackson Park branch of the “L”, which has since been cut back. I believe this is a Truman Hefner photo.

CTA 7011 is eastbound at 63rd and Western on June 4, 1950.

CTA 743 at Clinton and Adams on Route 60 in May 1948.

We previously ran another version of this photo in our post Surface Service (July 11, 2017) where it was credited to Joe L. Diaz. CSL 5094 is at Root and Halsted on Route 44 – Wallace/Racine in 1945. That’s the Stock Yards branch of the “L” at back.

CSL one-man car 3286 is at Montrose and Broadway on Route 78 in April 1942.

CSL one-man car 3116 is at 18th and LaSalle.

CTA 7027 is picking up a crowd of shoppers as it heads eastbound at 63rd and Halsted, sometime between 1948 and 1951.

CTA 177 is westbound on 63rd and State in March 1950, having just passed under the viaduct near Englewood Union Station.

CTA 478 is westbound on 63rd Street at Harvard in 1952. That’s the old Harvard “L” station on the Englewood branch at rear, which closed in 1992.

309 W. 63rd Street today. Additional steel was placed under the “L” when 63rd was widened.

Jeff Marinoff writes:

I’ve been meaning to contact you for a long time, but I never seem to get around to it. I have a huge collection of original 8 x 10 transportation photos and vintage post cards. Many of which are from the Chicago area. Attached is just a ‘very small’ sample of what I have.

Well, we are certainly very appreciative of this. Thank you for sharing these great pictures with our readers.

Wes Moreland’s Chicago in 1/4″ Scale

Eric Bronsky recently posted this video, featuring some incredibly detailed models made by Wes Moreland:

Pacific Electric, Hollywood Freeway

FYI, John Bengston runs a blog called Chaplin-Keaton-Lloyd film locations (and more). Streetcars and interurbans appear frequently in his posts.

We recently sent Mr. Bengston a suggestion for an article, covering filming locations for the 1941 W. C. Fields film Never Give a Sucker an Even Break. There are some shots of the Pacific Electric in this film, in particular the Glendale-Burbank line, and also the Hollywood Freeway, which was new at the time.

He does a tremendous job with his research, and he certainly took the ball and ran with it.

Part two has just been published and can be found here. You can find part one here.

Jack Bejna writes:

Congratulations on your third anniversary. I’m happy that I get a chance to enhance your fine posts once in awhile. I hope that there are many more posts to come.

Here’s a few winter shots on the CA&E. You’ll notice on the plow shots that they would put a plow on

just about any motor when they needed to clear the yard, and, probably along the main line if needed.

Ingenuity in action on the “Roarin’ Elgin!”

Don’s Rail Photos: “”Carolyn” was built by Niles Car in 1904. It was rebuilt as 209, a trailer coach, in 1924 and rebuilt in May 1939. It was retired in 1959.” From Ed Halstead’s blog Modeling Insull’s Empire in O Scale: “Parlor-buffet service was initiated in 1904. The parlor-buffet car Carolyn, although built after the original series of cars, was built much to the standards of the original cars. The Florence was built in 1906 and was slightly longer then the cars built before it. The Carolyn was a trailer while the Florence was a half-motor.” A half-motor car had two motors instead of the usual four. It could run in a train at normal speeds, but reduced the power consumption on the line.

CA&E car 308, built by Niles in 1906.

CA&E car 309, built by Hicks in 1908.

CA&E cars 315 and 207. Don’s Rail Photos: “315 was built by Kuhlman Car Co in 1909, #404. It was modernized at an unknown date and sold to Rockhill Trolley Museum in 1962. 207 was built by Niles Car in 1904. It was rebuilt in September 1940 and retired in 1955.”

CA&E suburban streetcar 500, built by St. Louis Car Company in 1927.

CA&E loco 2002 with snow plow attached. It was built by G. E. in 1920.

Again, CA&E loco 2002 with snow plow attached. It was built by G. E. in 1920.

Don’s Rail Photos says CA&E 3 “was built in the company shops in 1909 as a plow.”

CA&E locos 3003 and 3004 were built by Westinghouse in 1923.

At left CA&E 453, built by St. Louis Car Company in 1945, and at right, 413, built by Pullman in 193.

As always, we thank Jack for sharing these wonderful pictures.

Chicago Trolleys

On the Cover: Car 1747 was built between 1885 and 1893 by the Chicago City Railway, which operated lines on the South Side starting in April 1859. This is a single-truck (one set of wheels) open electric car; most likely a cable car, retrofitted with a trolley and traction motor. The man at right is conductor William Stevely Atchison (1861-1921), and this image came from his granddaughter. (Courtesy of Debbie Becker.)

Check out our new book Chicago Trolleys. Signed copies are available through our Online Store.

This book makes an excellent gift and costs just $17.99 plus shipping. That’s $4.00 off the list price.

Help Support The Trolley Dodger

This is our 206th post, and we are gradually creating a body of work and an online resource for the benefit of all railfans, everywhere. To date, we have received over 362,000 page views, for which we are very grateful.

You can help us continue our original transit research by checking out the fine products in our Online Store.

As we have said before, “If you buy here, we will be here.”

We thank you for your support.

DONATIONS

Your financial contributions help make this web site better, and are greatly appreciated.

A New Year- A New Beginning

January 1, 2018January 2, 2018David Sadowski 5 Comments

2017 in Review

Another year has come and gone. How quickly time flies. For this blog, it was another successful year, with 118,985 page views from 34,503 visitors. These numbers are more than 2015, but less than 2016.

We made fewer posts last during 2017, but they tended to be longer overall. Some had more than 100 images, and there are over 100 in this post. To date, we have posted over 30gb of classic images via this blog. It’s no coincidence that when I do Google searches on traction subjects, it seems like half the “hits” that come up are from The Trolley Dodger.

One of our goals has always been to provide a resource where people can find this type of information. I believe we have succeeded, and will continue to build on that success. There are some who think our hobby is on the decline, but I believe we have shown just the opposite.

Our average number of page views per post has continued to increase. In 2015, it was 995 per post; in 2016, this increased to 1744, and in 2017 we reached 3718 page views per post.

2017 was also notable for the publication of our book Chicago Trolleys, which has been very well received.

While at this stage, it is impossible to know how many posts we will have this year, we are committed to maintaining a high standard of quality on whatever we do present.

Among our other recent posts, we are particularly proud of The Fairmount Park Trolley (November 7, 2017), which included dozens of rare images, most from the original medium format negatives. It took us nearly three years to collect all this material, which probably represents a total cost of about $1000- and this was just one post.

As an example of how we have inspired additional research, I would point to our post The “Other” Penn Central (May 29, 2016), which has gradually gotten longer and longer, thanks to additions from our ever-inquisitive readers.

In addition, as time goes on, we have more and more friends who share their material with our readers. Today we feature the contributions of noted author Larry Sakar. The pictures are his, unless otherwise noted.

Happy New Year! May you and your family have health, wealth, and happiness in 2018.

-David Sadowski

PS- In about 30 day’s time, our annual bill to fund this site and its web domain comes due. That comes to $400, or just over $1 per day. If you enjoy reading this blog, and want to see it continue, we hope you will consider supporting it via a donation. You can also purchase items from our Online Store. With your help, we cannot fail.

Early Trolley Museum Visits

Larry Sakar writes:

You’ve been posting a lot of photos of CA&E cars of late, which reminded me of a day 47 1/2 years ago when I went to a trolley museum for the very first time. For several years, I would see the ads for IRM in Trains, Railroad (before it became Railfan & Railroad) and Model Railroader and I wanted to go there. Asking my father would have been useless. He wouldn’t have taken me in a million years. Neither of my parents approved of my interest in trolleys.

Luckily I had met Bill Beaudot in 1967, when he was the librarian in charge of the Local History Room at the Central Library downtown. My regular visits to read and reread CERA B-97, “The Electric Railways of Wisconsin” got him wondering what that was all about. All the remaining CERA Bulletins and other traction books had been removed from circulation, and placed under lock and key in the Local History Room.

And so it was that on a warm Saturday afternoon in August of 1970, I went with Bill and his family to my first trolley museum. But it was not IRM, well not initially anyway. The first museum we visited was then called RELIC in South Elgin, IL. RELIC was an acronym for the Railway Equipment Leasing and Investment Corp. Today we know it as the Fox River Trolley Museum.

CA&E wood car 20 was in operation that day, and we rode it from South Elgin to the end of the line at the I.C. bridge over the Fox River at Coleman. When they told the history of the line, I remembered that this was the line from which Speedrail cars 300 and 301 originated.

Of course, they spent 25 years in Cleveland operating on the Shaker Heights Rapid Transit, but so what? It was still nice to see where those cars began their service lives. And sitting on a side track was a car I had heard and read about innumerable times: NSL Tavern Lounge 415. Some years later they sold the car to Seashore Trolley Museum in Kennebunkport, Maine.

CA&E car 20 at the RELIC museum, August 1970.

The interior of CA&E car 20 in August 1970.

CA&E 300-series car at the RELIC museum in August 1970.

CA&E 300-series car at the RELIC museum in August 1970.

The Illinois Central interchange at Coleman with the ex-AE&FRE right-of-way, at the RELIC museum in August 1970.

North Shore Line tavern-lounge car 415 at the RELIC museum in August 1970.

Leaving South Elgin and RELIC we headed for Union, Illinois and IRM. As we crossed the museum line and entered the grounds, I saw Milwaukee streetcar 972 with CSL 144 behind it loading at the station. Instantly, I felt like a kid again, when I would get excited as my grandfather drove my grandmother and me to the Harwood Avenue terminus of the No. 10 Wells Streetcar line in Wauwatosa.

In those days you turned from Wauwatosa Ave. west to Harwood. You found yourself at the top of a very steep hill that dropped down into the Menomonee River Valley, and crossed the Milwaukee Road mainline at grade. And on the west side of those tracks sat the Harwood terminal and the No. 10 Wells streetcar line. A 100-car plus Milwaukee Road freight would cause a monumental traffic jam on both sides of the Harwood hill. In the ’80’s a bypass was built, and traffic no longer has access via the old route. Just as well. Both the streetcar and terminal are long gone.

Anyway, I did get to ride 972 and it felt like 1957-58 all over again. I even made sure to relive my childhood memory of streetcar rides with my grandmother by walking to the opposite end of 972 and sitting in the motorman’s seat. The only difference was I no longer needed someone to boost me up and hold me in the seat!

So here are scans of the prints from the pictures I took that day. I had a great shot of TM 972 speeding down the mainline, but I gave it away about 10 years ago, unfortunately.

While looking through some other pictures, I came across four pictures I took at IRM sometime in the 1980s or ’90s. Two are of my favorite car (after TM 972) Indiana RR 65 and 2 are of AE&FR 306 currently undergoing restoration. Car 65 was flying white flags and was not in regular service. It had been taken out for use in some movie.

I don’t remember much of the detail I heard, but it involved George Krambles in some way. That’s as much as I can recall. 306 was in the car barn parked next to IT 101. I did ride 65 on a member’s weekend once years ago. We reached the end of the line at the Kishwaukee River crossing. They threw whatever electric switches they had to in order to put control over to the back-up controller in the rear of the car, but it refused to budge. Our motorman had to radio for a car to come to our rescue. They sent down C&ME 354.

That was my first and to date only ride on that car. I’ve heard that 65 does not operate very often. While going thru a large group of my slides last Thursday that I had marked as “unidentified,” I found the interior photo I knew I’d taken of CRANDIC 111 at Rio Vista in 2000. I need to look thru the slides I have in my metal slide box #2 of 3. I’m sure I took at least one exterior of CRANDIC 111 that day.

Aurora Elgin & Fox River Electric 306 at the Illinois Railway Museum in the 1980s or 90s.

Aurora Elgin & Fox River Electric 306 at the Illinois Railway Museum in the 1980s or 90s.

CSL 144 at the IRM depot in August 1970.

CSL 144 with TM 972 ahead, August 1970.

Illinois Terminal 415 at speed on the IRM main line in August 1970.

The interior of Illinois Terminal 415 at IRM in August 1970.

Illinois Terminal 415 at the IRM depot in August 1970.

Indiana Railroad 65 at IRM in the 1980s or 90s.

Indiana Railroad 65 at IRM in the 1980s or 90s.

A North Shore Line 700-series car at IRM in August 1970.

Following the RELIC and IRM pix are a set of pictures taken on a PA Transit PCC in Pittsburgh in the winter of 1971-72. I did not take these pictures. My good friend Bill did, and gave them to me because he knew I liked PCCs.

Because I have never been to Pittsburgh, I am unable to tell the readers where these pictures were taken. PA Transit, for anyone not familiar with it, was the municipal agency that took over the Pittsburgh Railways Co. in 1967. PA stands for Port Authority, not Pennsylvania.

It has always struck me as unusual that streetcar service would be run by the Port Authority, but the Port Authority of Allegheny County was given the task of transit operations, odd though that may seem.

I can still remember the controversy in Railroad Magazine over how the Pittsburgh PCCs were painted in the late ’60s and perhaps early ’70s. Many were painted in three colors, each color being placed on one-third of the car. In keeping with the times one PCC was painted in this wild looking paint scheme and dubbed the “Psychedelic trolley.”

PA Transit 1727 in 1972. (Bill Beaudot Photo)

PA Transit 1727 in 1972. (Bill Beaudot Photo)

The interior of PA Transit 1727. (Bill Beaudot Photo)

A PA Transit PCC with the motorman using a switch iron in 1972. (Bill Beaudot Photo)

I’ll finish up with a few shots of the Illinois Central Electric (later METRA Electric) Highliners taken mostly as 115th St. Kensington station around 1975. I remember when I.C. first got them, and now they too are history.

-Larry

An ICG Highliner at Randolph Street in 1975.

An ICG Highliner at 115th in Kensington in 1975.

Looking north at the Kensington station, as a South Shore Line train approaches in 1975.

Looking north along the northbound track at Kensington station in 1975.

Looking south from the Kensington ICG station, with the tower to the left.

ICG Highliner interior.

An ICG Highliner at 115th Street in Kensington in 1975.

Sunny California

For all readers of The Trolley Dodger who are shivering in this arctic cold here’s a posting that will let you temporarily escape to a much warmer place; sunny California. During the 50s, 60s and 70s, California (except for San Francisco) shed its electric traction lines as fast as they could.

Much of this was due to a company called National City Lines. In city after city they bought up the rail lines (San Diego Electric Railway, Los Angeles Railway, Pacific Electric, Key System Transit), abandoned all rail service and replaced it with Mack or GM Buses running on Firestone Tires and probably burning diesel fuel supplied by Phillips Petroleum. And they didn’t limit their destructive efforts to just California.

Then came the 1980s, and slowly California began to wake up from its love affair with freeways. And it all started with the San Diego Trolley in 1981. So, it’s only appropriate that we begin our look at traction in the Golden State there.

The San Diego Trolley’s original cars were built by Duewag of Dusseldorf, Germany with help from Siemens.

Originally, the San Diego Trolley line to the Mexican border started here.

Self-service. Passengers entered the car by pressing the black button, seen to the lower right of the door.

Trains bound for the Mexican border had a San Ysidro destination sign.

The interior of the beautifully restored ex-Santa Fe (now Amtrak) San Diego station.

Look at that beautiful tile work, including the Santa Fe logo on the wall.

Interior of a Duewag car – spartan, but functional.

No controller, no brake handle – computerized push-button control.

A typical stop on city streets.

The maintenance facility on the line to San Ysidro.

A modern-day Southern California car barn, San Diego style.

More of the maintenance facility.

City College stop. Fare checkers board here.

Amtrak Redondo engine maintenance facility.

Arrival at San Diego. looking toward the rear of the train.

Arrival at San Diego. looking forward toward the front of the train.

Curving southeast through an industrial area. Note signal at right.

Curving southeast through an industrial area.

Leaving LAUPT, passing Mission Tower.

Now you know why the line was renamed the San Diego Surfliner.

Oceanside, CA – quite literally.

I can’t think of a city that so completely turned its back on electric rail transit and embraced freeways the way Los Angeles did except for Milwaukee.

In her 1969 Grammy Award winning song, composed by the magnificent team of Burt Bacharach and Hal David, Dionne Warwick asked the question, “Do you know the way to San Jose?” One of the lines in the song says, “LA is a great big freeway. Put a hundred down and buy a car.”

I can’t speak to “putting a hundred down to buy a car,” other than to say perhaps in 1969, but very unlikely in 2018! But I can attest to the sentiment that LA was and still is “a great big freeway.” There are two Amtrak routes between San Francisco and LA. The Coast Starlight is a long-distance train operating once daily between Seattle and LA. But like any long-distance train, it is often subject to delays. Even on time, arrival in LA is not until 9:00 pm.

The other San Francisco to LA train is a corridor train called the San Joaquin, operating between Jack London Square station in Oakland and Bakersfield. All Amtrak service between San Francisco and other cities arrives and departs from either Jack London Square station in Oakland or Emeryville station. Emeryville is a separate city, 12 miles north of Oakland.

And yes, it is the Emeryville where the Key System had its shops.

Passengers going to San Francisco are bused across the San Francisco-Oakland Bay Bridge via Amtrak Thru-Way buses. In the golden age of rail passenger service, trains such as SP’s San Joaquin Daylight, the Lark and the Owl plied the tracks between San Francisco and LA. But when Amtrak took over in 1971 the SP and later UP which now owns the tracks forbade Amtrak trains to continue over the Tehachapi Mountains from Bakersfield to LA.

Therefore, passengers such as me boarded an LA bound Amtrak Thru-Way bus on August 7th at Bakersfield for the two-and-a-half hour ride down I5 and the Hollywood Freeway to LAUPT. This was not my first trip between Bakersfield and LA, so I knew what to expect the closer we got to LA. From the Magic Mountain Amusement park in Valencia to Glendale, where my bus was making a stop, I5 was a sea of cars in both directions.

As bad as that seemed, the Hwy 1012 Hollywood Freeway to downtown LA was even worse. It made rush hours on the Kennedy and Eisenhower look like child’s play! I kept asking myself, “How does anyone put up with this, on a daily basis?” And gas prices in California were at least $1.00 per gallon higher than here in the Midwest. In fact, I think it safe to say everything costs more out there!

So, what brought about this miraculous turnaround from asphalt and concrete to rail? I could tell you, but as the saying goes, a picture is worth a thousand words. I took this photo from the Griffith Park Observatory which is perched some 1300+ feet above LA in the summer of 1980 just before the rail renaissance began. Note that orange cloud on the far horizon. That is smog and it coats LA like a blanket daily. It is unhealthy to say the least and extremely bad for people with asthma and other respiratory problems. I can only guess that one day, someone woke up and pondered, “How did we get ourselves into this mess?” That’s easily answered. You allowed National City Lines and Metropolitan Coach Lines to take over and destroy Los Angeles Railways and Pacific Electric the system that literally helped build southern California.

The last PE line from LA to Long Beach was abandoned by the LAMTA– an agency formed to save remaining rail transit in LA but which, because it was controlled by some of the same people who ran Metropolitan Coach Lines, did the exact opposite. That was in April1961, but luckily the right of way between LA and Long Beach was saved, as parts of it were used by Southern Pacific (of which PE was a part) for freight service.

So, it was only fitting that after an absence of almost 30 years, electric transit service between LA and Long Beach was reborn in the form of the new LA Metro Blue Line on July 14, 1990. And just two-and-a-half years after that, the new LA Metro Red Line subway between downtown and North Hollywood opened for service.

Ironically, the new subway was built just one block (in places) from the old PE Belmont Subway. (Note: Though often referred to as the Hollywood subway because PE trains headed there and to other locations in and near the San Fernando Valley such as Universal City and North Hollywood as well as Glendale and Burbank) operated thru it. But its official name was the Belmont subway, no relation to Belmont Avenue in Chicago.

LA from the Griffith Park Observatory in 1980.